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That was the strange message left on Cory Maddox’s e-mail – just at the moment when years of work on a revolutionary subspace computer system were about to pay off. Nothing would be the same for Cory again. Suddenly his life was thrown into chaos when the company that controlled his patent was sold out from under him, and instead of imminent watch, Cory was facing immediate poverty. Then along came Alan Stark, who wanted to recruit Cory for a special research project on virtual reality.

Initially thrilled to be involved, Cory quickly discovered that there was nothing virtual about the realities he was working on. Instead, he found that Stark was on the verge of controlling the very fabric of reality itself.

Cory was unsure of Stark’s ultimate goal until he began to recall pieces of another life and found himself in the middle of a battle between two groups of people who could use “rabbit holes” in space and time to jump between different realities, personalities, and lives. Whoever had control of the power to shape reality would have power to become a god – or a devil. But before Cory could combat Stark and his minions, he first had to remember which side he was on.

Kirk Hammond was a man alone.

He had been chosen to ride in the first manned satellite to go out around the Moon and back to Earth. But when the satellite failed to orbit properly, it went on past the Moon into the vastness of outer space, and a whole world watched helplessly as he was borne toward an unthinkably lonely death.

Yet destiny decreed that Kirk Hammond should suffer, not death but a pseudo-death. And he awoke from it to find that a hundred centuries had passed and that the space age which had begun in the 20th Century had now grown into a vast galactic civilization that had carried the sons of Earth to countless stars and worlds. But, unexpectedly, the conquest of space had changed Man himself, and the human race had become not one but several species.

Hammond was plunged into the climactic struggle between the new races. And in his quest with a desperate band for the mysterious Star of Life that was the key to the struggle, in his relations with the strange and beautiful Thayn Marden who was not a human woman, in his odyssey through the mighty suns and earthly worlds of the galaxy, a man of the 20th Century found himself facing the dangers of the great space age which he himself helped pioneer.

The anatomy of fear is the unknown. The essence of terror is contained in the phrase “What if?” Suppose the dead should return? Are there invisible phychic entities hovering on the fringe of the physical world? Can the power of evil manifest itself in tangible form and launch world shattering violence against humanity?

The most gripping fear lies within the human mind. Lana Davis was a normal, healthy, sane young woman to all outward appearances but the Unknown was laying siege to her mind. By day her work kept the worst of the Terror at bay, but at night it returned. Time passed and Fear grew greater…Fear was embodied in a mysterious effigy which stood beside her bed . . . Fear lurked in a weird voice on the telephone.

Lana Davis ran screaming into the night – unable to face Fear any longer. The stranger who found her apparently knew more about her problems than she did; Lana found herself involved in a macabre new environment where Fear had expelled reality leaving the stranger as the only link with the world she had once known. Dark supernatural powers contended with insanity for Lana’s very soul, as she hovered on the brink of unreality and annihilation.

The Nightingale was the most advanced craft in the entire fleet of Mercy ships belonging to the Gentle Order of St Francis Dionysos. On its maiden voyage, its life bays packed with refugees, the Nightingale disappeared. Despite strenuous efforts no trace of it could be found.

Then, a year later, a distress signal was heard and the Nightingale reappeared. It was damaged in ways that meant its survival in space was a miracle. But of its previous cargo of life-forms there was no sign. Only one creature remained alive within the ship, and that was its captain, Jon Wilberfoss.

Wulfsyarn is the story of the Nightingale, and of Jon Wilberfoss. It is told by Wulf, an autoscribe who has the task of observing Wilberfoss in the aftermath of his return. For the captain of the Nightingale is a condemned man: condemned by the Gentle Order, and self-condemned by a burden of guilt so intense his mind refuses to acknowledge it. Over the long period of Wilberfoss’ tortured convalescence in a peaceful monastery garden on the planet Tallin, Wulf watches and waits, recording the mosaic of Wilberfoss’ life: his childhood and adolescence, his entry into the Gentle Order, his marriage (to a native Tallin woman), and the great moment when he was chosen as captain of the Nightingale.

But can Wulf bring Wilberfoss to finally face the truth of what happened on the Nightingale’s fatal first and last journey?

Centuries after Connavar’s triumphant battles against the invading army of Stone gained the Rigante their freedom, the clan finds itself oppressed once again. Magic that once flourished has been all but snuffed out. The Varlish king and his barons have stolen Rigante lands and robbed the people of their culture and liberty. From the Rigante’s former seat of power the black-hearted Moidart rules; only in the north are the clansmen free. There, in the Druagh mountains, the magic still reigns, strengthened by bold, brilliant victories of the outlaw leader known as Ravenheart. In the south, civil war has drenched the land in blood, and the armies of destruction are slowly creeping north where Ravenheart waits, believing the armies of hated Moidart will come, led by the brutal ruler’s only son, Stormrider.

Ravenheart and Stormrider: enemies of uncommon courage, are unaware that the fate of their world lies in their hands. Both are destined to be heroes, but one of them is doomed. For a secret lost in the uncharted past has returned to haunt these two warriors as they face, not only the malice of powerful men, but the vengeance of an ancient evil, rising from the bloodshed to slake its thirst. As immense armies of darkness advance, it seems as if nothing will stop them. They crush their enemies with ease, until only a few thousand highlanders stand before them, with no help in sight.

But these are not ordinary men. They are clansmen, and more than that, they are Rigante.

Read by Adjoa Andoh
(p) 2017 Orion Publishing Group

Eight hundred years have passed since King Connavar of the Rigante and his bastard son, Bane, defeated the invading army of Stone. In that time, Connavar has become a legend, and the Rigante have lost the freedom so many gave their lives to preserve. A conquered people, they live and die under the iron rule of the Varlish, their culture all but destroyed.

One woman remains who follows the ancient paths once trod by the

Rigante. She is the Wyrd of Wishing Tree Wood, and she alone knows the nature of the evil soon to be unleashed on a doomed and unsuspecting world.

In a perilous land, facing an uncertain destiny, she pins her initial hopes on two men: Jaim Grymauch, the giant Rigante fighter, a man haunted by his failure to save the friend he loved from betrayal, and Kaelin Ring, a youth whose deadly talents will earn him the enmity of all Varlish. One will become the Ravenheart, an outlaw leader whose daring exploits will inspire the Rigante. The other will forge a legend and light the fires of rebellion.

The Wyrd knows that ultimately all hopes will rest on a third man. Of the bloodline of Connavar the King, he will need to overcome generations of fear and hatred if he is to achieve his destiny. For he is a Varlish nobleman, and – worse – the son of the Rigante’s greatest enemy . . .

Read by Adjoh Andoh
(p) 2017 Orion Publishing Group

Beloved Son told how the world was given atomic power and chose the atom bomb, was given the key to genetic miracles and chose biological warfare.

The world was lucky the first time; enough of it remained for salvaging in a few decades. It was simply unfortunate that in those difficult years a new menace arose-the offer of dreams-come-true in this world, here and now. There was a price of course. What World Council could not realize-and did not properly query-was the immensity of the price, but the offer was one nobody in his right mind could refuse. Or could he?

Psychiatrist James Lindley recognized the danger of dealing with the Devil but fanatical Police Controller Parker saw it as the Gift of God; Angus, whose name and face changed as often as his coat, saw it as a fine game to be played, while Commissioner Ferendija saw it as an exercise in pragmatism-and Security Tech Sanders lost everything he believed in as the welter of guilt and disillusionment swallowed him whole.

Under the pressure of decision the cracks showed in the highest echelons of the proud Ethical Culture. Is there a benefit so great that, if the price were the end of homo sapiens, we would pay it?

George Turner’s Beloved Son was the first volume in what is now recognized as on of the outstanding science fiction achievements of the past decade. Vaneglory is its successor; and, though completely self-contained, it develops with gripping imaginative brilliance the characters and situations already established in Beloved Son.

