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Jake Cutter is reluctantly learning how to be a Necroscope – how to use the Möbius continuum to travel instantaneously from place to place, how to talk to the dead – but the dead don’t like him much. It seems Jake’s got a hitchhiker in his mind, a dead vampire named Korath. But since Korath holds the key to the Möbius equations, Jake can’t just kick him out…

In Australia, Jake helped E-Branch destroy the aerie of the mind-master, Nephran Malinari, one of the trio of Great Vampires who came to Earth from the vampire world. Malinari escaped and went to ground with the hideously beautiful Lady Vavara. Vavara has taken over a holy monastery on a beautiful Greek island and turned the nuns into most unholy creatures of fearsome appetites for all things carnal.

But Jake wants revenge against the Italian mobsters who killed the woman he loved. As far as he’s concerned, E-Branch can search for Malinari, Vavara, and the metamorphic Lord Szwart without him until he’s satisfied his own bloodlust. But it seems vampire-hunting is truly Jake’s job now – the men he’s trying to kill aren’t men at all but vampires hidden for two generations in human guise!

To defeat them, Jake will need every weapon in Necroscope’s arsenal, including the power to call the unsleeping dead out of their mouldering graves…

As the sole survivor of a massacre, Bibi was only saved from a life as a concubine when Lady Nef, the General’s wife, intervened, earning Bibi’s undying loyalty.

When a diplomatic mission turns sour, Bibi is imprisoned with her saviour, and through her learns of the greatest treasure imaginable: an uninhabited, unspoiled, perfect planet. When Lady Nef dies and bequeaths Bibi her rank and power, Bibi steals Spirit, an instantaneous-transit space pod, and runs with nothing other than a set of coordinates.

Twenty years after Lady Nef’s capture, the Princess of Bois Dormant debuts in capital Speranza and dazzles high society. No-one could imagine this diamond of the Diaspora had an ulterior motive, forged in the darkness of a prison cell. But revenge isn’t simple when more than one person pulled a trigger. Bibi must decide what’s more important – personal vendettas, or uncovering a conspiracy that reaches far beyond just her.

A twisty tale of murder, betrayal, and revenge served ice cold, the sequel to Gwyneth Jones’ critically acclaimed Aleutians Trilogy, set in the same universe, is an epic story of intergalatic high society and the complex webs it weaves.

You can find more information about Spirit at http://www.gwynethjones.uk/SPIRIT.htm

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

Harry Keough, aka the Necroscope, has always considered himself a master of the Mobius Continuum – a dimension existing parallel to all space and time and his personal instantaneous gateway to anywhere in the multiverse. But this is hardly overweening conceit on Harry’s part, for to his knowledge he is not unique; two other intelligences, with powers similar to his, do indeed exist. One such is the long-dead August Ferdinand Mobius himself, the German astronomer, mathematician, and discoverer of the eponymous Mobius Strip which led him to explore, posthumously, his previously conjectural Continuum; and the other is Harry’s son, who has not only inherited his father’s mathematical skill but also the metaphysical talent by means of which the Necroscope converses with dead people in their graves!

Picture Harry’s confusion, then, on returning home via the Mobius Continuum from an adventure in Las Vegas, as he witnesses however briefly a flailing figure hurtling conscious but uncontrolled through the endless midnight of the Continuum. Who could this be – how can it be? – that a helpless, silently protesting other is rushing meteor-like across the Continuum’s Stygian vault? Moreover, if he hasn’t arrived here voluntarily, then what vile murderer has sent his victim on this monstrous journey to the end of life itself? For Harry is sure that this is neither his son’s nor Professor Mobius’ doing.

Who and where is he, this Mobius murderer? It is a mystery that only the Necroscope can ever hope to solve – but at what risk to his own life?

This is the story of how a world could be resurrected¿

Mars is a barren planet, almost without atmosphere and with a temperature ranging from near zero to 120 degrees below. No water flows and there is no evidence that life has ever existed there.

Yet Mars is Earth’s near neighbour and has always exerted a powerful hold on our imagination. The astronomer Lowell thought he’d discovered canals on the planet’s surface; H.G. wells (and his near namesake Orson) speculated on the red planet’s inhabitants invading Earth; sf writers have always used Mars as a setting and continue to do so.

In the Snows of Olympus Arthur C. Clarke uses a revolutionary computer program to show, in words and pictures, how the surface of the planet would change as, gradually, scientists created an atmosphere and raised the temperature. Taking as his starting point Olympus Mons, the highest mountain in the Solar System, a 27km extinct volcano, Clarke creates detailed ‘photographs’ of the Martian surface and then shows how the landscape would change as vegetation began to thrive and water to flow. He speculates about how this might happen, about the journey to Mars and about what living on the planet would be like. The result is one of the most fascinating, challenging and imaginatively stimulating books of the year.

