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Robert Charles Wilson, says The New York Times, “writes superior science fiction thrillers.” His Darwinia won Canada’s Aurora Award; his most recent novel, The Chronoliths, won the prestigious John W. Campbell Memorial Award. Now he tells a gripping tale of alien contact and human love in a mysterious but hopeful universe.

At Blind Lake, a large federal research installation in northern Minnesota, scientists are using a technology they barely understand to watch everyday life in a city of lobster like aliens upon a distant planet. They can’t contact the aliens in any way or understand their language. All they can do is watch.

Then, without warning, a military cordon is imposed on the Blind Lake site. All communication with the outside world is cut off. Food and other vital supplies are delivered by remote control. No one knows why.

The scientists, nevertheless, go on with their research. Among them are Nerissa Iverson and the man she recently divorced, Raymond Scutter. They continue to work together despite the difficult conditions and the bitterness between them. Ray believes their efforts are doomed; that culture is arbitrary, and the aliens will forever be an enigma.

Nerissa believes there is a commonality of sentient thought, and that our failure to understand is our own ignorance, not a fact of nature. The behavior of the alien she has been tracking seems to be developing an elusive narrative logic–and she comes to feel that the alien is somehow, impossibly, aware of the project’s observers.

But her time is running out. Ray is turning hostile, stalking her. The military cordon is tightening. Understanding had better come soon….

Blind Lake is a 2004 Hugo Award Nominee for Best Novel.

Hidden away from the world by his mother, the powerful sorceress Heloise Oliver, Pierce has grown up working in her restaurant in Desolation Point. One day, unexpectedly, strangers pass through town on the way to the legendary capital city. Look for us, they tell Pierce, if you come to Severluna. You might find a place for yourself in King Arden s court.

Lured by a future far away from the bleak northern coast, Pierce makes his choice. Heloise, bereft and furious, tells her son the truth: about his father, a knight in King Arden s court; about an older brother he never knew existed; about his father s destructive love for King Arden s queen, and Heloise s decision to raise her younger son alone.

As Pierce journeys to Severluna, his path twists and turns through other lives and mysteries: an inn where ancient rites are celebrated, though no one will speak of them; a legendary local chef whose delicacies leave diners slowly withering from hunger; his mysterious wife, who steals Pierce s heart; a young woman whose need to escape is even greater than Pierce s; and finally, in Severluna, King Arden’s youngest son, who is urged by strange and lovely forces to sacrifice his father s kingdom.
Things are changing in that kingdom. Oldmagic is on the rise. The immensely powerful artifact of an ancient god has come to light, and the king is gathering his knights to quest for this profound mystery, which may restore the kingdom to its former glory or destroy it…”

Pinnacle City is many things to many people. To some it is a glittering metropolis, a symbol of prosperity watched over by the all-star superhero team, the Pinnacle City Guardians. Beyond the glitz and glamour, there is another city, one still feeling the physical and economic damage of the superhero-villain battles of generations past. The lower class, immigrants, criminals, aliens, sorcerers, and non-humans alike call this city home, looking to make a living, which is becoming increasingly difficult as the two sides of the city seem prepared to boil over into a violent conflict.
Private investigator Eddie Enriquez, born with the ability to read the histories of objects by touch, still bears the scars of his time as a youthful minion for a low-level supervillain, followed by stints in prison and the military. Though now trying to live a straight-and-narrow life, he supports a drinking problem and painkiller addiction by using his powers to track down insurance cheats. When a mysterious woman enters his office asking him to investigate the death of prominent non-human rights activist Quentin Julian, a crime the police and heroes are ignoring, he takes the case in the hopes of doing something good.
Superhero Kimberly Kline has just hit it big, graduating from her team of young heroes to the Pinnacle City Guardians with the new codename of Solar Flare. With good looks, powers that include flight, energy manipulation, superhuman strength, durability, and speed, as well as a good family name, the sky is the limit for her. Upbeat, optimistic, and perhaps a little naïve from the upper-crust life she was raised in, she hopes to make her family, and the world, proud by being the greatest superhero she can be . . . but things aren’t always as they seem.

Copy from the 1975 Owlswick Press print edition:

L. Sprague de Camp’s original Science-Fiction Handbook, published in 1953 and long out of print, has been favourably remembered by a whole generation of science fiction readers and aspiring writers. Over the years, at convention after convention, fans have urged its reissue. Teachers of courses on imaginative fiction have begged for the book; one planned to reproduce the manual for his creative writing course until he learned that the material was under copyright Because of this enduring interest, the present book came into being.

Completely rewritten by de Camp and his wife Catherine, Science Fiction Handbook, Revised serves two purposes. It introduces the general reader to the fascinating field of imaginative fiction. The first two chapters describe the growth of science fiction from Aristophanes to Asimov and give the history of its parent literature, fantasy, which is as old as cavemen and as young as tomorrow.

The rest of the book affords the apprentice writer an overview of the pleasures and problems of writing imaginative fiction an teachers him the many and varied skills such writing requires. There are chapters on setting the scene, plotting the story and writing dialogue. Other chapters are devoted to showing the creative writer how to sore his literary works, keep records for tax purposes, market a story, deal with editors and agents, read the fine print in contracts and bargain with publishers. Finally, there are helpful hints for the successful writer about relating to his community, handling publicity and melding the needs of the creative artists with those of a successful human being and family member.

In short, here is a wealth of information on the techniques of writing fiction. Here, too, is the wisdom distilled by the de Camps in the course of their long writing careers. And, for those who have no desire to write, here is a chance to see what the writer’s world is really like and to learn something about the remarkable literature that we call science fiction and fantasy.

Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison’s 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards – not surprising with a contributors list that reads like a who’s who of 20th-century SF:

Evensong by Lester del Rey | Flies by Robert Silverberg | The Day After the Day the Martians Came by Frederik Pohl | Riders of the Purple Wage by Philip José Farmer | The Malley System by Miriam Allen deFord | A Toy for Juliette by Robert Bloch | The Prowler in the City at the Edge of the World by Harlan Ellison | The Night That All Time Broke Out by Brian W. Aldiss | The Man Who Went to the Moon – Twice by Howard Rodman | Faith of Our Fathers by Philip K. Dick | The Jigsaw Man by Larry Niven | Gonna Roll the Bones by Fritz Leiber | Lord Randy, My Son by Joe L. Hensley | Eutopia by Poul Anderson | Incident in Moderan and The Escaping by David R. Bunch | The Doll-House by James Cross | Sex and/or Mr. Morrison by Carol Emshwiller | Shall the Dust Praise Thee? by Damon Knight | If All Men Were Brothers, Would You Let One Marry Your Sister? by Theodore Sturgeon | What Happened to Auguste Clarot? by Larry Eisenberg | Ersatz by Henry Slesar | Go, Go, Go, Said the Bird by Sonya Dorman | The Happy Breed by John Sladek | Encounter with a Hick by Jonathan Brand | From the Government Printing Office by Kris Neville | Land of the Great Horses by R. A. Lafferty | The Recognition by J. G. Ballard | Judas by John Brunner | Test to Destruction by Keith Laumer | Carcinoma Angels by Norman Spinrad | Auto-da-Fé by Roger Zelazny | Aye, and Gomorrah by Samuel R. Delany

Unavailable for 15 years, this huge anthology now returns to print, as relevant now as when it was first published.

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

When Davey and his family moved to the city from the island of Muckle Burra off the coast of Scotland, they left his grandmother behind. But now his parents are dead-after a car accident that left Davey confined to a wheelchair-and Gran has moved in to take care of him and his sister, Lu-Lyn. But Lu-Lyn believes that both she and Gran are “Ridders” who have strange, dark powers and must return to the island… or has a dangerous force already followed them here?

Davey must embark on a terrifying journey that will reveal the true secret of his grandmother’s rare gift-and the limitless power of his own potential.

Joan Aiken mixes myth and magic in this mysterious short novel inspired by the Munch painting, The Scream.

