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When it was originally published, the Discontinuity Guide was the first attempt to bring together all of the various fictional information seen in BBC TV’s DOCTOR WHO, and then present it in a coherent narrative. Often copied but never matched, this is the perfect guide to the ‘classic’ Doctors.

Fulffs, goofs, double entendres, fashion victims, technobabble, dialogue disasters: these are just some of the headings under which every story in the Doctor’s first twenty-seven years of his career is analysed.

Despite its humorous tone, the book has a serious purpose. Apart from drawing attention to the errors and absurdities that are among the most loveable features of DOCTOR WHO, this reference book provides a complete analysis of the story-by-story creation of the Doctor Who Universe.

One sample story, Pyramids of Mars, yields the following gems:

TECHNOBABBLE: a crytonic particle accelerator, a relative continuum stabiliser, and triobiphysics.

DIALOGUE TRIUMPHS: ‘I’m a Time Lord… You don’t understand the implications. I’m not a human being. I walk in eternity.’

CONTINUITY: the doctor is about 750 years old at this point, and has apparently aged 300 years since Tomb of the Cybermen. He ages about another 300 years between this story and the seventh’ Doctor’s Time and the Rani.

An absolute must for every Doctor Who fan, this new edition of the classic reference guide has not been updated at all for the 50th anniversary.

During the day a blazing and merciless sun beat down on “the boy” and at night a friendless and cold darkness enveloped him. It was a bleak and lonely countryside over which he had been wandering for ten years. A rare tree, bird or wild animal was the only life he encountered during his desolate trek through his young years of roaming. Infrequently, he was fortunate enough to find shelter and food in the shops of deserted villages; otherwise he foraged what he could from the nearly barren land. Contact with other humans was his innermost and greatest fear.

But the day came when his curiosity overcame his sensibilities of self-preservation and he was drawn to the sound of a great wailing not far from a place where he had come to rest.

Form that moment on his whole existence took on a radical change. His wanderings became a kaleidoscope of adventures, emotions, and responsibilities – never static, forever mobile, and potentially dangerous. There were moments when it would have been easier to turn his back, return to old ways, but somehow he knew this was an impossibility. He accepted his new fate, but still feared the greatest of all commitments until it was too late for him.

This fantasy adventure will not fail to excite and stir in every reader memories and emotions of seemingly forgotten times and moments.

Jake Cutter is reluctantly learning how to be a Necroscope – how to use the Möbius continuum to travel instantaneously from place to place, how to talk to the dead – but the dead don’t like him much. It seems Jake’s got a hitchhiker in his mind, a dead vampire named Korath. But since Korath holds the key to the Möbius equations, Jake can’t just kick him out…

In Australia, Jake helped E-Branch destroy the aerie of the mind-master, Nephran Malinari, one of the trio of Great Vampires who came to Earth from the vampire world. Malinari escaped and went to ground with the hideously beautiful Lady Vavara. Vavara has taken over a holy monastery on a beautiful Greek island and turned the nuns into most unholy creatures of fearsome appetites for all things carnal.

But Jake wants revenge against the Italian mobsters who killed the woman he loved. As far as he’s concerned, E-Branch can search for Malinari, Vavara, and the metamorphic Lord Szwart without him until he’s satisfied his own bloodlust. But it seems vampire-hunting is truly Jake’s job now – the men he’s trying to kill aren’t men at all but vampires hidden for two generations in human guise!

To defeat them, Jake will need every weapon in Necroscope’s arsenal, including the power to call the unsleeping dead out of their mouldering graves…

The Whims of Destiny

Jorian, the one-time unbeheaded king, was now safely retired from a long career of getting into trouble. But his younger brother Kerin lacked such wisdom. The outraged father of Adeliza had caught him in compromising circumstances with the maiden. So Kerin had to be sent at once on a mission by sea to the Far East.

But Kerin’s talent for trouble was not to be denied. First came Belinka, a sprite sent by Adeliza to bring him back safe for her. The ship captain believed Kerin was seducing his mistress. Though innocent this time, Kerin left hastily in a rowboat. That got him to a hermit-wizard’s island – and a voyage on a pirate ship, where the kidnapped princess Nogiri was held captive. Kerin was unable to save her – until he gained the help of the hermit-wizard, who then betrayed him by seizing the girl and fleeing with her to be used as a human sacrifice.

From then on, events became hectic as Kerin managed to save Nogiri again, helped by a wizard who was the enemy of the first one. Belinka was much distressed by what happened then between Kerin and Nogiri – with cause – as they set out again, this time to the Emperor of the Farthest East.

There Kerin discovered more magic, and the Emperor learned that no man should be absentminded when using a powerful spell. But it was later that Kerin discovered the limitations of roller skates.

These seventeen classic stories create their own unique galaxy of vain, protective, and murderous robots; devilish angels; and warm and angry aliens. In “Mimsy Were the Borogoves”-the inspiration for New Line Cinema’s major motion picture The Last Mimzy-a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets-including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body-their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them-for better or worse.

Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms-sometimes writing entire issues of science fiction magazines-in close collaboration with his wife, C. L. Moore.

This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.

Aleph is a machine mentality overseeing a future Earth largely bereft of humans, most of whom have sublimed into a virtuality.Remaining are the smug but cautious adherents of science. Amanda, still a teen at age 30, is a skilled violinist and mathematician but craves the applause of the Mall for some daring exploit.

In a nearby enclave live the rustic, non-scientific people who worship the god of their choice. In the center of their poly-religious valley a wicked tower has emerged, surely a tool of evil temptation. Far below, a supersonic railroad is being constructed. Amanda conceives a dangerous feat: to enter the valley and descend to the rushing train, hitching a mad ride to the next city.

Using a cyber “Liar bee,” she buzzes the ear of young Matthewmark, who chafes under the restrictions of his own narrow society. He agrees to aid Amanda and her friend Vikram Singh, but the scheme goes horribly wrong. Vik dies; Matthewmark’s brain is seriously damaged, although he recovers with advanced neurological prostheses. This treatment, condemned by his own people, allows him contact with the AI Aleph.

In a series of startling moves, Amanda graduates to adulthood (and her modish clipped speech patterns give way to this new sophistication), while Matthewmark explores uncanny and sometimes very funny opportunities in the Alephverse, climaxing in the dismantling of the solar system and its embrace by the hyperuniverse beyond ours. This is the Singularity, at last, the Transcension, and everyone lives happily ever after, for rather mindboggling values of “lives” and “happily.”

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

Kate Wilhelm has a reputation as one of the 20th century’s finest SF writers. Winner of the Hugo Award for Where Late the Sweet Birds Sang, she has produced an impressive body of work in the fields of SF and crime, and – along with her late husband, Damon Knight – has had a profound influence beyond her writing, through the Milford and Clarion Science Fiction Writers’ Workshops. This omnibus contains novels The Clewiston Test and Welcome, Chaos and story collection The Infinity Box.

THE CLEWISTON TEST: Anne Clewiston would soon be hailed as a miracle worker. She had almost perfected the formula for a drug which would banish all pain from the world. The Lab tests went on; the caged apes were thriving, all the results positive. The next step – humans. Then, one night, a chimpanzee went berserk…

THE INFINITY BOX: A man’s eerie ability to enter – and control – the mind of a vulnerable young woman turns into a sexual nightmare…A hack writer with fading skills finds his soap operas foretelling the future…His retirement present, a watch, takes a man back into his own past…American soldiers attack the wrong country – their own!

WELCOME, CHAOS: Lyle is asked to spy on Saul Werther, who is thought to be a drug dealer. She finds him charming but realises she has been set up…Saul has developed a major breakthrough in the medical world which he is keeping secret, and Lyle has been sent there to uncover his secrets…

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

Arthur C. Clarke has been one of the most influential commentators on – and prophets of – the communications technology which has created the global village. Now, drawing partly on his own sometimes very personal writings, he provides an absorbing history and survey of modern communications.

