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Richard Garrison, a corporal in the British Military Police, loses his sight while trying to save the wife and child of millionaire industrialist Thomas Schroeder from a terrorist bomb. While Garrison is recovering from his injuries, Schroeder makes him an offer the young man cannot refuse – refuge at Schroefer’s luxurious mountain retreat and rehabilitation from the best doctors who can treat Garrison’s blindness, and, if not cure him, at least teach him a new way of life.

But Thomas Schroeder has a secret. His is dying and determined not to lose his life. The doctors tell him his body cannot be saved. But what about his mind? Garrison’s healthy young body would make an excellent replacement for Schroeder’s failing corpus, if the machines to perform the operation can be perfected in time.

Garrison has secrets of his own. Since the bombing that caused the loss of his sight, Garrison has become aware of new abilities slowly developing in his mind: mental powers he is beginning to master, strengths Schroeder cannot expect.

Richard Garrison and Thomas Schroeder, two strong-willed men locked in battle for the greatest prize – life itself.

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

When Princess madouc discovers that she is actually a changeling left by fairies in place of a baby boy, she sets out, with her servant and companion Pymfyd, to find her true identity. Madouc locates her mother, the fairy Twisk, easily enough, but her paternity poses a problem: Twisk is not certain who fathered her child.

Meanwhile, her uncle, King Casmir, attempts to conquer the whole island of Hybras, on which Lyonesse is located, and thwart the prophesy of Persilian the Magic Mirror that his sister’s son would one day rule. He is foiled at every turn by King Aillas of Troicinet and his son Dhrun, who is actually the child of the prophesy, but is older than expected because of a youth spent in the fairy shee (home), where time runs differently. A sly mixture of satire and epic, Vance’s medieval tale is a delightful conclusion to an epic fantasy trilogy.

Winner of the World Fantasy Award for best novel, 1990

A decade dead, Jacob Campbell is a preservationist, providing a kind of taxidermy to keep his clients looking lifelike for as long as the forces of entropy will allow. But in the Land of the Dead, where the currency is time itself and there is little for corpses to do but drink, thieve, and gamble eternity away, Jacob abandons his home and his fortune for an opportunity to meet the man who cheated the rules of life and death entirely.

According to legend, the Living Man is the only adventurer to ever cross into the underworld without dying first. It’s rumored he met his end somewhere in the labyrinth of pubs beneath Dead City’s streets, disappearing without a trace. Now Jacob’s vow to find the Living Man and follow him back to the land of the living sends him on a perilous journey through an underworld where the only certainty is decay.

Accompanying him are the boy Remington, an innocent with mysterious powers over the bones of the dead, and the hanged man Leopold l’Eclair, a flamboyant rogue whose criminal ambitions spark the undesired attention of the shadowy ruler known as the Magnate.

An ambitious debut that mingles the fantastic with the philosophical, Dead Boys twists the well-worn epic quest into a compelling, one-of-a-kind work of weird fiction that transcends genre, recalling the novels of China Miéville and Neil Gaiman.

Beloved Son told how the world was given atomic power and chose the atom bomb, was given the key to genetic miracles and chose biological warfare.

The world was lucky the first time; enough of it remained for salvaging in a few decades. It was simply unfortunate that in those difficult years a new menace arose-the offer of dreams-come-true in this world, here and now. There was a price of course. What World Council could not realize-and did not properly query-was the immensity of the price, but the offer was one nobody in his right mind could refuse. Or could he?

Psychiatrist James Lindley recognized the danger of dealing with the Devil but fanatical Police Controller Parker saw it as the Gift of God; Angus, whose name and face changed as often as his coat, saw it as a fine game to be played, while Commissioner Ferendija saw it as an exercise in pragmatism-and Security Tech Sanders lost everything he believed in as the welter of guilt and disillusionment swallowed him whole.

Under the pressure of decision the cracks showed in the highest echelons of the proud Ethical Culture. Is there a benefit so great that, if the price were the end of homo sapiens, we would pay it?

George Turner’s Beloved Son was the first volume in what is now recognized as on of the outstanding science fiction achievements of the past decade. Vaneglory is its successor; and, though completely self-contained, it develops with gripping imaginative brilliance the characters and situations already established in Beloved Son.

For eons, King Oblivion, Ph.D., was one of the most ruthless supervillains the world has ever known. As the CEO of the ISS (International Society of Supervillains) for half a century, he was personally responsible for numerous nefarious acts, including Nixon’s presidential election, stealing the country of Japan, Star Wars: Episode I-III, and Milli Vanilli, just to name a few.

