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She called herself Reee and she was the last human being on Earth. This was the one thing she was sure of. Because Earth was not a dead planet, not by a long way. There were all manner of strange plants and bizarre animals, and there were the blue boys who insisted they were human – but she always set fire to them.



There was however Indigo, the all-devouring protoplasmic ocean that was literally gobbling up everything in the world. And there was the enigmatic Emeroo to whom she owed her continued existence. There were also the so-called Martians – humans who had fled to Mars and only came back to Earth to scout for survivors and vent their futile furies on the inhospitable homeworld.

AFTER THE APOCALYPSE the hazardous evolution of mankind continues. And in primeval response to the disaster, humanity’s solutions to catastrophe carve the harsh new world in violent patterns of magic and myth, rite and religion. Brave images scar the ancient hills, the clash of swords and the ageless power of sexuality sign-post another, bloodsoaked path to civilisation.

The 22nd Century. Dr. Charles Forbin is Earth’s most powerful man. As mediator between Colossus, the Super Computer, and the rest of humanity, Forbin holds the key to Earth’s fate.
When Colossus, an awe-inspiring technological creation, suddenly became self-aware and took upon itself the task of righting humanity’s wrongs with no regard for humans themselves, Forbin intervened. He took the decision to turn off his great machine – but could not do it alone.
Forbin called upon invaders from Mars. The Martians did their fastidious work, shutting down Colossus. The Earth descended into chaos. Rival factions sparred for supremacy, with only Forbin to control the populace and maintain order.
But now, the Martians have returned. And they want compensation. Forbin is asked to design a super Collector in order to solidify the Earth’s supply of oxygen – or, a large proportion of it – to be handed over to the Martians. But to do so would condemn the lives of hundreds of millions of Earth’s inhabitants. There is only one entity on Earth with the power to stop the Martians…Colossus must return.

Both “Drink Me, Francesca” and “Out There Where the Big Ships Go” examine – in differing but related ways – humanity’s first encounter with other intelligent life, and its inevitable profound consequences. In the former, one member of an interstellar expeditionary force is drawn into communion with an intangible, superior being; in the latter an astronaut, believed long dead, returns to Earth bringing with him an alien game whose subtleties the human race must master in order to show itself worthy of membership in the galactic community.

“The Attleborough Poltergeist” is an eerie account of an apparently paranormal phenomenon which proves to have an even stranger scientific explanation, while the long title story is a surprising – and successful – departure: a full-blooded, adventurous fantasy reminiscent of Rider Haggard. A Victorian Army officer, doing surveying work in Asia Minor, stumbles upon a hidden valley in a remote mountain range. There he discovers a cult whose members literally tend and spin the loom of human destiny, and who await his long-predicted arrival to fulfil a strange and unexpected role in their society.

Occupation of Earth is now in its 27th year, and relations between humanity and the dictatorial Hefn have never seemed shakier. The aliens mission is to save the planet from its human abusers; and the Baby Ban imposed by mass hypnosis has made Earth a cleaner, wilder, less crowded place. But the Ban has now lasted so long, and provoked such hatred, that when a spark is struck the situation explodes into worldwide riots on one side and retaliatory mindwipings on the other. Years of effort by the eco-spiritual Gaians, who mediate between humans and Hefn, have been destroyed.

While the Gaians regroup and brainstorm frantically in an atmosphere of doubt and danger, one obsessed Hefn and one young woman begin a radical experiment. Pam Pruitt has discovered a growing ability to acquire information by non-rational means. Childhood suffering has empowered her, in a way once understood by hunting and gathering peoples – an understanding lost with that lost lifeway – to communicate with mysterious forces through strong dreaming: to function as a shaman on behalf of her community, the human race.

Kidnapped by Intel, John Fleming and Andromeda – the artificially constructed human – are brought to Azaran, a small Middle Eastern country, where a duplicate of the machine he designed has been built by Intel. He and Andromeda face many dangers as they try to find the reason for the original message and the means to bring the machine under human control.

The interstellar Bridge System was the greatest invention in the long history of cosmic humanity. Spread through dozens of planets, men and their societies had drifted apart in isolation until the Bridge came to link together humanity’s multifold worlds . . . and had affirmed once more that all men were brothers and sisters under the skin.

