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Immortal, unchanging, the external survivor, Nathan Brazil had tired of his long duty as the guardian of the Well World and had enlisted Mavra Chang, space pilot and adventurer, as his companion and equal, sharing with her some of the godlike power to control the universe’s destiny.

But over the millennia, Brazil and Chang had become estranged. When they were once again summoned to the Well World, they came as bitter rivals, each racing to be the first to reach the Well of Souls. What they found, however, was a Well World changed in ways it should not have been. Evolution on the Well World seemed to have diverged from its preset course- and that was impossible.

Brail sensed that some force beyond local animosity was at work, and he was determined to find out just what that force was and how it could have changed the elaborate programming of the Well of Souls. But the changes that had so affected the Well World were beginning to change the unchangeable Nathan Brazil – and if the watchman himself could altered, the universe might be left without any guardian at all . . .

THE CALL OF THE WELL


For uncounted eons, the Well World had regulated and given order to the universe, and throughout the eternity, Nathan Brazil had been the guardian of the Well of Souls, where the universe’s master control lay. Forever wandering and alone, returning to the Well in times of Danger, Brazil had destroyed and re-created the cosmos several times over. But even he wearied of his endless watch, and had enlisted the aid of space pilot and high-tech thief Mavra Chang the last time the universal order required resetting.


But now the universe faced a threat more grave than mere destruction. An unnamed and utterly alien entity had somehow been released from its ancient prison and was bent on the corruption of the Well World itself. If successful, it would cause chaos beyond mortal understanding.


The Well World needed Brazil and Chang. But when it found them, would they once again answer the call? And though Brazil was immortal, could he even fight the force threatening the Well? For the force was not of this universe – and it had plans for Nathan Brazil…

‘You will be a King, and Great King, and then you will Die, and you may not avoid that destiny, try as you may¿’

Two-thirds god, one-third human, Gilgamesh is a giant among men and a formidable warrior, even as a boy. When his father the king of Rurk dies, Gilgamesh is forced into exile by the newly crowned Dumuzi, jealous of his prowess and fearful of his intentions.

In neighbouring Kis his fighting skills are honed to perfection, and when in time Dumuzi dies, Gilgamesh returns to be proclaimed king by the wily priestess Inanna, goddess of beauty. Together they rule Uruk, and prosperity descends upon the land.

However, the kingship is not enough to satisfy Gilgamesh’s gargantuan appetite for adventure, and his boredom is only relieved by the coming of Enkidu, a strange wild man who proves the king’s equal in combat. The two become closer than brothers, but when Gilgamesh incurs the wrath of Inanna, the gods conspire to tear them apart, and for Gilgamesh all that remains is his search for immortality.

In retelling the legend of the great Sumerian monarch, Robert Silverberg brings all his superb storytelling powers to a mesmerising tale of ambition, power and obsession, against the background of an ancient and fearsome world.

Composer and dancer Anna van Tuyl is working on her masterpiece, a work she has titled “The Rose”. Her progress is stymied, however, when her body begins suddenly to change. For no knowable reason, she begins to grow strange protuberances, her body warping more day by day. Desperate to complete her symphony before her life becomes subsumed by these growths, she encounters a painter suffering from the same affliction.
Ruy Jacques is an artist, famed for his works and full of inspiration despite his condition. His wife is a scientist, a woman of logic, working to build the perfect weapon. While Anna at first believes she has found a saviour and kindred spirit in Ruy, she instead finds herself in the middle of a tense battle between art and science, with building jealousy and resentment.
Is the true goal the completion of her work, or the possibility of a cure? Is it better to seek immortality through their art, or a full life through science?

Award-winning author Charles Harness’ lost classic was rediscovered by Michael Moorcock more than a decade after it was first published, and champsioned by him to great acclaim. IT was awarded the Retro-Hugo award in 2004.

The Conversationalist sat among the boxes, trying to interest the friends in history. “The Compulsory Transfer Act was passed in 2056,” he was saying, “with the dual object of reducing the birthrate and preventing the wastage of valuable minds through death. It might fairly be said to have changed the face of civilisation.”

“I’ll say!” rasped one of the friends.

“If it wasn’t for the Act, I’d have been in a physical body now, instead of being in this damned box!”

“If it wasn’t for the Act, you’d have been dead this last hundred and fifty years,” pointed out the Conversationalist.

“You’ve probably has four physical bodies by now, a total of one hundred and sixty years of active life. And just twenty years in a box. That’s not bad!”

The problem of immortality had been solved in the 21st century: when you reached forty, your brain was transferred to the head of a six-month-old infant. In that way, you obtained another forty years of life, until you could do it all over again. But nobody could have foreseen the dramatic manner in which the birthrate would fall – resulting in a growing waiting list for host bodies, and the creation of Friendship Boxes to house the brains of those who waited. The Friendship Boxes proliferated: a grumbling section of the community, a constant source of embarrassment to every politician…Until the day it all came to a head.

Lucius Shepard is a grand master of dark fantasy, famed for his baroque yet utterly contemporary visions of existential subversion and hallucinatory collapse. In Dagger Key, his fifth major story collection, Shepard confronts hard-bitten loners and self-deceiving operators with the shadowy emptiness within themselves and the insinuating darkness without, to ends sardonic and terrifying. The stories in this book, including six novellas, are:


“Stars Seen Through Stone” – in a small Pennsylvania town, mediocrity suddenly blossoms into genius; but at what terrible cost?


“Emerald Street Expansions” – in near-future Seattle, echoes of the life of a medieval French poet hint at either reincarnation or a dire conspiracy.


“Limbo” – a retired criminal on the run from the Mafia encounters ghosts, and much worse, on the shores of a haunted lake.


“Liar’s House” – in the grip of the legendary dragon Griaule, destiny is a treacherous and transformative thing.


“Dead Monty” – a small-time New Orleans criminal ventures outside his proper territory, and poker and voudoun conspire to bring him down.


“Dinner at Baldassaro’s” – a gang of immortals debates the future in an Italian resort, only for events to outrun any of their expectations.


“Abimagique” – a glib college loser falls in love with a witch, becoming an involuntary part of a world-saving – or world-destroying – magical ritual.


“The Lepidopertrist” – a small boy on a Caribbean island witnesses the creation of preternatural beings by a Yankee wizard…


“Dagger Key” – off the coast of Belize, the ghost of a famous pirate seems to control a spiral of murder and intrigue; or is someone else responsible?

Welcome to Argylle, where the ruling family – a brilliant, flighty, civilized and occasionally dangerous clan of nearly-immortal warriors and magicians – are hoping for a few years of relative peace.

True, their Father Gaston has vanished, leaving both throne and family while he pursues some unexplained errand. His absence has stretched into years. True as well that their powerful Uncle Dewar has also wandered off without leaving a forwarding address, and hasn’t been heard from for a worrisome length of time. It’s a bad habit of running off that this family’s elders have.

But now young Prince Gwydion’s been stuck with ruling the Dominion of Argylle, and with any luck, life can go back to being a satisfactory mixture of intrigue, gossip and viniculture, periodically enlivened by amateur theatricals and the odd quest or two.

Yet Gwydion is finding this arrangement uncomfortable. Strange things keep turning up. A plague of monsters appears out of nowhere, attempting to take up residence in the local barns and forests. These are trumped by the arrival of a ravenous Great Dragon – ancient, sorcerous, profoundly cunning – so big you can see it thirty miles away. Meanwhile, a mysterious young woman has shown up, claiming to be Gwydion’s long-lost – indeed, quite unexpected – sister. And then there are the high-tech aliens, who say they just want to conduct a legal investigation. It’s enough, Gwydion thinks, to make a ruler want to find some nice long errand that’ll take him away from his homeland for a spell…

The Well-Favored Man is a courtly, complex, bloody-minded fantasy for those who love Roger Zelazny’s Amber, Ellen Kushner’s Swordspoint and the fantasy adventures of Steven Brust.

The son of a Civil War veteran, Edgar Rice Burroughs was a prolific writer for the early pulp magazines. Famous the world over as the creator of Tarzan – and in SF circles for his Martian tales featuring John Carter – Burroughs is a household name. But John Carter wasn’t the only Earthman to champion another world. This omnibus collects PIRATES OF VENUS, LOST ON VENUS and CARSON OF VENUS – the first three of Burroughs’ classic pulp tales of Carson Napier on the waterworld of Amtor – better known to us as Venus.

PIRATES OF VENUS: The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess comes at a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.

LOST ON VENUS: Napier’s adventures continue in this pulse-pounding sequel to PIRATES OF VENUS. Here the intrepid and wry explorer takes on a savage world in order to rescue the princess from her sworn enemies. Napier’s epic quest for Duare takes him through the streets of the City of the Dead, into the terrifying Room of the Seven Doors, and face to face with fantastic and perilous creatures. LOST ON VENUS brims with the action, suspense and wit unique to the Master of Adventure.

CARSON OF VENUS: Carson Napier, first Earthman to reach Venus, had to keep alert every instant of his stay on that world of mist and mystery. For its lands were unmapped, its inhabitants many, varied and strange, and he had taken an obligation to restore a native princess to her lost homeland. On terrible oceans where dreaded sea-monsters dwelled, in deep forests where terror haunted every branch, and behind the walls of eerie cities where power-mad chieftains plotted uncanny schemes, CARSON OF VENUS is fast-paced science fiction adventure.