Search Results for: other-spaces,-other-times

Capturing a behind-the-scenes glimpse into the world of science fiction, this unique autobiography by Robert Silverberg shows how famous stories in this genre were conceived and written. Chronicling his career as one of the most important American science fiction writers of the 20th century, this account reveals how he rose to prominence as the pulp era was ending-and the genre was beginning to take on a more sophisticated tone-to eventually be named a Grand Master by the Science Fiction Writers of America.

There were many reasons why the Time Kings sent their warrior hordes back through the endless corridors of Time. The ancient spaceships had been destroyed by the wrath of a people smarting under the aftermath of the Galactic War. But though the lanes of space were deserted to them, the Time Kings possessed a weapon more deadly than any other – the Amphichron. Sweeping through the grey ages, the warriors destroyed and pillaged the peaceful eras of the past.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

The Bear’s Baby and Other Stories gathers together for the first time six standalone tales by award-winning author Judith Moffett. Featuring aliens intent on halting humanity’s biosphere-destroying behaviour, an alternate USA under the presidency of Davy Crockett, cross-species telepathic communication, angels, dreaming, and climate change – although not all at once! – this is a collection defined by variety, and admirably demonstrates the broad range of Moffett’s skill as a writer.

With new introductions to each story from the author, The Bear’s Baby and Other Stories contains:

The Bear’s Baby
Chickasaw Slave
The Realms of Glory
Ten Lights and Darks
The Middle of Somewhere
Space Ballet

Without setting foot on another planet, people like Shep Blaine were reaching out to the stars with their minds, telepathically contacting strange beings on other worlds. But even Blaine was unprepared for what happened when he communed with the soul of an utterly alien being light years from Earth. After recovering from his experience, he becomes a dangerous man: not only has he gained startling new powers – but he now understands that humankind must share the stars.

Hunted through time and space by those who he used to trust, Blaine undergoes a unique odyssey that takes him through a nightmarish version of small-town America as he seeks to find others who share his vision of a humane future. Blaine has mastered death and time. Now he must master the fear and ignorance that threatened to destroy him!

A collection of science fiction short stories from the master author of THE DAY OF THE TRIFFIDS and THE MIDWICH CUCKOOS.

In 1941, Roy Sabre’s girlfriend Betty mysteriously disappears.

Ten years later he has constructed a time-machine and his first trip is to go back to find her.

But his arrival is observed and his machine attacked and damaged as it departs – instead of returning to 1951, it travels to the far future where mankind has disappeared and the Earth is under the control of machines controlled by insects.

Roy finds that several other time-travellers, due to damage and malfunction, have been cast forward to the same time . . .

Stories included:
– “Wanderers of Time”
– “Derelict of Space”
– “Child of Power”
– “The Last Lunarians”
– “The Puff-ball Menace”

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

Susan Galina and her friend Pat have escaped their normal lives into the elegant, isolated world of the Odyssey, a luxury cruise ship heading from New York to Europe via Bermuda. Pat is working on her doctoral thesis in quantum physics, and Susan is recovering from a recent and unhappy divorce.

To Susan’s delight, she discovers that her favourite author, Max Merriwell, is also aboard ship, teaching a writers’ workshop. Susan’s life becomes even more interesting when she meets Tom Clayton, the handsome chief of security. This cruise looks very promising indeed.

But the pleasant shipboard vacation turns dark as the Odyssey passes into the Bermuda Triangle. Each year, Max Merriwell writes three novels: a science fiction novel under his own name, a fantasy novel under the pseudonym Mary Maxwell, and a mystery novel under the pseudonym Weldon Merrimax. The trouble begins when Max receives a threatening note that appears to come from Weldon Merrimax, Max’s own pseudonym. Susan hears wolves howling in the night, the ship’s passengers are seized with a dancing mania, and monsters lurk in the ship’s corridors. An eyewitness reports a murder – but the victim of the crime is not on the passenger list and the body is nowhere to be found. While others struggle to understand these strange events, Pat seeks the explanation in quantum theory.

Arthur C. Clarke was renowned for his science fiction, but his understanding of the subject was more than imagined.

First published in 1951, this painstakingly-researched non-fiction book shows the depth of Clarke’s expertise – he predicts the moon landings nearly two decades before they occurred, explores the potential use of satellites for communications more than ten years before Telstar 1 was put into orbit, and goes on to discuss the potential of space stations and long range orbital telescopes.

Informed by interviews with the foremost scientists and engineers of the time, Clarke presents his thesis for how man will explore space . . . and the reader can measure his predictions against reality.

