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Kemlo and his friend Krillie, who have set out from Satellite Belt K on a Space trip, find themselves off course and eventually land upon a planet about which very little is known except that odd things happen there, so that it has become known as the Crazy Planet.

The people upon it, whose language is laughter, are friendly; but others, from Earth, are also marooned upon it, and they are very far from friendly, not only to the laughing People but to Kemlo and Krillie too. Their wicked plans, however, are foiled by Kemlo, who is later responsible for helping his new friends against a mass attack of the murderous wood beasts…

The legends of a fabled land of the lost have floated for centuries around the bazaars of North Africa and the sand-surrounded oases of the vast Sahara. They tell of treasure caravans that have never returned, of weird monsters forgotten by time, of savage peoples surviving out of antiquity.
Eric Carstairs had heard these tales but until he met Professor Potter he did not really believe them. But the famous palaeontologist had the location of the entrance to the Underground World pinned down, and wanted only a man of courage to fly him there.
Carstairs and Potter took the chance – and pierced the pit to Zanthodon, a world within the world, where cavemen and cave-beasts roamed side by side with dinosaur-monsters of millions of years ago.

Silverberg returns to the world of his greatest triumph – Majipoor – to tell the thrilling story of a young man’s quest into the unknown!

For young Prince Harpirias, the journey into the tundra beyond Majipoor might as well be a death sentence. But it is the only way to escape his dull job in a provincial city. The mission: to rescue a lost party of palaeontologists searching for the remains of a fabled species of dragons. With only a small band of soldiers and one wily Shapeshifter for company, Harpirias must endure blizzards, ice storms, privation and strange beasts.

But when they reach their destination, they discover a shockingly barbaric culture. One mistake, one minor violation of custom, and the prince and his retinue will face endless captivity – or endless death!

What unfathomed secrets lay sleeping in this eerie world of water?

The Clan knew almost nothing about the giant sphere of water they inhabited, and even less about the sun and planets nearby in space. Living amidst a cluster of nets anchored to the roots of a giant plant, they were aware only of their unending quest for precious air bubbles; and of the unending threat from the ever-hungry Hora. Those who fell victim to the beasts’ voracious tentacles were left to sink slowly to the depths, where an awesome and unknown being awaited them. He was the greatest mystery of Clan existence – until that is, the world began to change, until the current began to draw the city down to the realms of Ka.

The only lesson we learn from history is that we never learn from history. Primitive weakness destroys just as surely in the age of Rock and Roll as it did in the days of the harp or the spinet. Man has nothing to fear so much as human frailty. Material progress alone means nothing. Whether you kill your enemy with a club, a musket or an atomic bomb…he is equally dead! Civilisation will be mo better a thousand years from now unless man changes his nature. An ape in a space ship is just as much a jungle beast as an ape in a tree.

Fear is the fetter that holds the cave man, the twentieth century man and the space man of tomorrow. Doubt is his chain.

The story of Dr. Hartwell (Reanimators) continues, but now he has company. Weird company: a witch, a changeling, a mad scientist, and a poet trapped in the form of a beast. These are not heroes but monsters…monsters to fight monsters. Their adventures rage across the globe, from the mountains and long-forgotten caves of Antarctica to the dimly lit backstreets of Innsmouth that still hold terrifying secrets. The unholy creatures released upon the world via the ill-fated Lake expedition to Antarctica must be stopped. And only the weird company stands in their way.

Continuing in the fashion of Reanimators, The Weird Company finds Lovecraft expert Pete Rawlik taking some of the most well-known of H. P. Lovecraft’s creations and creating a true Frankenstein monster of a story-a tale more horrific than anything Lovecraft could have imagined…

Hurled from Earth through the depths of space by a force beyond human comprehension, Jonathan Dark is forced to pit his strength and wits against the terrors of savage jungles and plains on the Jovian moon, Callisto. As Jandar, he must fight cunning wizards and grotesque beasts of prey, to survive on this savage planet and someday find a way home.

In the merciless clutches of Zhu Kor, last of the legendary Mind Wizards of Callisto, the beautiful raven-haired jungle maiden is spirited away upon a hideous winged ghastozar. Captives of a vicious tribe that worships the evil Zhu Kor as a god, while their jungle stronghold is attacked by a rival tribe, Ylana and Tomar battle savages and predatory monsters alike … until the Galleon of the Clouds finds them in the very jaws of doom ….

Thomas Blades, a 17th century curate, discovers a magical door to another world – or rather to an alternative Earth. But here, humanity is not the top of the food chain, as Blades finds when the poor, burrow-dwelling humans he stumbles over are hunted and eaten by the Null – mighty, ravening beasts whose intelligence and killing ability makes them top predator.

Returning to our own world for weapons, Blades vows to become humanity’s saviour on his new earth and, over the years, builds an empire of which he becomes the first God-king. Power shifts between humanity and Null but as the humans grow in sophistication, so comes treachery, jealousy and murder – and God-king Blades will change much from the timid cleric who first happened upon his domain…

In the corner gas station, the local saloon, on the down-east farm, in the settings of EVERYDAY – there appear UNEXPECTEDLY THE ALIEN, THE WEIRD, THE MYSTERIOUS
The title story tells of one tearful stray from a herd of alien livestock which crushes most of Manhattan and causes apologetic herders to make amends. There is a shivery novelette about the abduction of a country wife by a hairy beast, and the story of a pickup truck full of mythical characters asking directions to Olympus. Then there are the ten-legged blue bugs from inner – or outer – space that can give you a dream – or a nightmare; the shadow-monkeys who have the absurd habit of following along and changing by what you think; the tiny angel that hatches from an egg; and the ‘wrens’ that hatch from Grandpa’s beard the summer he was 106.

Pip and Flinx: Book Thirteen.

“I know who your father is . . . Gestalt.”

A stunned Flinx hears these dying words from one of the renegade eugenicists whose experiments with humans twenty-odd years ago shocked the galaxy . . . and spawned Flinx. So Flinx and his minidrag, Pip, venture to Gestalt, an out-of-the-way planet that may supply the key to Flinx’s shadowy past and strange powers.

Unfortunately for Flinx, Gestalt also hosts a resident bounty hunter who’s just learned about the stupendous reward offered for a certain dead redhead. Flinx gets a chance to test his adversary’s skills when our hero’s skimmer is blasted out of the sky and into a raging river in the middle of nowhere – a nowhere of impassable terrain and ravenous, carnivorous beasts.

Astra City was a technological 40th century masterpiece. It represented the challenge of society to the raw untamed planet where it raised its gleaming towers in a far-flung corner of the galaxy. Beyond the force field encircling Astra City lay mystery and terror in the form of the weird primeval Greek beasts.
There were other mysteries surrounding Astra City. Mysteries like those the one-eyed Twen discovered in the labyrinth below the modern city. A labyrinth whose age would only be calculated in centuries… but which was believed to have been erected by the distant Masters themselves. Hidden in its depths Twen discovers a forbidden document of the millennial age, which involves her with a secret society who know the dreadful truth about the colonists. They are Androids… and their dawning intelligence leads them into head-on conflict with the rapidly decaying human race.

What did our ancestors dream of when they gazed up at the stars and looked beyond the present?

A Journey in Other Worlds races far ahead of the nineteenth century to imagine what life would be like in the year 2000. At the beginning of the twenty-first century, Earth is effectively a corporate technocracy, with big businesses using incredible advances in science to improve life on the planet as a whole. Seeking other planets habitable for the growing human population, the spaceship Callisto, powered by an antigravitational force known as apergy, embarks on a momentous tour of the solar system. Jupiter proves to be a wilderness paradise, full of threatening beasts and landscapes of inspired beauty, where the explorers must fight for their lives. Dangers less tangible but equally deadly await the Callisto crew on Saturn, which yields profound secrets about their fate and the ultimate destiny of mankind.

A powerful fantasy novel in its own right, set in an expansive and complex fantasy universe, The Price of Blood and Honor brings to a grand climax the tale, begun in The Well-Favored Man and A Sorcerer and a Gentleman, of the kingdoms of Landuc, Noroison, and Phesaotois. The bitter, centuries-old feud between Emperor Avril and his wizardly brother, Prospero, has broken into open warfare, and events and armies are unstoppably on the move. In the midst of all this, Prospero’s two grown children – staunch, unworldly Freia, and her urbanely sorcerous half-brother, Dewar – find themselves thrust into the very heart of the action.

The Price of Blood and Honor is a rich, complex, and splendidly high-handed work, full of epic tragedies and comedies of manners, wars and romances, primal acts of creation, gritty military details, intricate espionage capers, talking animals, mythic beasts, ducks, and a great deal more besides, in the story that is the climax and completion of this series.

