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In his previous ‘Darkness’ books – Into the Darkness, Darkness Descending, and Through the Darkness – bestselling author Harry Turtledove has been telling an epic tale of a world at war; a dark mirror of the terrible wars of our own twentieth century, set in a world where battles are fought with magic rather than technology.

Imagine the drama and terror of the Second World War in such a place. The death, the destruction, the sheer scale of the horror is the same – but the bullets are beams of eldritch fire, the tanks are great horned and taloned beasts, and fighters and bombers are dragons raining fire upon their targets. This is the world of the Derlavaian continent, a world that is slowly but surely being conquered, mile after bloody mile, by the forces of the Algarvian Empire… forces whose most terrible battle magics are powered by the slaughter of innocent people.

In this, the forth volume of the series, following on from Through the Darkness, the war for the future of Derlavai builds towards its crescendo as the mages of Kuusamo, aided by their former rivals from Lagoas, work desperately to create a newer form of magic. Magic of unprecedented destructive power. Magic that will change the course of the future.

Psychology recognises the existence of multiple personalities inhabiting the same mind. To the ancients such strange transformations were evidence of demonic possession, and even today there are reputable experts who would not rule out the possibility that something else can take over a human mind.

To the victim of such personality change there are long periods for which the memory cannot account, periods during which the secret enemy is in charge.

Walter Hamilton was a perfectly normal, well-adjusted man in early middle age when strange gaps in his memory first began to worry him. At first he tried to ignore the tell-tale symptoms of schizophrenia but other clues presented themselves.

The face in the crowd scene on a telerecorded film vaguely familiar. It wasn’t his fave… but there were undeniable similarities. A picture in a newspaper worried him more…

Before he could extricate himself he was trapped in a tangled web of interwoven personalities, unable to find himself, powerless to break away from the sinister complications of his two other lives.

When human genes go wild, reproduction can no longer be left to chance – and it is Robert Wellton, Chief of the Genetics Bureau, the most feared and hated man in the world, who decides who will mate with whom.
But nobody can tell Wellton whom to mate with! He alone knows that the Genetics Program is collapsing, for fewer Normals are found each yer – and his father, who had been Genetics Chief before him, had discovered that not all Deviates are nature’s failures. Some are telepathic and long-lived – like Robert Wellton himself.
Thus is born the plan that Adam Wellton conceived and that Robert Wellton carries on – the creation of a Secret People. Born of Normal mothers, they are all Wellton’s sons and daughters, bearing his improved genes – living hidden in a colony in the Canadian wilderness, protected from the hate and jealousy of civilization by Wellton, who stays in telepathic touch with them.
But disaster strikes when a bitter powerful committee, suspecting the existence of concealed Deviates, begins a relentless search for them. Wellton knows there can be only one result – he Secret People will be hunted down and wiped out!

Set sixteen years after the events of The Exiled Earthborn, this explosive conclusion of the Earthborn trilogy tells the story of two brothers, the sons of Lucas and Asha, tasked with surviving the Xalan war to ensure the continued existence of the human race.

Noah, an orphan from Earth’s last days who, as a child, was smuggled to safety across the stars, is now nearly a man and a leader to the young enclave of Earthborn who reside on Sora. When the tranquility of their settlement is shattered by a shocking assassination attempt, Noah turns to his combative younger brother Erik, Lucas and Asha’s only child by blood, for aid. Their journey takes them to the remnants of a dead planet, an outlaw-infested space station, and back to Sora, whose inhabitants are bracing for a final showdown with the bloodthirsty Xalans.

They find themselves facing a new evil: the omnipotent Archon, who is somehow controlling the whole of the Xalan horde, and his bloodthirsty lieutenant, the Black Corsair, who has an unmatched taste for brutality. The Archon, so-called God of the Shadows, has unearthed knowledge that could wipe both Sorans and humans alike from the face of existence. The descendants of the Earthborn must uncover the true nature of the Archon and the Xalans before he burns everything they know and love to ashes.

Thumb Rivera is in a bind. A college dropout, aspiring writer, smalltime marijuana grower, and biker club hang-around, Thumb finds himself confined to his rural ranch house in the desolate Maine countryside, helpless to do anything but watch as his former friends and housemates scheme behind his back, conspire to steal his girlfriend, and make inroads with the Blood Eagles, a dangerous biker gang.

Thumb is also dead.

A ghost forced to haunt his survivors and reflect back on the circumstances that led to his unsolved murder, Thumb discovers he has one channel through which he can communicate with the living world: Ben, an unemployed ghost hunter. Ben soon convinces local curmudgeon Fred Muttkowski, failed novelist turned pig farmer, to turn Ben’s Ouija-board conversations with Thumb into an actual book.

Thumb has two things on his mind: To solve, and then avenge, the mystery of his own violent death, and also to tell his story. That story is American Ghost-as told to Ben, then fictionalized by Fred. It’s at once a clever tale of the afterlife, a poignant examination of the ephemeral nature of life, and a celebration of writing and the written word.

Richard Garrison, a corporal in the British Military Police, loses his sight while trying to save the wife and child of millionaire industrialist Thomas Schroeder from a terrorist bomb. While Garrison is recovering from his injuries, Schroeder makes him an offer the young man cannot refuse – refuge at Schroefer’s luxurious mountain retreat and rehabilitation from the best doctors who can treat Garrison’s blindness, and, if not cure him, at least teach him a new way of life.

But Thomas Schroeder has a secret. His is dying and determined not to lose his life. The doctors tell him his body cannot be saved. But what about his mind? Garrison’s healthy young body would make an excellent replacement for Schroeder’s failing corpus, if the machines to perform the operation can be perfected in time.

Garrison has secrets of his own. Since the bombing that caused the loss of his sight, Garrison has become aware of new abilities slowly developing in his mind: mental powers he is beginning to master, strengths Schroeder cannot expect.

Richard Garrison and Thomas Schroeder, two strong-willed men locked in battle for the greatest prize – life itself.

For eons, King Oblivion, Ph.D., was one of the most ruthless supervillains the world has ever known. As the CEO of the ISS (International Society of Supervillains) for half a century, he was personally responsible for numerous nefarious acts, including Nixon’s presidential election, stealing the country of Japan, Star Wars: Episode I-III, and Milli Vanilli, just to name a few.

Since his untimely (and inexplicable) passing, Matt D. Wilson, who was found rotting in one of Oblivion’s numerous dungeons, has discovered in his giant lair (located in the Earth’s mantle) what seems to be the early workings of the villain’s ultimate manifesto. Though in-depth research (and paper cuts), Wilson reviewed endless documents and has compiled numerous unedited chapters, email correspondences, and various threats which combine tell the “life story” of this anti-hero.

Supreme Villainy is an intimate look into the mastermind who once ruled the globe with an iron fist (and ray gun). For the first time ever, readers will learn of his birth (which has never been noted on record), rise to power, and domination of the world as we know it today. Revealed inside are never-before-seen notes, illustrations, and personal letters which, now collected, show a glimpse into the once-infamous villain’s uncompleted manuscript, and maybe a hint into who the real man was behind that horrible mask.

In every mouse’s long life, there comes a time when ancestral voices tell him to move on. Pedlar, a yellow-necked mouse, has reached that point. Told to leave the Hedgerow and go on a long journey, the adventurous mouse says his farewells and sets out for a far-distant country knows as The House. Reaching his destination, Pedlar enters a strange new world inhabited by many warring tribes: the Stinkhorns of the cellar, the great Savage Tribe in the kitchen, the library Bookeaters, the Invisibles, the Deathshead and the rebellious 13-K Gang.

During his stay, Pedlar witnesses a momentous truce, in which the tribes come together at an Allthing meeting and decide to rid themselves of the greatest pests in The House, the greedy, stupid nudniks – the humans. And so the Great Nudnik Drive is set in motion, a time of considerable anxiety for the nudniks, when clocks strike twenty and inanimate objects seem to have a life of their own. Ranged against the mouse tribes are the nudniks’ allies: the two cats, Eyeball the Burmese blue and Spitz the ginger tom; the Headhunter, a barbarian human child; and Little Prince, the Headhunter’s cannibalistic pet white mouse. The House becomes a hotbed of riot and discord, until Pedlar finally comes up with a solution. The outcome of this heroic struggle has gone down in the annals of mouse history, a history tens of thousands of days long, and the whole remarkable tale is recorded here, between these pages.

Imagine a living specimen of a multimillion-year-old hominid species, Homo habilis, encountering the contemporary world.

Told in the first-person narrative of Paul Loyd, divorced owner of a small town restaurant, Ancient of Days tells the story of a habiline man found wandering in a Georgia pecan orchard, a living descendant of a habiline tribe, brought from Africa via Haiti as a slave. Paul’s ex-wife, RuthClaire, takes in the living fossil, appropriately naming him Adam, and as an artist she discovers Adam’s mute but vibrant artistic sensibility, falls in love with him, and marries him – much to Paul’s confusion and dismay.

And then the story begins to widen out onto a broader canvas, as Adam first faces persecution by small town Georgia Klansmen, then, surviving that, moves with RuthClaire to Atlanta and encounters the whole spectrum of American culture, from art critics and media spectacles to evangelists and punk clubs.

