Search Results for: existence

Ian Watson is one of the finest writers of SF and fantasy stories, and Butterflies of Memory is his 10th collection, a selection of stories that are by turns serious and playful, and always wildly imaginative…

In the title story, what if mobile phones were to become truly mobile, flying about like butterflies? ‘An Appeal to Adolf’ tells of gay sailors on a Nazi battleship many kilometres long during a Second World War unfamiliar to us; ‘Lover of Statues’ of an enigmatic alien visiting the only statue of Satan in the world, in Madrid – while in the bubbling stew of faiths which is Jerusalem a doorway opens to reveal capricious godlike beings. And just suppose that Jules Verne undertook an actual journey to the centre of the Earth. Closer to home, in a Midlands town, a man who seems to have suddenly popped into existence tries to discover who and what he is. ‘Hijack Holiday’, written a year before 9/11, presciently if bizarrely anticipates events akin to those on that fateful day.

Humankind has arrived on Moss to discover if any intelligent native life exists there, and to assess the planet, recently discovered by the Derac, a nomadic space-faring race, for development – and profit. Multi-coloured shapes of dancing light have been spotted; strange sounds are heard in the night; the researchers name them the Mossen and send for a linquist to ascertain if it is evidence of intelligent life.

Jewel Delis has accompanied her half-brother Paul to this verdant paradise. Her task is to help Paul decipher the strange language of the Mossen – but she has a secret mission too. A new law on Earth means the imminent massacre of all beasts great and small, so Jewel must discover if Moss holds the promise of sanctuary for the doomed animals – once humankind’s beloved companions.

Time is running out for Jewel’s creatures, but it might be running out for Humanity too: the Planet Moss, itself a living entity, is not sure it cares for any of the species currently living on its surface . . .

On the airless surface of the Moon the ‘cold war’ continues, with the bases of the major world powers watching each other and waiting . . .

The dedicated personnel of Britain’s Moon Base seemed well-adjusted to their peculiar existence despite a series of mysterious happenings. What bothers them most is the visit of a Royal Commission sent by an economically-worried British Government to investigate expenditure. Travelling with the Commission, but under separate and secret orders, is Felix Larsen, who’s investigations are of quite a different nature.

Larsen, alive to the possibilities of espionage, soon finds himself faced with the inexplicable. Why should one man fall a thousand feet and escape with minor bruises while another dies after falling a mere eighteen inches? Why does a desperate man, bent on suicide and with all the means at hand, find it absolutely impossible to kill himself? What are the strange messages emanating from the Base – and from whence do they come? And what is the fantastic thing that has been conceived in the research department?

Hugo and Nebula award winner Anderson incorporates two stories he wrote for the Asimov’s Universe series into this absorbing posthumous novel, a fast-paced space opera that never lets the reader forget that aliens are alien. At a time when nearly immortal humans have colonized the galaxy, various space-faring species commingle freely and the residents of Earth have become as alien to other humans as true ETs, an astronomical event that may affect all existence is about to take place. Unfortunately, only one set of aliens knows what that event is and their ruling dictatorship is hell-bent on keeping it that way. Lissa Windholm, an Earth woman with a spirit of adventure men find attractive, is determined to uncover the mystery and share the knowledge with everyone. Lissa and her partner Karl, a tyrannosaurus-like scientist, make some startling archaeological discoveries on the planet Jonna about beings known as the Forerunners, but a psychologically scarred starship captain and an impressively ancient and profit-minded human rogue have other plans for the relics.

Forget minor hazards such as the H-Bomb. The discovery of time travel means that everything we know, anyone we know, might not only vanish, but never even have existed. Against that possibility stand the men and women of the Time Patrol, dedicated to preserving the history they know and protecting the future from fanatics, terrorists, and would-be dictators who would remold the shape of reality to suit their own purposes.

Manse Everard, the Patrol’s finest temporal trouble-shooter, bears a heavy burden. The fabric of history is stained with human blood and suffering which he cannot, must not do anything to alleviate, lest his tampering bring disastrous alterations in future time. Everard must leave the horrors of the past in place, lest his tampering – or that of the Patrol’s opponents, the Exaltationists – erase all hope of a better future, and instead bring about a future filled with greater horrors than any recorded by past history at its darkest and most foul.

“It can’t be true! It must be some kind of hoax!” These were the words that went spinning through Neil Banning’s mind when the Greenville authorities told him that the house he had grown up in, the aunt and uncle who had raised him, had never existed.
So Banning found himself in jail, charged with disturbing the peace – and maybe insanity. But when a stranger from outer space came to his cell at midnight and hailed him as the Valkar of Katuun, then Banning decided that maybe the authorities were right, maybe he was crazy. Because the only alternative was to believe the impossible explanation of the Outworlder – that he really was the exiled ruler of a remote star-world, and the personality of Neil Banning was an elaborate fraud.
It didn’t really matter, though, who was right. Banning was on his way to Katuun whether he liked it or not. And as Banning – or the Valkar – he would have to save that star-world from the terror of THE SUN SMASHER…or perish with the loyal subjects he might never have known!

Justin’s having the worst trip ever. He and his mother are Time Traders, traveling undercover to different alternate realities of Earth so they can take valuable resources back to their own timeline. In some of these worlds, Germany won World War I or the world has been destroyed by nuclear warfare. Justin and his mother are in an America that never became the United States: each state is like a country, and many of them are at war with one another. Their mission takes them to Virginia, which is on the verge of bloody violence with Ohio.

Beckie is from California and, like the rest of her world, is unaware that Time Traders exist. The only reason she’s in small-town Virginia is because her grandmother dragged her there to visit old relatives. Beckie is just as horrified by the violence and racism of the alternate Virginia as Justin is, and the two are drawn to each other. But when full-fledged war breaks out between Ohio and Virginia, including a biologically designed plague, will either of them manage to get back home? Forget about home: will they make it out alive?

What if there were an Afterworld? Not Heaven or Hell in the conventional sense, but a place where everyone who has ever lived reawakens when they die, to live again and die again and live again, seemingly forever. This is the premise of Robert Silverberg’s brilliantly inventive new fantasy novel. The central character is the legendary warrior-king Gilgamesh, who has been in the Afterworld longer than almost anyone else save the Hairy Men from before the Flood, and who in recent centuries (insofar as you can count time) has seen it change beyond recognition, as the newly dead from industrial times import their machinery, their weaponry and their attitudes. Gilgamesh’s adventures in the course of the novel take him to the Afterworld realms of other quasi-mythical figures like Prester John and Simon Magus, bring him into contact with such figures from more recent history as Walter Ralegh and Pablo Ruiz (known to some as Picasso), and eventually send him in search of a gateway which is rumoured to exist somewhere in the land of the dead – a gateway which leads back to the land of the living.

Psychology recognises the existence of multiple personalities inhabiting the same mind. To the ancients such strange transformations were evidence of demonic possession, and even today there are reputable experts who would not rule out the possibility that something else can take over a human mind.

To the victim of such personality change there are long periods for which the memory cannot account, periods during which the secret enemy is in charge.

Walter Hamilton was a perfectly normal, well-adjusted man in early middle age when strange gaps in his memory first began to worry him. At first he tried to ignore the tell-tale symptoms of schizophrenia but other clues presented themselves.

The face in the crowd scene on a telerecorded film vaguely familiar. It wasn’t his fave… but there were undeniable similarities. A picture in a newspaper worried him more…

Before he could extricate himself he was trapped in a tangled web of interwoven personalities, unable to find himself, powerless to break away from the sinister complications of his two other lives.

Don’t talk to strangers. Don’t even look at them. The life of Roy Phipps can be summed up in a paragraph: He’s fifty, leads an uneventful, well-organised existence in the house inherited from his parents, earns a modest income writing formulaic detective novels, and remembers, sometimes, his encounters with women. Roy’s only aberration is the other novel he has been secretively also writing for years, the sprawling and florid story of the mad poet Vilmos, a study of murder, angst and alchemic magic. Then one evening Roy meets Vilmos, face to face. Of course, handsome Vilmos’s double, Joseph Traskul, is only a coincidental look-alike. But in those fatal minutes a terrible bond is formed. For Traskul is, at the very least, insane – charismatic, predatory, lawless – a sort of human demon – whose almost supernatural powers, once provoked, will prove unstoppable. As the fiery shadows close in on him, Roy soon understands that he is now fighting for his own sanity. And probably for his life.

