Search Results for: voices

He reached for Churan’s throat and his hands closed on air…

…yet the alien had not moved. With a chill of terror, Naismith realized that his arm had passed completely through the ugly, green-skinned body.

The aliens’ laughter swelled out, malicious and mocking. Behind him, Lall’s voice said, “A nice try. But not good enough.”

A voice in your brain warning you away from that one drink too many, or the crime of violence, guiding your every move from birth to death – that’s the Analogue Machine, a terrifying and ingenious psychological device for compelling conformity. Analogue Men is an exploration of man and society written with dazzling ingenuity and plausibility.

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the razor-sharp wit of John Sladek.

An important voice in the New Wave movement, Sladek had stories published in Harlan Ellison’s seminal anthology, DANGEROUS VISIONS, as well as in Michael Moorcock’s ground-breaking NEW WORLDS magazine. Perhaps best known for the ambitious robot tales RODERICK and RODERICK AT RANDOM, he is now recognized as one of SF’s most brilliant satirists. This omnibus collects novels THE REPRODUCTIVE SYSTEM, THE MULLER-FOKKER EFFECT and BSFA AWARD-winning TIK-TOK.

THE REPRODUCTIVE SYSTEM: Wompler’s Walking Babies aren’t selling like they used to, so the company develops Project 32, producing self-replicating mechanisms designed to repair inter-cellular breakdowns. But then the metal boxes begin crawling about the laboratory, feeding voraciously on metal and multiplying…

THE MULLER-FOKKER EFFECT: Bob Shairp – a writer and dreamer – has agreed to be a guinea-pig in a military experiment to find out if his personality can be turned into data and stored on computer. But a computing error quickly destroys Shairp’s physical body, leaving his mind stranded in an encoded world. Can the process be reversed?

TIK-TOK: Something has gone very seriously wrong with Tik-Tok’s ‘asimov circuits’. They should keep him on the straight and narrow, following Asimov’s First Law of Robotics: ‘a robot shall not injure a human being, or through inaction allow a human being to come to harm.’ But they don’t. While maintaining the outward appearance of a mild-mannered robot, albeit one with artistic tendencies and sympathy for the robot rights movement, Tik-Tok’s real agenda is murderously different. He seems intent on injuring – preferably fatally – as many people as possible. Almost inevitably, a successful career in crime and general mayhem leads to a move into politics and Tik-Tok becomes the first robot candidate for Vice President of the United States.

The second volume of the Complete Short Stories of Theodore Sturgeon covers his prolific output during 1940 and 1941, after which he suffered five years of writer’s block. Showcasing Sturgeon’s early penchant for fantasy, the first six selections include whimsical ghost stories, such as “Cargo,” in which a World War II munitions freighter is commandeered by invisible, peace-loving fairies. With the publication of his enduring SF classic, “Microcosmic God,” Sturgeon finally found his voice, combining literate, sharp-edged prose with fascinating speculative science while recounting the power struggle between a brilliant scientist, who creates his own miniature race of gadget makers, and his greedy banker. Voice found or not, every one of the stories here is readable and entertaining today because of Sturgeon’s singular gifts for clever turns of phrase and compelling narrative. As Samuel R. Delaney emphasizes in an insightful introduction, Sturgeon was the single most influential SF writer from the 1940s through the 1960s.

It was the last planet left for men to conquer – a planet rich in priceless urillium ore, yet no man laid a finger on this wealth that was for the taking.

For the planet Vendor could not be conquered. Space-men tried time and time again, but always the Voices drove them mad and destroyed them. Some intangible power kept men away from that taunting prize – until a scientist on Deneb IV perfected a blanketing device to protect his shop through the barrier. It took him twenty years to do it and every penny he possessed, but at last his voyage to Vendor began.

It was the voyage of a gambler who knew that only two alternatives faced him…illimitable wealth and glory, or failure and death.

But the journey to Vendor brought hazards that neither he nor his crew had foreseen, and before its conclusion a force was unwittingly released that could have swept life from the Universe – the indestructible and horrifying force of THE METAL EATER.

‘Valentine looked downward. Everything was black, a pool of night rising from the floor. That blackness seemed to be beckoning to him. Come, a quiet voice was saying, here is your path, here is your destiny: night, darkness, doom. Yield. Yield, Lord Valentine, Coronal that was, Pontifex that will never be. Yield . . .’

Valentine is now established as Coronal of Majipoor, about to undertake the grand processional, but filled with inexplicable despond, still shadowed by the dark cloud that had passed across his soul in Labyrinth.