Arthur C. Clarke has long been hailed as the most visionary and accurate of science fiction and non-fiction writers, having predicted communications satellites years before their development. In this extraordinary booked he chart the next chapter of humanity’s future in space.

On the Rim planet fittingly called End of Nothing, a bizarre society of robots and humans toiled for a thousand years to perfect a religion that would create a new and all-embracing faith – no novelty in a galaxy crowded with religions. But one project was hidden from the hordes of pilgrims welcomed at Vatican-17 on End of Nothing. A group of trained human sensitives were sending their minds ranging through all of time and space, gathering information. With that information, a computer of infinite knowledge, wisdom and infallibility was being constructed in secret – the ultimate Pope.

Of the three outsiders allowed residence on End of Nothing, one was tolerated at a distance by Vatican-17, one was welcome – and one was a threat to be countered.

Decker hardly mattered. His lifeboat had landed him on the remote planet, and he kept to himself in the wilderness. Neither the human nor robot authorities knew of the unseen companion who whispered constantly in Decker’s mind.

Dr Jason Tennyson had fled the political furies of his homeworld. Here, Vatican-17’s physician had died, and Tennyson’s skills were desperately needed and well rewarded.

Jill Roberts was a journalist in quest of a sensational story she had scented. Vatican-17 knew she could not be allowed to break the news of Project Pope before it was completed – and debated two possible ways of stopping her.

The one of the Searcher sensitives threw Vatican-17 into turmoil, threatening its very existence and involving the three outsiders in a sudden power struggle between human and robot.

Drifting in unsuspecting dimensions, the woman had encountered Heaven!

A cyber-dystopian thriller unlike any other.

In a near future Tokyo, every action-from blinking to sexual intercourse-is intellectual property owned by corporations that charge licensing fees. A BodyBank computer system implanted in each citizen records their movements from moment to moment, and connects them to the audio-visual overlay of the ImmaNet, so that every inch of this cyber-dystopian metropolis crawls with information and shifting cinematic promotainment.

Amon Kenzaki works as a Liquidator for the Global Action Transaction Authority. His job is to capture bankrupt citizens, remove their BodyBank, and banish them to BankDeath Camps where they are forever cut off from the action-transaction economy. Amon always plays by the rules and is steadily climbing the Liquidation Ministry ladder.

With his savings accumulating and another promotion coming, everything seems to be going well, until he is asked to cash crash a charismatic politician and model citizen, and soon after is charged for an incredibly expensive action called “jubilee” that he is sure he never performed. To restore balance to his account, Amon must unravel the secret of jubilee, but quickly finds himself asking dangerous questions about the system to which he’s devoted his life, and the costly investigation only drags him closer and closer to the pit of bankruptcy.

In book one of the Jubilee Cycle, Cash Crash Jubilee, debut novelist Eli K. P. William wields the incisive power of speculative fiction to show how, in a world of corporate finance run amok, one man will do everything for the sake of truth and justice.

THE TRILOGY CONCLUDES…



In West of Eden and Winter in Eden, Harry Harrison, an acknowledged master of imaginative fiction, broke new ground with his most ambitious project to date. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants, the Yilanè, challenged humans for mastery of the Earth, and where the human Kerrick, a young hunter of the Tanu tribe, grew among the dinosaurs and rose to become their most feared enemy.



Now, in Return to Eden, Harrison brings the epic trilogy to a stunning conclusion. After Kerrick rescues his people from the warlike Yilanè, they must regroup and consider their future. They find a safe haven on an island and there begin to rebuild their shattered lives. But with fierce predators stalking the forests, how long can these unarmed human outcasts hope to survive? They need weapons, but they only effective weapons lie in the hands of the technologically superior Yilanè. The small band of humans has no choice but to confront their face head-on.



And, of course, Kerrick cannot forget Vaintè, his implacable Yilantè enemy. She’s been cast out from her kind, under sentence of death, but how long will her banishment last? For her strange attraction to Kerrick has turned into a hatred even more powerful than her inbred instincts – an obsession that compels her to hunt down Kerrick and kill him. In a world completely unlike her own, two great cultures struggling for mastery of the Earth face the same problem that faces us today: how to coexist on the same planet completely unlike ourselves – or mutually perish.

Widely acclaimed as one of the first successful female science fiction authors, Mildred Clingerman returns with the exciting follow up to her 1961 science fiction collection, A Cupful of Space. Her stories tend to wed a literate tone to subject matters whose ominousness is perhaps more submerged than the horrors under the skin made explicit in the work of Shirley Jackson, but equally as deadly.

Clingerman’s new anthology, The Clingerman Files, includes all of her originally published stories; The Day of the Green Velvet Cloak, Mr. Sakrison’s Halt, Wild Wood, The Little Witch of Elm Street and many other favourites. Also included are previously unpublished works; Top Hand, Tribal Customs, The Birthday Party, Fathers of Daughters and many more soon to be favourites. The key to her stories is that they appear simple and straightforward, but each takes a twist or turn that, even when you’re tempted to guess where they’re heading, they take you there in a way you would never have bargained on.

Other writers of the period tried to make big splashes. Clingerman, it seems, prided herself in concealing her effects within her masterfully constructed sentences. They barely make a ripple on the surface; all their power and drive lurk deep down below. So many of her stories are alive with the underpinning notion that the cosmological vistas we spy at the end ends of telescopes and various other means of measurement belong to the very same universe under our feet. We’re not apart from the universe, we’re a part of it. Nearly every story here is alive with that sensibility, in the truest sense of that word. In every sentence there is a note (a gentle one, but insistent) of silent rebellion, a surreptitious snarl, entreating you to see that not the everyday, but an undiscovered marvel.

May these eloquent rebellions be undiscovered no longer.

Welcome to Argylle, where the ruling family – a brilliant, flighty, civilized and occasionally dangerous clan of nearly-immortal warriors and magicians – are hoping for a few years of relative peace.

True, their Father Gaston has vanished, leaving both throne and family while he pursues some unexplained errand. His absence has stretched into years. True as well that their powerful Uncle Dewar has also wandered off without leaving a forwarding address, and hasn’t been heard from for a worrisome length of time. It’s a bad habit of running off that this family’s elders have.

But now young Prince Gwydion’s been stuck with ruling the Dominion of Argylle, and with any luck, life can go back to being a satisfactory mixture of intrigue, gossip and viniculture, periodically enlivened by amateur theatricals and the odd quest or two.

Yet Gwydion is finding this arrangement uncomfortable. Strange things keep turning up. A plague of monsters appears out of nowhere, attempting to take up residence in the local barns and forests. These are trumped by the arrival of a ravenous Great Dragon – ancient, sorcerous, profoundly cunning – so big you can see it thirty miles away. Meanwhile, a mysterious young woman has shown up, claiming to be Gwydion’s long-lost – indeed, quite unexpected – sister. And then there are the high-tech aliens, who say they just want to conduct a legal investigation. It’s enough, Gwydion thinks, to make a ruler want to find some nice long errand that’ll take him away from his homeland for a spell…

The Well-Favored Man is a courtly, complex, bloody-minded fantasy for those who love Roger Zelazny’s Amber, Ellen Kushner’s Swordspoint and the fantasy adventures of Steven Brust.

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

The son of a Civil War veteran, Edgar Rice Burroughs was a prolific writer for the early pulp magazines. Famous the world over as the creator of Tarzan – and in SF circles for his Martian tales featuring John Carter – Burroughs is a household name. But John Carter wasn’t the only Earthman to champion another world. This omnibus collects PIRATES OF VENUS, LOST ON VENUS and CARSON OF VENUS – the first three of Burroughs’ classic pulp tales of Carson Napier on the waterworld of Amtor – better known to us as Venus.

PIRATES OF VENUS: The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess comes at a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.

LOST ON VENUS: Napier’s adventures continue in this pulse-pounding sequel to PIRATES OF VENUS. Here the intrepid and wry explorer takes on a savage world in order to rescue the princess from her sworn enemies. Napier’s epic quest for Duare takes him through the streets of the City of the Dead, into the terrifying Room of the Seven Doors, and face to face with fantastic and perilous creatures. LOST ON VENUS brims with the action, suspense and wit unique to the Master of Adventure.

CARSON OF VENUS: Carson Napier, first Earthman to reach Venus, had to keep alert every instant of his stay on that world of mist and mystery. For its lands were unmapped, its inhabitants many, varied and strange, and he had taken an obligation to restore a native princess to her lost homeland. On terrible oceans where dreaded sea-monsters dwelled, in deep forests where terror haunted every branch, and behind the walls of eerie cities where power-mad chieftains plotted uncanny schemes, CARSON OF VENUS is fast-paced science fiction adventure.

From the vaults of the SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to one of the unique voices of British science fiction, John Middleton Murry, Jr, who wrote his best work under the pen name Richard Cowper.

The son of the famous critic John Middleton Murry, Cowper announced himself to the science fiction world in 1967 with BREAKTHROUGH, which found favour for a subtlety and richness of characterisation not seen in most contemporary SF. The idea of a transformed future England became his signature leitmotif and it is this theme that informs the Corlay tales contained in this omnibus. This is the complete Corlay sequence, featuring introductory novella ‘PIPER AT THE GATES OF DAWN’ and novels THE ROAD TO CORLAY, A DREAM OF KINSHIP and A TAPESTRY OF TIME.

THE ROAD TO CORLAY:
On the Eve of the Fourth Millennium a slowly-building civilization, struggling out of the rubble of the Drowning, was crushed beneath the sceptre of a powerful and repressive Church. But on the Eve of the Fourth Millennium the sound of a magical pipe was heard, and the air was filled with songs of freedom and enlightenment. And on the Eve of the Fourth Millennium the Boy appeared, bringing the gift of sacrilege, a harbinger of the future, heralding the arrival of the White Bird of Dawning. It is the coming of a New Age. A glorious future bearing the presents of the past!

A DREAM OF KINSHIP:
They came to destroy! The treacherous Falcons, uniformed in the black leather tunics of the fanatic Secular Arm, descended on Corlay to burn and kill. Commanded by Lord Constant, ruler of the Seven Kingdoms, they were determined to crush the religious heresy of Kinship. But a new dream rose from the ashes… When four Kinsmen escaped the carnage of their beloved land, each helped to fulfill the miracle that had been foretold: the coming of the Child of the Bride of Time.

A TAPESTRY OF TIME:
Twenty years have passed since the martyrdom of the Boy-piper at York, twenty years in which his legacy, the movement of Kinship, has challenged the tyranny of the Church Militant in Britain’s seven island kingdoms. Now his namesake, Tom, bearing the Boy’s own pipes and perhaps himself imbued with the spirit of the White Bird, is wandering Europe in company with the girl, Witchet. But disaster overtakes them and Tom, in a furry of vengeance, breaks his vow of Kinship. A terrible path lies before him, one that transcends his own world. As he travels it, Tom must come to understand the true nature of the wild White Bird, of The Bride of Time and her Child, and of the Song the Star Born sang.

“LAMB HOUSE is in Rye, an ancient town of East Sussex, England. It is very much a real place, even a famous one, yet The Haunting of Lamb House is as elusive to review as it must have been to write. It is safe to say that no one but Joan Aiken could have written it, not only because she was born in Rye and has the town in her bones as it were, but also because she has the power — shown in her other books — of evoking strange, often eerie events of the past and making other times, places and people vividly alive. This book goes further: She has taken the real history of Lamb House and interwoven happenings that are purely imaginary, working so skillfully that even those who have lived there can hardly tell which is which!”

So wrote novelist Rumer Godden, who also lived in Lamb House. She went on:

“For those who do not sense such things, The Haunting of Lamb House is a most skillful and intriguing interweaving of fact and fiction; to those who do, it is a memorable evocation. In either case it is a little masterpiece.”

Lamb House in Joan Aiken’s birth town of Rye in Sussex is said to be haunted. This is her story of what might have happened to cause the haunting: using the imagined diary of an earlier Mayor of Rye, Toby Lamb, whose father built the handsome Georgian house, and later episodes that might have occurred during the occupancy of two of its famous literary tenants – Henry James and E.F. Benson.

Joan Aiken was born in another haunted house owned by her father Conrad Aiken: Jeake’s House, just around the corner in Mermaid Street, Rye, which she also wrote about in Return to Harken House.

“Joan Aiken has written a clever book, kindling a whole world of feeling out of small macabre details, presenting to the senses a series of apprehensions of reality which seem to touch a completeness beyond themselves. An impressive achievement; I shivered as I admired” Robert Nye, The Guardian

“Joan Aiken’s artful web of truth and fancy is divided into three histories of haunting – the first employs Aiken’s considerable skill in a vivid evocative rendering of the old town of Rye when the house was built…followed by the twenty years of Henry James’ residence. The end is worth waiting for…where E.F.Benson encounters hideous apparitions and even an exorcism in the last enthralling twenty pages” Miranda Seymour, T.L.S.

“Aiken has conjured up a deliciously scary ghost story…her mastery of style serves her well in the creation of three separate voices. Those familiar with Henry James’s writing especially The Turn of The Screwwill derive special enjoyment from this novel, but there are shivers enough for any reader willing to acknowledge the possibility of ghosts and the reality of evil” U.S. Library Journal

“In three interlocking ghost stories this veteran British novelist places a fictional haunting within the history of a real house, and displays a masterly way with several contrasting narrative styles, sympathetically evoking some ghostly presences…the wayward spirit of the house and the growing number of literary presences which gradually take possession” Publisher’s Weekly