The daughter of rich but neglectful parents, Terisa Morgan lives alone in a New York City apartment, a young woman who has grown to doubt her own existence. Surrounded by the flat reassurance of mirrors, she leads an unfulfilled life-until the night a strange man named Geraden comes crashing through one of her mirrors, on a quest to find a champion to save his kingdom of Mordant from a pervasive evil that threatens the land. Terisa is no champion. She wields neither magic nor power. And yet, much to her own surprise, when Geraden begs her to come back with him, she agrees.Now, in a culture where women are little more than the playthings of powerful men, in a castle honeycombed with secret passages and clever traps, in a kingdom threatened from without and within by enemies able to appear and vanish out of thin air, Terisa must become more than the pale reflection of a person. For the way back to Earth is closed to her. And the enemies of Mordant will stop at nothing to see her dead.

The lyrical genius of Michael Moorcock defies categorization; his creations soar to grand and golden places hitherto unimagined and unimaginable. In this, his most heartfelt and astonishing work to date, he carries the reader across mystical thresholds viewed from afar in the brilliant Blood and Fabulous Harbors, and reveals the mighty destinies, exemplary loves, and the true and secret histories of his most beloved and intriguing characters. It is a tale of the incomparable Rose von Bek, who discovers the myriad possibilities that life has to offer in the special, infinitely wondrous places known as the Second Ether – where time has no bounds and existence is a river of endless reinvention. Here, also, is the love of her life – the volatile and enigmatic Sam Oakenburst – and the story of the ill-fated passion of the exotic Colinda Dovero and the swashbuckling gambler Jack Karaquazian. These four together – along with their exceptional companions, including Rose’s mad uncle, Michael, late of Texas – will become allies in what some call the great War in Heaven, fighting shoulder-to-shoulder against the agents of evil and stagnation, in a battle whose outcome will determine the very nature of reality itself.

Simon Bradley, a highly imaginative child, brain-damaged after a bizarre attack, vanishes one day from his home. Months later a body is found on the edge of Ryhope Wood. The wood shields a heart of primeval forest wherein live phantoms and strange creatures – mythagos – those shades generated over time by our dreams and nightmares.

Alex has in fact been absorbed by the wood, drawn into its green heart – through a ‘hollowing’. There his dreams will continue to populate the wood with its mythagos. But like Alex, they too are damaged: the great heroes he conjures are warped, incomplete and dangerous. Savage and lost, they are compelled to seek their creator. The havoc they wreak threatens those who search for Alex, including his father, Richard.

In the end, it will threaten the very existence of the wood itself and of its natural mythagos. Richard must quest repeatedly through Ryhope’s hollowings in an attempt to bring his son to safety and quiet the monsters Alex has created.

There his dreams continue to populate the wood with “mythagos”, warped, dangerous hero figures, threatening all those who come in search of the boy.

When human genes go wild, reproduction can no longer be left to chance – and it is Robert Wellton, Chief of the Genetics Bureau, the most feared and hated man in the world, who decides who will mate with whom.
But nobody can tell Wellton whom to mate with! He alone knows that the Genetics Program is collapsing, for fewer Normals are found each yer – and his father, who had been Genetics Chief before him, had discovered that not all Deviates are nature’s failures. Some are telepathic and long-lived – like Robert Wellton himself.
Thus is born the plan that Adam Wellton conceived and that Robert Wellton carries on – the creation of a Secret People. Born of Normal mothers, they are all Wellton’s sons and daughters, bearing his improved genes – living hidden in a colony in the Canadian wilderness, protected from the hate and jealousy of civilization by Wellton, who stays in telepathic touch with them.
But disaster strikes when a bitter powerful committee, suspecting the existence of concealed Deviates, begins a relentless search for them. Wellton knows there can be only one result – he Secret People will be hunted down and wiped out!

George was a shoemaker – but not just a simple artisan. He thought a lot, worried too much and questioned everything. But he knew when to keep his mouth shut, and he knew his duty. Life in the Roman Empire was hard these days, and no one could say it might not get harder. Cities to the north of Thessalonica on the Greek peninsula had already fallen to the swarming Slavs and Alars.

The tribes were definitely on the move, bringing their powerful pagan demons with them: bats with gleaming red eyes spied out the city, diving on the militia men as they patrolled the city walls; giant wolves whose howls chilled the soul surrounded the city; and there were rumours of worse. Even the satyrs, centaurs, nymphs and other remnants of the Greek pantheon lurking in the mountains around Thessalonica were frightened. George’s city was a Christian light in a sea of pagan darkness. And now that sea was rising, threatening to wash over him and his little island as if they did not exist and were of no account.

For George, that was just unacceptable. He was a simple artisan – but that didn’t mean he wouldn’t give everything to defend his family, his city and his faith.

There is a landscape between reality and dreams, a strange and primitive country that exists upon the edge of our waking world. Michael Whitlock knows that country well. His best friend lives there…
It beings with a scatter of earth, thrown over the infant by unseen hands, a haunting attack that is repeated day after day, culminating with an explosive fall of mud that nearly kills the boy. And found in those tons of raw, wet earth: flints, chalk artefacts, and remains of a primitive shrine and the dismembered carcase of a hunting dog.
The Whitlocks’ house, in the Kentish Weald, stands near a chalk-pit, and it is here that their son, Michael creates his preculiar imaginary world, making his camp by the pile of grave-earth from that early attack. Unaware of what is happening to him, the boy touches and uses the strange force that now ebbs and flows in the pit, And when the haunting returns, this time it is more subtle, almost wonderful in its secutive nature. Torn between a fear of the supernatural and greed for the results of Michael’s power, his adoptive parents are helpless. It is left to Françoise Jeury, a psyhic investigator, to piece together the bizarre truth of th epit and the shrine and the oddly silent boy.

Ladies from Hell contains five long stories.

“The Shack at Great Cross Halt” describes a Britain dominated by motorways, juggernauts and a tyranny, in which the unfortunates of society eke out a miserable existence scavenging items that fall off lorries.

“The Ministry of Children” shows comprehensive schools having become terrifying battlegrounds dominated by vicious gangs.

“The Big Fans” concerns an experiment in wind-powered electricity which accidentally unleashes an apocalyptic storm of effects.

“Our Lady of Destruction” ironically depicts a future in which a Stalinist British government taxes ‘non-productive’ people (i.e. artists) at over 100% and assigns them individual Overseers to regulate their work.

“Missa Privata” shows an opera singer in a communist-dominated Britain making a defiant individual gesture which will bring about her own ruin.

These are not stories of spaceships and alien worlds; rather they are studies of imminent social change, written out of passionate concern about the directions in which our society may be heading – stories, in fact, in the great Orwellian tradition. Most importantly, they are stories about people: believable, defiant individuals struggling against oppressive forces.

The filth and the fury…

During the long, hot summer of 1976 sixteen year-old Rob Swann decides to kill himself. Then, on a tinny transistor radio, he hears the Sex Pistols for the first time and it changes everything.

Over a quarter of a century later, Rob is a man with a colourful past. Ex-punk, drug addict, gangster and jailbird, he has finally put his troubled life behind him and is enjoying a settled, law-abiding, carefree existence. Then one day he meets and befriends the enigmatic Suzi – at which point everything begins to unravel.

Who is Suzi? Simply a vindictive young woman or some vengeful phantom from his past. And who or what is not merely taking his life apart piece by piece, but undermining his memories, seemingly punishing him for past misdemeanours which he cannot even recall? As he is pulled ever deeper into a murky underworld he thought he had long ago managed to leave behind, Rob is haunted not only by the fact that nothing is what it seems, but also by the horrifying prospect that he himself is not, nor ever was, the person he believed himself to be.

To the crew of the Exploratory Ship Canopus, outward bound on the first intergalactic voyage to the flaring suns of mighty Andromeda, the evil whisperings that spilled out from the nebula into deep space came as a warning. This was something far beyond their previous experience. Nor were they the only ones to come under the malignant influence of the alien intelligence.

In the empty, murmuring void, virtually half-way between the two galaxies of stars, a solitary sun streaked away from Andromeda, dragging its lonely, ammonia-laden planet with it. And it was here that the explorers first gained their glimpse of the black horror that lay straddled across the intergalactic darkness. Something that had being. Something that existed where it seemed impossible that anything could.

It fell on Klau-Telph, the only non-Terran on board the Canopus, to finally track down and destroy the inhuman monster that threatened to drive the inhabitants of a trillion planets over the red edge of madness. Not until it was done did he find that the hidden reason behind the insidious whisperings was not what it seemed. In fact, it was something that even he, with his strange double mind, had never thought possible…

They came out of the star-strewn wilderness around Sol, these alien creatures. And their object was the vicious, total destruction of the Federation of Worlds.

Earth was one of the last pf the planets to be attacked and here they were opposed by the Earth Council: six men who held the destinies of a hundred billion people in their hands.

