Search Results for: other-spaces,-other-times

Trapped behind walls of towering ice, First City was a prison from which no one ever escaped. The Trysts ruled with an iron fist: violent death was a common sight on the streets.

Morag MacKenzie was a mind-prostitute who gave erotic thought stimulation, without giving her body. Those who yearned for other escapes visited the Timesmiths, within those hands time could be moulded like clay as they spun dream-visions. But morag has her own dreams, of a world outside the ice walls, a world of space and freedom, and she is determined to find it.

Because he was bored with life on a world that had become a museum, Paul Hilder answered a mysterious advertisement, and found himself plunged into a life that was different, dangerous and far from boring.

This is the story of an Earth that existed alongside the one that Paul Hilder knew, and with which he became so involved that the bitter struggle waged on one world threatened to encroach on the other.

And it is the story of Ruth, daughter of the powerful Controller Orstey, and her longing for a peace and happiness that did not exist in her own space and time – a peace she tried to find by passing through the cosmic junction of THE ECHOING WORLDS.

“Mankind will cease to exist at 6pm GMT on 28th March 3256”. A computer prediction which threw the world into panic. What to do? Build a starship and take the chosen few to a new home in the stars. Or search for an alternative timestream where mankind goes on forever.

Matt Helm is to captain the last space shuttle carrying passengers to the starship, but his irrepressible desire for Fern Angelus corrupts his sense of duty. He agrees to take part in her time experiments.

Set against a background of passion and longing, Matt’s uncanny success with mind projection meets unforseen complications. He projects his mind to a future Earth: a world of shallow, extensive seas, mutated trees growing in layers on each other’s branches, and strangely evolved animals like snappersnouts, humpers and energy creatures.

Matt’s strange visions eventually meet reality when he discovers that the last load of passengers for the starship has been left behind; and he is one of them.

Since the beginning of time it had worked its will on humanity, and for as long as man could remember, he had struggled against its power. But in the 21st century the battle was won: the sea, mankind’s age-old enemy, had finally been conquered.
Professionals like Walter Franklin now patrolled the infinite savannahs of the oceans, harvesting from the plankton prairies as crop which kept the world fed. But like that other great frontier, space, the sea had not yet yielded up all its secrets. And men like Franklin would never rest until its every fathomless mystery had been challenged . . .

The ability to see other-dimensional rings that float in Earth’s atmosphere was a late mutation of a few space-age humans. Daryl was under the care of the institution for muters, and she had discovered that if you jumped through the right ring at the right time it would land you in another dimensional world and another shape.



Spaceling is the story of Daryl’s desperate efforts to unravel the mystery of why she was being held captive and of what was really going on in a certain alien dimension. Because she was sure it was all bad and that someday everyone would thank her for the revelation.



But instead everyone was engaged in a wild effort to hold her down, to keep her on this Earth, and to keep the world simply intact!

Harry Keough, aka the Necroscope, has always considered himself a master of the Mobius Continuum – a dimension existing parallel to all space and time and his personal instantaneous gateway to anywhere in the multiverse. But this is hardly overweening conceit on Harry’s part, for to his knowledge he is not unique; two other intelligences, with powers similar to his, do indeed exist. One such is the long-dead August Ferdinand Mobius himself, the German astronomer, mathematician, and discoverer of the eponymous Mobius Strip which led him to explore, posthumously, his previously conjectural Continuum; and the other is Harry’s son, who has not only inherited his father’s mathematical skill but also the metaphysical talent by means of which the Necroscope converses with dead people in their graves!

Picture Harry’s confusion, then, on returning home via the Mobius Continuum from an adventure in Las Vegas, as he witnesses however briefly a flailing figure hurtling conscious but uncontrolled through the endless midnight of the Continuum. Who could this be – how can it be? – that a helpless, silently protesting other is rushing meteor-like across the Continuum’s Stygian vault? Moreover, if he hasn’t arrived here voluntarily, then what vile murderer has sent his victim on this monstrous journey to the end of life itself? For Harry is sure that this is neither his son’s nor Professor Mobius’ doing.

Who and where is he, this Mobius murderer? It is a mystery that only the Necroscope can ever hope to solve – but at what risk to his own life?

Commodore John Grimes was finally getting his space wings back. On his old ship, Faraway Quest, Grimes was to venture forth to the very Rim of the known worlds, seeing … The Outsider.

“The Outsider’s Ship … is a storehouse of science and technology … we, and the Federation, and the Shaara Empire, and probably quite a few more, have sent expeditions. Every one has ended disastrously.”

So, it is out to the Rim and find The Outsider. But the mystery ship is not always easy to find. And other worlds, too, yearn for the treasures of the alien technology. What Commodore Grimes finds at the Rim, and what finds him there, sends him racing through time tracks, surrounded by enemies and temporary friends, trying endlessly to discover the secret dangers of … The Outsider.

At first it was just another hoax, another UFO story, but the sightings went on increasing.
It couldn’t be an alien, there had been so many false alarms, dramatic news-columnists had shouted ‘wolf’ so many times, that John Citizen shrugged his shoulders and said ‘nuts’ at the very mention of the word space-ship. Then one of them landed…
The things they did were not exactly friendly. In fact by the time they’d finished, they had made an old-time Viking raid seem like a social call from the vicar…
Many other attacks followed. Day after day and night after night the alien ships screamed in on their mission of death. The earth struck back. But no one could track the aliens to their lair.
They seemed to come from Nowhere. They weren’t Martians. They weren’t Venusians, and they weren’t from another system.
That left only one place where they could have originated… yet the truth was so fantastic that none of the earth governments would take it seriously until it was almost too late.
The enemy came from within! From the gigantic caverns at the earth’s core.

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS.

THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die.

THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul?

THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder…

In another world, somewhere in space and time, two countries – Bellogard and Chorny – are locked in perpetual war, conducted by magic. Each of the main members of the two countries’ courts – king, queen, prince, bishop, knight and squire – has their own form of magic, and special ways of moving magically. A war may continue for centuries, until one side succeeds in killing the other side’s king, at which point the whole world vanishes, only to reappear and have the cycle begin again. . .

Pedino is a young Bellogardian who becomes the queen’s squire and, as part of his training, is sent into a seedier part of the city to uncover a Chornian spy. During his adventures he meets and falls in love with a whore, Sara, who turns out to be a Chornian bishop’s squire. Pedino succeeds in killing the other Chornian bishop – a remarkable achievement for a mere squire; but in the manoeuvres which follow Chorny proves to have outwitted its rival, and Pedino’s whole world is threatened with extinction.

There have been many stories modelled on chess games, but none so ingenious and enjoyable as Ian Watson’s latest novel. And, as one would expect from Watson, the story of Bellogard and Chorny is only the beginning. When Pedino and Sara manage to escape the destruction of their universe, they find themselves in a series of even more bizarre worlds operating under still stranger rules, as they seek to discover the purpose of their existence, and the meaning of their universe. Queenmagic, Kingmagic is Ian Watson in sparkling, exuberant form.

More than any other series, THE AVENGERS typified the Swinging Sixties – beginning in 1961 with Patrick Macnee starring with Ian Hendry in a grainy, realistic spy thriller, and ending in 1969 with Macnee and the glamorous Linda Thorson blasting off into space in a surreal episode appropriately entitled ‘Bizarre’. Meanwhile we had seen the memorable Honor Blackman and Diana Rigg in roles unusually progressive for British television.

THE NEW AVENGERS in the mid-seventies reflected changing times but retained the essence of the show – as Macnee returned to play alongside another strong, independent heroine in the form of Joanna Lumley’s Purdey. And then there was the film…

THE AVENGERS DOSSIER is a uniquely comprehensive yet humorous survey of all the show’s incarnations. As well as a remarkably detailed episode guide to both series – even covering the kinkiness factor and champagne count in both – this volume gives behind the scenes insights and revelations about every aspect of the programme. The film and its production are examined, and critical essays look at the history behind the cult.

In the second book of the Blue Gemini trilogy, Air Force Majors Scott Ourecky and Drew Carson continue to fly highly classified missions to intercept and destroy suspect Soviet satellites.

But after experiencing numerous close calls in orbit, the astronauts soon discover that not all perils reside in the sky. With his marriage already at risk because he cannot explain his frequent absences and strange activities to his wife, Ourecky learns that his unborn child may be in grave danger as a radiation consequence of his flights into space.
Even as the Ourecky and Carson accumulate successful mission after successful mission in space, other crucial events occur much closer to home. Interservice rivalries reach new heights as a caustic but highly influential Navy admiral schemes to steal control of the Project from the Air Force. Realizing that a Soviet GRU agent is operating in their midst, a shadowy team of counter-intelligence operatives scramble to shield the Project’s secrets from discovery, leading to a confrontation that bears fatal consequences.

As they train to accomplish more difficult missions against complicated targets, Ourecky and Carson are asked to volunteer to risk their lives one more time in an extremely hazardous rescue mission. The stakes are high; even as they leave the launch pad, there is no certainty that either man will return.

For three decades science fiction legend Alan Dean Foster has captivated readers around the world, from his debut classic The Tar-Aiym Krang and his inspired scenario for the first Star Trek movie to a host of New York Times bestsellers, including Splinter of the Mind’s Eye and Flinx in Flux.
In this collection of twenty brilliant odysseys of the imagination, Foster once again soars beyond the limits of reality – where the real thrills begin…
NASA Sending Addicts to Mars!: It was the most insane idea in the annals of space travel – and the only one that would work.
Diesel Dream: Sometimes on dark, lonely highways dreams do come true, and this trucker’s hope was the best one of all.
Sideshow: Flinx hadn’t a clue about the alien dancer, but Pip knew trouble when she saw it.
Empowered: A magnificent male discovers the not-so-super part about being a superhero.
The Question: A bold adventurer determines to solve one of life’s profound mysteries.
…and fourteen other amazing stories!

Over the long years, ships of the Interplanetary Confederation had scoured the empty wastes surrounding Sol, searching desperately for a sister planet; a companion for the isolated worlds of the Solar System. Of the ships that were sent out, many returned. But always the answer was the same.

There were no planets! The worlds of Sol were alone in the Great Dark that swirled across the boundless heavens.

It was not until Steve Rane and Nick Brodine, in the Exploratory Ship Vega, reached across the yawning gulf of light years to Sirius, that they found the strange planet that rotated in its complicated orbit around the twin sun. It was an event transcending all others.

A discovery that plunged the planets of Sol into the greatest race of all time. For whoever controlled the alien planet, controlled the Solar System. And away from the watchful eye of the IPC it would be possible to build the greatest space armada in history and attack the Interplanetary Confederation without warning.

To Steve Rane, the order came from Earth Central. Zero Point has been set for three months hence. The ship of Jupiter must not reach the new planet first.

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer