Search Results for: alien,-the

Legally, the United Planets Organization could do nothing about the repressive, backward planetary governments of Falange, Stalin and Doria. It was imperative, however, that something be done. The UP had proof that a race of highly advanced, warlike aliens existed somewhere in the depths of space – the human-held worlds ad to be ready to meet the challenge when it came.

For this reason the secret corps, Section G, was formed. No government could be allowed to hold up the progress of mankind; Section G was ordered to bring them down – by any means necessary!

While backpacking in Alaska, Victor Gonser, a 35 year old PhD in political science, finds himself trapped in the body of a 13 year old Tlingit Indian girl. A little later he is forced from there into the spectacularly beautiful body of an 18 year old blonde. He finds that the switches are part of a skirmish for Earth by two alien races…And that is just the beginning.

It is sometime I the near future. The nations of Earth have drawn closer together – there is even hope of a new era of co-operation and progress will soon begin.

These dreams of lasting peace are shattered by one momentous discovery. One of the members of an international team of scientists stationed on the moon has found an alien spacecraft – with all its incredible technology and weaponry intact. The discovery shatters the illusion of peace on Earth, as each nation joins the mad scramble to learn the terrible secrets entombed by alien visitors eons before.

Only one thing prevents total war – Werner Brecht, the discoverer of the vehicle, is the only one who knows its location, and he has disappeared into thin air.

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS.

THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die.

THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul?

THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder…

Percy Mjipa, diplomat-adventurer, and Alicia Dyckman, interplanetary runaway, both aliens on the alien world of Krishna, are swept up in wildly treacherous – and wildly funny – imperial intrigue. . . .

The Prisoner of Zhamanak is the fourth of L. Sprague de Camp’s Krishna book – interplanetary romance in the tradition of Edgar Rice Burroughs’ Martian Tales.

The Producer thinks he’s God’s gift to women – whether they’re human or alien.

The Director is delighted to work on a wild and woolly planet, where he can really behave like Attila the Hun. Some of the local natives are trying to steal the film crew blind – while others plan all-out war.

And if that weren’t enough, every time Tour Guide Fergus Reith turns around, he stumbles over another of his ex wives or girlfriends!

The Swords of Zinjaban is the fourth of L. Sprague de Camp’s Krishna book – interplanetary romance in the tradition of Edgar Rice Burroughs’ Martian Tales.

Decades before a certain five-year voyage, L. Sprague de Camp sent a spirited crew to a strange and distant world, where their meeting with its inhabitants created chaos in local politics, upset the balance of power and generally created the most entertaining havoc. Rogue Queen is an engaging tale of aliens and humans on the loose on a world of appealing strangeness.

Wrestling Reptiloids is no job for milquetoasts.

Mild-mannered Terran archaeologist Keith Salazar was just minding his own business, digging up the alien past on an out-of-the-way site on the planet Kukulcan, when suddenly he was besieged by intruders on his scholarly peace: hostile natives, an indifferent ex-wife, and a demon developer with rapacious eyes glued on both his site and his true love.

In the course of protecting his dig, regaining his loved one and vanquishing his rival, Salazar will fight a giant reptilian predator bare-handed, leap into snake-filled pits, engineer the planet’s first imperial conquest, lead and train a battalion of alien riflemen and hold a séance. Pretty exciting work – but then maybe Keith Salazar wasn’t such a milquetoast after all.

On a future Earth, where invading aliens have forced humanity to revert to a feudal society and conducting scientific research is punishable by death, it’s good to be the heir to a duchy. Unless your brother has been burnt as punishment for heresy. And unless you intended to do something about it . . .

You didn’t make an Adapted Man with just a wave of the wand. It involved an elaborate constellation of techniques, known collectively as pantropy, that changed the human pattern in a man’s shape and chemistry before he was born.

But the pantropists didn’t stop with biology. Education, thoughts, ancestors and the world itself were changed, because the Adapted Men were produced to live and thrive in the alien environments found only in space. They were crucial to a daring plan to colonize the universe.

And millennia later, it is only fitting that they should return to a long forgotten planetary system to colonise a hostile world called . . . Earth.

Raised, tested, trained and indoctrinated in the Blocks, Molly Zero is being groomed for the governing Elite.

Rebelling against her fate, she flees. An innocent searching for truth, Molly finds the world outside the Blocks alien and frightening. Her flight plunges her first into the heart of a small community. Next, attracted by their eccentric gaiety, she joins the travelling gypsies, roaming the country in Commercial Air Cushion Vehicles. And then Molly gets caught up in urban terrorism…

Ladies from Hell contains five long stories.

“The Shack at Great Cross Halt” describes a Britain dominated by motorways, juggernauts and a tyranny, in which the unfortunates of society eke out a miserable existence scavenging items that fall off lorries.

“The Ministry of Children” shows comprehensive schools having become terrifying battlegrounds dominated by vicious gangs.

“The Big Fans” concerns an experiment in wind-powered electricity which accidentally unleashes an apocalyptic storm of effects.

“Our Lady of Destruction” ironically depicts a future in which a Stalinist British government taxes ‘non-productive’ people (i.e. artists) at over 100% and assigns them individual Overseers to regulate their work.

“Missa Privata” shows an opera singer in a communist-dominated Britain making a defiant individual gesture which will bring about her own ruin.

These are not stories of spaceships and alien worlds; rather they are studies of imminent social change, written out of passionate concern about the directions in which our society may be heading – stories, in fact, in the great Orwellian tradition. Most importantly, they are stories about people: believable, defiant individuals struggling against oppressive forces.

From the author of Dune, the greatest SF novel of all time, comes a stunning evocation of alien cultures

In the far future, humans and aliens have joined together in a galaxy-wide federation of intelligent species: The Consentiency. But its existence is now threatened by the discovery of a secret, illegal and deadly experiment on the planet Dosadi.

There, the froglike Gowachin have created a brutal society: 850 million beings, human and Gowachin, are confined in an area of 40 square kilometres. But the experiment in overcrowding is getting out of control: the beings that have bred on Dosadi are so tough and resourceful that they are capable of breaking out of their monstrous prison and overrunning the galaxy.

A determined group of colonists are attempting to establish a bridgehead on the planet Pandora, despite the savagery of the native lifeforms, as deadly as they are inhospitable.

But they have more to deal with than just murderous aliens: their ship’s computer has been given artificial consciousness and has decided that it is a God. Now it is insisting – with all the not inconsiderable force of its impressive array of armaments to back it up – that the colonists find appropriate ways to worship It.

A stunning work from the acclaimed author of Dune, the series which inspired the 2021 Denis Villeneuve epic film adaptation, Dune, starring Oscar Isaac, Timothée Chalamet, Zendaya and Josh Brolin.

Secretive, enigmatic beings, they came to Earth to live among humanity in quiet, aristocratic isolation. But now, after years of silence, the “gods” have decided to share their art.

Across the vast galactic void come great ships bearing the fruits of an incomprehensible alien culture – paintings and sculpture of such raw, visceral power that their unveiling plunges the Earth into violent chaos, and sends the visitors fleeing from their adopted planet. But some remain behind – to face death at the hands of rampaging mobs, to witness the outcome of the grand cosmic game, and to assist in the creation of one last, potentially universe-shattering masterpiece that will illuminate the awesome, final destinies of god and man.

The crew of the XV-ftl was looking forward to shore leave, vacation, and a chance to see their families after a month in space. But once they brought back the news that they had discovered aliens, they were doomed to another, and longer, journey.

Accompanying them on the return were several technical experts, who seemed to be more interested in squabbling with each other than meeting the first alien race in the history of humankind. But face to face with the blue humanoid Norglans, everyone began to realise just how important these first meetings could be – for they could make the difference between peaceful coexistence in space and interstellar war!




(First published 1958)

Originally published in 1958, under the pseudonym David Osborne.

Dr. Jeffrey Brewster, assistant professor of psycho-sociology at Columbia University, had been six weeks old when the first crude satellites were flung into space back in 1957. During his childhood there had been Moon rockets and the space stations – then the joint American-Russian-manned expedition to the Moon in 1965, right after the collapse of the Soviet dictatorship. Mars and Venus had been reached as he grew up and a permanent base was established on the Moon in 1973. Now the day’s papers reported that an expedition was ready to leave for Callisto, moon of Jupiter.

