Search Results for: war-of-the-gods

865 A.D. Warring kings rule over the British Isles, but the Church rules over the kings. Powerful bishops and black-robed priests fill their cathedrals with gold, while threatening all who oppose them with damnation. But there are those who do not fear the priests, and they are the dreaded Vikings of Scandinavia. Among these Northern invaders, those who follow the Way of the Gods of Asgard carry the Hammer of Thor as their emblem, and they are sworn to increase mankind’s knowledge and strength by conquest and by craft. And as Viking warlords cast hungry eyes upon a weak and divided Britain, the Way collides with the Church, launching an all-out war between The Hammer and the Cross.
At the center of this bloody conflict is Shef, bastard son of a Norse raider and a captive English lady. A smith and a warrior, he is driven by strange visions that seem to come from Odin himself. Torn by divided loyalties, Shef alone dares to imagine new weapons and tactics with which to carve out a kingdom – and threaten the holy power of Rome itself!

Meek and mild curate Thomas Blades discovered an alternative earth where humanity languished at the base of the food-chain. Over eventful years, Blades defeated the bestial Null master-race and carved out the empire of ‘New-Wessex’. Shedding all former inhibitions, he ascended its throne as unchallenged ‘god-king’.

Exiled in turn by overpowering new enemies – the ‘angels’ – Blades was rescued by his own descendant, Guy Ambassador, after centuries of absence. Under Blades’ strangely charmed leadership, the enigmatic and merciless angels were repulsed and humanity enjoyed a respite of liberty. But now, decades later, the venerable god-king broods in seclusion, refusing to die; the fountainhead of bitter thoughts and deeds.

Meanwhile, Wessex sinks-into anarchy and neglect. Guy Ambassador travels amongst the bickering princedoms and warring states, wavering in the faith that has cost him family, friends and home. All around him the world of New-Wessex is moving towards resolution of its ultimate destiny and reason for being. Forces beyond human comprehension invade the already baroque realm.

The Last of the Renshai is the first volume of a sword-and-sorcery saga that is enormous in conception, and full of complex and arresting fantasy detail. The adventure arises from the trials of a lone warrior, a champion driven to avenge the genocide of his race. The magic lies with the immortal realms: this is a world controlled by four wizards whose strife not only presages the conflicts and wars of humans, it also threatens consequences and destruction on a world- wide scale. And the last Renshai is doomed to take on all – he will be the key for humans, wizards and gods alike. Throw in a fabulously detailed, rich fantasy world, and you have a tremendous, value-for-money, page turning epic

In this thrilling second book of the Earthborn trilogy, Lucas and Asha have survived the decimation of Earth at the hands of the invading Xalans and seek safe haven with their enemy’s true foes, the Sorans. They find a lush planet inhabited by a civilization far more advanced than their own, waging a seemingly endless war against a constantly evolving enemy.

The Sorans call the pair of them the “Earthborn” and they’re welcomed as heroes, almost as gods. To an audience of billions, they swear an oath to avenge their fallen planet by aiding the Sorans in their war against Xala. But soon Lucas and Asha find Sora just as dangerous as apocalyptic Earth when they’re targeted by the Fourth Order, a rebel collective who decries them as false prophets and harbingers of further bloodshed.

Their friend and turncoat Xalan scientist Alpha believes he’s located someone who can help them turn the tide of the war for good, stranded on a conquered colony planet. But landing on the new world, Lucas and Asha find themselves hunted by a violent, mysterious beast, known only as the Desecrator, let loose by the Xalans.

Escaping Earth was only the beginning. As Lucas and Asha quickly learn, the universe has worlds and creatures far more dangerous than anything their home planet could have offered, and their continued survival hinges on gaining new allies they never could have imagined.

Mars, 600 years in the future, is dying.

Five hundred years after the Chinese conquered the Red Planet, the great work of terraforming is failing. The human-machine Consensus of Earth had persuaded the AI Emperor to follow the Golden Path into a vast virtual reality universe, leaving behind an ungoverned planet swept by hunger riots and the beginnings of civil war.

Enter Wei Lee, a lowly itinerant agricultural technician: rock ‘n’ roll fan, dupe, holy fool – and unlikely Messiah. After stumbling on an anarchist pilot hiding near the wreckage of her spacecraft, he’s drawn into a revolutionary plot that has been spinning for decades. With the help of a ghost, the broadcasts of the King of the Cats, a Yankee yak herder, and a little Girl God, Lee travels across the badlands, swampy waterways and vast dust seas to a showdown at the summit of the biggest volcano in the Solar System. Not even the God-like Consensus can predict the outcome of his struggle to define his own destiny . . .

Epic in scope, Red Dust’s spectacular, fast-paced story brilliantly brings to life the planet that has captured our imagination like no other.

Killed by the power of the god Zezeth, his true father, Lionwolf has been cast into a bleak and icy hell lit just by a cold blue sun. Here he and others of the living dead must wage endless combat and war, to appease the whim of a deathly King whose face is made of stone. But when Lionwolf encounters the King’s wife, she is none other than the beautiful, god-fashioned Chillel, his own former lover – and nemesis.

As Lionwolf struggles in the toils of Hell, elsewhere in the hell-cold ice-age of the mortal earth, men and women work out their own destinies. An empire has fallen. Ru Karismi, Capital of the Kings, has been abandoned to the poisons of the White Death. Reivers cross the lands of the Jafn and the Ruk, preying wherever they wish.

Against this unsettled backdrop, Jemhara the sorceress determines to save the Magician Thryfe from a dire self-inflicted punishment, and Saphay, now a goddess of the far north, seeks to lead her people to a new world.

Yet Seseth’s violent hadred shadows all – and from the depths of an ice-locked sea his other terrifying son, the mountainous whale-leviathan Brightshade, is once more rising for vengeance…

The 22nd century, 150 years after the Dust War destroyed America’s Mid-West, and much else besides. California is a last outpost for survival and reclamation during a long epidemic of all-purpose despair.

The extraordinary cult of ‘Tumbonde,’ a former taxi driver its prophet and leader, predicts the imminent arrival on earth of ‘Gods’ from the stars. The movement grows daily.

Tom O’Bedlam, an apparent madman, prey since childhood to visions which seem to confirm ‘Tumbonde,’ goes even further. He can, he will, help others to make the Crossing. If the world doesn’t go too man too soon. If well-meaning ‘rationalists’ don’t lock him away . . .

Confluence – a long, narrow man-made world, half fertile river valley, half crater-strewn desert. It is a world at the end of its time, a place of savagery, bureaucracy and war, inhabited by countless flying micro-machines and ten thousand bloodlines ruled by devotion to absent gods.

It is the home of a singular young man named Yama. An infant who was discovered in a bier on the river, he was raised by the prelate of Aeolis until it was learned that his ancestry was unique. Yama appeared to be the last remaining scion of the Builders, closest of all races to the worshipped architects of Confluence.

Now, awed and fearful of his increasing ability to awaken the machines the Builders left behind, Yama searches for his identity and a history that is both his and his world’s.

The Gods and Goddesses of Ancient Greece and Rome had returned to Earth – with all their awesome powers intact. Overnight, Earth was transformed. War on any scale was outlawed, along with boom-and-bust economic cycles, and prudery. No change was more startling than the face of New York, where the Empire State Building became the Tower of Zeus.

In this totally altered world, William Forrester is an acolyte of Athena, Goddess of Wisdom, and a teacher of history. Only Maya Wilson, one of his students and a worshipper of Venus, Goddess of Love, had a different sort of grading in mind. Maya is the first of the many Trials of Forrester, every bit as mighty and perilous as the Labors of Hercules. In love with Gerda Symes (like him, a devotee of Athena and a frequenter of the great Temple of Pallas Athena – formerly known as the 42nd Street Library) and dedicated to the pleasures of the mind – Forrester falls under the soft, compelling pressure of soft, compelling devotees of Venus and Bacchus. He’s going to be in need of all the strength that he and his Goddess, the beautiful and intellectual Athena, can muster!

Into this sensuous strife stride the Temple Myrmidons – religious cops sworn to obey orders without question or hesitation – with a pickup order for William Forrester. Where he is taken, what happens to him, and the truly fantastic discoveries he makes about himself and the Gods and Goddesses … here are the ingredients that make up this science fiction novel of suspense, intrigue, mystery and danger!

Vivia, a paragon of youth and beauty, daughter of Lord Vaddix, is alienated from his brutal campaign of violence and fear. Her only solace lies in the secret cave in the bowels of the castle, known only to her and the arcane god whose shrine she believes it is.

When plague enters the castle, bringing an orgy of death and destruction, Vivia seeks shelter in this seductive place. Drawn to her innocence and beauty, a presence – Zulgaris – is resurrected who claims her as his own. Wakened to the wonder of the undead, Vivia is granted the secret of eternal life, but she has been betrayed. Her immortality stretches before her like a damnation.

Handsome Zulgaris, dark prince, war-leader and alchemist. Is Vivia to be his lover, or his pet? Or, far worse, is she but one more thing to be used in this relentless quest for sorcerous power.

For hundreds of years, the rulers of Avornis sought to reclaim the Scepter of Mercy, their only protection from the fallen god known as the Banished One. They all failed. Now the burden rests on the shoulders of two kings divided by pride, but united in duty…

King Lanius has crafted a daring plan to recover the Scepter – a plan that must remain utterly secret lest the Banished One discover and thwart it. But the Scepter lies far to the south, in lands held by the Menteshe tribes. Lanius will need help from a military man – King Grus.

King Grus answers the call. Civil war has broken out among the Menteshe, distracting them from guarding the Scepter. While King Grus fights his way to the citadel that holds the sacred talisman, Lanius puts his plan into action.

But the worst nightmares of Lanius and Grus are about to come true, for the Banished One is aware of their every move…

Four hundred years ago the kingdom of Avornis lost the Scepter of Mercy, long the property of its kings – and the key to its destiny. All attempts to retrieve it have failed horribly. But without it, how long can Avornis keep resisting powers greater than its own?

While young King Lanius dreams of being more than a mere figurehead, his fellow sovereign, the usurper King Grus, is defending Avornis against the shadowy plots of the Banished One – the dark god cast from heaven who seeks now to dominate the mortal world.

With the barbarous, nomadic Menteshe holding the Scepter of Mercy – and civil war raging among the Chernagor city-states in the north – Avornis finds itself threatened on two fronts and prevented from regaining the Scepter. But the longer the kings go without acting on their dream of retaking the Scepter of Mercy, the greater the chance the Banished One will triumph…

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

Ed Carter, a New York reporter on his way to his home town in Omaha for a short vacation, saw the missile in the last moments in its journey back to earth. A sweller on the brink, like all of us, he had no doubt about what it was; Oh God, he thought, this is it. The blast of the impact flung him some distance, and when he regained consciousness, his first reaction was one of surprised to find himself still alive, and not, it seemed, even badly hurt. Presumably the missile had been directed at the big Air Force base nearby, and should have destroyed everything and everyone within a radius of miles. Could it have failed to explode?

Carter sees the remains of part of the missile in an adjacent field and hobbles over to it. A minute or two later several Air Force officers arrive. They examine the remains, and find the burned-up body of a pilot. In other worlds, the missile was not Russia’s first shot in the Third World War, but a failure to launch a man into space. But Carter knows that the Distant Early Warning line will have reported the missile; that the senior Air Force officers, in accordance with plan, will have taken to the air – in the country’s interest, their lives must, of course, be preserved if possible; that by now the retaliatory American bombers will have passed the point of no recall; and that the Third World War has begun. Not so, Colonel Ben Goldwater tells him: “I called the bombers back.”