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the work of the award-winning Bob Shaw. Best known for his extraordinary novel of ‘slow glass’, Other Days, Other Eyes, Bob Shaw was a fan favourite at conventions for his hysterical ‘serious scientific talks’. This omnibus contains three of his finest works: Orbitsville, A Wreath of Stars and The Ragged Astronauts.

Orbitsville:
Racing from the certain vengeance of Earth’s tyrant ruler, space captain Vance Garamond flees the Solar System. And discovers the almost unimaginably vast spherical structure soon to become famous as ‘Orbitsville’ – a new home for Earth’s huddled masses.

A Wreath of Stars:
Thornton’s Planet is an anti-neutrino planet detected on its approach to Earth. It can be seen only through the newly developed magniluct lenses and its arrival causes a wave of panic. When its course carries it past the earth, interest in Thornton’s Planet wanes. But the visit of Thornton’s Planet has had effects on Earth further-ranging than anyone could have imagined.

The Ragged Astronauts:
Land and Overland – twin worlds a few thousand miles apart. On Land, humanity faces a threat to its very survival – an airborne species, the ptertha, has declared war on humankind, and is actively hunting for victims. The only hope lies in migration. Through space to Overland. By balloon.

The Gods and Goddesses of Ancient Greece and Rome had returned to Earth – with all their awesome powers intact. Overnight, Earth was transformed. War on any scale was outlawed, along with boom-and-bust economic cycles, and prudery. No change was more startling than the face of New York, where the Empire State Building became the Tower of Zeus.

In this totally altered world, William Forrester is an acolyte of Athena, Goddess of Wisdom, and a teacher of history. Only Maya Wilson, one of his students and a worshipper of Venus, Goddess of Love, had a different sort of grading in mind. Maya is the first of the many Trials of Forrester, every bit as mighty and perilous as the Labors of Hercules. In love with Gerda Symes (like him, a devotee of Athena and a frequenter of the great Temple of Pallas Athena – formerly known as the 42nd Street Library) and dedicated to the pleasures of the mind – Forrester falls under the soft, compelling pressure of soft, compelling devotees of Venus and Bacchus. He’s going to be in need of all the strength that he and his Goddess, the beautiful and intellectual Athena, can muster!

Into this sensuous strife stride the Temple Myrmidons – religious cops sworn to obey orders without question or hesitation – with a pickup order for William Forrester. Where he is taken, what happens to him, and the truly fantastic discoveries he makes about himself and the Gods and Goddesses … here are the ingredients that make up this science fiction novel of suspense, intrigue, mystery and danger!

Omega: an apocalyptic rumour from the Eastern Front. Omega: something that will alter all the strategic calculations of the Earth’s great military blocs. Omega: the code name for a weapon that may well bring doomsday with it. But if Omega is indeed the agent that will destroy the world, that world is not our own. For this is a timeline in which World War Two never truly ended: a timeline in which Hitler died in a plane crash, Britain joined Germany in its battle against Communist Russia, and the present is an age of intermittent, but deadly, armed conflict between the USSR, the European Alliance, and the USA.

The frontier regions are radioactive wastelands, nuclear winter threatens catastrophe, global confrontation could erupt again any time – and that’s before Omega is taken into account…This is the reality experienced by Owen Meredith when an accident forces his consciousness from the England we know into the mind of his cognate self in that other darker, Europe.

Switching back and forth between being plain Owen Meredith and troubled Major Owain Maredudd, Owen is faced not only with a Cold War going Hot, but with a deep crisis of identity. Who is he? Whose twisted destiny is he treading? Did the ordinary domestic life he remembers ever even take place? Perhaps the universe of Owain and Omega is merely a symptom of mental illness – but if so, why is it so urgently tangible?

The Conversationalist sat among the boxes, trying to interest the friends in history. “The Compulsory Transfer Act was passed in 2056,” he was saying, “with the dual object of reducing the birthrate and preventing the wastage of valuable minds through death. It might fairly be said to have changed the face of civilisation.”

“I’ll say!” rasped one of the friends.

“If it wasn’t for the Act, I’d have been in a physical body now, instead of being in this damned box!”

“If it wasn’t for the Act, you’d have been dead this last hundred and fifty years,” pointed out the Conversationalist.

“You’ve probably has four physical bodies by now, a total of one hundred and sixty years of active life. And just twenty years in a box. That’s not bad!”

The problem of immortality had been solved in the 21st century: when you reached forty, your brain was transferred to the head of a six-month-old infant. In that way, you obtained another forty years of life, until you could do it all over again. But nobody could have foreseen the dramatic manner in which the birthrate would fall – resulting in a growing waiting list for host bodies, and the creation of Friendship Boxes to house the brains of those who waited. The Friendship Boxes proliferated: a grumbling section of the community, a constant source of embarrassment to every politician…Until the day it all came to a head.

Imagine a living specimen of a multimillion-year-old hominid species, Homo habilis, encountering the contemporary world.

Told in the first-person narrative of Paul Loyd, divorced owner of a small town restaurant, Ancient of Days tells the story of a habiline man found wandering in a Georgia pecan orchard, a living descendant of a habiline tribe, brought from Africa via Haiti as a slave. Paul’s ex-wife, RuthClaire, takes in the living fossil, appropriately naming him Adam, and as an artist she discovers Adam’s mute but vibrant artistic sensibility, falls in love with him, and marries him – much to Paul’s confusion and dismay.

And then the story begins to widen out onto a broader canvas, as Adam first faces persecution by small town Georgia Klansmen, then, surviving that, moves with RuthClaire to Atlanta and encounters the whole spectrum of American culture, from art critics and media spectacles to evangelists and punk clubs.

Throughout the peregrinations and travails of Adam, however, runs a rich and developing strain of self-conscious spiritual, intellectual, and artistic growth, interwoven with Adam’s genuine anguish over the problematic nature of his true humanity.

In the end, the central characters come together on the Haitian island of Montarez in the aftermath of crisis, and in a moment of illumination and revelation meet the mysterious and extraordinary origins of Adam and his race in human prehistory.

Tarra Khash is a Hrossak, a barbarian from the steppes beyond the River Luhr. A fearless adventurer, Tarra roves Theem-hdra in search of his next fortune, his next drink, and warm, willing females to share his bed. The Hrossak is a most fortunate man, for he has faced more than one god during his travels and – so far – has escaped unscathed.

Seeking to avenge the murder of a beautiful young woman of the half-mystical Suhm-yi race, Tarra joins forces with her husband, now the last of his kind. Each worships a moon-god, and together their faith and Tarra’s weapons wreak a terrible vengeance on those who stole the treasure of the Suhm-yi.

Eager for wealth, Tarra is trapped by a wily old man who has lured him into plumbing the depths of a treasure-filled cavern guarded by golden statues of the Great God Cthulhu. But Cthulhu’s treasure is not easily plundered, and Tarra nearly loses his life to the monstrous forces of the Elder God.

Many men have met the lamia Orbiquita, but none have lived to tell of her extraordinary powers of love-making – until Tarra Khash, who treats her as a woman wants to be treated and thus earns her forgiveness and his life. Alas, others who assume her to be weakened by her love for Tarra Khash are not so lucky!

Once, Xhea’s wants were simple: enough to eat, safety in the underground, and the hit of bright payment to transform her gray-cast world into color. But in the aftermath of her rescue of the Radiant ghost Shai, she realizes the life she had known is gone forever.

In the two months since her fall from the City, Xhea has hidden in skyscraper Edren, sheltered and attempting to heal. But soon even she must face the troubling truth that she might never walk again. Shai, ever faithful, has stayed by her side-but the ghost’s very presence has sent untold fortunes into Edren’s coffers and dangerously unbalanced the Lower City’s political balance.

War is brewing. Beyond Edren’s walls, the other skyscrapers have heard tell of the Radiant ghost and the power she holds; rumors, too, speak of the girl who sees ghosts who might be the key to controlling that power. Soon, assassins stalk the skyscrapers’ darkened corridors while armies gather in the streets. But Shai’s magic is not the only prize-nor the only power that could change everything. At last, Xhea begins to learn of her strange dark magic, and why even whispers of its presence are enough to make the Lower City elite tremble in fear.

Together, Xhea and Shai may have the power to stop a war-or become a weapon great enough to bring the City to its knees. That is, if the magic doesn’t destroy them first.

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.

The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced ‘Golden People’ (‘God believes they are the most beautiful creatures he ever made,’ a theologian said, ‘and there will be hell to pay when he founds out that we don’t agree.’). And the third child was Inneal who often elicited the comment ‘she’s really something different, isn’t she!’ Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?

When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.

Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a ‘Serpent’s Egg‘ that had to be crushed in the shell for the good of the world?

The Three Days of Summerset, the End of Summer, would give the answer.

Patricia A. McKillip is the author of a number of hugely acclaimed fantasies, including The Riddle-Master of Hed and its sequels, which have been compared to Gene Wolfe’s epic Book of the New Sun, and The Forgotten Beasts of Eld and Ombria in Shadow, both of which won the World Fantasy Award for best novel. She has won the Mythopoeic Award three times and in 2008 was given the World Fantasy Award for lifetime achievement. This omnibus collects three of her later works: In the Forests of Serre, Alphabet of Thorn and The Bell at Sealey Head.

IN THE FORESTS OF SERRE: In the tales of World Fantasy Award-winning author Patricia McKillip, nothing is ever as it seems. A mirror is never just a mirror; a forest is never just a forest. Here, it is a place where a witch can hide in her house of bones and a prince can bargain with his heart…where good and evil entwine and wear each others’ faces…and where a bird with feathers of fire can quench the fiercest longing…

ALPHABET OF THORN: One of the most spectacular fantasists of our time, Patricia A. McKillip creates fairy tale worlds of wonder and magic. Now, she opens the page on a time and place where an orphan girl is haunted by thorns…a reluctant queen rules between sea and sky… and epics never end…

THE BELL AT SEALEY HEAD: Sealey Head is a small town on the edge of the ocean, a sleepy place where everyone hears the ringing of a bell no one can see. On the outskirts of town is an impressive estate, Aislinn House, where the aged Lady Eglantyne lies dying, and where the doors sometimes open not to its own dusty rooms, but to the wild majesty of a castle full of knights and princesses.

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

Millennia ago Starquin visited the Solar System. Because he is huge – some say bigger than the Solar System itself – he could not set foot on Earth personally. yet events here were beginning to interest him, and he wanted to observe more closely.


So he sent down extensions of himself, creatures fashioned after Earth’s dominant life-form. In one of Earth’s languages they became known as Dedos, or Fingers of Starquin. Disguised, they mingled with Mankind.


We know this now, here at the end of Earth’s time. The information is all held in Earth’s great computer, the Rainbow. The Rainbow will endure as long as Earth exists, watching, listening, recording and thinking. I am an extension of the Rainbow, just as the Dedos are extensions of Starquin. My name is Alan-Blue-Cloud.


It is possible you cannot see me but are aware of me only as a voice speaking to you from a desolate hillside, telling you tales from the Song of Earth. I can see you, the motley remains of the human race, however. You sit there with our clubs and you chew your roots, entranced and half-disbelieving as I sing the Song – and in our faces are signs of the work of your great geneticist, Mordecai N. Whirst. Catlike eyes here, broad muzzles there, all the genes of Earth’s life, expertly blended, each having its purpose. Strong people, adapted people, people who survived.


The story I will tell is about people who were not so strong. It is perhaps the most famous in the whole Song of Earth, and it tells of three simple human beings involved in a quest who unwittingly became involved in much greater events concerning the almighty Starquin himself. It is a story of heroism and love, and it ends in triumph – and it will remind the humans among you of the greatness that was once yours.