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Innumerable explanations have been put forward for the phenomena, known popularly as U.F.O’S and Flying Saucers. Eminent psychologists explain them as purely mental phantasmagoria – symptomatic of mankind’s age-old desire for “saviours from the sky”.

Enthusiastic arm-chair cosmonauts regard them as irrefutable proof that super intelligences from Out There are watching the Earth. A few un-scrupulous publicity seekers and practical jokers cash in on the public’s curiosity and weird stories of little green men and pink ants go the rounds.

Amateur military tacticians decide that the saucers are either out new secret weapons or the experimental weapons of some alien power.

Interest rises and falls. The Great Debate continues.

There are some other possibilities . . . and the implications of some are so horrifying that mere monsters from Beyond would be a pleasant anti-climax. This mature, challenging novel is not recommended for those who like to think of the everyday world in terms of permanence and security with humanity safely established at the head of creation.

Elspeth Jermyn came dangerously close to the truth, and slowly but surely gathered a small group of helpers together. They worked in strictest secrecy against the Saucer Phenomena and the invidious menace behind it . . . if they failed, life would have no real meaning.

Best known for his Hugo Award-winning classic A Case of Conscience, Blish was one of the first serious SF writers to involve themselves with tie-in novels, writing eleven Star Trek adaptations as well as the first original adult Star Trek novel, Spock Must Die. This omnibus contains three of his long out-of-print works: Black Easter, The Day After Judgement and The Seedling Stars.
BLACK EASTER: A gripping story about primal evil: a sinister intermingling of power, politics, modern theology, the dark forces of necromancy, and what proves, all too terribly, not to be superstition.

THE DAY AFTER JUDGEMENT: Develops and extends the characters from BLACK EASTER. It suggests that God may not be dead, or that demons may not be inherently self-destructive, as something appears to be restraining the actions of the demons upon Earth.

THE SEEDLING STARS: You didn’t make an Adapted Man with just a wave of the wand. It involved an elaborate constellation of techniques, known collectively as pantropy, that changed the human pattern in a man’s shape and chemistry before he was born. And the pantropists didn’t stop there. Education, thoughts, ancestors and the world itself were changed, because the Adapted Men were produced to live and thrive in the alien environments found only in space. They were crucial to a daring plan to colonize the universe.

Slippery Jim diGriz is in the process of robbing the new Mint on Paskonjak when the heist goes terribly wrong. Threatened with a horrific death, Slippery Jim is allowed to cut a deal with the Galactic League: voyage to the planet Liokukae and bring back a missing artifact – the only known evidence of alien life-forms found in 32,000 years of galactic exploration.

For diGriz there are a few catches. One is Liokukae itself – a dumping ground for the League’s misfits, murderers, maniacs, and the incurably obnoxious. Another is a little matter of life and death. To ensure the utterly untrustworthy diGriz’s cooperation, the League has given him a slow-acting poison, allowing him thirty days in which to succeed . . . or die.

Now the Stainless Steel Rat is on his way to a world that is hurtling backward down the evolutionary scale – a land of fanatic, goat-herding Fundamentaloids, murderous Machmen, and a rusty guru named Iron John. DiGriz has developed an almost perfect cover: a four-member rock band that has a way of giving its audiences what they want to hear.

But while the days tick away and diGriz’s life expectancy lowers, the mission evolves from finding an artifact to liberating a planet . . . which is a tune the Stainless Steel Rat most certainly knows how to sing.

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS.

THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die.

THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul?

THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder…

A collection of worlds of wit and wonder, including:

“AND I AWOKE AND FOUND ME HERE ON THE COLD HILL’S SIDE” – Man seeks to get into bed with anything new and different, or die trying. But when the new and different was not human…would he die trying?

“THE MAN WHO WALKED HOME” – The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past…

“I’M TOO BIG BUT I LOVE TO PLAY” – If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human – and what is merely identical?

Contents:
And I Awoke and Found Me Here on the Cold Hill’s Side (1972)
The Snows Are Melted, the Snows Are Gone (1969)
The Peacefulness of Vivyan (1971)
Mamma Come Home (1968)
Help (1968)
Painwise (1972)
Faithful to Thee, Terra, in Our Fashion (1969)
The Man Doors Said Hello To (1970)
The Man Who Walked Home (1972)
Forever to a Hudson Bay Blanket (1972)
I’ll Be Waiting for You When the Swimming Pool Is Empty (1971)
I’m Too Big but I Love to Play (1970)
Birth of a Salesman (1968)
Mother in the Sky with Diamonds (1971)
Beam Us Home (1969)

These seventeen classic stories create their own unique galaxy of vain, protective, and murderous robots; devilish angels; and warm and angry aliens. In “Mimsy Were the Borogoves”-the inspiration for New Line Cinema’s major motion picture The Last Mimzy-a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets-including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body-their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them-for better or worse.

Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms-sometimes writing entire issues of science fiction magazines-in close collaboration with his wife, C. L. Moore.

This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the new writing lay in its fascination with ‘entropy’ – the universal and irreversible decline of energy into disorder. Entropy provides the key both to the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its intimate connection with other cultural experiments of the 1960s. The fiction of the New Worlds writers, who included Brian Aldiss, J. G. Ballard and Moorcock himself, was not concerned with the far future and outer space, but with the ambiguous and unstable conditions of the modern world. As Ballard put it: ‘The only truly alien planet is Earth.’

The Entropy Exhibition is the first critical assessment of the literary movement known as ‘New Wave’ science fiction. It examines the history of the magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses development in stylistic theory and practice. Detailed attention is given to each of the three principal contributors to New Worlds – Aldiss, Ballard and Moorcock. Moorcock himself is most commonly judged by his commercial fantasy novels instead of by the magazine he supported with them, but here the balance is at last redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.

For millennia, humankind and the other intelligent races had studied the bizarre and unfathomable constructs of the legendary beings known as Builders. But for all that study, they were still no closer to figuring out who – or what – the Builders had been, or where they had gone. Then, on the world called Quake, in the midst of the violent planetary upheaval that was Summertide, a small group of humans and aliens witnessed the culmination of all those years of watching and waiting: the planet Quake opened up, and something came out – and it looked as if, at long last, the discovery of the Builders themselves was at hand.


All her life, Darya Lang had dreamed of finding the Builders, whose artifacts she had single-handedly catalogued for the rest of the universe. Troubleshooter and adventurer Hans Rebka had his own dreams of unraveling the mystery of those artifacts. To Louis Nenda and the Cecropian Atvar H’sial, the Builder artifacts represented a once-in-a-lifetime shot at untold wealth. And close behind them came the others: Councilor Julius Graces, who did not trust anyone to make first contact unassisted; the slavesJ’merlia and Kallik, who craved only a reunion with their masters; and the embodied computer E.C. Tally, charged with finding out just what the rest were up to.


The trail that began at Quake led to unexpected Builder artifacts full of traps for the unwary and answers for those who knew how to ask the questions. But the biggest question of all would remain an enigma, while their search unleashed the greatest threat to civilization ever imagined…

Pinnacle City is many things to many people. To some it is a glittering metropolis, a symbol of prosperity watched over by the all-star superhero team, the Pinnacle City Guardians. Beyond the glitz and glamour, there is another city, one still feeling the physical and economic damage of the superhero-villain battles of generations past. The lower class, immigrants, criminals, aliens, sorcerers, and non-humans alike call this city home, looking to make a living, which is becoming increasingly difficult as the two sides of the city seem prepared to boil over into a violent conflict.
Private investigator Eddie Enriquez, born with the ability to read the histories of objects by touch, still bears the scars of his time as a youthful minion for a low-level supervillain, followed by stints in prison and the military. Though now trying to live a straight-and-narrow life, he supports a drinking problem and painkiller addiction by using his powers to track down insurance cheats. When a mysterious woman enters his office asking him to investigate the death of prominent non-human rights activist Quentin Julian, a crime the police and heroes are ignoring, he takes the case in the hopes of doing something good.
Superhero Kimberly Kline has just hit it big, graduating from her team of young heroes to the Pinnacle City Guardians with the new codename of Solar Flare. With good looks, powers that include flight, energy manipulation, superhuman strength, durability, and speed, as well as a good family name, the sky is the limit for her. Upbeat, optimistic, and perhaps a little naïve from the upper-crust life she was raised in, she hopes to make her family, and the world, proud by being the greatest superhero she can be . . . but things aren’t always as they seem.

Welcome to Argylle, where the ruling family – a brilliant, flighty, civilized and occasionally dangerous clan of nearly-immortal warriors and magicians – are hoping for a few years of relative peace.

True, their Father Gaston has vanished, leaving both throne and family while he pursues some unexplained errand. His absence has stretched into years. True as well that their powerful Uncle Dewar has also wandered off without leaving a forwarding address, and hasn’t been heard from for a worrisome length of time. It’s a bad habit of running off that this family’s elders have.

But now young Prince Gwydion’s been stuck with ruling the Dominion of Argylle, and with any luck, life can go back to being a satisfactory mixture of intrigue, gossip and viniculture, periodically enlivened by amateur theatricals and the odd quest or two.

Yet Gwydion is finding this arrangement uncomfortable. Strange things keep turning up. A plague of monsters appears out of nowhere, attempting to take up residence in the local barns and forests. These are trumped by the arrival of a ravenous Great Dragon – ancient, sorcerous, profoundly cunning – so big you can see it thirty miles away. Meanwhile, a mysterious young woman has shown up, claiming to be Gwydion’s long-lost – indeed, quite unexpected – sister. And then there are the high-tech aliens, who say they just want to conduct a legal investigation. It’s enough, Gwydion thinks, to make a ruler want to find some nice long errand that’ll take him away from his homeland for a spell…

The Well-Favored Man is a courtly, complex, bloody-minded fantasy for those who love Roger Zelazny’s Amber, Ellen Kushner’s Swordspoint and the fantasy adventures of Steven Brust.

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

“Variety is the soul of pleasure,” And variety is what this comprehensive new collection of Connie Willis is all about. The stories cover the entire spectrum, from sad to sparkling to terrifying, from classics to hard-to-find treasures with everything in between – orangutans, Egypt, earthworms, roast goose, college professors, mothers-in-law, aliens, secret codes, Secret Santas, tube stations, choir practice, the post office, the green light on Daisy’s dock, weddings, divorces, death, and assorted plagues, from scarlet fever to “It’s a Wonderful Life.” And a dog.

Famous for her “sure-hand plotting, unforgettable characters, and top-notch writing,” Willis has been called, “the most relentlessly delightful science fiction writer alive,” and there are numerous examples here. Among them, Willis’s most famous stories – the Hugo- and Nebula-Award-winning “Fire Watch” and “Even the Queen” and “The Last of the Winnebagos” – along with undiscovered gems like Willis’s heartfelt homage to Jack Williamson, “Nonstop to Portales.” Her magical Christmas stories are here, too, from “Newsletter” to “Just Like the Ones We Used to Know…” which last year was made into the TV movie, Snow Wonder, starring Mary Tyler Moore.

We’ve collected stories from throughout Willis’s career, from early ones like “Cash Crop” and “Daisy, in the Sun,” right up to her newest stories, including the wonderful “The Winds of Marble Arch.” There’s literally something for everyone here. If you’re a diehard Willis fan, you’ll be delighted with hard-to-find treasures like the until-now uncollected, “The Soul Selects Her Own Society…” If you’ve never read Connie Willis, this is your chance to discover “A Letter from the Clearys” and, well, “Chance.” To say nothing of, “At the Rialto,” the funniest story ever written about quantum physicists. And Willis’s chilling, “All My Darling Daughters.”

And…oh, there are too many great stories here to list and pleasures galore. So enjoy!