The story begins with the titanic struggles to lay transatlantic telegraph cables in the nineteenth century. Fighting against widespread scepticism, lack of funds, technical disasters and setbacks – and against the Atlantic itself, above and below the surface – the pioneers achieved the seemingly impossible and by 1858 Britain and America were linked by Telegraph.

Nearly a century later, as the first transatlantic telephone cable was being laid, the technology that would rival and perhaps even supersede it was undergoing its painful birth as scientists developed the communications satellite precisely as Clarke first described in his famous 1945 article Wireless World, ‘Extra-terrestrial Relays’, reprinted in this book.

The rivalry between cable and satellite continued through the decades. Communication satellites (Comsats) performed even beyond the most optimistic expectations, but cable fought back with the development of the transistor. Then, in one of the most dramatic and unexpected breakthroughs in any technology, the potential of cable systems was transformed. The development of fibre optics technology meant that once more the seabeds of the world began to be draped with the newest and most sophisticated artefacts of human engineering.

It is an enthralling story, filled with extraordinary events and people, and Arthur C. Clarke brings all his storytelling flair and scientific expertise to bear on it. The result is a superb combination of history, comment and challenging speculation.

For millennia, humankind and the other intelligent races had studied the bizarre and unfathomable constructs of the legendary beings known as Builders. But for all that study, they were still no closer to figuring out who – or what – the Builders had been, or where they had gone. Then, on the world called Quake, in the midst of the violent planetary upheaval that was Summertide, a small group of humans and aliens witnessed the culmination of all those years of watching and waiting: the planet Quake opened up, and something came out – and it looked as if, at long last, the discovery of the Builders themselves was at hand.


All her life, Darya Lang had dreamed of finding the Builders, whose artifacts she had single-handedly catalogued for the rest of the universe. Troubleshooter and adventurer Hans Rebka had his own dreams of unraveling the mystery of those artifacts. To Louis Nenda and the Cecropian Atvar H’sial, the Builder artifacts represented a once-in-a-lifetime shot at untold wealth. And close behind them came the others: Councilor Julius Graces, who did not trust anyone to make first contact unassisted; the slavesJ’merlia and Kallik, who craved only a reunion with their masters; and the embodied computer E.C. Tally, charged with finding out just what the rest were up to.


The trail that began at Quake led to unexpected Builder artifacts full of traps for the unwary and answers for those who knew how to ask the questions. But the biggest question of all would remain an enigma, while their search unleashed the greatest threat to civilization ever imagined…

Robert Charles Wilson, says The New York Times, “writes superior science fiction thrillers.” His Darwinia won Canada’s Aurora Award; his most recent novel, The Chronoliths, won the prestigious John W. Campbell Memorial Award. Now he tells a gripping tale of alien contact and human love in a mysterious but hopeful universe.

At Blind Lake, a large federal research installation in northern Minnesota, scientists are using a technology they barely understand to watch everyday life in a city of lobster like aliens upon a distant planet. They can’t contact the aliens in any way or understand their language. All they can do is watch.

Then, without warning, a military cordon is imposed on the Blind Lake site. All communication with the outside world is cut off. Food and other vital supplies are delivered by remote control. No one knows why.

The scientists, nevertheless, go on with their research. Among them are Nerissa Iverson and the man she recently divorced, Raymond Scutter. They continue to work together despite the difficult conditions and the bitterness between them. Ray believes their efforts are doomed; that culture is arbitrary, and the aliens will forever be an enigma.

Nerissa believes there is a commonality of sentient thought, and that our failure to understand is our own ignorance, not a fact of nature. The behavior of the alien she has been tracking seems to be developing an elusive narrative logic–and she comes to feel that the alien is somehow, impossibly, aware of the project’s observers.

But her time is running out. Ray is turning hostile, stalking her. The military cordon is tightening. Understanding had better come soon….

Blind Lake is a 2004 Hugo Award Nominee for Best Novel.

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.

The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced ‘Golden People’ (‘God believes they are the most beautiful creatures he ever made,’ a theologian said, ‘and there will be hell to pay when he founds out that we don’t agree.’). And the third child was Inneal who often elicited the comment ‘she’s really something different, isn’t she!’ Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?

When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.

Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a ‘Serpent’s Egg‘ that had to be crushed in the shell for the good of the world?

The Three Days of Summerset, the End of Summer, would give the answer.

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

Copy from the 1975 Owlswick Press print edition:

L. Sprague de Camp’s original Science-Fiction Handbook, published in 1953 and long out of print, has been favourably remembered by a whole generation of science fiction readers and aspiring writers. Over the years, at convention after convention, fans have urged its reissue. Teachers of courses on imaginative fiction have begged for the book; one planned to reproduce the manual for his creative writing course until he learned that the material was under copyright Because of this enduring interest, the present book came into being.

Completely rewritten by de Camp and his wife Catherine, Science Fiction Handbook, Revised serves two purposes. It introduces the general reader to the fascinating field of imaginative fiction. The first two chapters describe the growth of science fiction from Aristophanes to Asimov and give the history of its parent literature, fantasy, which is as old as cavemen and as young as tomorrow.

The rest of the book affords the apprentice writer an overview of the pleasures and problems of writing imaginative fiction an teachers him the many and varied skills such writing requires. There are chapters on setting the scene, plotting the story and writing dialogue. Other chapters are devoted to showing the creative writer how to sore his literary works, keep records for tax purposes, market a story, deal with editors and agents, read the fine print in contracts and bargain with publishers. Finally, there are helpful hints for the successful writer about relating to his community, handling publicity and melding the needs of the creative artists with those of a successful human being and family member.

In short, here is a wealth of information on the techniques of writing fiction. Here, too, is the wisdom distilled by the de Camps in the course of their long writing careers. And, for those who have no desire to write, here is a chance to see what the writer’s world is really like and to learn something about the remarkable literature that we call science fiction and fantasy.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer

So begins one of the most celebrated stories in fantasy literature . . . packed full of mystery, deep themes and incredible prose, meet Severian the Torturer and follow him on his journey across the great world of Urth

Severian is a torturer, born to the guild and with an exceptionally promising career ahead of him . . . until he falls in love with one of his victims, a beautiful young noblewoman.

Her excruciations are delayed for some months and, out of love, Severian helps her commit suicide and escape her fate. For a torturer, there is no more unforgivable act. In punishment he is exiled from the guild and his home city to the distant metropolis of Thrax with little more than Terminus Est, a fabled sword, to his name.

Along the way he has to learn to survive in a wider world without the guild – a world in which he has already made both allies and enemies. And a strange gem is about to fall into his possession, which will only make his enemies pursue him with ever-more determination . . .

Winner of the World Fantasy Award for best novel, 1981
Winner of the BSFA Award for best novel, 1982

Readers can’t stop reading The Shadow of the Torturer:

‘Full of rich characters and great imagination’ Mark Lawrence, author of Red Sister

‘A dark jewel . . . He has a mastery of language not often seen in fantasy writing . . . Couple this with an original and unique, highly imaginative and complex worldbuilding and the high praise is warranted‘ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

‘This is a picaresque fantasy with a difference, for our hero Severian is no wide-eyed country boy from the shire, but an apprentice torturer, thoroughly schooled in his trade’ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

‘There are certain books that can be considered life-changing experiences. Gene Wolfe is an author who has written one of those for me’ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
‘The Book of the New Sun Tetralogy is one of the great achievements in science fiction and is a MUST READ for fans of the genre. HIGHEST POSSIBLE RECOMMENDATION!!!’ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

‘In addition to being unique in style, The Shadow of the Torturer is a gorgeous piece of work: passionate storytelling (heart-wrenching in places), fascinating insights into nature and the human condition, beautiful prose’ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

‘Genre fiction at its finest. Original, difficult and well-crafted, it is easy to see how Wolfe is regarded as a writer’s writer’ Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