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James Blish called him the “finest conscious artist science fiction ever produced.” Kurt Vonnegut based the famous character Kilgore Trout on him. And such luminaries as Harlan Ellison, Stephen King, and Octavia Butler have hailed him as a mentor. Theodore Sturgeon was both a popular favorite and a writer’s writer, carving out a singular place in the literary landscape based on his masterful wordplay, conceptual daring, and narrative drive. Sturgeon’s sardonic sensibility and his skill at interweaving important social issues such as sex-including gay themes-and war into his stories are evident in all of his work, regardless of genre.

Case and the Dreamer displays Sturgeon’s gifts at their peak. The book brings together his last stories, written between 1972 and 1983. They include “The Country of Afterward,” a sexually explicit story Sturgeon had been unable to write earlier in his career, and the title story, about an encounter with a transpatial being that is also a meditation on love. Several previously unpublished stories are included, as well as his final one, “Grizzly,” a poignant take on the lung disease that killed him two years later.

THE BALANCE BETWEEN LAW AND CHAOS has long been maintained by the rulers of Béarn, but the death of the current king has enabled the elves to magically substitute one of their own on the throne. And, under the leadership of Dh’arlo’mé, the dark elves are preparing to claim their long-sought vengeance on mankind.
But when the small party which set out to find and bring back the last possible heir to the throne returns to Béarn, Dh’arlo’mé realizes that even magic and murder combined will not be enough to overturn the balance. Now his solution must hinge on Béarn’s burden and treasure: the Staffs of Law and Chaos. Within these plain-pieces of wood dwell the essences of Law and Chaos, each eternally seeking its Champion to destroy the other.
Lured into one Staff’s power, Dh’arlo’mé seeks to seduce the mortals into championing the other. And with all the worlds teetering on the brink of doom, it falls to Colbey Calistinsson – son of the god Thor and the greatest of Renshai warriors – to select that Champion. If he chooses wrongly, all life will come to an end. Yet even success will come at a high price. For the only way to insure that this danger can never arise again, is for both Champions and Staffs to be totally annihilated.

Centuries after Connavar’s triumphant battles against the invading army of Stone gained the Rigante their freedom, the clan finds itself oppressed once again. Magic that once flourished has been all but snuffed out. The Varlish king and his barons have stolen Rigante lands and robbed the people of their culture and liberty. From the Rigante’s former seat of power the black-hearted Moidart rules; only in the north are the clansmen free. There, in the Druagh mountains, the magic still reigns, strengthened by bold, brilliant victories of the outlaw leader known as Ravenheart. In the south, civil war has drenched the land in blood, and the armies of destruction are slowly creeping north where Ravenheart waits, believing the armies of hated Moidart will come, led by the brutal ruler’s only son, Stormrider.

Ravenheart and Stormrider: enemies of uncommon courage, are unaware that the fate of their world lies in their hands. Both are destined to be heroes, but one of them is doomed. For a secret lost in the uncharted past has returned to haunt these two warriors as they face, not only the malice of powerful men, but the vengeance of an ancient evil, rising from the bloodshed to slake its thirst. As immense armies of darkness advance, it seems as if nothing will stop them. They crush their enemies with ease, until only a few thousand highlanders stand before them, with no help in sight.

But these are not ordinary men. They are clansmen, and more than that, they are Rigante.

Read by Adjoa Andoh
(p) 2017 Orion Publishing Group

The Whims of Destiny

Jorian, the one-time unbeheaded king, was now safely retired from a long career of getting into trouble. But his younger brother Kerin lacked such wisdom. The outraged father of Adeliza had caught him in compromising circumstances with the maiden. So Kerin had to be sent at once on a mission by sea to the Far East.

But Kerin’s talent for trouble was not to be denied. First came Belinka, a sprite sent by Adeliza to bring him back safe for her. The ship captain believed Kerin was seducing his mistress. Though innocent this time, Kerin left hastily in a rowboat. That got him to a hermit-wizard’s island – and a voyage on a pirate ship, where the kidnapped princess Nogiri was held captive. Kerin was unable to save her – until he gained the help of the hermit-wizard, who then betrayed him by seizing the girl and fleeing with her to be used as a human sacrifice.

From then on, events became hectic as Kerin managed to save Nogiri again, helped by a wizard who was the enemy of the first one. Belinka was much distressed by what happened then between Kerin and Nogiri – with cause – as they set out again, this time to the Emperor of the Farthest East.

There Kerin discovered more magic, and the Emperor learned that no man should be absentminded when using a powerful spell. But it was later that Kerin discovered the limitations of roller skates.

The interstellar wormholes failed and silence fell across a third of the galaxy. And when Karl Woodward’s starship The Mountain found a lost colony, a stranded criminal mob struck, determined to seize his ship.

This fourth volume of Theodore Sturgeon’s Complete Stories publishes the work of 1946-1948, wen Sturgeon’s early popularity among science fiction readers crystallized into a lasting reputation among a wider group of readers. “Maturity” and “Thunder and Roses” are the best-known of the stories in this period. “It Wasn’t Syzygy” display’s Sturgeon’s interest in psychological themes. “The Professor’s Teddy Bear” is an early prototype of the modern “horror story” as practiced by Clive Baker, Stephen King and many others.


In these years Sturgeon was recovering from the failure of his first marriage and a severe case of “writer’s block”. In March 1947 his luck turned around: a story he had failed to sell earlier won a short story contest sponsored by the prominent British magazine, Argosy, with the then-enormous prize of $1000. Later Sturgeon credited this event for restoring his faith in himself as a writer. The same year “Maturity” and “Thunder and Roses” were received with tremendous enthusiasm by his peers. Ray Bradbury, a few years short of his own success, wrote to Sturgeon in February 1947:


“Ted, I hate you!…MATURITY…is a damned nice story. Your sense of humour, sir, is incredible. I don’t believe you’ve written a bad story yet; I don’t think you ever will. This is not log-rolling, by God; I only speak the truth. I predict you’ll be selling at least six stories a year to Collier’s and The Post before long. You have the touch.” A month later, the day he learned he’d won the contest, Sturgeon wrote to his ex-wife, “It’s more than a thousand dollars. The curse is off with me. My faith in [the story’s] quality and my own is restored, and I don’t think that I shall ever again experience that mystic diffidence and childish astonishment when one of my stories sells or is anthologized. I know now why they do, and I’m proud of it, and I know how to use it.”


This fourth volume also features a major “undiscovered” story, “Wham Bop!”, from an obscure youth magazine in 1947. It may be one of the finest fictional portraits of a 1940s jazz band in American letters.


Additional delicacies awaiting the Sturgeon fan in Thunder and Roses are his first Western Story, “Well Spiced”, and a UFO saga, “The Sky Was Full of Ships”, written in 1947 and set in the Southwest. It could well be the true story of the Roswell incident.