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Star humans were engineered to exist within the mantle of a star, mere tools of their Earth-evolved makers in a war against the Xeelee, owners of the universe. Stephen Baxter’s third novel in his magnificent Xeelee Sequence is an exotic and endearing story of an abandoned people.

Abandoned to their fate, their history lost along with contact with their makers, Star people survive in an environment that is possibly the strangest in science fiction. Microscopic inhabitants of superfluid air above a Quantum Sea and below the tangled Crust of the Star, swimming in an electric-blue grid, the Magfield, which is subject to violent storms, Star people struggle, like us, to make sense of their world… and the threat hanging over it.

Though the truth is far more disturbing and ominous than they feared, they will confront, finally, their makers, and they will rebel against the purpose for which they were created.

Carl Kovak was an expendable political prisoner as far as the Eastern Totalitarian Government was concerned. He was being sent into orbit in a lead lined capsule to see if it offered adequate protection from cosmic rays. Carl was strapped in and waiting for blast-off when the first bombs fell. The lead saved his body but doubt was splitting his mind. He had believed in the honesty and integrity of the West. But what if the West had started the war?
Finally, after incredible hardships and dangers, Carl Kovak found the answer. Neither East nor West had launched the atomic missiles… they had come from Space! Now alien invaders and savage mutant stalked the earth. Could a handful of human heroes survive against such terrible odds?

For eons, King Oblivion, Ph.D., was one of the most ruthless supervillains the world has ever known. As the CEO of the ISS (International Society of Supervillains) for half a century, he was personally responsible for numerous nefarious acts, including Nixon’s presidential election, stealing the country of Japan, Star Wars: Episode I-III, and Milli Vanilli, just to name a few.

Since his untimely (and inexplicable) passing, Matt D. Wilson, who was found rotting in one of Oblivion’s numerous dungeons, has discovered in his giant lair (located in the Earth’s mantle) what seems to be the early workings of the villain’s ultimate manifesto. Though in-depth research (and paper cuts), Wilson reviewed endless documents and has compiled numerous unedited chapters, email correspondences, and various threats which combine tell the “life story” of this anti-hero.

Supreme Villainy is an intimate look into the mastermind who once ruled the globe with an iron fist (and ray gun). For the first time ever, readers will learn of his birth (which has never been noted on record), rise to power, and domination of the world as we know it today. Revealed inside are never-before-seen notes, illustrations, and personal letters which, now collected, show a glimpse into the once-infamous villain’s uncompleted manuscript, and maybe a hint into who the real man was behind that horrible mask.

The Gods and Goddesses of Ancient Greece and Rome had returned to Earth – with all their awesome powers intact. Overnight, Earth was transformed. War on any scale was outlawed, along with boom-and-bust economic cycles, and prudery. No change was more startling than the face of New York, where the Empire State Building became the Tower of Zeus.

In this totally altered world, William Forrester is an acolyte of Athena, Goddess of Wisdom, and a teacher of history. Only Maya Wilson, one of his students and a worshipper of Venus, Goddess of Love, had a different sort of grading in mind. Maya is the first of the many Trials of Forrester, every bit as mighty and perilous as the Labors of Hercules. In love with Gerda Symes (like him, a devotee of Athena and a frequenter of the great Temple of Pallas Athena – formerly known as the 42nd Street Library) and dedicated to the pleasures of the mind – Forrester falls under the soft, compelling pressure of soft, compelling devotees of Venus and Bacchus. He’s going to be in need of all the strength that he and his Goddess, the beautiful and intellectual Athena, can muster!

Into this sensuous strife stride the Temple Myrmidons – religious cops sworn to obey orders without question or hesitation – with a pickup order for William Forrester. Where he is taken, what happens to him, and the truly fantastic discoveries he makes about himself and the Gods and Goddesses … here are the ingredients that make up this science fiction novel of suspense, intrigue, mystery and danger!

Set more than four thousand years in the future, The End of This Day’s Business depicts a truly utopian way of life, a global society in which distinct national cultures are preserved but coexist without competitive nationalism, violence, or war. Women, characterised as the reasonable sex in this society, care for the earth and all it’s creatures. Only one price must be paid for this harmony. It is the subjection of men, who, stripped of their history and deprived of any knowledge of women’s sacred rights, complacently accept their ‘natural’ inferiority.

The plot turns on the desire of one woman, Grania, an artist and leader, to teacher her son what is forbidden for men to know. Risking both their lives, she tells the story of when men dominated, especially of the twentieth-century rise of fascism, and the subsequent world transformation as life-loving women took over from death-loving men.

For millennia, the alien union called the Weave had been at war with the Amplitur. But only in the handful of centuries since Earth had joined the Weave had the tide of the battle been slowly turning in the Weave’s favour. Then an elite unit, raised from childhood in dedication to the Amplitur Purpose and designed to match perfectly the Humans they were to fight, came of age – and it looked as if at last the Amplitur might prevail against the Weave.


But when one of the elite unit, a warrior called Ranji, was captured by the Weave, a horrible truth was revealed: Ranji was in fact Human, a subject of the Amplitur’s vile genetic manipulations.