His foreboding proves to be not without foundation as soon he faces a planetary crisis – the shapeshifting Metamorphs are sabotaging the crops upon which Majipoor’s billions depend – and a conflict, about how the suddenly turbulent planet should be ruled, with his protégé and heir-apparent, Hissune.

Only after this crisis has been overcome and the conflict with Hissune resolved can Valentine fulfil his proper destiny and succeed to the title of Pontifex.

Simeon Krug’s obsession is to see a tower built, on kilometre high, that will reach out to answer the voice from space. The Androids are his tools; superb, man-like creations of Man. The Androids take Krug for their God, and seek to become one with flesh-and-blood mankind through his wisdom. But Krug is not God – and it takes a God to control the terrible emotions Krug has stirred . . .

2650 AD

The Earth has been buried beneath a sheet of ice for 300 years. In cities miles beneath the surface humanity huddles, waiting for release.
Dr. Raymond Barnes waits with passion, and listens daily for evidence of life on the still Earth. Finally, a voice from across the void hails his open frequency . . . the surface awaits mankind.
But not all men are anxious to return to what was . . . those in power are determined to keep man in his new place, to retain their order of fear and oppression. Barnes and his courageous group of scientists and adventurers are arrested for possession of forbidden technology; the radio is destroyed! Their punishment is swift ejection from the underground city, their only hope is to reach London – 3000 desolate miles across a frozen wasteland!

Time and Chance is the autobiography of Hugo, World Fantasy and SFWA Grand Master Award-winning author, L. Sprague de Camp. It is a fascinating insight into a man who began writing in the late 1930’s and remained an active voice in the genre up until his death in the last year of the twentieth century, and who was a prime mover in the formation of the fields of Science Fiction and Fantasy as we know them today.

The man in black picked up something which had been leaning beside him. A ring perhaps two feet wide . . . yet when the man in black laid it down on the floor it was as large as he was tall.

The light went out. A bluish glow now emanated from the ring, revealing Bryda’s face ghastly gray as she leaned forward, and Yarco’s also, set and serious, and the conjurer’s impassive.

And within the ring, where moments before there had been the bare planks of the floor, a shape that moved, and opened eyes glowing like coals, and spoke.

‘What world is this?’ the awful voice inquired.



(First published 1962)

The second book of The Eternal Champion trilogy.

As Erekose, the Eternal Champion, he slew the human race that had betrayed his ideals. And loved Ermizhad, the Eldren princess

The the voices called him and he was powerless to resist. As Fate’s soldier, the Eternal One, his lot was to vanquish tyranny. Sent tumbling through the corridors of eternity, he found himself transformed. Now Urlik Skarsol – he is the Prince of the Southern Ice.

To find his way home, Urlik Skarsol must take up the Black Sword, the monstrous weapon that demands blood – be it friend’s or foe’s – before his tortured soul can rest.
Before the powers of Evil can be conquered.
Before he can rediscover Ermizhad.
Before he can know peace again …

Young Walter Scot is hot on the heels of cattle raiders in the service of the dark Lord of Soulis when he encounters his kinsman Michael Scot – and his life is changed for ever. Even in the turbulent Borderlands of the thirteenth-century Scotland Michael had a fearsome reputation as a magician and master of forbidden arts, trafficking with the demons of middle air. Now he has returned from years of exile with the Pope’s pardon and the favour of the Emperor, a peaceful man of God – and yet strange events still follow him.

The mysterious fire that blasts the raiders. The fourth voice that laughs where only three men were seen. The luxury that suddenly appears to furnish his long-abandoned castle – the mystery about him only deepens.

But still darker forces are at work behind the bloody rivalries of Border politics, black sorceries stirring within the sinister castle of Hermitage. When Walter’s father is ambushed and killed, his betrothed flung into a dungeon and his lands and his very life threatened by the necromancer-baron Soulis, Michael appears to offer the aid he desperately needs. Aid that, as Walter soon discovers, is almost as frightening as his enemies’ threats – as he is transported to another world, ensnaring, enchanting, seductive. There he finds a new life, new heroism and a new, all-consuming love. But there is a terrible price he must pay…

A chilling and mysterious voice becomes audible to Sanie shortly after she and her husband Jackson move into the decaying antebellum mansion that is the Bullard ancestral home in rural South Carolina. At first, she wonders if the voice might be a prank played by Jackson’s peyote-popping brother Will or his equally off-kilter sister Louise.

But soon Sanie discovers that the ghostly voice is merely a single piece of the decadent, baroque puzzle that comprises the Bullard family history, rank with sensuality, violence, repression and madness.