Goldwater, the man who had been left in command, has saved the world – for at least a little longer. So he becomes a world hero? Not a bit of it. On the contrary: a nightmare looms ahead both for him and for Ed Carter, and the reader watches it all with growing fury…

THE EPIC FANTASY OF THE PEOPLE OF THE WIND CONTINUES . . .

Kieto’s destiny, set in the heavens, is to conquer the Land-of-Mists, the mysterious island discovered by Kupe, one of the great Polynesian voyagers. But he knows it won’t be easy: the wild native tribes, particularly the Scots and Picts, have two formidable advantages – iron and horses.

But Kieto has heard of a magnificent warrior race, the Maori, who live in another world and from whom he hopes to learn the secret of success in war. The gateway to this world is on the island of giants, and Kieto and his friends, Boy-Girl, Seumas and Dorcha, themselves taken years before from the Land-of-Mists, leave the safety of Rarotonga and embark on an epic voyage of discovery aboard THE PRINCELY FLOWER.

Pursued by sea-fairies, vengeful gods, power-hungry priests and, in Seumas’s case, by a murderously angry son, confronting their worst fears and supernatural horrors, the friends finally face the awesome wrath of the mighty Maori.

THE PRINCELY FLOWERS is the second wonderful volume of THE NAVIGATOR KINGS, set in the richly imaginative world of Polynesian life and myth.

Set sixteen years after the events of The Exiled Earthborn, this explosive conclusion of the Earthborn trilogy tells the story of two brothers, the sons of Lucas and Asha, tasked with surviving the Xalan war to ensure the continued existence of the human race.

Noah, an orphan from Earth’s last days who, as a child, was smuggled to safety across the stars, is now nearly a man and a leader to the young enclave of Earthborn who reside on Sora. When the tranquility of their settlement is shattered by a shocking assassination attempt, Noah turns to his combative younger brother Erik, Lucas and Asha’s only child by blood, for aid. Their journey takes them to the remnants of a dead planet, an outlaw-infested space station, and back to Sora, whose inhabitants are bracing for a final showdown with the bloodthirsty Xalans.

They find themselves facing a new evil: the omnipotent Archon, who is somehow controlling the whole of the Xalan horde, and his bloodthirsty lieutenant, the Black Corsair, who has an unmatched taste for brutality. The Archon, so-called God of the Shadows, has unearthed knowledge that could wipe both Sorans and humans alike from the face of existence. The descendants of the Earthborn must uncover the true nature of the Archon and the Xalans before he burns everything they know and love to ashes.

On an artificial world created and seeded with ten thousand bloodlines by the long-vanished Preservers, young Yama’s ancestry is unique, for he appears to be the last remaining scion of the Builders, closest of all races to the worshipped architects of Confluence. And on a day near the end of the world, Yama must finally acknowledge the power he neither anticipated nor desires.
In the dust of many crumbling bureaucracies, Yama searches for an identity and a history – awed and fearful of his ever-growing capacity to awaken the terrible machines of destruction that his world’s absent gods left slumbering. To the common folk – the unshaped and aboriginal – he is the fulfillment of age-old prophecies. To the functionaries of the Department of Indigenous Affairs, he is a weapon to be molded and used in the bloody civil war raging at the planet’s midpoint – a seemingly endless battle that pits those who revere the Preservers’ laws against the dangerous Heretics who would obliterate all antiquated values and codes of conduct.
But there are still others who have taken notice of Yama as he pursues the hidden secrets of his past. Intelligent powers older than the Builders – as old, perhaps, as the Preservers themselves – are pursuing Yama in turn. And they will stop at nothing to control his present-and, as a result, the future of everything that lives-in anticipation of the ultimate triumph of the Ancients of Days.