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In medical student August Seebeck’s world, almost identical to ours, there are eleven months in a year. None of them is the month of August-until now, when the young orphan stumbles into the true, infinite universe, and becomes a Player in the Game of Worlds. And step by deranged step he meets his siblings: Avril, Decius, Jan, Jules, Maybelline, Septimus/Septima who is both male and female, Toby, the others. And outside his family, glorious, brilliant Lune, also a Player, is quickly his lover, with dreadful secrets of her own.


These diverse warriors of the multiverse confront the terrible K-machines, who detest and slaughter humans… but then are the Seebeck family really human? What are these silver symbols engraved into their flesh? What is the true nature of the unending, unfolding cosmos, a meta-reality built from ontological computation, Lune’s doctoral specialty? And how can August slay the looming Jabberwock using only the Sun-blazing Vorpal implant in his hand? What final transformation awaits the multiverse at Yggdrasil Station, at the death and dawn of spacetime, where all the heroes die and live again? In this astounding helter-skelter two-part novel, the answers to such questions emerge along a twisting path that will not set you free until you sit with August at a great thirteen-sided table and learn his destiny, and perhaps your own.

Mysterious radio signals were being received from the planet Uranus, and Earth’s leading scientists decided that a complete investigation was needed. For the first time, the U.N.E.X.A. planned a two-ship expedition, under the overall command of Chris Godfrey. Serge, Morrey and Tony were of course included, and four other astronauts made up the crew of the two ships.

At first the signals made little difference to them, except that they produced violent headaches if listened to for more than a few seconds. But when Chris awoke after a spell of hypothermia and tried to call the other ship he was horrified to hear the sinister sounds from Uranus on the wavelength which connected the two ships with each other and both of them with Control, back on Earth…

The classic first Dragonriders of Pern novel from New York Times bestseller Anne McCaffrey.

The Dragons of Pern are the world’s only defence against an ancient threat – Thread, an evil rain that devours everything it touches. Paired with their riders from the moment they hatch, they risk their lives burning the scourge of the Red Star from the sky. But the dragons are in decline – the Red Star hasn’t posed a threat for generations, and the people of Pern have forgotten what they owe the Dragonriders. Only one Weyr remains, and the only dragon Queen is dying…

F’lar knows that the Red Star is rising again, and that the ancient threat will return. His only hope is the last Queen egg, and finding a woman strong enough to be the new Queen’s rider. But the villainous Lord Fax has other plans…

This unique novel represents a collaboration between two greats of science fantasy writing, published for the first time on the SF Gateway.

Between 1956 and 1962, John Brunner wrote three novellas that blurred the boundaries between science fiction and fantasy. Following Brunner’s untimely death, Damien Broderick was given permission to develop these works into a full-length novel, expanding on the ideas and concepts that had captured his imagination when he first read them. The result is a story that blends the technological with the magical, and travels to different worlds and undiscovered parts of our own.

Weaving together ideas from No Other Gods But Me, The Kingdom of the world and Father of Lies, Broderick takes us from the modern day Earth, across dimensions and into battle with cults, dragons, ogres and people with psychokinetic powers. This is a fantastic read for both fans of Brunner’s original works and readers looking to be swept away on a new adventure.

The dog gasped, mouthed, swung its head. It gaped and showed sharp white teeth. Then, as if it were being sick, it brought up words. The dog spoke . . .

Madi and her brother Jonjo live on the OzBase, a research center near the North Pole. Their mother is one of an international team of scientists investigating a hole in the ozone layer over the Arctic. Others, however, are involved in less honourable experiments – as the children soon discover . . .

Charles Forbin has dedicated the last 10 years of his life to the construction of his own supercomputer, Colossus, rejecting romantic and social endeavours in order to create the United States’ very first Artificially Intelligent defence system.

But Colossus soon exceeds even Forbin’s calculated expectations, learning to think independently of the Colossus Programming Office, processing data over 100 times faster than Forbin and his team had originally anticipated.

The President hands off full control of the nation’s missiles and other defence protocols to Colossus and makes the announcement to the world that he has ensured peace. However, the USSR quickly announces that it too has a supercomputer, Guardian, with capabilities similar to that of Colossus.

Forbin is concerned when Colossus asks – asks – to communicate with Guardian.

The computer he built shouldn’t be able to ask at all…

Cyborg imaginings mix with romance and transformation in this complex first novel where even the reader has a role to play. The narrator works as a compositor, a new kind of storyteller, but she is designing a different future for herself. Once a wife and mother, now she longs to escape from the world of human emotion into the calm and pain-free life of a cyborg. As her surgeries move towards closure, her story characters Shirley and Rosa have other agendas, leading to an unexpected outcome.

This volume contains 7 short works by Murray Leinster, including: “Rogue Star,” “Dear Charles,” “Dead City,” “Sam, This Is You,” “The Other Now,” The Fourth-Dimensional Demonstrator,” and “The End.”

The RIM STAR seemed to be an ordinary enough spaceship bound for the planet Handel on a routine mission. Then young Braden, a merchant-space officer, discovered that there was something all wrong about the RIM STAR . . . The captain was wrong, the crew mutinous, and there was even something going on with the passengers. The ship was in deadly danger . . .

For centuries space travelers had dreaded a place they called the Other Side of Nowhere – a place in the universe where up was down, where right was wrong, and where all direction was lost . . .

To save the RIM STAR Braden had to bring the ship to that place of nightmare. . .

Newark . . . Manhattan . . . Baltimore – one by one they went out. A succession of thriving communities suddenly put out like a guttered flame. Men, women, children sprawled like grotesque manikins.

Steve Waldron knew it couldn’t be plague. There had to be some connection with the disappearance of the nation’s top scientists. And then he plunged to the center of a dead city and gaped at an unbelievable truth. What could he do against a force fearsome enough to engulf the entire nation?

At times literary, at other times surreal, this collection offers an eclectic group of stories that deal with real-life conflicts, human values, and coming-of-age experiences all placed within fantastical settings. One tale recounts the author’s search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story’s end and enable him to complete his greatest novel ever.

In New York’s Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family’s modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness-until the night a prowler is reported stalking the neighborhood.

Appointing themselves ad hoc investigators, the brothers set out to aid the police-while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys’ night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.

A mysterious and richly evocative novel, The Portrait of Mrs. Charbuque tells the story of portraitist Piero Piambo, who is offered a commission unlike any other. The client is Mrs. Charbuque, a wealthy and elusive woman who asks Piambo to paint her portrait, though with one bizarre twist: he may question her at length on any topic, but he may not, under any circumstances, see her. So begins an astonishing journey into Mrs. Charbuque’s world and the world of 1893 New York society in this hypnotically compelling literary thriller.

Since time began, twenty Gods have ruled the universe. Though each god possessed different abilities, each was all-powerful within his realm. Now one of the Gods has upset the balance of power, leaving the others scrambling for control in the new order…

Here is the epic tale of the Great War of the Gods – and the proud people upon whom the fate of the world depends. When the God of the desert, Akhran the Wanderer, declares that two clans must band together despite their centuries-old rivalry, their first response is outrage. But they are a devout people and so reluctantly bow to his bidding.

Enemies from birth, the headstrong Prince Khardan and impetuous Princess Zohra must unite in marriage to stop Quar, the God of Reality, Greed, and Law, from enslaving their people.

But can Khardan and Zohra keep from betraying each other? Can their two peoples maintain their fragile alliance until the long-awaited flowering of the legendary Rose of the Prophet?

Against the powerful legions of the evil Amir, Khardan and Zohra fight to save the desert people – a fight unexpectedly joined by an exiled wizard named Matthew and the mysterious powers of his alien land.

Widely acclaimed as one of the first successful female science fiction authors, Mildred Clingerman returns with the exciting follow up to her 1961 science fiction collection, A Cupful of Space. Her stories tend to wed a literate tone to subject matters whose ominousness is perhaps more submerged than the horrors under the skin made explicit in the work of Shirley Jackson, but equally as deadly.

Clingerman’s new anthology, The Clingerman Files, includes all of her originally published stories; The Day of the Green Velvet Cloak, Mr. Sakrison’s Halt, Wild Wood, The Little Witch of Elm Street and many other favourites. Also included are previously unpublished works; Top Hand, Tribal Customs, The Birthday Party, Fathers of Daughters and many more soon to be favourites. The key to her stories is that they appear simple and straightforward, but each takes a twist or turn that, even when you’re tempted to guess where they’re heading, they take you there in a way you would never have bargained on.

Other writers of the period tried to make big splashes. Clingerman, it seems, prided herself in concealing her effects within her masterfully constructed sentences. They barely make a ripple on the surface; all their power and drive lurk deep down below. So many of her stories are alive with the underpinning notion that the cosmological vistas we spy at the end ends of telescopes and various other means of measurement belong to the very same universe under our feet. We’re not apart from the universe, we’re a part of it. Nearly every story here is alive with that sensibility, in the truest sense of that word. In every sentence there is a note (a gentle one, but insistent) of silent rebellion, a surreptitious snarl, entreating you to see that not the everyday, but an undiscovered marvel.

May these eloquent rebellions be undiscovered no longer.

Archmage Planir and the wizards of Hadrumal have demonstrated their devastating powers and the corsair threat is no more. The mainland rulers’ relief is overshadowed with fear of one day facing such a threat to their own dominion. Will Tormalin’s Emperor make an alliance with Solura’s wizards, who so openly covet Hadrumals secrets? Will he seek out that other mysterious magic, Artifice, to counter Planir’s magecraft? How will the aloof Aetheric adepts of the mountains answer such an appeal? With many of the Wizard Council disputing Planir’s chosen course, he must look beyond the island city for allies. To Suthyfer, the controversial haven for mageborn far away in the Eastern Ocean. To Caladhria, where Corrain, Baron Halferan and Lady Zurenne believe they have finally won respite from all their trials. But absence of strife is hardly peace. The lull before winter’s storms descend from the distant northern peaks will be a short one.

The country of Lescar was carved out of the collapse of the Old Tormalin Empire. Every generation has seen the land laid waste by rival dukes fighting for the High King’s empty crown. Tathrin’s parents sent him to the distant city of Vanam to escape the recurrent skirmishes. He meets Aremil, another Lescari, whose parents have their own reasons for sending him so far away. These two young men cannot forget their homeland. Can they persuade other exiles with Lescari blood to help relieve their kinfolk’s misery? If they can persuade Branca, the down-to-earth scholar, to share the ancient lore which she has studied, then this mismatched band of commoners, merchants and nobles can begin plotting a revolution.

The One-Eyed Jack and the Suicide King: personifications of the city of Las Vegas-its history, mystery, mystical power, and heart . . .

When the Suicide King vanishes-possibly killed-in the middle of a magic-rights turf war started by the avatars of Los Angeles, a notorious fictional assassin, and the mutilated ghost of Benjamin “Bugsy” Siegel, the King’s partner, the One-Eyed Jack, must seek the aid of a bizarre band of legendary and undead allies: the ghosts of Doc Holliday and John Henry the steel-driving man; the echoes of several imaginary super spies, decades displaced in time; and a vampire named Tribute, who bears a striking resemblance to a certain long-lost icon of popular music.

All stories are true, but some stories are truer than others.

When Ruth Lasseter hires an escort to cover for a workplace affair, she lets a deeply disturbed young man into her life. Though she survives the consequence, she’s left with the lingering suspicion that he hasn’t simply disappeared. He’s still out there, taking out his problems on other woman just like her.

There was a moment when Ruth had her chance to stop him for good. But she didn’t take it.

Now she sees that closure-for both of them-lies on the other side of that line.

In an age of wizards and walled cities, Raffalon is a journeyman member of the Ancient and Honorable Guild of Purloiners and Purveyors. In other words, a thief.
His skills allow him to scale walls, tickle locks, defeat magical wards. He lifts treasures and trinkets, and spends the proceeds on ale and sausages in taverns where a wise thief sits with his back to the wall.
But somehow things often go the way they shouldn’t and then Raffalon has to rely upon his wits and a well calibrated sense of daring.
Here are nine tales that take our enterprising thief into the Underworld and Overworld, and pit him against prideful thaumaturges, grasping magnates, crooked guild masters, ghosts, spies, ogres, and a talented amateur assassin.
Includes “Inn of the Seven Blessings,” from the bestselling anthology, ROGUES, and “Sternutative Sortilege,” which appears only in this collection.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

From the award-winning author of Majestrum, Template, and The Other, this collection of short stories ranges from the thoughtful to the whimsical. Most of them appeared first in The Magazine of Fantasy & Science Fiction and Asimov’s. Others were written for the bespoke anthologies: Songs of the Dying Earth, Old Mars, and Welcome to the Greenhouse; one is published here for the first time.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

In Old Earth’s penultimate age, the corpulent master criminal Luff Imbry moves through the halfworld like a full-fleshed shark. Thief, forger, confidence man, and sometimes go-between, he maps out his illicit operations with exquisite care then carries them out with courage and panache. But, often, things don’t go as Luff planned, and he must call upon a talent for improvisation and a ruthless will to survive.

This collection brings together seven short stories and novelettes previously published in Postscripts, The Magazine of Fantasy & Science Fiction, and the anthology Forbidden Planets, plus two novellas formerly only available in limited editions. It offers Luff Imbry in all his moods and guises.

Finalist for the 2014 Endeavour Award.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

Here are nine tales of Henghis Hapthorn, foremost freelance discriminator of Old Earth in the planet’s penultimate age. Included are the six stories that ran in The Magazine of Fantasy & Science Fiction (and were previously collected in The Gist Hunter and Other Stories), leading up to the events that began the first Hapthorn novel, Majestrum, plus three more.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

Meet Luff Imbry, an insidiously clever confidence man …He likes good wine, good food, and good stolen goods, and he always maintains the upper hand. When a business rival gets the drop on him, he finds himself abandoned on Fulda–a far-off, isolated world with a history of its own. Unable to blend in and furious for revenge, Imbry has to rely on his infamous criminal wit to survive Fulda’s crusade to extinguish The Other. Hailed as the heir apparent to Jack Vance, Matthew Hughes brings us this speculative, richly imagined exploration of society on the far edges of extreme. A central character in Black Brillion, Luff Imbry is at last front and center in Hughes’s latest rollercoaster adventure through a far-future universe.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold