Search Results for: hunted

Set in the wake of a galaxy-wide war and the destruction of a human empire, The Dangerous Type follows the awakening of one of the galaxy’s most dangerous assassins and her quest for vengeance. Entombed for twenty years, Raena has been found and released.

Thallian has been on the lam for the last fifteen years; a wanted war criminal whose entire family has been hunted down and murdered for their role in the galaxy-wide genocide of the Templars. His name is the first on Raena’s list, as he’s the one that enslaved her, made her his assassin, and ultimate put her in a tomb. But Thallian is willing to risk everything-including his army of cloned sons-to capture her. Now it’s a race to see who kills whom first.

Alternatively, Gaven has spent the last twenty years trying to forget about Raena, whom he once saved and then lost to the clutches of Thallian. Raena’s adopted sister, Ariel, has been running from the truth: the one about Raena, about her and Gaven, and doesn’t know if she’ll be able to face either of them.

There is a landscape between reality and dreams, a strange and primitive country that exists upon the edge of our waking world. Michael Whitlock knows that country well. His best friend lives there…
It beings with a scatter of earth, thrown over the infant by unseen hands, a haunting attack that is repeated day after day, culminating with an explosive fall of mud that nearly kills the boy. And found in those tons of raw, wet earth: flints, chalk artefacts, and remains of a primitive shrine and the dismembered carcase of a hunting dog.
The Whitlocks’ house, in the Kentish Weald, stands near a chalk-pit, and it is here that their son, Michael creates his preculiar imaginary world, making his camp by the pile of grave-earth from that early attack. Unaware of what is happening to him, the boy touches and uses the strange force that now ebbs and flows in the pit, And when the haunting returns, this time it is more subtle, almost wonderful in its secutive nature. Torn between a fear of the supernatural and greed for the results of Michael’s power, his adoptive parents are helpless. It is left to Françoise Jeury, a psyhic investigator, to piece together the bizarre truth of th epit and the shrine and the oddly silent boy.

When human genes go wild, reproduction can no longer be left to chance – and it is Robert Wellton, Chief of the Genetics Bureau, the most feared and hated man in the world, who decides who will mate with whom.
But nobody can tell Wellton whom to mate with! He alone knows that the Genetics Program is collapsing, for fewer Normals are found each yer – and his father, who had been Genetics Chief before him, had discovered that not all Deviates are nature’s failures. Some are telepathic and long-lived – like Robert Wellton himself.
Thus is born the plan that Adam Wellton conceived and that Robert Wellton carries on – the creation of a Secret People. Born of Normal mothers, they are all Wellton’s sons and daughters, bearing his improved genes – living hidden in a colony in the Canadian wilderness, protected from the hate and jealousy of civilization by Wellton, who stays in telepathic touch with them.
But disaster strikes when a bitter powerful committee, suspecting the existence of concealed Deviates, begins a relentless search for them. Wellton knows there can be only one result – he Secret People will be hunted down and wiped out!

They came out of the star-strewn wilderness around Sol, these alien creatures. And their object was the vicious, total destruction of the Federation of Worlds.

Earth was one of the last pf the planets to be attacked and here they were opposed by the Earth Council: six men who held the destinies of a hundred billion people in their hands.

But in the end, there remained only one man out of the six to fight. Velga Dorne, Earth Councillor and Member of the Triumvirate of Worlds. And he himself was a hunted man. Death and terrible destruction followed him across the wastes of space in the search for the crazy, nightmare planet that had spawned these creatures. Fear and terror were his only companions.

Until he reached the nameless planet of a still more insignificant sun and learned that there were others to join him in the struggle against the black, inhuman monsters. These were the Hheroni, scientists whose achievements had progressed along a slightly different path of research to humanity. And Astraea, the girl who went with him on the suicidal mission to where the Aliens originated: on a world that no one in their wildest dreams had thought possible to exist, one which even science said was impossible.

When his wallet is lifted from a one-night stand with an exotic young woman, who may be either the girl of his dreams or just a common third-world grifter and thief, this world-weary traveller decides to go against his own better judgement and that of the local authorities and pursue this alluring thief up-country into the darkest jungles of Papua New Guinea.

Here is a land where headhunters still roam, and where the natural obstacles of poisonous insects and reptiles, savage and deadly beasts, and the mortally demanding jungle itself are the least of his worries. The forces of good and evil and law and anarchy play by entire different rules in this shadowed world.

Driven by delusions of romance and the need to restore his honour, Bohannon moves in hot pursuit farther and farther up-country, into a heart of darkness almost untouched by modern civilization. And once he attains his immediate goal, he is drawn into the darkness of his own soul, as a hunt for gold proves that greed, more than love or lust, is the primal instinct. For men or women, black or white, civilized or savage, in the darkness of the jungle all shadows are primal.