In this sequel to At the Earth’s Core, return to the world of Pellucidar – an exotic, savage land at the centre of our Earth, an untamed wilderness where time stands still. When American explorer David Innes first discovered Pellucidar, he fell under the spell of the strange world, earning the respect of many, the undying hatred of a few, and the love of the beautiful Dian. Torn from the arms of Dian by trickery, Innes vows revenge and returns to the Inner World in his most exciting adventure to date. But David Innes appears in Pellucidar far from the land of his beloved and is forced to cross a fierce, unyielding world to reach her. Inne’s epic journey through the many strange lands of Pellucidar, including the brilliantly conceived pendant moon and Land of Awful Shadow, and his heart-pounding encounters with prehistoric beasts and strange peoples ranks as one of the best adventures ever penned by Edgar Rice Burroughs.

Once there was only the land of Phesaotois, with a cold and baleful Stone at its magical heart. Much later came the land of Pheyarcet, younger and hotter, with its Well of Fire inextricably bound up with its ruler, the great Panurgus.

Then Panurgus died, touching off a bitter struggle between his sons that ended with Avril on the throne and Prospero, mightiest of the sorcerers, in permanent exile.

All that was an age ago. Now Prospero, grown ancient and subtle, has found a new, third land: bright Argylle, with its primal Spring of clear water. Argylle is a fair realm in its own right; but the children of Panurgus never forgive and never forget.

And so Prospero decides it is an auspicious time to seize the throne of Phesaotois from Avril – thereby setting in motion a vast tale of romance and espionage, of talking animals and mythic beasts, of metaphysics and primal creation, of mannerly drama and gritty military detail: an epic that can only end in a conflagration of blood and honor.

In Philip Jose Farmers incredible sequel to The Image of the Beast, Herald Childe continues what started as a murder case – a very gruesome one – but which has now become a struggle against the strange and deadly beings who have taken his wife, who threaten his manhood and threaten mankind itself.

His seems a hopeless quest. He is fighting not people but inhuman, unhuman monster from another universe. They take grotesque physical forms, they indulge cruel whims, and they are sex-mad.

There is Vivienne, amazingly beautiful, who used to be Joan of Arc. But she has false teeth and she comes literally to pieces. Her lover is a snake-like horror whose needle teeth drip aphrodisiac venom. There is Count Igescu, a real live vampire. And these three are surrounded by a grisly crowd of bizarre aliens, characters in a science fiction nightmare. But for Childe there is to be no waking up: though no one else will believe him, he knows this is for real…

New races of man had evolved, new species of beast; science had vanished and magic had arisen to dominate the twilight of our world as it dominated the earth’s morning. The Dying Earth is Jack Vance’s finest work – a stunning evocation of a world peopled by wizards, witches, demons, monsters, dashing princes and forlorn maidens. A bejewelled gallery of strange and wonderful beings in the eminent tradition of Tolkien and William Morris.

Jack Vance’s preferred title for this collection is Mazirian the Magician, but while we have elsewhere deferred to his wishes, in this case the book is so famous under a title of which he apparently strongly disapproves that we concluded it would be absurd to change it.

All Jack Vance titles in the SFGateway use the author’s preferred texts, as restored for the Vance Integral Edition (VIE), an extensive project masterminded by an international online community of Vance’s admirers. In general, we also use the VIE titles, and have adopted the arrangement of short story collections to eliminate overlaps.

The grand conflict for control of the continent of Derlavai rages on, in a battle with all the drama and terror of the Second World War-only the bullets are beams of magical fire, the tanks and submarines are great lumbering beasts, and the fighters and bombers are dragons raining fire upon their targets.

Yet hope may be dawning at last. The terrible onslaught of the conquering forces of Algarve-who power their battle magics with the life energy of their murdered victims-begins to founder as it runs into Habbakuk: a sorcerous ship of ice used by embattled nations of Lagoas and Kuusamo to ferry their deadly dragons across the seas to strike at the very heart of Algarvian power.

But though the tide has begun to turn, the conflict is far from over. The widely disdained Kaunians still struggle desperately to escape as the Algarvians kill them by the thousands-for life energy, but also simply for the crime of being Kaunian. And as the deaths of innocent civilians on both sides continue to feed the flames of war, those who have struggled to survive and preserve their freedom have only their passions to see them through. . . .

Humankind has arrived on Moss to discover if any intelligent native life exists there, and to assess the planet, recently discovered by the Derac, a nomadic space-faring race, for development – and profit. Multi-coloured shapes of dancing light have been spotted; strange sounds are heard in the night; the researchers name them the Mossen and send for a linquist to ascertain if it is evidence of intelligent life.

Jewel Delis has accompanied her half-brother Paul to this verdant paradise. Her task is to help Paul decipher the strange language of the Mossen – but she has a secret mission too. A new law on Earth means the imminent massacre of all beasts great and small, so Jewel must discover if Moss holds the promise of sanctuary for the doomed animals – once humankind’s beloved companions.

Time is running out for Jewel’s creatures, but it might be running out for Humanity too: the Planet Moss, itself a living entity, is not sure it cares for any of the species currently living on its surface . . .

In his previous ‘Darkness’ books – Into the Darkness, Darkness Descending, and Through the Darkness – bestselling author Harry Turtledove has been telling an epic tale of a world at war; a dark mirror of the terrible wars of our own twentieth century, set in a world where battles are fought with magic rather than technology.

Imagine the drama and terror of the Second World War in such a place. The death, the destruction, the sheer scale of the horror is the same – but the bullets are beams of eldritch fire, the tanks are great horned and taloned beasts, and fighters and bombers are dragons raining fire upon their targets. This is the world of the Derlavaian continent, a world that is slowly but surely being conquered, mile after bloody mile, by the forces of the Algarvian Empire… forces whose most terrible battle magics are powered by the slaughter of innocent people.

In this, the forth volume of the series, following on from Through the Darkness, the war for the future of Derlavai builds towards its crescendo as the mages of Kuusamo, aided by their former rivals from Lagoas, work desperately to create a newer form of magic. Magic of unprecedented destructive power. Magic that will change the course of the future.

In the 22nd century biofeedback techniques to control by will the processes of one’s own body have reached their ultimate expression: the ability to transform the body into virtually any viable form whatsoever. What began as an innocent technique to reduce anxiety without recourse to drugs has raised fundamental questions about what it is to be human, since form is no longer sufficient nor even relevant.

Enter the Humanity Test: in a future when other techniques can change the forms of animals, so far it has been a guaranteed one hundred percent successful means of determining whether a life form started out as human. But now strange life forms, vicious and bestial, are proliferating throughout the Solar System. They are clearly not human, and clearly their nervous systems are too underdeveloped for them to have been human. But though the beasts threaten havoc and death to all the far flung isolated stations, the simple solution of shooting the varmints is impossible: for life forms that according to the Humanity Test started out human the law is very clear: Thou Shalt Not Kill.

Shon knew that the Taken must die. Death had touched them, and the evil spirits which issued from Death’s Place to the east beyond the valley Took away the souls of the living. It was the law of Shon’s people, who seldom ventured far from their simple huthouses in Pine Walk, except to hunt boar in the forest. And even the forest was not completely safe, for across the river at its eastern edge lay Crow Mork, Death’s Place, and in the stories Crow himself, who was Death, rode there with Crow’s People, Death’s children, on strange four-legged beasts shod with white metal and swift as the wind.

Lost in the dark forest, Shon encountered Death’s Children. ‘Don’t go home,’ the dead girl told him – he was almost sure it was a girl, though her face was a black void in the night. But there was nowhere else to go. They would kill him, of course; being Taken, they would have to.

Yet Shon escaped that death – though he was to meet Death in Death’s Place, and learn the extraordinary truth about it.

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

ALLIANCE CENTRAL: the world once called Earth. Nothing breathes upon it but man and the wind, and the wind is tamed beneath great domes. From here humanity rules a vast stellar empire.
FIRSTISM: the belief that the universe is made for humanity. Therefore be fruitful, and multiply, and replace all other creatures with humankind and its domesticated beasts, and replace all other green things with plants useful to human life…
HERMES SECTOR: the remote frontier system where colonists are abruptly wiped out by an alien visitation. As a deadly threat to the countless billions of humans swarming outward from Alliance Central, the aliens must be identified.
One planet alone in Hermes Sector was spared. But that planet is Dinadh, the strangest and most secretive of all populated worlds. Firsters are not welcome on Dinadh, nor Firster technology. The only people from Alliance Central qualified by blood to visit Dinadh are a lone woman and her severely disabled five-year-old son. Their journey to Dinadh marks the beginning of a terrifying ordeal pitching mother and son beyond the shadow cast by human civilization.
Astounding sights, extraordinary aliens and colossal dangers await them…