Throughout the peregrinations and travails of Adam, however, runs a rich and developing strain of self-conscious spiritual, intellectual, and artistic growth, interwoven with Adam’s genuine anguish over the problematic nature of his true humanity.

In the end, the central characters come together on the Haitian island of Montarez in the aftermath of crisis, and in a moment of illumination and revelation meet the mysterious and extraordinary origins of Adam and his race in human prehistory.

Tarra Khash is a Hrossak, a barbarian from the steppes beyond the River Luhr. A fearless adventurer, Tarra roves Theem-hdra in search of his next fortune, his next drink, and warm, willing females to share his bed. The Hrossak is a most fortunate man, for he has faced more than one god during his travels and – so far – has escaped unscathed.

Seeking to avenge the murder of a beautiful young woman of the half-mystical Suhm-yi race, Tarra joins forces with her husband, now the last of his kind. Each worships a moon-god, and together their faith and Tarra’s weapons wreak a terrible vengeance on those who stole the treasure of the Suhm-yi.

Eager for wealth, Tarra is trapped by a wily old man who has lured him into plumbing the depths of a treasure-filled cavern guarded by golden statues of the Great God Cthulhu. But Cthulhu’s treasure is not easily plundered, and Tarra nearly loses his life to the monstrous forces of the Elder God.

Many men have met the lamia Orbiquita, but none have lived to tell of her extraordinary powers of love-making – until Tarra Khash, who treats her as a woman wants to be treated and thus earns her forgiveness and his life. Alas, others who assume her to be weakened by her love for Tarra Khash are not so lucky!

A collection of worlds of wit and wonder, including:

“AND I AWOKE AND FOUND ME HERE ON THE COLD HILL’S SIDE” – Man seeks to get into bed with anything new and different, or die trying. But when the new and different was not human…would he die trying?

“THE MAN WHO WALKED HOME” – The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past…

“I’M TOO BIG BUT I LOVE TO PLAY” – If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human – and what is merely identical?

Contents:
And I Awoke and Found Me Here on the Cold Hill’s Side (1972)
The Snows Are Melted, the Snows Are Gone (1969)
The Peacefulness of Vivyan (1971)
Mamma Come Home (1968)
Help (1968)
Painwise (1972)
Faithful to Thee, Terra, in Our Fashion (1969)
The Man Doors Said Hello To (1970)
The Man Who Walked Home (1972)
Forever to a Hudson Bay Blanket (1972)
I’ll Be Waiting for You When the Swimming Pool Is Empty (1971)
I’m Too Big but I Love to Play (1970)
Birth of a Salesman (1968)
Mother in the Sky with Diamonds (1971)
Beam Us Home (1969)

Once, Xhea’s wants were simple: enough to eat, safety in the underground, and the hit of bright payment to transform her gray-cast world into color. But in the aftermath of her rescue of the Radiant ghost Shai, she realizes the life she had known is gone forever.

In the two months since her fall from the City, Xhea has hidden in skyscraper Edren, sheltered and attempting to heal. But soon even she must face the troubling truth that she might never walk again. Shai, ever faithful, has stayed by her side-but the ghost’s very presence has sent untold fortunes into Edren’s coffers and dangerously unbalanced the Lower City’s political balance.

War is brewing. Beyond Edren’s walls, the other skyscrapers have heard tell of the Radiant ghost and the power she holds; rumors, too, speak of the girl who sees ghosts who might be the key to controlling that power. Soon, assassins stalk the skyscrapers’ darkened corridors while armies gather in the streets. But Shai’s magic is not the only prize-nor the only power that could change everything. At last, Xhea begins to learn of her strange dark magic, and why even whispers of its presence are enough to make the Lower City elite tremble in fear.

Together, Xhea and Shai may have the power to stop a war-or become a weapon great enough to bring the City to its knees. That is, if the magic doesn’t destroy them first.

Ed Carter, a New York reporter on his way to his home town in Omaha for a short vacation, saw the missile in the last moments in its journey back to earth. A sweller on the brink, like all of us, he had no doubt about what it was; Oh God, he thought, this is it. The blast of the impact flung him some distance, and when he regained consciousness, his first reaction was one of surprised to find himself still alive, and not, it seemed, even badly hurt. Presumably the missile had been directed at the big Air Force base nearby, and should have destroyed everything and everyone within a radius of miles. Could it have failed to explode?

Carter sees the remains of part of the missile in an adjacent field and hobbles over to it. A minute or two later several Air Force officers arrive. They examine the remains, and find the burned-up body of a pilot. In other worlds, the missile was not Russia’s first shot in the Third World War, but a failure to launch a man into space. But Carter knows that the Distant Early Warning line will have reported the missile; that the senior Air Force officers, in accordance with plan, will have taken to the air – in the country’s interest, their lives must, of course, be preserved if possible; that by now the retaliatory American bombers will have passed the point of no recall; and that the Third World War has begun. Not so, Colonel Ben Goldwater tells him: “I called the bombers back.”

Goldwater, the man who had been left in command, has saved the world – for at least a little longer. So he becomes a world hero? Not a bit of it. On the contrary: a nightmare looms ahead both for him and for Ed Carter, and the reader watches it all with growing fury…

Robert Charles Wilson, says The New York Times, “writes superior science fiction thrillers.” His Darwinia won Canada’s Aurora Award; his most recent novel, The Chronoliths, won the prestigious John W. Campbell Memorial Award. Now he tells a gripping tale of alien contact and human love in a mysterious but hopeful universe.

At Blind Lake, a large federal research installation in northern Minnesota, scientists are using a technology they barely understand to watch everyday life in a city of lobster like aliens upon a distant planet. They can’t contact the aliens in any way or understand their language. All they can do is watch.

Then, without warning, a military cordon is imposed on the Blind Lake site. All communication with the outside world is cut off. Food and other vital supplies are delivered by remote control. No one knows why.

The scientists, nevertheless, go on with their research. Among them are Nerissa Iverson and the man she recently divorced, Raymond Scutter. They continue to work together despite the difficult conditions and the bitterness between them. Ray believes their efforts are doomed; that culture is arbitrary, and the aliens will forever be an enigma.

Nerissa believes there is a commonality of sentient thought, and that our failure to understand is our own ignorance, not a fact of nature. The behavior of the alien she has been tracking seems to be developing an elusive narrative logic–and she comes to feel that the alien is somehow, impossibly, aware of the project’s observers.

But her time is running out. Ray is turning hostile, stalking her. The military cordon is tightening. Understanding had better come soon….

Blind Lake is a 2004 Hugo Award Nominee for Best Novel.

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

“LAMB HOUSE is in Rye, an ancient town of East Sussex, England. It is very much a real place, even a famous one, yet The Haunting of Lamb House is as elusive to review as it must have been to write. It is safe to say that no one but Joan Aiken could have written it, not only because she was born in Rye and has the town in her bones as it were, but also because she has the power — shown in her other books — of evoking strange, often eerie events of the past and making other times, places and people vividly alive. This book goes further: She has taken the real history of Lamb House and interwoven happenings that are purely imaginary, working so skillfully that even those who have lived there can hardly tell which is which!”

So wrote novelist Rumer Godden, who also lived in Lamb House. She went on:

“For those who do not sense such things, The Haunting of Lamb House is a most skillful and intriguing interweaving of fact and fiction; to those who do, it is a memorable evocation. In either case it is a little masterpiece.”

Lamb House in Joan Aiken’s birth town of Rye in Sussex is said to be haunted. This is her story of what might have happened to cause the haunting: using the imagined diary of an earlier Mayor of Rye, Toby Lamb, whose father built the handsome Georgian house, and later episodes that might have occurred during the occupancy of two of its famous literary tenants – Henry James and E.F. Benson.

Joan Aiken was born in another haunted house owned by her father Conrad Aiken: Jeake’s House, just around the corner in Mermaid Street, Rye, which she also wrote about in Return to Harken House.

“Joan Aiken has written a clever book, kindling a whole world of feeling out of small macabre details, presenting to the senses a series of apprehensions of reality which seem to touch a completeness beyond themselves. An impressive achievement; I shivered as I admired” Robert Nye, The Guardian

“Joan Aiken’s artful web of truth and fancy is divided into three histories of haunting – the first employs Aiken’s considerable skill in a vivid evocative rendering of the old town of Rye when the house was built…followed by the twenty years of Henry James’ residence. The end is worth waiting for…where E.F.Benson encounters hideous apparitions and even an exorcism in the last enthralling twenty pages” Miranda Seymour, T.L.S.

“Aiken has conjured up a deliciously scary ghost story…her mastery of style serves her well in the creation of three separate voices. Those familiar with Henry James’s writing especially The Turn of The Screwwill derive special enjoyment from this novel, but there are shivers enough for any reader willing to acknowledge the possibility of ghosts and the reality of evil” U.S. Library Journal

“In three interlocking ghost stories this veteran British novelist places a fictional haunting within the history of a real house, and displays a masterly way with several contrasting narrative styles, sympathetically evoking some ghostly presences…the wayward spirit of the house and the growing number of literary presences which gradually take possession” Publisher’s Weekly