‘Nobody but Dorothy Hughes can cast suspense into such an uncanny spell, and she’s never done it better’ San Francisco Chronicle
‘An excellent novel . . . A sympathetic study of the development of a criminal’ New York Times
It’s carnival time in Santa Fe, and three out-of-town visitors are drawn together in the heat, the smells and the colour of the festival . .
Sailor, a hood from Chicago, is there to confront his boss, Sen, a crooked politician, to try to get money for what he knows about the murder of Sen’s wife, killed supposedly during a robbery gone wrong.
Following them both is Mac, a man from the same side of the tracks as Sailor, but who has made very different choices. He’s a cop now, and wants Sailor to testify against Sen and put him away.
The three strangers collide, retreat and advance through the streets of New Mexico, moving ever closer to a charged and unexpected outcome . . .
‘An excellent novel . . . A sympathetic study of the development of a criminal’ New York Times
It’s carnival time in Santa Fe, and three out-of-town visitors are drawn together in the heat, the smells and the colour of the festival . .
Sailor, a hood from Chicago, is there to confront his boss, Sen, a crooked politician, to try to get money for what he knows about the murder of Sen’s wife, killed supposedly during a robbery gone wrong.
Following them both is Mac, a man from the same side of the tracks as Sailor, but who has made very different choices. He’s a cop now, and wants Sailor to testify against Sen and put him away.
The three strangers collide, retreat and advance through the streets of New Mexico, moving ever closer to a charged and unexpected outcome . . .
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Reviews
An excellent novel . . . A sympathetic study of the development of a criminal
Nobody but Dorothy Hughes can cast suspense into such an uncanny spell, and she's never done it better
An unforgettable portrait of a hireling who dreams of making it big even though he knows he's no good