‘The Night Walker’ began as an ordinary country legend. No two stories agreed on the details and Paul Donovan’s attempts to sift out the facts seemed doomed to failure. He was on the verge of omitting it from his new series of articles on East Anglian Folklore when a sudden, sinister coincidence brought the old story sharply back into focus. An eccentric old wildfowler was taken to hospital where he babbled incoherently about “the man in the stove-pipe hat” before dying of inexplicable injuries. Donovan restarted his enquiries and found an unexpectedly determined ally in Shelia Morrison, an outcast from her village, who had been befriended by the dead wildfowler. together they hunted for intangible clues across the lonely reed beds and slow mysterious rivers of Broadland – the areas holiday-makers rarely see. Piece by piece the puzzle fitted together to reveal a chain of horror linking the past and present…connecting the mid-1960s with the ghoulish outbreak of body-snatching at the start of the Nineteenth Century. Not all the victims had gone for medical research…

‘The Night Walker’ is abroad again and fear treads beside him.

An undead monster hunter must track down a killer, trailer-park-havoc-wreaking were-frog in this outrageous mash-up of Jim Butcher’s urban fantasy and George Romero’s zombie horror.

Before he died, Saelig Zilch was a chef. Now, posthumously recruited by a shadowy agency for reasons still unknown, tasked with keeping the public safe from things that go bump in the night, he hunts monsters.

Zilch scrabbles out of a North Carolina grave in someone else’s body. Someone recently dead. He only has a few days to find his bearings and carry out his latest mission, before the precious few nanobugs in his corpse shell are exhausted and he’s forced to start all over at the beginning. As he trudges down the main thoroughfare, he runs into Galavance. More accurately, she runs into him with her pink Chevy Cavalier.

A case of unfortunate timing? Maybe not. Turns out the critter Zilch has been dispatched to dispatch of-a murderous were-frog-squelches uncomfortably close to the trailer Galavance calls home. And come to think of it, Galavance’s boyfriend Jolby has been spending a lot of nights out lately . . .

Inspector Angel Cardenas has seen plenty of corpses like the one in the Quetzal inburb – just another Juan Doe robbed of his cash, cards, internal organs, and then dumped in a gutter. However Cardenas soon learns this murder is anything but ordinary…

First, the infallible DNA-ID database insists the cadaver is that of two people – local executive George Anderson and a mysterious Texas businessman. Then Anderson’s wife and daughter, Surtsey Mockerkin and Katla, turn up missing, their posh suburban home has been retrofitted into a huge time bomb… and at least three mob syndicates from as many continents are competing to capture or kill twelve-year-old-Katla.

Who is the dead man, and why is his daughter being hunted? Relying on his training as a nearly telepathic intuit, Inspector Cardenas embarks on a search that leads him from sex parlours and stimstick clubs of the Strip – where kids are deadly and even the music kills – to an undersea control room where computer crimes are committed by criminal by criminal computers.

Finding Katla Anderson is the key to unravelling the deadly mystery, but what Angel Cardenas doesn’t know is that the closer he gets to the girl, the closer the assassins are getting to them…

In Towing Jehovah, the discovery of the two-mile-long corpse of God in the mid-Atlantic proved a serious menace to both navigation and to faith. But was God truly dead, as the nihilists and the New York Times believed? In Blameless in Abaddon, His body – comatose yet far from inert – has been hauled from its temporary resting place in the Arctic to Florida, where it has become the Main Attraction at Orlando’s Celestial City USA. And now one Martin Candle, a small-time and sore-afflicted judge practicing in Abaddon Township, Pennsylvania, proposes further travels for the Corpus Dei: to the World Court in The Hague, to answer for history’s injustices large and small.


In his quest to counter the world’s great theodicies, Martin embarks on an astonishing odyssey through the mind of the Creator, where Lot’s wife proves a most convenient way of adding salt to a margarita glass, early hominids vigorously debate Augustinian doctrine over jasmine tea, and Martin’s alter ego, Job, keeps an eternal vigil atop his dung heap. Once the Trial of the Millennium has begun, Martin will understand why Abaddon is another name for Hell. God hunting simply is not a sport for amateurs.

America, 1984 – not our version of America, but an America that calls itself the Real, an America in which the invention of Turing Gates has allowed it access to sheaves of alternate histories. For ten years, in the name of democracy, the Real has been waging clandestine wars and fomenting revolution, freeing versions of America from communist or fascist rule, and extending its influence across a wide variety of alternate realities.

But the human and political costs have proven too high, and new President Jimmy Carter has called an end to war, and is bringing troops and secret agents home.

Adam Stone is called out of retirement when his former comrade, Tom Waverly, begins to murder different versions of the same person, mathematician Eileen Barrie. Aided by Waverly’s daughter, Linda, Adam hunts for his old friend across different sheaves, but when they finally catch up with Waverly, they discover that they have stumbled into the middle of an audacious conspiracy that plans to exploit a new property of the Turing Gates: it will change not only the history of the Real, but that of every other sheaf, including our own.

Cowboy Angels combines the high-octane action and convoluted plots of the TV series 24 in a satirical, multi-layered alternate reality thriller.

In this thrilling second book of the Earthborn trilogy, Lucas and Asha have survived the decimation of Earth at the hands of the invading Xalans and seek safe haven with their enemy’s true foes, the Sorans. They find a lush planet inhabited by a civilization far more advanced than their own, waging a seemingly endless war against a constantly evolving enemy.

The Sorans call the pair of them the “Earthborn” and they’re welcomed as heroes, almost as gods. To an audience of billions, they swear an oath to avenge their fallen planet by aiding the Sorans in their war against Xala. But soon Lucas and Asha find Sora just as dangerous as apocalyptic Earth when they’re targeted by the Fourth Order, a rebel collective who decries them as false prophets and harbingers of further bloodshed.

Their friend and turncoat Xalan scientist Alpha believes he’s located someone who can help them turn the tide of the war for good, stranded on a conquered colony planet. But landing on the new world, Lucas and Asha find themselves hunted by a violent, mysterious beast, known only as the Desecrator, let loose by the Xalans.

Escaping Earth was only the beginning. As Lucas and Asha quickly learn, the universe has worlds and creatures far more dangerous than anything their home planet could have offered, and their continued survival hinges on gaining new allies they never could have imagined.

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the work of the award-winning Bob Shaw. Best known for his extraordinary novel of ‘slow glass’, Other Days, Other Eyes, Bob Shaw was a fan favourite at conventions for his hysterical ‘serious scientific talks’. This omnibus contains three of his finest works: Orbitsville, A Wreath of Stars and The Ragged Astronauts.

Orbitsville:
Racing from the certain vengeance of Earth’s tyrant ruler, space captain Vance Garamond flees the Solar System. And discovers the almost unimaginably vast spherical structure soon to become famous as ‘Orbitsville’ – a new home for Earth’s huddled masses.

A Wreath of Stars:
Thornton’s Planet is an anti-neutrino planet detected on its approach to Earth. It can be seen only through the newly developed magniluct lenses and its arrival causes a wave of panic. When its course carries it past the earth, interest in Thornton’s Planet wanes. But the visit of Thornton’s Planet has had effects on Earth further-ranging than anyone could have imagined.

The Ragged Astronauts:
Land and Overland – twin worlds a few thousand miles apart. On Land, humanity faces a threat to its very survival – an airborne species, the ptertha, has declared war on humankind, and is actively hunting for victims. The only hope lies in migration. Through space to Overland. By balloon.

Jake Cutter is reluctantly learning how to be a Necroscope – how to use the Möbius continuum to travel instantaneously from place to place, how to talk to the dead – but the dead don’t like him much. It seems Jake’s got a hitchhiker in his mind, a dead vampire named Korath. But since Korath holds the key to the Möbius equations, Jake can’t just kick him out…

In Australia, Jake helped E-Branch destroy the aerie of the mind-master, Nephran Malinari, one of the trio of Great Vampires who came to Earth from the vampire world. Malinari escaped and went to ground with the hideously beautiful Lady Vavara. Vavara has taken over a holy monastery on a beautiful Greek island and turned the nuns into most unholy creatures of fearsome appetites for all things carnal.

But Jake wants revenge against the Italian mobsters who killed the woman he loved. As far as he’s concerned, E-Branch can search for Malinari, Vavara, and the metamorphic Lord Szwart without him until he’s satisfied his own bloodlust. But it seems vampire-hunting is truly Jake’s job now – the men he’s trying to kill aren’t men at all but vampires hidden for two generations in human guise!

To defeat them, Jake will need every weapon in Necroscope’s arsenal, including the power to call the unsleeping dead out of their mouldering graves…

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

THE TRILOGY CONCLUDES…



In West of Eden and Winter in Eden, Harry Harrison, an acknowledged master of imaginative fiction, broke new ground with his most ambitious project to date. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants, the Yilanè, challenged humans for mastery of the Earth, and where the human Kerrick, a young hunter of the Tanu tribe, grew among the dinosaurs and rose to become their most feared enemy.



Now, in Return to Eden, Harrison brings the epic trilogy to a stunning conclusion. After Kerrick rescues his people from the warlike Yilanè, they must regroup and consider their future. They find a safe haven on an island and there begin to rebuild their shattered lives. But with fierce predators stalking the forests, how long can these unarmed human outcasts hope to survive? They need weapons, but they only effective weapons lie in the hands of the technologically superior Yilanè. The small band of humans has no choice but to confront their face head-on.



And, of course, Kerrick cannot forget Vaintè, his implacable Yilantè enemy. She’s been cast out from her kind, under sentence of death, but how long will her banishment last? For her strange attraction to Kerrick has turned into a hatred even more powerful than her inbred instincts – an obsession that compels her to hunt down Kerrick and kill him. In a world completely unlike her own, two great cultures struggling for mastery of the Earth face the same problem that faces us today: how to coexist on the same planet completely unlike ourselves – or mutually perish.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”