But Dr. Brewster had a class to make and he was late.

That was when the telephone rang and Mari, his wife, said, “Long distance from Washington.” The caller was Colonel Chasin of Unsecfor – United Nations Security Force, the global and international army that policed the world in these days of relative peace and harmony…

The computer had chosen them – a small cross-section of humanity to serve Mankind’s Destiny. Out of seven billion people on Earth mechanical chance had selected them as involuntary colonists on an unknown planet. In seven days they would be on their way, on a sink-or-swim mission to a lonely world beyond the limits of the Solar System.

It was a summons each had privately dreaded, yet always been prepared for. But no one had prepared them for the vicious attacks of sinister aliens . . .

Abner Harris was sent to Earth on a mission of extreme urgency. The universe was in danger of enslavement by the Medlins, and the fight against them called for Harris to assume the disguise of a flesh-and-blood Earthman.

But he discovered that the real villains of space were not the Medlins or the people of Earth: they were his own kind.

Suddenly he was alone, alienated from his own race, hated by the Medlins, and an imposter on Earth. No matter what side he chose he’d be a traitor.

Yet choose he must – or remain for ever a man without a planet.




(First published 1963)

A thousand years in the future, the earth has been conquered by an alien race and covered by a single sea. Dovirr Stargan, who is disgusted with the servility of his life on the floating city of Vythain, longs to become one of the Sea-Lords, who roam the sea as powerful protectors of the cities.

Dovirr gets his wish, but the return of the alien race brings unexpected and critically dangerous crises to his new life as he learns the real, sometimes terrible, significance of power.




(First published 1965)

Duncan Chalk is a monstrous media mogul with a vast appetite for other people’s pain. He feeds off it, and carefully nurtures it in order to feed it to the public. It is inevitable that Chalk should home in on Minner Burris, a space traveller whose body was taken apart by alien surgeons and then put back together again – differently. Burris’ pain is constant. And so is that of Lona Kelvin, used by scientists to supply eggs for 100 children and then ruthlessly discarded. Only an emotional vampire like Chalk can see the huge audience eager to watch a relationship develop between these two damaged people. And only Chalk can make it happen.

First published in 1967

‘The explosion was painfully bright against the dark backdrop of the moonless New Mexico sky. To those who looked up at that precise moment – and there were many who happened to look up – it was as though a new star had momentarily blossomed in blue-white incandescence.’

Only three human beings would ever know that the blinding flash in the sky on that night in 1982 was an exploding flying saucer. Only they would learn the truth about THOSE WHO WATCH – about the alien observers who came into this world in a crash landing from the stars. THOSE WHO WATCH is the strange, seductive story of three accidental colonists from outer space whose chance encounter with Earth brought revelation to three earthly counterparts – and triggered interplanetary conflict. It is a remarkable story by one of science fiction’s most remarkable writers.

During his heroic first encounter with an alien race, Dick Muller was permanently altered, hideously transformed in a way that left him repulsive to the entire human race. Alone and embittered, he exiled himself to Lemnos, an abandoned planet famed for its labyrinthine horrors, both real and imagined.

But now, Earth trembles on the brink of extinction, threatened by another alien species, and only Muller can rescue the planet. Men must enter the murderous maze of Lemnos, find Muller, and convince him to return with them.

But will the homeless alien, alone in the universe, risk his life to save his race, the race that has utterly rejected him?




(First published 1968)

Old Earth has reached its Third Cycle, a tired planet basking in the faded glories of a lost civilisation. Long ago it had been great – but the pride and greed of its rulers had brought about a terrible downfall.

And now Earth was threatened. Far out in space an alien race waited. Once they had been the victims of a crime perpetrated by the human race – now they were ready to return as conquerors. As a Watcher, Tomis had spent his life searching the skies for signs of the impending invasion. And when it finally came, it was to disrupt not only his world but his whole life in a way he had never dreamed was possible.


(First published 1969)