Search Results for: crisis

Benny Rice is not what he seems to be. His tests for rebirth reveal all the necessary traits – compassion, health, energy, potential for creativity – but with the intelligence of a moron, which disqualifies him. But Benny’s test scores must be re-examined in a crisis that endangers the existence of rebirth – and threatens more than Benny’s life!

CHART (Cartography Headquarters, Astro Research Trust) is Earth’s galactic takeover bid. Knowledge is power, and the human race means to go on using painfully acquired knowledge of other worlds to remain top dog in the galaxy. But pioneers are not normal men.

Blake is not a normal man; and Rachel, a lovely redhead, is not a lovely sexy redhead.

In timeshift the CHART men drift off into a fantasy world; except Blake, who is condemned to repeat over and over again, agonisingly, the great trauma of his life. He doesn’t know it, but this serves to prepare him for the second great crisis of his life – the weird, terrifying, sickening drama of his meeting with the Men of Crock.

When Ivan Wright stepped out of his mountain cabin, rifle in hand, to investigate the sound of a strange helicopter, he stepped right into the middle of a galactic crisis.

For the crew of that odd aircraft were not men such as he’d ever seen before – and when he tried to oppose them, he found himself hurled uncontrollably into oblivion.

He awoke to find himself considered as a kidnapped barbarian from a backward planet in a galaxy of advanced civilizations – yet one who somehow held in his own hands the key to all their futures!

Jonathan Herovit is a science fiction writer in a state of deep personal and professional crisis. Whilst struggling to deal with his wife’s post-partum depression, his own alcoholism and a long-overdue novel that he has no motivation to write, the pseudonym under which he writes begins talking to him…

Omega: an apocalyptic rumour from the Eastern Front. Omega: something that will alter all the strategic calculations of the Earth’s great military blocs. Omega: the code name for a weapon that may well bring doomsday with it. But if Omega is indeed the agent that will destroy the world, that world is not our own. For this is a timeline in which World War Two never truly ended: a timeline in which Hitler died in a plane crash, Britain joined Germany in its battle against Communist Russia, and the present is an age of intermittent, but deadly, armed conflict between the USSR, the European Alliance, and the USA.

The frontier regions are radioactive wastelands, nuclear winter threatens catastrophe, global confrontation could erupt again any time – and that’s before Omega is taken into account…This is the reality experienced by Owen Meredith when an accident forces his consciousness from the England we know into the mind of his cognate self in that other darker, Europe.

Switching back and forth between being plain Owen Meredith and troubled Major Owain Maredudd, Owen is faced not only with a Cold War going Hot, but with a deep crisis of identity. Who is he? Whose twisted destiny is he treading? Did the ordinary domestic life he remembers ever even take place? Perhaps the universe of Owain and Omega is merely a symptom of mental illness – but if so, why is it so urgently tangible?

Ron Bronston was sworn to protect the United Planets’ dream – the pursuit of freedom and progress on all of the 3000 human-inhabited planets of the galaxy.
As an operative of the secret section of the United Planets’ Bureau of Investigation, Bronston was called upon for some very unusual missions. But the present crisis was without precedent.
Man’s sovereignty in his galaxy was challenged by a single madman and the super-weapons of the Dawnmen, the mysterious aliens from the unexplored vastness of the galaxy’s center. Bronston, alone, had to find a way to stop them.

New Arizona a lush, virgin planet teeming with rich vegetation and a vast hoard of mineral wealth. A company had been formed to colonise and exploit it, and the spaceship Titov set out with the Board of Directors and two thousand colonists. And shortly after the trip had begun, the trouble started.

The Board of Directors was only interested in the vast profits that could be made by stripping the planet of its natural resources which could be sold to the highest bidder. Not for them the gradual establishment of a pioneer community, of farmlands and villages.

The Colonists had given up everything by leaving Earth, and they wanted a new planet where they could work, prosper and establish a new and better way of life. They were determined to thwart the directors by any means they could find.

And after landing on New Arizona, someone smashes the radio and sabotages the life-craft. Now the balance is more even – but when a real crisis erupts it seems as if neither side will be alive to win!

‘Valentine looked downward. Everything was black, a pool of night rising from the floor. That blackness seemed to be beckoning to him. Come, a quiet voice was saying, here is your path, here is your destiny: night, darkness, doom. Yield. Yield, Lord Valentine, Coronal that was, Pontifex that will never be. Yield . . .’

Valentine is now established as Coronal of Majipoor, about to undertake the grand processional, but filled with inexplicable despond, still shadowed by the dark cloud that had passed across his soul in Labyrinth.

His foreboding proves to be not without foundation as soon he faces a planetary crisis – the shapeshifting Metamorphs are sabotaging the crops upon which Majipoor’s billions depend – and a conflict, about how the suddenly turbulent planet should be ruled, with his protégé and heir-apparent, Hissune.

Only after this crisis has been overcome and the conflict with Hissune resolved can Valentine fulfil his proper destiny and succeed to the title of Pontifex.

Theodore Sturgeon was a model for his friend Kurt Vonnegut’s legendary character Kilgore Trout, and his work was an acknowledged influence on important younger writers from Harlan Ellison and Robert Silverberg to Stephen King and Octavia Butler. His work has long been deeply appreciated for its sardonic sensibility, dazzling wordplay, conceptual brilliance, memorable characters, and unsparing treatment of social issues such as sex, war, and marginalized members of society. Sturgeon also authored several episodes of the original Star Trek TV series and originated the Vulcan phrase “Live long and prosper.”

This twelfth volume of his complete short stories includes classic works such as the award-winning title story, which won both the Hugo and Nebula Awards in 1971, as well as “Case and the Dreamer,” a well-crafted tale of an encounter with a trans-spatial being that is also a meditation on love, and “The [Widget], the [Wadget], and Boff,” a creative exploration of the human ability to achieve self-realization in response to crisis.

Bill Waltham has a sneaking suspicion that a few important details were purposely withheld from him when he receives his assignment to the planet Dilbia. At first, the project – to teach the planet’s bear-like inhabitants basic agricultural skills – seems a straightforward, though boring, undertaking for a young engineer on the rise.

But Bill immediately senses a very keen hostility from the Dilbians toward interfering humans. And in trying to solve a major crisis on the planet, he finds himself involved in a knock-down, drag-out brawl that has all the undertones of a David-and-Goliath battle revisited.

As a boy Phil Benson tried to summon up an enthusiasm for baseball. He could see that his real passion, classical music, was considered somehow subversive – not really American. That is why Mr Tackett’s became such a haven for him. Away from the uninspiring pitch and the disapproving ear of his father at home, Phil found at his piano teacher’s a sanctuary for his musical conspiracy with the universe to flourish.

Katie Doheney was the victim of another sort of conspiracy – or so she was convinced from the first brush of her childhood logic with the real-life spectacle of death in a road accident and the image of the Hiroshima mushroom on television. The threat of nuclear holocaust stalked Katie’s every moment. Meanwhile Katie stalked Phil Benson.

By the time Phil was ready to go East and make everyone proud of him, no ordinary bond had grown up between Katie and himself. They understood each other’s obsessions. Phil’s keyboard was Katie’s bomb shelter and from Cuban missile crisis to the raid on Tripoli the curious duet played on.

Leigh Kennedy’s disarming and irresistible novel follows Katie into unlikely matrimony and Phil into the arms of a gun-toting St Louis actress. But that’s the least you would expect from two people who alone, as far as we know, have already been through World War Three.

Eight short stories by the author of Where Late the Sweet Birds Sang. The title piece plus The Encounter; Planet Story; Mrs Bagley Goes to Mars; Symbiosis; Ladies and Gentlemen, This Is Your Crisis; The Hounds; and State of Grace.

Imagine a living specimen of a multimillion-year-old hominid species, Homo habilis, encountering the contemporary world.

Told in the first-person narrative of Paul Loyd, divorced owner of a small town restaurant, Ancient of Days tells the story of a habiline man found wandering in a Georgia pecan orchard, a living descendant of a habiline tribe, brought from Africa via Haiti as a slave. Paul’s ex-wife, RuthClaire, takes in the living fossil, appropriately naming him Adam, and as an artist she discovers Adam’s mute but vibrant artistic sensibility, falls in love with him, and marries him – much to Paul’s confusion and dismay.

And then the story begins to widen out onto a broader canvas, as Adam first faces persecution by small town Georgia Klansmen, then, surviving that, moves with RuthClaire to Atlanta and encounters the whole spectrum of American culture, from art critics and media spectacles to evangelists and punk clubs.

Throughout the peregrinations and travails of Adam, however, runs a rich and developing strain of self-conscious spiritual, intellectual, and artistic growth, interwoven with Adam’s genuine anguish over the problematic nature of his true humanity.

In the end, the central characters come together on the Haitian island of Montarez in the aftermath of crisis, and in a moment of illumination and revelation meet the mysterious and extraordinary origins of Adam and his race in human prehistory.

On an ecologically seared Earth, James Konteau is a veteran krono, a professional time traveler. His job is to ease the overpopulation crisis by establishing new colonies in Earth’s prehistory, long before human beings evolved. But his job has lost all meaning, for Konteau is a lone and troubled man haunted by his own past.

Now, suddenly, his future is also in turmoil: a timequake has reportedly ripped through distant eons, destroying one of Konteau’s colonies. Framed for the disaster, Konteau is hunted by authorities, defying all the powers of technology and politics to escape back through the misty ages on a complex mission of death, justice, love – and incredible destiny . . .

When Tabitha stole the Starship Plenty, she had no idea what it would come to mean. Its alien nature began to burrow into her affections. Now the rules are changing and with them come war and treachery. Tabitha is facing a crisis and this time round, Plenty might not be the saviour.

A winner of the Arthur C. Clarke and British Science Fiction Awards, the series featuring intergalactic pilot Captain Tabitha Jute concludes with her daring flight into a dying star system to avert a plot against the human race.

Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the new writing lay in its fascination with ‘entropy’ – the universal and irreversible decline of energy into disorder. Entropy provides the key both to the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its intimate connection with other cultural experiments of the 1960s. The fiction of the New Worlds writers, who included Brian Aldiss, J. G. Ballard and Moorcock himself, was not concerned with the far future and outer space, but with the ambiguous and unstable conditions of the modern world. As Ballard put it: ‘The only truly alien planet is Earth.’

The Entropy Exhibition is the first critical assessment of the literary movement known as ‘New Wave’ science fiction. It examines the history of the magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses development in stylistic theory and practice. Detailed attention is given to each of the three principal contributors to New Worlds – Aldiss, Ballard and Moorcock. Moorcock himself is most commonly judged by his commercial fantasy novels instead of by the magazine he supported with them, but here the balance is at last redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.

The Translator tells of the relationship between an exiled Russian poet and his American translator during the Cuban missile crisis, a time when a writer’s words – especially forbidden ones – could be powerful enough to change the course of history.

Pip and Flinx: Book Ten.

Never have the cares of the universe lain so heavily on Flinx’s shoulders, nor the forces against him seemed so invincible. Pursued by a newly revealed sect of doomsday fanatics and hunted by factions inside and outside the Commonwealth, he is expected to single-handedly avert a looming galactic crisis (or bear responsibility for the consequences.) Flinx can be forgiven for feeling a slight touch of melancholy.

According to his ship’s Al, there’s only one solution for what ails Flinx – a vacation. But with increasing number of enemies chasing him with ever greater enthusiasm, Flinx must find a getaway shrouded in obscurity. It seems that Jast, a planet smack in the middle of nowhere, is prefect, but trouble can find Flinx anywhere. What he doesn’t know is that his vacation paradise is a danger zone of the highest magnitude. And by the time he learns the truth, it may be too late.

The year is 1998, and the nightmare is close at hand.

The world economy has gone into a mega-crash. Most of the population has been plunged into abject poverty. Anarchy and violence stalk the streets. All power is in the hands of Dryco, headed by paranoid tycoon Thatcher Dryden, and his monstrous wife, Susie.

But on the desperate streets of the Lower East Side miracles are happening. A Messiah seems to have risen from the people and is healing the sick, teaching children, raising the dead.

Dryco’s New Projects Manager, Joanna, is sent to check him out. Thatcher’s got a plan for world domination, and a genuine Messiah could be the key he’s looking for. And even if he’s fake, he may have his uses.

But soon, Joanna finds herself trapped in a crisis of conscience, between the relative security of a Dryco job and the dream of healing a sick world.

Why is the government deliberately destroying all trace of Man’s past?

Why are the laws of gravity and momentum strangely altered?

Why has the world’s population continually increased without the predicted eco-crisis taking place?

Why is there an international conspiracy to conceal the future of the human race?

These are just some of the reality-shattering questions that face Manalone, a brilliant computer scientist, when he tries to find out exactly what has happened to humanity. Manalone, outcast from society, must fight the entire machinery of a ruthless police state to discover the truth. And the truth is an awful, chilling one, that sounds only too real in today’s world.

By the CWA Gold Dagger award-winning author of Other Paths to Glory

When ex-Major Ed Parker of the US Army is pushed over a cliff at Pointe du Hoc following the D-Day anniversary, a crisis is sparked off in British Intelligence. The cream of the Secret Service gather: Dr Audley, Oliver St John Latimer, Commander Cable, Dr Paul Mitchell. But none will take on the case.

Why is the investigation left to inexperienced Elizabeth Loftus? Is there any truth in the old rumour that Parker was a KGB double agent?

Elizabeth must ponder these and many other questions as she prises the lid off a can of worms forty years old – and suspicion begins to fall on her most respected colleagues.

It is 1936 – the year of the Abdication Crisis – and gangland capo Sonny Tarrant’s money-laundering operation is being threatened by three small-time thieves thinking big.

Would-be gangsters Sandboy, McGouran and Gillis have carried out a violent raid on the premises of furrier Pelly Pender. But Pender insists to the police that no attack took place, for he knows the trio will face a different justice in which the law plays no part. And Sandboy soon finds himself caught in a nightmare world in which Tarrant manipulates his victims with the deftness of a flick-knife.

His last hope is Yvonne Manders, once the stage-dancer ‘Lady Blue’ . . .

It was not altogether surprising that Ambrose Brenthurst was found brutally murdered outside Fountain Court the night he had presided over the diner meeting of the ‘Hernshaw Thirteen Club’.

Many were the potential murderers – some of them guests at the diner. But when a second murder takes place it precipitates a crisis in which investigator Sir Clinton Driffield must penetrate a maze of conflicting evidence to spot the murderer.

It should have been her sanctuary – until things got murderous…

‘Few authors are better than Margaret Yorke in generating a real sense of fear’ SUNDAY TELEGRAPH

‘The mistress of unease’ DAILY TELEGRAPH

Ruth Castle – alone, proud, defiant – is determined to rescue some personal happiness from the wreckage of her life. In Haverbury village, she makes friends with Marjorie and Robert Bretherton, and is soon involved in the affairs of other relatives who come to stay for Christmas.

Family conflicts emerge, and one night, turning to Ruth for support in a sudden crisis, Marjorie realises that things are not as straightforward as she thought – and that her very life is threatened …