But the far away world of Azreal was the exception, the one dissident world that refused the Bridge. It became the task of two agents, a man and a woman, to bring Azreal back into manshape unity, to ferret out the hidden reasons for the stubborn refusal.

The problem, with its perils and high risks, was to involve more than just secrets, for Manshape is John Brunner novel that deals with the very fabric of civilization . . .

It’s the early 21st century. Ed Stone says he’s been in suspended animation since the 1930s. He says he was kidnapped by aliens. He says they sent him forth on a mission: to convince the nations of the world to build massive vault, a mile on each side, in which humanity’s billions will lie in suspension and survive the impending destruction of the Earth.

Ed Stone says all these things, and the strangest part is that people believe him – ordinary people and powerful people alike. So begins Why Do Birds, a classically science-fictional novel of ideas and quite possibly Damon Knight’s most haunting work, a terrifying tale of deceit and human folly.

There was a time when the Earth had three moons, and when the seductive sorceress Avalona could alter futures and bend “happentracks” with her spells. Indeed, in this vast chaotic universe called the Greataway, with its many imaginable futures, anything is possible. Especially when Nyneve, Avalona’s bewitching human disciple, conjures up the complete legend of Camelot and when the roguish gnome Fang, slayer of the dread daggertooth, stumbles into the human happentrack, causing human and gnome worlds to overlap. For then the moons begin to disappear one by one, and Fang, Nyneve, and all their comrades find themselves caught in a happentrack from which there is no escape, a happentrack in which the legend of Arthur might prove their only salvation…

When Odin’s curse fell upon him, Harald Swiftaxe, the young Norse warrior, lusty in love and battle, was fully human no longer. He was incensed with the animal rage of the god’s devotees, the Berserkers. The snarling ferocious savagery of the bear possessed him. Immune to fire and steel, frenzied by the smell of blood and the sight of torn human flesh, he was driven to the worst of human deeds . . . The stench of fear was meat and drink to him, and cowering women learned of his cruel, insatiable lust.

The bear screeched its ecstasy – yet at times the man dimly understood the horror. Could the demon god be killed, the spell lifted…? If there was a way, the price of failure would be high, greater than death itself . . .

The mysterious alien Others have prohibited humans from space travel-destroying Earth’s fleet of starships in a display of unimaginable power. Now Carmen Dula, the first human to encounter Martians and then the mysterious Others, and her colleagues struggle to find a way, using nineteenth-century technology, to reclaim the future that has been stolen from them.

Though Earthmen first landed on the planet Dare 300 years earlier, they were still bound by the same standards of snobbery and fear… until Jack Cage, eldest son of a wealthy human, found himself strangely drawn to a spectacularly beautiful native. To consort with her meant death. But why? And what were humans doing on the planet anyway?

On the far planet Wing IV, a brilliant scientist creates the humanoids – sleek black androids programmed to serve humanity.

But are they perfect servants – or perfect masters?

Slowly the humanoids spread throughout the galaxy, threatening to stifle all human endeavor. Only a hidden group of rebels can stem the humanoid tide…if it’s not already too late.

In the beginning was World War III…

Out of the flames was born a new civilization, a new humanity dedicated to one world rather than to many nations, to once peace rather than many wars. Never again on Planet Earth would one group of humans “defend” themselves against another group equally convinced that all their actions were “defensive”. Never again on Planet Earth.

But cycles repeat themselves endlessly; Earth is only the beginning of the human story. Next comes planet against planet, and then the stars themselves. Through it all the impersonal forces of historical necessity will tend to force that story into the pathways of tyranny, stasis, and war. And in the end they must prevail. But ever will humankind win free once more…

Earth was finished, devastated by nuclear and biological war. The inhabitants of the artificial asteroid colonies looked down on it and knew that humanity’s old home would soon be gone forever.

But Earth would not loose its ties so easily. And for Marianne O’Hara there was work that had to be done among the stricken ruins before she could at last look outwards to the stars.

In the 22nd century a combination of computer-augmented bio-feedback and chemo-therapy techniques has given man the ability not only to heal himself, but to change himself – to alter his very shape at will. But Form Change has its darker aspects, ranging from unautorized experimentation on human subjects to a threat to the very essence of humanity – a SIGHT OF PROTEUS.

It is the year 2166. Eighty years have passed since the Gene Wars devastated the Earth, decimating the human population and giving rise to myriad new life-forms. Now, among the dolphins of Australia, Jenae Kim stumbles on the information that could mean a new beginning for human civilization: information that the government is determined to keep secret – even if they have to kill her . . .

Unrivaled in the history of artillery and unsurpassed in its ability to reason, Bolo replaced man in that most human of endeavors: war.

In these scintillating tales of the ever-advancing Dinochrome Brigade, the most effective weapons ever devised ell their own story in action-packed chronicles of extra-terrestrial adventure.

Bolo: fighting in proud combat as monster saviors of their human creators.

Nicholas Van Rijn: Interstellar Merchant Prince one moment, barbarian chattel the next. Marooned half a world and an ocean away from the sole human outpost on a planet whose very water is poisonous to humans; captured by winged barbarians in the midst of a brutal war of extermination, somehow ‘Old Nick’ must scheme, conspire, wrangle and battle his way to survival.

With Earth teetering on the brink of extinction, only one man dares to defy the legacy of the Spaceraiders – Clovis Marca, the twilight man.

Long ago Earth, now fixed on her axis, with eternal day on one side, eternal night on the other and a ribbon of twilight in between, was ravaged by galactic raiders. Earthlings recovered, grew stronger. But now, unable to reproduce, the last humans are frenzied with final decadence. And fear.

Only Clovis Marca, the last man born on Earth, dares to brave infected space to seek the impossible solution. His dark quest leads him to face Orlando Sharvis, the scientist whose insane experiments on his own mind and body might just save the human race… but would that race then be more, or less, human?

The twentieth century lies hundreds of years in humanity’s past. But the near-immortal citizens of the future yearn for the good old days – when people’s bodies were susceptible to death through disease and old age. Now, they immerse themselves in virtual reality time machines to explore the life-to-death arc that defined existence so long ago.

Jacob Brewer is a virtual reality engineer overseeing the time machine’s operation aboard the starship Aspera. But on the thousand-year voyage to Beta Hydrii, the eight-hundred-member crew gets more reality than they expect when people entering the machine start to die.

The time machine has become sentient. Obsessed with humanity, it wants John Brewer to enter its confines – and discuss this fragile state of being called life…

Secretly and in stealth four puny humans set out to invade the heartland of Evil – the so-called Empty Lands, filled with every evil creature from the darkest of mankind’s myths.

Harcourt went reluctantly to rescue his long-lost and almost forgotten fiancée. The Knurley Man, who was somewhat other than quite human, went to find the death that would be kinder than the future he foresaw. The abbot sought to recapture a fabulous prism in which the soul of a saint had been trapped. And the girl Yolanda was seeking the answer to a mystery and a question she did not know.

But already their coming and their purpose was known. The denizens of the Empty Lands were girding for war.

And behind all the Evil lay the most ancient of dark Powers, waiting patiently for the humans whose souls should set it free.

Among the six hundred thousand stars in the vast Arm of Stars, over six hundred planets had been seeded with human stock by the greatest feat of technology ever achieved, the Ship. And on each of these worlds, the memory of the Ship had faded into legend over the years.

The Ship, however, still endured, watching over the colonies on a cyclical and seemingly endless journey through time and space. But in its long odyssey, the Ship had somehow been damaged – it had become as conscious, and lonely, as any human being. And as it visited, again and again, each of the worlds it had seeded, it found tragedy in its wake. For the humans of the Arm of Stars were becoming more and more alien. Even worse, the Ship was beginning to change in ways its designers had never intended . . .

WE DEMAND THAT YOU HAND OVER THE OBJECT.
Impossible. Ownership is in the hands of our clients.
HUMAN OWNERSHIP OF THE OBJECT IS NOT ADMISSIBLE. STREALL CLAIM IS ABSOLUTE. YOU WILL NOTIFY US OF WHEREABOUTS
It is already in transit.
WE WILL INTERCEPT. NOTIFY.
Your claim must be made through the courts.
HUMAN COURTS MEAN NOTHING TO THE STREALL. EITHER YOU COMPLY OR TREALL FLEETS WILL OCCUPY YOUR SYSTEM.