The Weave promised to reverse the effects and help Ranji rescue other altered Humans from the clutches of the Amplitur. But neither Ranji nor his new allies could have know that the proposed cure would result in an abomination that could tear the Weave alliance apart – and brand Ranji and his kind as the most despicable creatures in the galaxy…

Dakos was an alien humanoid who hated earth; he detested the planet; its people were anathema to him. He loathed its cities; its countryside was an abomination to him. He lived for one thing only… the destruction of the world which had rejected him.
Dakos was no mean enemy. His hatred was allied to a brilliant mind and a very superior technology. He was a man of action… highly destructive action!
Security agents Blanthus and Croberg were after him, but Dakos covered his tracks with all the cunning of a diabolically clever homicidal maniac.
He could so easily pass as a terrestrial humanoid.
…Are you sure that man sitting beside you in the bus isn’t the alien? What’s in that case?
His clothes? His lunch? His business documents? Or an alien bomb?
This is the story of a world reeling from a war of nerves with a sinister secret enemy.

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Former Air Force officer and NSA agent Ron Moosic thought he had been assigned to be the Security Director for a nuclear power plant – but the power plant was only a cover for a top secret project sending observers back in time.

And terrorists had taken control of the project and sent two of their own back to change the past. Moosic was sent downtime in pursuit, with two considerable handicaps: like all time travelers, he would change upon arrival into a person who was alive at the time – he could find himself changed into a young boy or a woman – and if he stayed too long, his memories would vanish and he would be trapped in the past.

But Moosic quickly discovered that both he and the terrorists were only pawns in the time game, maneuvered by warring humans and… ex-humans in a future struggle that would either conquer the Earth or destroy all life on it…

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

The Earth lies in ruins in the aftermath of an invasion, the land devastated by an intergalactic war where neither side won. The seas are drying up while the atmosphere corrodes and slowly cooks all remaining life on the now desolate rock.

Few survivors remain, but one of them is Lucas, an ordinary man hardened by the last few years after the world’s end. He’s fought off bandits, murderers, and stranded creatures on his long trek across the country in search of his family. What he finds instead is hope, something thought lost in the world.

There’s a ship buried in a crater wall. One of theirs. One that works. To fly it, Lucas must join forces with a traitorous alien scientist and a captured, merciless raider named Asha. Their perilous journey fighting savage men and creatures alike takes them across the remains of the planet and far out into the stars to…where exactly? Lucas has to live long enough to find out.

Ian Watson is one of the finest writers of SF and fantasy stories, and Butterflies of Memory is his 10th collection, a selection of stories that are by turns serious and playful, and always wildly imaginative…

In the title story, what if mobile phones were to become truly mobile, flying about like butterflies? ‘An Appeal to Adolf’ tells of gay sailors on a Nazi battleship many kilometres long during a Second World War unfamiliar to us; ‘Lover of Statues’ of an enigmatic alien visiting the only statue of Satan in the world, in Madrid – while in the bubbling stew of faiths which is Jerusalem a doorway opens to reveal capricious godlike beings. And just suppose that Jules Verne undertook an actual journey to the centre of the Earth. Closer to home, in a Midlands town, a man who seems to have suddenly popped into existence tries to discover who and what he is. ‘Hijack Holiday’, written a year before 9/11, presciently if bizarrely anticipates events akin to those on that fateful day.

Ed Carter, a New York reporter on his way to his home town in Omaha for a short vacation, saw the missile in the last moments in its journey back to earth. A sweller on the brink, like all of us, he had no doubt about what it was; Oh God, he thought, this is it. The blast of the impact flung him some distance, and when he regained consciousness, his first reaction was one of surprised to find himself still alive, and not, it seemed, even badly hurt. Presumably the missile had been directed at the big Air Force base nearby, and should have destroyed everything and everyone within a radius of miles. Could it have failed to explode?

Carter sees the remains of part of the missile in an adjacent field and hobbles over to it. A minute or two later several Air Force officers arrive. They examine the remains, and find the burned-up body of a pilot. In other worlds, the missile was not Russia’s first shot in the Third World War, but a failure to launch a man into space. But Carter knows that the Distant Early Warning line will have reported the missile; that the senior Air Force officers, in accordance with plan, will have taken to the air – in the country’s interest, their lives must, of course, be preserved if possible; that by now the retaliatory American bombers will have passed the point of no recall; and that the Third World War has begun. Not so, Colonel Ben Goldwater tells him: “I called the bombers back.”

Goldwater, the man who had been left in command, has saved the world – for at least a little longer. So he becomes a world hero? Not a bit of it. On the contrary: a nightmare looms ahead both for him and for Ed Carter, and the reader watches it all with growing fury…

Meek and mild curate Thomas Blades discovered an alternative earth where humanity languished at the base of the food-chain. Over eventful years, Blades defeated the bestial Null master-race and carved out the empire of ‘New-Wessex’. Shedding all former inhibitions, he ascended its throne as unchallenged ‘god-king’.