‘He was a great visionary, a brilliant science fiction writer and a great forecaster. He foresaw communications satellites, a nationwide network of computers, interplanetary travel; he said there would be a man on the moon by 1970, while I said 1980′ – and he was right’ Sir Patrick Moore

Rudolf Mallory was one of the many pathetic pieces of human flotsam on the tide of the 20th-century neurosis. He was a man who had reached the end of his rope, death seemed pleasant by comparison… He tried to take the easy way out, but something went wrong. Unknown to Mallory other men had problems too. Separated by vast distances of time and space, Rumal, citizen of an advanced humanoid society, with a strangely different technology had also decided to end it all…

Time and Space are almost perfect but rare warps and blemishes do exist in the continuum. They can produce peculiar events.

The Englishman from 1963 suddenly found himself on the other side of the galaxy. Rumal found himself in England. They had been unable to solve their own problems – could they solve each other’s?

First published in 1965, this brilliant, prescient book is divided into three sections:

The first concerns space travel and other aspects of the new space age: how our concept of time must be modified when we travel long distances, the space seas of tomorrow, uses of the moon, how lower gravity will affect the sports of space colonists and other fascinating ideas.

The second part is about communications satellites, a field in which the author has already played the role of true prophet.

The third section ranges widely over the side implications of the space age – scientific meddling, the lunatic fringe and the moral obligations of scientists.

The Iralians were humanoid and techically free citizens of the Galactic Empire. But as slaves they were prized above all others, for they had the unique capacity to transmit acquired knowledge through heredity. And so when the space mercenary Wanderer was hired by GLASS (Galactic League for the Abolition and Supression of Slavery) to take a cargo of Iralians home it was going to be a simple task!

For one thing, they’d be hunted by interstellar slavers for their priceless passengers.

For another, the Iralians themselves had other ideas which included mutiny and high treason.

And for the third and worst, they were too close to the Horsehead Nebula, whose capacity for warping time, space and the dimensions was a permanent Red Alert for all spacecraft.

Xalia was old when the Pyramids were built. Xalia was a woman when Gaza was an untouched coastal plain. Xalia was a woman when Abraham left Ur of the Chaldees. She was not alone. There were others like her. Human, yet more than human. Some were good. Others were evil. Others, like Xalia, still retained some human qualities. Even a goddess can fall in love and when she does Time and Space become meaningless. Xalia was prepared to go to any lengths to accomplish her strange purpose. What of those who got in her way? What of those who opposed her? Could Martin Slade resist the advances of a goddess? If not… what would happen to a man who was loved by an Immortal? What happened to those who tried to save him?

Poul Anderson wrote stories ranging throughout time and space, from the near future to the far future, tales set on Earth, other planets, and galaxies distant… sometimes with a bit of time travel added to the brew.

Call me Joe is the first of a multi-volume compendium of Poul Anderson’s best works from a writing career that spans over 50 years and contains 26 stories, including:

“Call Me Joe”
“Enough Rope”
“Starfog”
“The Helping Hand”
“The Man Who Came Early”
“The Sharing of Flesh” (1969 Hugo winner)
“Time Patrol”
“Tomorrow’s Children”
“Wildcat”

The dream of being a superman came true for Max Quest – and immediately turned into a nightmare.

He was not alone. There were Others with extraordinary powers, and the last thing they wanted was another superman on Earth – especially one working for good instead of evil.

They couldn’t kill him. But they could send him . . . elsewhere.

Elsewhere was the viciously hostile world of Qanar, where Max’s powers didn’t work and sorcery was a more potent weapon than science, where shadows were as menacing as steel. Max Quest still had to save Earth from the corrupt threat of the Others – but he found his destiny intricately linked with that of Qanar as well. And somewhere in space-time was his lost love . . .

Rhialto the Marvellous takes up the personal and political conflicts among a conclave of two dozen magicians of Ascolais and Almery in the 21st Aeon. The shocking appearance of the Llorio the Murtha, a powerful female force from an earlier aeon threatens to unbalance nature by “ensqualming” or feminizing the magicians. This triggers a tremendous struggle for power and the other mages turn against Rhialto. Hoping to reestablish his rightful place, Rhialto travels to other aeons to restore the missing Perciplex which projects the Mostrament, the constitution of the association. In his final adventure, Rhialto must, ultimately, travel to the very ends of time and space to confront an old adversary whom he had wronged and must commit further misdeeds to restore order.

When Robert Wolff found a strange horn in an empty house he held the key to a different universe. To blow that horn would open up a door through space-time and permit entry to a cosmos whose dimensions and laws were not those known by our starry galaxy.

For that other universe was a place of tiers, world upon world piled upon each other like the landings of a sky-piercing mountain. The one to blow that horn would ascend those steps, from creation to creation, until he would come face to face with the being whose brain-child it was. But what if that maker of universes was a madman? Or an imposter? Or a super-criminal hiding from the wrath of his own superiors…?

Hugo and Nebula award winner Anderson incorporates two stories he wrote for the Asimov’s Universe series into this absorbing posthumous novel, a fast-paced space opera that never lets the reader forget that aliens are alien. At a time when nearly immortal humans have colonized the galaxy, various space-faring species commingle freely and the residents of Earth have become as alien to other humans as true ETs, an astronomical event that may affect all existence is about to take place. Unfortunately, only one set of aliens knows what that event is and their ruling dictatorship is hell-bent on keeping it that way. Lissa Windholm, an Earth woman with a spirit of adventure men find attractive, is determined to uncover the mystery and share the knowledge with everyone. Lissa and her partner Karl, a tyrannosaurus-like scientist, make some startling archaeological discoveries on the planet Jonna about beings known as the Forerunners, but a psychologically scarred starship captain and an impressively ancient and profit-minded human rogue have other plans for the relics.

Lost in space…lost in time. There can be no more terrifying situation for any spaceman to be in, and such was the problem when Commodore Grimes’ Faraway Quest broke free from the mysterious Kinsolving’s Planet.

Because the universe was vast and they had been out beyond the Galactic Lens. Because time is infinite and they had slipped beyond their own epoch. Because in whatever universe they were in they could raise no etheric word, no telepathic beacon, no other star vessel.

But for John Grimes, a veritable Commodore Hornblower of the future space seas, there had to be a way back. The first step was to locate Earth, the launching place for all humanity.

But Earth turned out to be legend and myth and faith – and Grimes’ rebellious crew were to enact roles already fabled before they were born.

Kemlo, captain of Space scouts, and his young friend Krillie receive a visit from two Earth children, Dane and Lesa, Krillie’s cousins. Lesa is quite prepared to be thrilled by all that she sees on Satellite Belt K, but Dane sneers at everything – especially at the mechanical horse in the games-room. he boasts of his own prowess, and is heard by their science engineering master from Earth, who determines to teach him a lesson and at the same time to evolve, with the help of Kemlo and the other troop leaders, a new mechanical wonder, a New World Pegasus, a horse that can gallop in Space…

HUMAN VS INHUMAN

To the reptilian mind – especially the intelligent type of planets like Sergan and Obrac – the lives of others were as nothing to the need for status.

To the feline mind – especially to the clever advisor of the master of Sergan – the agonies of others were not only of no consequence, they could even be a source of joy.

So when these two types of inhuman intelligences got together to defy the Terran orders against interplanetary kidnapping, space hijacking, and human slavery, it was definitely a case for a top-notch secret agent. Because Earth could not afford a showdown with more than one alien species at a time.

The secret agent was Cap Kennedy, Free Acting Terran Envoy, and his pursuit of the SLAVE SHIP FROM SERGAN turned out to be one of his most dangerous single-handed adventures.

Like so many others before him, reluctant Sam MacGregor was sent on a pilgrimage for the Grail Vision by the Dancers: androids grown from the cells of one man, with the powers of hypnotism and illusion – androids who held the tribes of the Republic of California in thrall.

But soon Sam began to doubt his own identity, for he experienced, in close succession, extra-lives in different corridors of time and space.

And he count not know whom his search would destroy: the Dancers . . . or himself.

John W. Campbell was the man who made modern science fiction what it is today. As editor of Astounding Stories (later Analog), Campbell brought into the field such all-time greats as Asimov, Heinlein, Sturgeon and many others, while his own writing blazed new trails in science fiction reading pleasure.

The Moon is Hell is this great writer-editor’s vision of the first men on the moon – written 18 years before Neil Armstrong made history. This is the story of the American space programme – not as it happened, but as it might have been.

Somewhere in a far galaxy a being inconceivably alien is surging tumultuously from an unimaginable womb.

In a solitary prison cell on the Underworld, the vast prison-satellite in perpetual Earth-orbit, Terra Viridian is tormented by a vision, an imperative which has already driven her to an insane bloodletting.

On an Earth embalmed in peace by a ubiquitous bureaucracy, the Magician weaves his musical spells and tried to close his mind to the thoughts of others.

– just three links in a chain stretching across space and time towards a testing as awesome as it is unpredictable.