“An eerie story from this bestselling children’s author: ‘Superbly chilling…this is one of her best” Independent on Sunday

“A tense, exciting and disturbing new story from Joan Aiken, whose magical, fantastic and supernatural books for children are among the best ever written” World of Books

“A prolific and much-beloved children’s author, Joan Aiken is perhaps best known for her classic “Gothic” adventures, chief among them The Wolves of Willoughby Chase and Midnight is a Place. The Scream, which features Edvard Munch’s famous painting of the same name, was written later in the author’s career, and makes for an agreeable “shivery” read” LibraryThing

“Joan Aiken, one of the most brilliant children’s writers of her generation, delivers a dark and potent reading experience in this short, disturbing story. After their parents’ fatal accident, David and his sister live with their grandmother, a fearsome woman who possesses the power of the Evil Eye. Gran’s mysterious links to the old legends and magic of a remote Scottish island seem destined to lead to another tragedy” Amazon Review

“Joan Aiken is just ridiculously talented in terms of the scope of her writing and this is truly demonstrated by her ability to create a chilling and compelling narrative in such a short book” Goodreads Review

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, “Cass,” which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.
My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.

Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. “Thos,” which most of my Oxford friends adopted. “Thos,” of course, is an abbreviation for Thomas, and refers to the “doubting Thomas” of the New Testament.

Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.

The head of the following bulky letter bears the address of a well-known mental home.

“THOS.”

“LAMB HOUSE is in Rye, an ancient town of East Sussex, England. It is very much a real place, even a famous one, yet The Haunting of Lamb House is as elusive to review as it must have been to write. It is safe to say that no one but Joan Aiken could have written it, not only because she was born in Rye and has the town in her bones as it were, but also because she has the power — shown in her other books — of evoking strange, often eerie events of the past and making other times, places and people vividly alive. This book goes further: She has taken the real history of Lamb House and interwoven happenings that are purely imaginary, working so skillfully that even those who have lived there can hardly tell which is which!”

So wrote novelist Rumer Godden, who also lived in Lamb House. She went on:

“For those who do not sense such things, The Haunting of Lamb House is a most skillful and intriguing interweaving of fact and fiction; to those who do, it is a memorable evocation. In either case it is a little masterpiece.”

Lamb House in Joan Aiken’s birth town of Rye in Sussex is said to be haunted. This is her story of what might have happened to cause the haunting: using the imagined diary of an earlier Mayor of Rye, Toby Lamb, whose father built the handsome Georgian house, and later episodes that might have occurred during the occupancy of two of its famous literary tenants – Henry James and E.F. Benson.

Joan Aiken was born in another haunted house owned by her father Conrad Aiken: Jeake’s House, just around the corner in Mermaid Street, Rye, which she also wrote about in Return to Harken House.

“Joan Aiken has written a clever book, kindling a whole world of feeling out of small macabre details, presenting to the senses a series of apprehensions of reality which seem to touch a completeness beyond themselves. An impressive achievement; I shivered as I admired” Robert Nye, The Guardian

“Joan Aiken’s artful web of truth and fancy is divided into three histories of haunting – the first employs Aiken’s considerable skill in a vivid evocative rendering of the old town of Rye when the house was built…followed by the twenty years of Henry James’ residence. The end is worth waiting for…where E.F.Benson encounters hideous apparitions and even an exorcism in the last enthralling twenty pages” Miranda Seymour, T.L.S.

“Aiken has conjured up a deliciously scary ghost story…her mastery of style serves her well in the creation of three separate voices. Those familiar with Henry James’s writing especially The Turn of The Screwwill derive special enjoyment from this novel, but there are shivers enough for any reader willing to acknowledge the possibility of ghosts and the reality of evil” U.S. Library Journal

“In three interlocking ghost stories this veteran British novelist places a fictional haunting within the history of a real house, and displays a masterly way with several contrasting narrative styles, sympathetically evoking some ghostly presences…the wayward spirit of the house and the growing number of literary presences which gradually take possession” Publisher’s Weekly

Dr John West, Cambridge don and private investigator, was present at the trial of an odd duck, R. A. Adcock, who was being most uncooperative in answering questions about a bank robbery. At length, Adcock had made a dash for it from the courtroom – through a glass window, and what should have been a three storey drop to the street. But suddenly, Adcock wasn’t there, and at once a swarm of bees came into the courtroom.

Thus begins The Molecule Men, which takes many fascinating and terrifying turns to its chilling conclusion.

In the second story, the Monster of Loch Ness, Tom Cochrane, an independent scientist, determines to find out why the waters of Loch Ness are inexplicably warming up. What was it that caused the waters of the loch to pour up into the air like the worst rainstorm any of the observers had ever seen? What was at the bottom of the loch?
These two short novels by a celebrated father and son team will hold the interest of the science fiction fan from page one on.

Young Peter, a student of Byzantine art forms at Moscow University, through a cryptic sentence in a lecture receives a message to buy two books of his choice at exactly 1.30 pm in the university bookstore. When he opens the package, a third book, ‘The Life of Pushkin’, a very special copy indeed, has been included. It is this third book that leads Peter to Armenia on a series of adventures of the sort that Fred and Geoffrey Hoyle know how to spin so skilfully and so spell bindingly. Peter’s mission includes finding his father again after many years of separation. And from his father he receives the remarkable ‘battery’ – plus a very difficult task to perform.

Sequel to Rockets in Ursa Major

From a great distance the Yela’s recorded message crackled through on the micro-earpiece: ‘For the time being you have won. But I am not defeated so easily.’

That had been three years ago, after Dick Warboys had repulsed the invading Yela by firing a lithium bomb into the Sun. But now that threat seems near fulfilment as appalled scientists detect the rapid approach of a vast, engulfing cloud of hydrogen. Can humanity survive on Earth or must selected pioneers abandon it in search of a safer region of the Galaxy?

To find the answer Dick and his allies from Space suffer a perilous voyage into the realms that reach the ultimate in understanding the physical universe.

Mike Jerome, a likeable young TV writer, visits Professor Smitt, a physicist, who gives him an idea for a TV script: using some source of light, perhaps a laser beam, one could reduce the human structure to a form that could be transmitted into the future as electrical pulses – and thus create time travel.

On the way home Mike is hit by a taxi, and when he recovers he finds the date is 1979 – ten years in the future. This is but the beginning of a series of bewildering, fascinating ten year jumps. Mike is himself living the time change himself! At the end of each stop he tries to find his best friend, Pete Jones, a Negro jazz musician. Jumps to 1989, 1999 and so on, take Mike into such far-reaching places as London, the Northern Territory of Australia, California and the Italian Alps, for a rousing series of adventures in all sorts of bizarre circumstances. At the very end of this outstanding science fiction adventure by a noted father-son team, there is a slyly ambiguous twist which leaves the reader wondering…

Originally written as a play and performed at the Mermaid Theatre, Easter 1962.

It is the early 20th century. Man is seeking signs of life elsewhere in the universe, but all exploratory ships have been lost without a trace – except for DSP15. Thirty years after leaving earth, and given up for lost, DSP15 suddenly appears on radar screens at the space station at Mildenhall, England. Her crew had been frozen to prevent ageing, and as the ship settles to a landing, Dr Richard Warboys eagerly awaits with other scientists for word of what DSP15 has found. But there is no crew, only a message scratched into a metal surface, signed by the captain: “If this ship returns to Earth, then mankind is in deadly peril – God help you – ” And so Earth becomes accidentally involved in a cosmic battle against a virtually omnipotent alien power, in a story suspenseful and exciting from cover to cover.

Returning to the Cavendish Laboratory in Cambridge after a spell at the nuclear research labs of CERN in Geneva, Professor Isaac Newton is plunged into the centre of a baffling mystery. One of his research students, Mike Howarth, has picked up strange signals on his satellite telemetry equipment, signals that appear to emanate from a passing comet. Not long after he has passed the vital data into Isaac Newton’s hands, Howarth is found dead. Soon after that, it becomes clear that some people in very high places – including the Kremlin and the White House – are more than a little interested in the remarkable events taking place at the Cavendish. But with the arrival of that most majestic of all celestial bodies, Comet Halley, a third and infinitely more powerful superpower enters the scene. And the Comet’s extraordinary intentions – not to mention its devastating methods of communicating them to Earth – promise a new dawn for humanity.

Baffled by the sudden rise of a powerful centre of industrialisation in the south of Ireland, Intelligence in London send a young Cambridge graduate, Thomas Sherwood, to study this phenomenon. He travels as a student, and makes his way to that part of Kerry where Ossian is said to have made his famous ride.