Since his untimely (and inexplicable) passing, Matt D. Wilson, who was found rotting in one of Oblivion’s numerous dungeons, has discovered in his giant lair (located in the Earth’s mantle) what seems to be the early workings of the villain’s ultimate manifesto. Though in-depth research (and paper cuts), Wilson reviewed endless documents and has compiled numerous unedited chapters, email correspondences, and various threats which combine tell the “life story” of this anti-hero.

Supreme Villainy is an intimate look into the mastermind who once ruled the globe with an iron fist (and ray gun). For the first time ever, readers will learn of his birth (which has never been noted on record), rise to power, and domination of the world as we know it today. Revealed inside are never-before-seen notes, illustrations, and personal letters which, now collected, show a glimpse into the once-infamous villain’s uncompleted manuscript, and maybe a hint into who the real man was behind that horrible mask.

A quick-witted Irish safecracker juggles alchemy and automatons in the action-packed follow-up to the nineteenth-century United States steampunk adventure, King of the Cracksmen.

Liam McCool, the premier safecracker in 1877 New York, isn’t the type to hang around fairy circles on the Celtic day of the dead. But an invitation from his Gram leaves the “King of the Cracksmen” possessed by the spirit of Finn McCool, the great hunter-warrior of ancient Ireland and a mighty magical force.

Just in time, too. Edwin Stanton, once Lincoln’s Secretary of War but now a self-proclaimed dictator, has restored slavery in the United States, and conscripted every able-bodied white male to fight in the war he’s waging against Little Russia, made up of all the continental North America west of the Mississippi, sold to Russia by Andrew Jackson fifty years earlier.

Stanton needs Little Russia’s calorium, a mineral used to power America’s airships, factories, and humanoid automatons. But Liam and the love of his life, world-famous reporter Becky Fox, mean to stop him. Joined by Crazy Horse, the Sioux war chief and medicine man, and Ambrose Chen, a Taoist sorcerer and alchemist, Liam and company embark on a wild series of adventures from New Petersburg, where revolutionaries are fighting to overthrow the government, to the Bear Flag Republic, a California enclave governed by P. T. Barnum.

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

Harry Keough, aka the Necroscope, has always considered himself a master of the Mobius Continuum – a dimension existing parallel to all space and time and his personal instantaneous gateway to anywhere in the multiverse. But this is hardly overweening conceit on Harry’s part, for to his knowledge he is not unique; two other intelligences, with powers similar to his, do indeed exist. One such is the long-dead August Ferdinand Mobius himself, the German astronomer, mathematician, and discoverer of the eponymous Mobius Strip which led him to explore, posthumously, his previously conjectural Continuum; and the other is Harry’s son, who has not only inherited his father’s mathematical skill but also the metaphysical talent by means of which the Necroscope converses with dead people in their graves!

Picture Harry’s confusion, then, on returning home via the Mobius Continuum from an adventure in Las Vegas, as he witnesses however briefly a flailing figure hurtling conscious but uncontrolled through the endless midnight of the Continuum. Who could this be – how can it be? – that a helpless, silently protesting other is rushing meteor-like across the Continuum’s Stygian vault? Moreover, if he hasn’t arrived here voluntarily, then what vile murderer has sent his victim on this monstrous journey to the end of life itself? For Harry is sure that this is neither his son’s nor Professor Mobius’ doing.

Who and where is he, this Mobius murderer? It is a mystery that only the Necroscope can ever hope to solve – but at what risk to his own life?

On the Rim planet fittingly called End of Nothing, a bizarre society of robots and humans toiled for a thousand years to perfect a religion that would create a new and all-embracing faith – no novelty in a galaxy crowded with religions. But one project was hidden from the hordes of pilgrims welcomed at Vatican-17 on End of Nothing. A group of trained human sensitives were sending their minds ranging through all of time and space, gathering information. With that information, a computer of infinite knowledge, wisdom and infallibility was being constructed in secret – the ultimate Pope.

Of the three outsiders allowed residence on End of Nothing, one was tolerated at a distance by Vatican-17, one was welcome – and one was a threat to be countered.

Decker hardly mattered. His lifeboat had landed him on the remote planet, and he kept to himself in the wilderness. Neither the human nor robot authorities knew of the unseen companion who whispered constantly in Decker’s mind.

Dr Jason Tennyson had fled the political furies of his homeworld. Here, Vatican-17’s physician had died, and Tennyson’s skills were desperately needed and well rewarded.

Jill Roberts was a journalist in quest of a sensational story she had scented. Vatican-17 knew she could not be allowed to break the news of Project Pope before it was completed – and debated two possible ways of stopping her.

The one of the Searcher sensitives threw Vatican-17 into turmoil, threatening its very existence and involving the three outsiders in a sudden power struggle between human and robot.

Drifting in unsuspecting dimensions, the woman had encountered Heaven!

Welcome to Argylle, where the ruling family – a brilliant, flighty, civilized and occasionally dangerous clan of nearly-immortal warriors and magicians – are hoping for a few years of relative peace.

True, their Father Gaston has vanished, leaving both throne and family while he pursues some unexplained errand. His absence has stretched into years. True as well that their powerful Uncle Dewar has also wandered off without leaving a forwarding address, and hasn’t been heard from for a worrisome length of time. It’s a bad habit of running off that this family’s elders have.

But now young Prince Gwydion’s been stuck with ruling the Dominion of Argylle, and with any luck, life can go back to being a satisfactory mixture of intrigue, gossip and viniculture, periodically enlivened by amateur theatricals and the odd quest or two.

Yet Gwydion is finding this arrangement uncomfortable. Strange things keep turning up. A plague of monsters appears out of nowhere, attempting to take up residence in the local barns and forests. These are trumped by the arrival of a ravenous Great Dragon – ancient, sorcerous, profoundly cunning – so big you can see it thirty miles away. Meanwhile, a mysterious young woman has shown up, claiming to be Gwydion’s long-lost – indeed, quite unexpected – sister. And then there are the high-tech aliens, who say they just want to conduct a legal investigation. It’s enough, Gwydion thinks, to make a ruler want to find some nice long errand that’ll take him away from his homeland for a spell…

The Well-Favored Man is a courtly, complex, bloody-minded fantasy for those who love Roger Zelazny’s Amber, Ellen Kushner’s Swordspoint and the fantasy adventures of Steven Brust.

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

“LAMB HOUSE is in Rye, an ancient town of East Sussex, England. It is very much a real place, even a famous one, yet The Haunting of Lamb House is as elusive to review as it must have been to write. It is safe to say that no one but Joan Aiken could have written it, not only because she was born in Rye and has the town in her bones as it were, but also because she has the power — shown in her other books — of evoking strange, often eerie events of the past and making other times, places and people vividly alive. This book goes further: She has taken the real history of Lamb House and interwoven happenings that are purely imaginary, working so skillfully that even those who have lived there can hardly tell which is which!”

So wrote novelist Rumer Godden, who also lived in Lamb House. She went on:

“For those who do not sense such things, The Haunting of Lamb House is a most skillful and intriguing interweaving of fact and fiction; to those who do, it is a memorable evocation. In either case it is a little masterpiece.”

Lamb House in Joan Aiken’s birth town of Rye in Sussex is said to be haunted. This is her story of what might have happened to cause the haunting: using the imagined diary of an earlier Mayor of Rye, Toby Lamb, whose father built the handsome Georgian house, and later episodes that might have occurred during the occupancy of two of its famous literary tenants – Henry James and E.F. Benson.

Joan Aiken was born in another haunted house owned by her father Conrad Aiken: Jeake’s House, just around the corner in Mermaid Street, Rye, which she also wrote about in Return to Harken House.

“Joan Aiken has written a clever book, kindling a whole world of feeling out of small macabre details, presenting to the senses a series of apprehensions of reality which seem to touch a completeness beyond themselves. An impressive achievement; I shivered as I admired” Robert Nye, The Guardian

“Joan Aiken’s artful web of truth and fancy is divided into three histories of haunting – the first employs Aiken’s considerable skill in a vivid evocative rendering of the old town of Rye when the house was built…followed by the twenty years of Henry James’ residence. The end is worth waiting for…where E.F.Benson encounters hideous apparitions and even an exorcism in the last enthralling twenty pages” Miranda Seymour, T.L.S.

“Aiken has conjured up a deliciously scary ghost story…her mastery of style serves her well in the creation of three separate voices. Those familiar with Henry James’s writing especially The Turn of The Screwwill derive special enjoyment from this novel, but there are shivers enough for any reader willing to acknowledge the possibility of ghosts and the reality of evil” U.S. Library Journal

“In three interlocking ghost stories this veteran British novelist places a fictional haunting within the history of a real house, and displays a masterly way with several contrasting narrative styles, sympathetically evoking some ghostly presences…the wayward spirit of the house and the growing number of literary presences which gradually take possession” Publisher’s Weekly