But in the end, there remained only one man out of the six to fight. Velga Dorne, Earth Councillor and Member of the Triumvirate of Worlds. And he himself was a hunted man. Death and terrible destruction followed him across the wastes of space in the search for the crazy, nightmare planet that had spawned these creatures. Fear and terror were his only companions.

Until he reached the nameless planet of a still more insignificant sun and learned that there were others to join him in the struggle against the black, inhuman monsters. These were the Hheroni, scientists whose achievements had progressed along a slightly different path of research to humanity. And Astraea, the girl who went with him on the suicidal mission to where the Aliens originated: on a world that no one in their wildest dreams had thought possible to exist, one which even science said was impossible.

Grad-school dropout Matt Fuller is toiling as a lowly research assistant at MIT when, while measuring quantum relationships between gravity and light, his calibrator disappears – and reappears, one second later. In fact, every time Matt hits the reset button, the machine goes missing twelve times longer.

After tinkering with the calibrator, Matt is convinced that what he has in his possession is a time machine. And by simply attaching a metal box to it, he learns to send things through time – including a pet-store turtle, which comes back no worse for wear.

With a dead-end job and a girlfriend who left him for another man, Matt has nothing to lose by taking a time machine trip for himself. So he borrows an old car, stocks it with food and water, and ends up in the near future – under arrest for the murder of the car’s original owner, who dropped dead after seeing Matt disappear before his eyes. The only way to beat the rap is to continue time travelling until he finds a place in time safe enough to stop for good. But such a place may not exist…

THE TALES OF HENGHIS HAPTHORN

Henghis Hapthorn is the foremost penetrator of mysteries and uncoverer of secrets in a decadent, far-future Old Earth, one age before Jack Vance’s Dying Earth. A superb rationalist, he has long disdained the notion that the universe has an alternative organizing principle: magic. But now a new age is dawning, overturning the very foundations of Hapthorn’s existence, and he must struggle to survive in a world where all the rules are changing.

In MAJESTRUM, Hapthorn is on the trail of an unknown killer who collects body parts from his victims. The search leads him off-planet, into the Ten Thousand Worlds of The Spray, then turns in an unexpected direction as the freelance discriminator learns that an ancient and evil power is plotting to reassert its dominion over Old Earth.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

Dorian Hawkmoon… Corum Jhaelen Irsei… Elric of Melniboné. Over the years, Michael Moorcock has captivated readers with his unending versions of the Eternal Champion, the timeless warrior who serves the Cosmic Balance in the ongoing battle that rages between Law and Chaos through the many planes and levels of the multiverse. But what is the multiverse and what are its origins? In this essential novel, Michael Moorcock provides readers these critical answers.
World War Three has come and gone, and humankind has survived its brutal past to assume its place among the stars. Yet their existence is endangered nonetheless, as their entire universe is threatening to collapse. All their hopes rest on the shoulders of Count Renark von Bek, a nobleman of extraordinary psychic abilities and carefully guarded secrets.
Aided by his companions, von Bek will delve into the Sundered Worlds, a mysterious galaxy outside the space-time continuum that has materialized on the edges of known space. Inside this roving galaxy, they will uncover the secrets of the multiverse and embark upon a last desperate gamble to save humankind.
But as they will soon discover, even survival comes laden with danger, as the solutions to their dilemma may also hold the final keys to their destruction

This book contains ten major stories by the master of science fiction, fantasy, and horror written during the 1960s. The controversial “If All Men We re Brothers, Would You Let One Marry Your Sister?” shows the author’s technique of “ask the next question” used in a way that shatters social conventions. “When You Care, When You Love” offers a prescient vision of the marriage of deep obsessive love and genetic manipulation, written long before actual cloning techniques existed. “Runesmith” constitutes a rare example of Sturgeon collaborating with a legendary colleague, Harlan Ellison. Included also are two other rarities: two detective stories and a Western that showcase Sturgeon’s knack for characterization and action outside his usual genre. “Take Care of Joey” has been read as an allusion to the complex personal relationship between Sturgeon and Ellison, while “It Was Nothing, Really!” hilariously skewers the mores of the military-industrial complex. As always, these stories demonstrate not only Sturgeon’s brilliant wordplay but also his timeliness, with “Brown-shoes” and “The Nail and the Oracle” standing out as powerful commentaries on the use and abuse of power that might have been written yesterday.