Search Results for: death-into-life

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

Two men, one of them a policeman, are investigating a death involving a large international genetic engineering corporation. They become bothersome to the corporate owners and are taken out of action – not by being killed, but by being put to sleep for hundreds of years. But this may be a fate worse than death.

They awaken to a distant future in which contemporary industrial civilization has been “cleansed” from the earth and what humanity survives is learning to live a very low-technology lifestyle, being bred eugenically to this life. This cleaning was done on purpose, an international plot by the rich and powerful who in fact rule the world – and who, in this distant future, are dying off.

This is a complex and morally tortuous vision, and Turner’s characters find it nearly impossible to adapt without killing someone, perhaps even themselves.

Two hundred years ago, in order to keep the peace in Samaria, the god Jovah created a legion of land-dwelling angels, led by an appointed Archangel. Now, Jovah has a new appointee: Archangel Gaaron. And for his life-mate, his Angelica, Jovah has chosen a woman named Susannah. With trepidation, she bows to the will of Jovah and an unspoken affection develops between the two.

But there is a terrible threat besetting the land – black-clad strangers who call fire down from the sky, leaving death and destruction in their wake, And the true hearts of Archangel and Angelica may never be known, as the future of the planet hangs in the balance…

They call them the “rat-catchers.” They’re the crew of the spaceship Daedalus, which an economically destitute Earth has dispatched on a mission to re-establish contact with its far-flung, long-lost colonies in space. Alex Alexander, the ship’s biologist, together with his staff, must help solve the mysteries of human and alien ecosystems that he encounters light-years from home.

Dendra is a stable world, covered by a huge, unchanging forest-except that nothing living can really be free of change. The planet has no seasons, but its animal life still undergoes life-cycles involving birth, maturation, metamorphosis, and death. The Earth colony sent to tame the world has failed, at least in the terms expected of it, and seems beyond redemption; but the crew of the Daedalus still has to find out exactly why and how the program has gone wrong. Provided, of course, that they can survive the investigation itself!

Two worlds with very different futures for humanity…

In The Lord of Death, four scientists, aided by reverse-magnetism, travel to a dead planet where they discover that one human’s lust for power destroyed all life there-except for him. In suspended animation, he awaits the newcomers.

In The Queen of Life, the scientists travel to a planet encased in a glass sphere to protect the overpopulated planet from the sun’s radiation. Conflict leads to a riot.

Set more than four thousand years in the future, The End of This Day’s Business depicts a truly utopian way of life, a global society in which distinct national cultures are preserved but coexist without competitive nationalism, violence, or war. Women, characterised as the reasonable sex in this society, care for the earth and all it’s creatures. Only one price must be paid for this harmony. It is the subjection of men, who, stripped of their history and deprived of any knowledge of women’s sacred rights, complacently accept their ‘natural’ inferiority.

The plot turns on the desire of one woman, Grania, an artist and leader, to teacher her son what is forbidden for men to know. Risking both their lives, she tells the story of when men dominated, especially of the twentieth-century rise of fascism, and the subsequent world transformation as life-loving women took over from death-loving men.

His name was Tharg, but he was not of any life form we know today. He lived so long ago that the planet Earth had not yet shaped itself. Lava seas roiled and churned, volcanoes spouted and grew, and heavy clouds hung in the hydrogen atmosphere, leaving the planet’s surface dark and dangerous.

On that world Tharg met his death, or something very much like it. He became a disembodied, totally nonphysical intelligence, cut off from all contact with the life he had known. He ‘slept’ for hundreds of millions of years, unconnected with the world, unthinking, hardly existing.

But then he began to awake – for there was new life on Earth, creatures called ‘human’, and Tharg, knowing an ancient promise from the stars, had to tell them of it. But . . . how?

‘The gems in this impressive collection have the same power to disconcert as her best novels’ Martin Amis

‘Her worlds have a magic sheen . . . she moulds them into dimensions we can only just sense. She is unique. She is legend’ THE TIMES

North to Orsinia and the boundaries between reality and madness … South to discover Antarctica with nine South American women … West to find an enchanted harp and the borderland between life and death … and onward to all points on and off the compass. Twenty astonishing stories from acclaimed author Ursula K. Le Guin carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

The great wizard Nabal’s death offers many opportunities, both for those who knew him and those who did not. For young conmen Ezak and Kel, it means a chance to loot the wizard’s estate… if they can win the confidence of Nabal’s widow, Dorna. But Dorna has plans of her own. She means to leave the tiny village for a better life in the city. And all of Nabal’s wizardly artifacts and talismans will pay for that new life – if she can only get them there intact!

Another story novelized from the pages of Astounding Stories, telling of the experiments of an alien race who have migrated to the solar system to domicile themselves on Mars. Their experiments result in the death of their leader and lead to the Martians being overwhelmed by an invasion of beings from the microcosm…and, ultimately, to the creation of life on Earth!

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Nick Lewis certainly has no liking for his TV historian brother, Laurence. Aside from anything else Nick blames him for the death of their mother, the beautiful actress Claudia Martin. And so, is it possible the off-handedly childish trick played by Nick on Laurence really does cast some kind of curse? Bizarre and unpleasant things begin to happen, without a doubt. And Nick himself is hardly immune. As the pattern of his secure yet eccentric life starts to come undone, he finds himself without remedies. Where has Laurence vanished to? What is the creepy Mr Pond’s part in it all? And who is the apparently sinister Kitty Price? Can repressed hatred cause such disruption, danger, even death? Or has the object caused it, as Nick pretended it could: that little ivory counter from a stolen drawer… This is probably not a supernatural story. It might be less unsettling if it was.

1934…

Starving to death somewhere in Europe, Anna meets Raoul.
She is ready to sell herself for a meal, but he has other plans. He takes her to England, to a summer of torrential rain, and the dubious mansion of his arrogant and unsavoury relatives, the Basultes.

It seems Anna is also to ‘enjoy’ the godly Basulte life. But the mounds of stodgy food, the genuflecting servants, the mindless cruelty of class, (the endless rain), affront her. Besides, she is becoming aware of the family, Raoul included, is playing with her a macabre and silly game.

Anna is a survivor – she has had to be – practiced at acting out the impossible. Both the aristocratic malignities, and the Hogarthian orgies of the servants, can be accommodated, if they must. For did they but know, Anna has a past as savage and explicit as anything seen in the Basulte house.

The past, that was Preguna, where Anna loved Arpad, during a European summer of soft heat. Until love ended in the darkness that now hangs on every moment of her life, reducing all other things, however murderous, to nothing.

Among the less-traveled mountains and plains of Central Europe, a little east of Austria perhaps and north of Slovenia, lies the old kingdom of Orsinia. A land of forests and quiet farmlands and towns, with its capital city Krasnoy on the broad Molsen River, Orsinia has always found itself, like all the countries of Europe, subject to forces beyond its borders. Yet, cast as they are in the shadow of tyrannies both Western and Eastern, the lives and dreams of its free people are no less important than the great arguments of Europe’s emperors and dictators.

Here then are those lives: in tales of romance and blood-lust, hope and fear, freedom and tyranny, passion and despair. Tales of love, of life and of death. This is Orsinia and these are her stories.

Sally McQuire worked for an unusual organisation. She was an undercover agent for the I.P.F., but her friends knew her only as a scatter-brained night club dancer. Then came the Thing. At first there were just off paragraphs in provincial papers. A cow disappeared. Fish stopped biting. Finally Jon Vardo, a shepherd, vanished without a trace. The I.P.F. put Sally on the track. She discovered a strange common denominator linking the events. There was a mathematical and geographical sequence. Sally arranged to be at the next danger zone, and then she too vanished. This is a story of humanity at its best, locked in a life and death struggle with a cruel, cold culture of Beings from the Beyond. This is a story of humanity fighting against incredible odds and fantastic weapons. Can the mind of man hold its own against deadly, sinister Intelligence from beyond the stars?

The engines died first, then the ship. Hope died. Men lived on. Then men died one by one… Accidents… quarrels… illness… age. One man remained. One man sat in the quietness of the drifting ship and wondered why Death didn’t want him.
The Others found the incredible derelict and approached her cautiously. The last spaceman watched them come and went to greet them. He was too old and tired to have any emotions left. Then they went to work on him. One by one his feelings came to life again. He took an interest in the New World on which he found himself. There was something strangely worrying about the planet. Things looked vaguely reminiscent of other things from long ago… A mountain range reminded him of Earth. A vast stretch of water looked like an ocean he had once crossed. Could the impossible have happened?
Could the incredible be reality?

The romantic legend of the Holy Grail is almost without parallel in the stories of chivalry. It has about it a quality of inspiration and a standard of purity that transcends everyday life. It shines like a star through the darkness of the Dark Ages. But what if Satan has his own counterpart? What if – just as the Black Mass of the witches and wizards, is an abominable reversal of the Holy Communion Service of the Christian – what if, then, there is an Unholy grail? A sinister thing of death and terror. A glittering, golden chalice forged in the nethermost chasms of Hell, wrought by the hands of unholy craftsmen. Gilded by demons, decked with gems by jewellers who life with the Prince of Darkness.

A thing that originated below the dark hills where trolls dwell…

That, too, would be the object of many a quest. There would be dedicated heroes searching to destroy it. There would be unscrupulous men who wanted to employ its dark power for their own ends. There would be weak men unable to resist its call. There would be strong men whose wills clashed with the almost irresistible power of the Golden Goblet.

Utopia had been completely separated from the rest of the galaxy for 300 years. It had taken six decades to finalise the agreement and conditions that would permit a visitor from the Other Worlds to come there. Hardy Cronyn from Washington IV was the first arrival.

The sensuous, young beauty who was to be his guide greeted him with a kiss. But it only took moments for Cronyn to learn the rules: no marriage. It was illegal. The two million inhabitants of Utopia were immortal. If there were marriage, there would be the desire for children, and that was seldom allowed.

The only deaths were accidental; petty crime was non-existent. Cronyn believed Utopia was paradise – until he discovered one paralyzing fear that consumed them all – PAIN! For if life was eternal pain would last a long, long, time…

FLETCHER HAD TO DIE.
And so he did; and found himself in a place – in a state of mind – that he could not tolerate. And so he had to die again. And then again. Until, soon enough, it became clear that death did not want him.
It became his challenge to die into life!

The Gene Wars have turned Earth into a blighted wasteland. Mile-long airships patrol the skies, exacting crippling tribute from the scattered ground communities. Threatened by mutant vegetation and predatory creatures, forced to the brink of starvation by the Sky Lords, Minerva – a former feminist utopia – has had enough.

Its rebellion is swiftly crushed and Jan Dorvin, a Minervan warrior, is winched aboard a Sky Lord; towards a fate worse than death. For as a ground dweller and slave – but above all, as a woman – she is now regarded as the lowest form of humanity and is consigned to a life spent serving the sexual appetites of male slaves.

But no Minervan could be kept slave for very long…..

‘War, albeit with the Dark Empire, was clean compared to this…’

Years after the defeat of the evil empire of Granbretan, Duke Dorian Hawkmoon and his beloved Yisselda have rebuilt the Kamarg, the land once ruled by Yisselda’s father, the late Count Brass. But their lives are turned upside down when the spectre of the dead count returns, possessed of the belief that he can return to life if he slays the one who led him to his death in the Battle of Londra: his former ally – and now son-in-law – Dorian Hawkmoon.

“The Eternal Footman” completes Morrow’s darkly comic trilogy about God’s untimely demise. With God’s skull in orbit, competing with the moon, a plague of “death awareness” spreads across the Western hemisphere. As the United States sinks into apocalypse, two people fight to preserve life and sanity. One is Nora Burkhart, a schoolteacher who will stop at nothing to save her only son, Kevin. The other is the genius sculptor Gerard Korty, who struggles to create a masterwork that will heal the metaphysical wounds of the age.

This collection of fact and fiction was inspired by the time science fiction writer Lucius Shepard spent with Missoula Mike, Madcat, and other members of a controversial brotherhood known as the Freight Train Riders of America. Shepard rode the rails throughout the western half of the United States with the disenfranchised, the homeless, the punks, the gangs, and the joy riders for the magazine article ‘The FTRA Story’. ‘Over Yonder’ and ‘Jailbait’. In ‘Over Yonder’, alcoholic Billy Long Gone finds himself on an unusual train. As Billy travels his health improves and his thinking clears, and he arrives in Yonder – an unlikely paradise where a few hundred hobos live in apparent peace and tranquillity. But every paradise has its price, and in Yonder, peace and tranquillity breed complacency and startling deaths. ‘Jailbait’ is a hardcore tale of deception, lust, revenge, and murder in the seedy underbelly of rail yards and train hopping. Madcat, who functions best in a whiskey-induced haze, must decide between solitude and companionship when he meets up with Grace, an underaged runaway. Grace, in turn, seeks the security of an older man and the life about which only young girls can dream.