Exiled in turn by overpowering new enemies – the ‘angels’ – Blades was rescued by his own descendant, Guy Ambassador, after centuries of absence. Under Blades’ strangely charmed leadership, the enigmatic and merciless angels were repulsed and humanity enjoyed a respite of liberty. But now, decades later, the venerable god-king broods in seclusion, refusing to die; the fountainhead of bitter thoughts and deeds.

Meanwhile, Wessex sinks-into anarchy and neglect. Guy Ambassador travels amongst the bickering princedoms and warring states, wavering in the faith that has cost him family, friends and home. All around him the world of New-Wessex is moving towards resolution of its ultimate destiny and reason for being. Forces beyond human comprehension invade the already baroque realm.

A millennium from now, global warming has gone into retreat as the Sun’s dynamics convulse. The great ice returns, driving humankind back to its primitive origins. Here, bands of brutal warriors wage war in the bitter cold. Xaraf Firebridge, powerful young son of a barbarian chieftain, enrages his sire by adopting the pacifistic doctrine of an outland mystic, Darkbloom. Before he can break his vow and slay his father, he is drawn into a temporal wormline and flung a further million years into the Earth of the Failing Sun.

Clever and determined, Xaraf wanders landscapes haunted by prospects of doom and overseen by a trio of godlike Powers. Since childhood he has dreamed of a beautiful young woman. His fate, he sees, is to rescue her from captivity–and perhaps save the whole world, now moved into the outer solar system and lit by a string of tiny orbiting suns.

He has yet to meet his true foe, the dragon whose history stands opposed to humankind’s. But which will prove to be this world’s mythic Galahad?

Mars, 600 years in the future, is dying.

Five hundred years after the Chinese conquered the Red Planet, the great work of terraforming is failing. The human-machine Consensus of Earth had persuaded the AI Emperor to follow the Golden Path into a vast virtual reality universe, leaving behind an ungoverned planet swept by hunger riots and the beginnings of civil war.

Enter Wei Lee, a lowly itinerant agricultural technician: rock ‘n’ roll fan, dupe, holy fool – and unlikely Messiah. After stumbling on an anarchist pilot hiding near the wreckage of her spacecraft, he’s drawn into a revolutionary plot that has been spinning for decades. With the help of a ghost, the broadcasts of the King of the Cats, a Yankee yak herder, and a little Girl God, Lee travels across the badlands, swampy waterways and vast dust seas to a showdown at the summit of the biggest volcano in the Solar System. Not even the God-like Consensus can predict the outcome of his struggle to define his own destiny . . .

Epic in scope, Red Dust’s spectacular, fast-paced story brilliantly brings to life the planet that has captured our imagination like no other.

Killed by the power of the god Zezeth, his true father, Lionwolf has been cast into a bleak and icy hell lit just by a cold blue sun. Here he and others of the living dead must wage endless combat and war, to appease the whim of a deathly King whose face is made of stone. But when Lionwolf encounters the King’s wife, she is none other than the beautiful, god-fashioned Chillel, his own former lover – and nemesis.

As Lionwolf struggles in the toils of Hell, elsewhere in the hell-cold ice-age of the mortal earth, men and women work out their own destinies. An empire has fallen. Ru Karismi, Capital of the Kings, has been abandoned to the poisons of the White Death. Reivers cross the lands of the Jafn and the Ruk, preying wherever they wish.

Against this unsettled backdrop, Jemhara the sorceress determines to save the Magician Thryfe from a dire self-inflicted punishment, and Saphay, now a goddess of the far north, seeks to lead her people to a new world.

Yet Seseth’s violent hadred shadows all – and from the depths of an ice-locked sea his other terrifying son, the mountainous whale-leviathan Brightshade, is once more rising for vengeance…

The Soviet Union won the Cold War. The Russians were a little smarter than they were in our own world, and the United States was a little dumber and a lot less resolute. Now, more than a century later, the world’s gone Communist, and capitalism is a bad word.

For Gianfranco and his friend Annarita, a couple of teenagers growing up in Milan, life in a heavily regimented, surveillance-rich command economy is just plain dreary. The eventual withering-away of the state doesn’t look like it’s going to happen anytime soon.

Annarita’s a hard-working student and a member of the Young Socialists’ League. Gianfranco is a lot less motivated–but on the other hand, his father’s a Party apparatchik. The biggest excitement in their lives is a wargame shop called The Gladiator, which runs tournaments, and stocks marvelous complex games you can’t find anywhere else.

Then, abruptly, the shop is shut down. Someone’s figured out that The Gladiator’s games are teaching counterrevolutionary capitalist principles. The Security Police are searching high and low for the shop’s proprietors, who’ve not only vanished into thin air, but have left behind sets of fingerprints that aren’t in the records of any government on earth.

Only one staffer is left: Gianfranco and Annarita’s friend Eduardo. He’s on the run, and he comes to them in secret with an astonishing story: he’s a time trader from our own timeline, accidentally left behind when the store was evacuated. The only way Eduardo can get home to his own timeline is if Gianfranco and Annarita can help him reach one of the other time trader sites in this world – and the Security Police will be on their tails all the way there…

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer