Search Results for: time-and-space

Frank Rhind was lucky. He saw the Ice Dancer and lived. The town of Hays died. And still they didn’t believe Dr. William Stovin’s warnings. For very many years climatologists had been predicting a change in the world’s climate but they always believed that the process would take centuries. Now there was a reason to believe differently. Stovin had staked his career and credibility on trying to persuade the U.S. National Science Council to act, but 15,000 years of warmth had lulled mankind into thinking that climatic history was over. Already it was too late. The new Ice Age had begun.


One by one the great northern cities – Chicago, Oslo, Montreal, Moscow, Leningrad – came under siege. Some fell and were evacuated, sending their young, old and sick to crowded areas further south. Crops and animals were destroyed. Governments drew lines of catastrophe across their national maps. Doomsday prophets were in full cry. Technological man was overwhelmed. The world had changed.


Some time in the year future the next Ice Age will be triggered off. It could happen in a thousand years’ time, or in a century from now.


Or it could, quite literally, happen next winter. This book is fiction only because the events described have not yet happened. But it is not science fiction because all the science in the book is fact. When the year arrives that we see the sixth winter resembling 1792 within the space of a decade or so, then the Ice Age will be with us in a matter of weeks – and it will develop very much as described here.

It was bad enough when Henghis Hapthorn, Old Earth’s foremost discriminator and die-hard empiricist, had to accept that the cosmos was shortly to rewrite its basic operating system, replacing rational cause-and-effect with detestable magic. Now he finds himself cast forward several centuries, stranded in a primitive world of contending wizards and hungry dragons, and without his magic-savvy alter ego. Worse, some entity with a will powerful enough to bend space and time is searching for him through the Nine Planes, bellowing “Bring me Apthorn!” in a voice loud enough to frighten demons.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

“Mankind will cease to exist at 6pm GMT on 28th March 3256”. A computer prediction which threw the world into panic. What to do? Build a starship and take the chosen few to a new home in the stars. Or search for an alternative timestream where mankind goes on forever.

Matt Helm is to captain the last space shuttle carrying passengers to the starship, but his irrepressible desire for Fern Angelus corrupts his sense of duty. He agrees to take part in her time experiments.

Set against a background of passion and longing, Matt’s uncanny success with mind projection meets unforseen complications. He projects his mind to a future Earth: a world of shallow, extensive seas, mutated trees growing in layers on each other’s branches, and strangely evolved animals like snappersnouts, humpers and energy creatures.

Matt’s strange visions eventually meet reality when he discovers that the last load of passengers for the starship has been left behind; and he is one of them.

Humankind has arrived on Moss to discover if any intelligent native life exists there, and to assess the planet, recently discovered by the Derac, a nomadic space-faring race, for development – and profit. Multi-coloured shapes of dancing light have been spotted; strange sounds are heard in the night; the researchers name them the Mossen and send for a linquist to ascertain if it is evidence of intelligent life.

Jewel Delis has accompanied her half-brother Paul to this verdant paradise. Her task is to help Paul decipher the strange language of the Mossen – but she has a secret mission too. A new law on Earth means the imminent massacre of all beasts great and small, so Jewel must discover if Moss holds the promise of sanctuary for the doomed animals – once humankind’s beloved companions.

Time is running out for Jewel’s creatures, but it might be running out for Humanity too: the Planet Moss, itself a living entity, is not sure it cares for any of the species currently living on its surface . . .

The Lexman Spacedrive gave man the stars – but at a fantastic price.

Interstellar exploration, colonisation, and trade became things of reality. The benefits to Earth were enormous but, because of the Fitzgerald Contraction, a man who shipped out to space could never live a normal life on Earth again. Travelling at speeds close to that of light, spacemen lived at an accelerated pace. A nine-year trip to Alpha Centauri and back seemed to take only six weeks to men on a spaceship. When they returned, their friends and relatives had aged enormously in comparison, old customs had changed, even the language was different.

Alan was a spacer, just like his whole family – until, suddenly and without intending to, he in turn jumped ship and remained on Earth. There were times he regretted that. Earth was a bewildering and utterly hostile place. To stay alive, he had to play a ruthless game – and he couldn’t even find anyone to tell him the rules. . . .


First published in 1958.

More than any other series, THE AVENGERS typified the Swinging Sixties – beginning in 1961 with Patrick Macnee starring with Ian Hendry in a grainy, realistic spy thriller, and ending in 1969 with Macnee and the glamorous Linda Thorson blasting off into space in a surreal episode appropriately entitled ‘Bizarre’. Meanwhile we had seen the memorable Honor Blackman and Diana Rigg in roles unusually progressive for British television.

THE NEW AVENGERS in the mid-seventies reflected changing times but retained the essence of the show – as Macnee returned to play alongside another strong, independent heroine in the form of Joanna Lumley’s Purdey. And then there was the film…

THE AVENGERS DOSSIER is a uniquely comprehensive yet humorous survey of all the show’s incarnations. As well as a remarkably detailed episode guide to both series – even covering the kinkiness factor and champagne count in both – this volume gives behind the scenes insights and revelations about every aspect of the programme. The film and its production are examined, and critical essays look at the history behind the cult.

Gods’ Magic, Mortal’s Doom… In a land where magic is real, where elves and dragons menace the unwary, and where the Norse gods wage a deadly campaign, using mortals as their favourite pawns, Loki, god of deception, and Freyr, god of war, are locked in a battle that could tip the universal balance toward order or eternal chaos. Searching the alternate timeways, Freyr has reached out to snatch Al Larson, twentieth-century American soldier, from the midst of a fire-fight in Vietnam, flinging him through time and space into the body of an elvish warrior to stand against Loki and his sorcerous ally, Bramin. Torn from a world where bullets and grenades are the weapons of choice, and locked into an elvish body on a world where sword and spell are the means of battle, Al must adapt swiftly – or die. For the gods have marked him as their own private battleground, and Al’s only chance rests in completing the quest Freyr has set him, a quest that will lead him to the very gates of Hel, where he must save a god – or destroy one!

For three decades science fiction legend Alan Dean Foster has captivated readers around the world, from his debut classic The Tar-Aiym Krang and his inspired scenario for the first Star Trek movie to a host of New York Times bestsellers, including Splinter of the Mind’s Eye and Flinx in Flux.
In this collection of twenty brilliant odysseys of the imagination, Foster once again soars beyond the limits of reality – where the real thrills begin…
NASA Sending Addicts to Mars!: It was the most insane idea in the annals of space travel – and the only one that would work.
Diesel Dream: Sometimes on dark, lonely highways dreams do come true, and this trucker’s hope was the best one of all.
Sideshow: Flinx hadn’t a clue about the alien dancer, but Pip knew trouble when she saw it.
Empowered: A magnificent male discovers the not-so-super part about being a superhero.
The Question: A bold adventurer determines to solve one of life’s profound mysteries.
…and fourteen other amazing stories!

Over the long years, ships of the Interplanetary Confederation had scoured the empty wastes surrounding Sol, searching desperately for a sister planet; a companion for the isolated worlds of the Solar System. Of the ships that were sent out, many returned. But always the answer was the same.

There were no planets! The worlds of Sol were alone in the Great Dark that swirled across the boundless heavens.

It was not until Steve Rane and Nick Brodine, in the Exploratory Ship Vega, reached across the yawning gulf of light years to Sirius, that they found the strange planet that rotated in its complicated orbit around the twin sun. It was an event transcending all others.

A discovery that plunged the planets of Sol into the greatest race of all time. For whoever controlled the alien planet, controlled the Solar System. And away from the watchful eye of the IPC it would be possible to build the greatest space armada in history and attack the Interplanetary Confederation without warning.

To Steve Rane, the order came from Earth Central. Zero Point has been set for three months hence. The ship of Jupiter must not reach the new planet first.

Starfarers is the story of an expedition into the far reaches of the galaxy, where answers to mankind’s greatest questions await.

The saga begins when evidence of an advanced civilization is discovered by SETI astronomers. “Trails” observed in the sky are thought to be from starships travelling at the speed of light, an enigma that spurs scientific minds until this breakthrough is achieved by mankind as well. An expedition is then mounted and an eclectic team of scientists chosen to journey into the sector where the intelligent life is allegedly located.

But because the destination of the starship, Envoy, and her crew is 60,000 light-years away, the time required to reach the point of origin of the signals and return is 120,000 years – longer than Homo sapiens has been on Earth. And though the crew is ready to face the ramifications of such a trek, no one is prepared for what awaits them at the outer edge of the cosmos – or back at the planet they once called home.

Starfarers is a story of patience and immediacy, but most of all of courage. It is a saga for anyone who has ever felt the emptiness of life on Earth and found the missing substance in the spaces between the stars.

It is the 21st century and Earth is overcrowded, underfed and teetering on the brink of worldwide chaos. Their best and last hope rests among the stars, in finding another world able to sustain human life. Enter Colonel Jerry Cornelius, hero and adventurer extraordinaire. Along with his wife Cathy and good friend, Professor Frank Marek, he will brave the madness of space and the dangers of an alien world.

But there is more to this new world than meets the eye. Secrets are buried here, in its earth and in its history. Uncovering them could hold the keys to planet Earth’s salvation as well as its past. But time is against Jerry Cornelius. His friend has gone mad, his wife has gone missing, and with each tick of the clock planet Earth draws closer to its end.

Bereft of friends, loved ones, and all he has ever known, Jerry Cornelius will hold the fates of two worlds in his hands. A solution will require all his legendary strength, intelligence and courage … and even that might not be enough in the end.

Alien horror becomes a living nightmare as the Xenos, meaning “strangers”, inflict mayhem on earth.

International distress alerts are sent out when planes first seem to disappear, disturbing concepts of space and time and leaving a trail of death and disillusionment. This bizarre series of “cosmic skyjackings” is shrouded in secrecy by a baffled and frightened military. Intense surveillance fails to reveal the cause of a seemingly hostile yet invisible enemy. Aircraft continue to disappear, plucked out of the sky without warning, only to reappear months later, thousands of miles off course.

National and global security is under threat and the ICARUS committee is formed to investigate. Military officials, the government and the FBI work alongside physician Mark Freedman and Soviet scientists to uncover the supernatural mystery that lies behind these unexplainable events. Earth has been found by a horde of creatures that not even the wildest imagination could invent – sinister parasitic creatures that took to their human hosts with deadly speed and bloodthirsty precision.

The terror that unfolds has terrifying consequences for all involved, and the invasion reveals something much more frightening and final than ever suspected.

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

That was the strange message left on Cory Maddox’s e-mail – just at the moment when years of work on a revolutionary subspace computer system were about to pay off. Nothing would be the same for Cory again. Suddenly his life was thrown into chaos when the company that controlled his patent was sold out from under him, and instead of imminent watch, Cory was facing immediate poverty. Then along came Alan Stark, who wanted to recruit Cory for a special research project on virtual reality.

Initially thrilled to be involved, Cory quickly discovered that there was nothing virtual about the realities he was working on. Instead, he found that Stark was on the verge of controlling the very fabric of reality itself.

Cory was unsure of Stark’s ultimate goal until he began to recall pieces of another life and found himself in the middle of a battle between two groups of people who could use “rabbit holes” in space and time to jump between different realities, personalities, and lives. Whoever had control of the power to shape reality would have power to become a god – or a devil. But before Cory could combat Stark and his minions, he first had to remember which side he was on.

This book contains four striking novellas, and the author’s own philosophy of fiction writing expressed in her speech as a guest of honour at the 38th World Science Fiction Convention.

“The Winter Beach” turns what might be a spy story into suspense of a far different order.

“Julian” begins when its youthful hero trains his telescope on nearby earth rather than the stars and sees a woman who rules the rest of his life.

“With Thimbles, with Forks and Hope” seems to be the dramatic story of a holiday fishing trip, but once on the ocean we are gripped by a different reality.

“Moongate”, set in the mountains of the Northwest, takes its two men and one woman through many dimensions in time and space.

“The Uncertain Edge of Reality” casts a new light on Kate Wilhelm’s many books and short stories. “This is my subject matter when I write,” she says. “I am asking, What actually do we mean by reality, and are we stuck with the one we have? This is what I mean by reality fiction, and usually it is also called science fiction…We are more than simple animals using sophisticated tools in our search for food, security and mates. We are something new on the earth…We can change reality.”

Kate Wilhelm’s writing always has meaning on many levels. Listen, Listen provides a feasts for fans and new readers alike.

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

In another world, somewhere in space and time, two countries – Bellogard and Chorny – are locked in perpetual war, conducted by magic. Each of the main members of the two countries’ courts – king, queen, prince, bishop, knight and squire – has their own form of magic, and special ways of moving magically. A war may continue for centuries, until one side succeeds in killing the other side’s king, at which point the whole world vanishes, only to reappear and have the cycle begin again. . .

Pedino is a young Bellogardian who becomes the queen’s squire and, as part of his training, is sent into a seedier part of the city to uncover a Chornian spy. During his adventures he meets and falls in love with a whore, Sara, who turns out to be a Chornian bishop’s squire. Pedino succeeds in killing the other Chornian bishop – a remarkable achievement for a mere squire; but in the manoeuvres which follow Chorny proves to have outwitted its rival, and Pedino’s whole world is threatened with extinction.

There have been many stories modelled on chess games, but none so ingenious and enjoyable as Ian Watson’s latest novel. And, as one would expect from Watson, the story of Bellogard and Chorny is only the beginning. When Pedino and Sara manage to escape the destruction of their universe, they find themselves in a series of even more bizarre worlds operating under still stranger rules, as they seek to discover the purpose of their existence, and the meaning of their universe. Queenmagic, Kingmagic is Ian Watson in sparkling, exuberant form.

Harry Keough, aka the Necroscope, has always considered himself a master of the Mobius Continuum – a dimension existing parallel to all space and time and his personal instantaneous gateway to anywhere in the multiverse. But this is hardly overweening conceit on Harry’s part, for to his knowledge he is not unique; two other intelligences, with powers similar to his, do indeed exist. One such is the long-dead August Ferdinand Mobius himself, the German astronomer, mathematician, and discoverer of the eponymous Mobius Strip which led him to explore, posthumously, his previously conjectural Continuum; and the other is Harry’s son, who has not only inherited his father’s mathematical skill but also the metaphysical talent by means of which the Necroscope converses with dead people in their graves!

Picture Harry’s confusion, then, on returning home via the Mobius Continuum from an adventure in Las Vegas, as he witnesses however briefly a flailing figure hurtling conscious but uncontrolled through the endless midnight of the Continuum. Who could this be – how can it be? – that a helpless, silently protesting other is rushing meteor-like across the Continuum’s Stygian vault? Moreover, if he hasn’t arrived here voluntarily, then what vile murderer has sent his victim on this monstrous journey to the end of life itself? For Harry is sure that this is neither his son’s nor Professor Mobius’ doing.

Who and where is he, this Mobius murderer? It is a mystery that only the Necroscope can ever hope to solve – but at what risk to his own life?

On the Rim planet fittingly called End of Nothing, a bizarre society of robots and humans toiled for a thousand years to perfect a religion that would create a new and all-embracing faith – no novelty in a galaxy crowded with religions. But one project was hidden from the hordes of pilgrims welcomed at Vatican-17 on End of Nothing. A group of trained human sensitives were sending their minds ranging through all of time and space, gathering information. With that information, a computer of infinite knowledge, wisdom and infallibility was being constructed in secret – the ultimate Pope.

Of the three outsiders allowed residence on End of Nothing, one was tolerated at a distance by Vatican-17, one was welcome – and one was a threat to be countered.

Decker hardly mattered. His lifeboat had landed him on the remote planet, and he kept to himself in the wilderness. Neither the human nor robot authorities knew of the unseen companion who whispered constantly in Decker’s mind.

Dr Jason Tennyson had fled the political furies of his homeworld. Here, Vatican-17’s physician had died, and Tennyson’s skills were desperately needed and well rewarded.

Jill Roberts was a journalist in quest of a sensational story she had scented. Vatican-17 knew she could not be allowed to break the news of Project Pope before it was completed – and debated two possible ways of stopping her.

The one of the Searcher sensitives threw Vatican-17 into turmoil, threatening its very existence and involving the three outsiders in a sudden power struggle between human and robot.

Drifting in unsuspecting dimensions, the woman had encountered Heaven!

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer