Search Results for: voices

From the ether came mysterious messages announcing that a hitherto unknown Englishman had conquered space, flown to Venus, and is now on his way back to Earth. The fact that science’s most highly developed range and frequency finders are unable to pinpoint the actual source of the voice is looked upon as absolute proof that they are hearing from outer space. The aggressive and autocratic quality about the way in which the eccentric Ardath Steele makes his proclamations not only annoys Betty Travers, ace reporter on the Daily Searchlight, but also deciders her to embark on a one-woman vendetta to prove that Steele is an impostor. Even when the spaceship finally lands she remains the only sceptic in a country full of pride in its first space explorer.

On her maiden voyage to Venus, the space liner Cosmic Cloud encounters a mysterious voice speaking through the void. The language is alien-but it is realised that danger threatens. Hardly has a recording been sent to Earth for expert interpretation before a mysterious gong is heard in the space liner, followed by further nerve-shattering notes until, abruptly, the space liner is utterly destroyed. Eventually it is learned that a diabolical mechanism is buried somewhere on Venus, left behind by a long-vanished malign alien race, and at a time appointed it will destroy the whole Solar System. Three men and a girl travel to Venus in a desperate race against time to find and deactivate the doomsday device…

Solid land inside a cloud of ‘star dust’ – where no solid land should be. And the weird voices – where are they coming from?

Forced down on a minor star galaxy, Kemlo and his friends of Satellite Belt K discover a secret of Space which gives scientists information for which they have been searching for years.

Richard Wilson’s stories could almost be described as gentle – if it were not for the pungent humor which runs through most of them, the startling satiric commentary, all the more impressive for its quiet setting – and the one other quality that is essential in any form of good writing: a genuine concern with the human condition. This quality Wilson possesses in abundance and, perhaps in the end, it is this that makes his work such a joy to read.

TIME OUT FOR TOMORROW contains twelve SF tales of vivid imagination!

Kin (1956)
The Big Fix (1956)
Wasp (1954)
An Abundance of Good Things (1954)
The Tunnel Under the World (1959)
The Best Possible World (1960)
The Voice of the Diaphragm (1958)
QRM (1957)
The Ubiquitous You (1957)
Just Call Me Irish (1958)
The Locus Focus (1957)

Paul Heisenberg is mysteriously endowed with the ability to jump through time. Together with thousands of eventual followers, he begins a journey that eventually takes him a billion years into the future. The Earth has been devastated by war with an alien race, and the changes that have resulted from the degradation of the world’s biosphere force him–and others–to rethink their own humanity. His pilgrim’s progress through the coming time is beset by doubts, distractions, and temptations as various voices attempt to distract him from his determination to follow the process through to its end. He eventually witnesses the complete transformation of the Earth, and the evolution of a single omnipotent but mindless Gaean organism. Is intelligence itself just a brief candle, forever doomed to burn out? Or can Paul find some other alternative for his race.

Working on the theory that an electronic current variation is set up by thought processes within the human brain, Alex Larsen and his fellow scientists developed a system of telepathic cerebral communication. Nothing, it seemed, could be more valuable. Here was a soundless means of communication without complex or bulky equipment. But there was the matter of a mysterious thought-voice that interrupted the experiment…

Wise, witty and just a little weird, FOOLS ERRANT wryly strolls the satirical path laid down by Douglas Adams, Terry Pratchett and Jack Vance, heralding the brilliant debut of a gifted new voice. Foppish young Filidor Vesh wants only to dally among his shallow pastimes. But a simple errand for his uncle, the vaguely all-powerful Archon of those parts of Old Earth still populated by human beings, becomes a frenetic odyssey across a planet speckled with eccentric nations pursuing odd aims with intense determination. Harried at every step by the irascible dwarf, Gaskarth, and frequently at the peril of wild beasts, enraged mobs and a particularly nasty thaumaturge, Filidor makes a relucant progress toward a final encounter with an ancient and possibly world-ending evil.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

In another sparkling and slightly askew adventure in the mode of Terry Pratchett, Douglas Adams and Jack Vance, Fools Errant’s Filidor Vesh sashays once more through the penultimate age, finding that love is a many splintered thing.
The dandified Archon’s apprentice is literally bowled over by beautiful Emmlyn Podarke — she knocks him flat and steals his credentials, daring him to pursue her to a remote and mostly forgotten corner of Old Earth. Now Filidor must cope with philosophical pirates, prophet-seeking aliens, light-fingered mummers, and a tiny, bothersome voice in his left ear. Meanwhile, the Archon may or may not have been kidnaped, and somebody’s digging up a mysterious ancient artefact buried on the Podarke family farm.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

It was bad enough when Henghis Hapthorn, Old Earth’s foremost discriminator and die-hard empiricist, had to accept that the cosmos was shortly to rewrite its basic operating system, replacing rational cause-and-effect with detestable magic. Now he finds himself cast forward several centuries, stranded in a primitive world of contending wizards and hungry dragons, and without his magic-savvy alter ego. Worse, some entity with a will powerful enough to bend space and time is searching for him through the Nine Planes, bellowing “Bring me Apthorn!” in a voice loud enough to frighten demons.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

In New York’s Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family’s modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness-until the night a prowler is reported stalking the neighborhood.

Appointing themselves ad hoc investigators, the brothers set out to aid the police-while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys’ night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.

The public abruptly ceased to be interested in news of the signals. Rather, it suddenly wanted to stop thinking about them. The public was scared. Throughout all human history, the most horrifying of all ideas has been the idea of something which was as intelligent as a man, but wasn’t human.

The first sounds came at midnight, a plaintive keening from an unknown voice in the vastness of uncharted space. Within hours the whole world had heard the strange, unearthly music–and the panic had begun.

Were the sounds a plea for help? From whom? From where? Or were they a command too terrible to think about? No one knew: And in billions of earth-bound minds the horror grew…

For how could man, who had not yet claimed the moon, defy a challenge from the stars?

And hours later, to the ears of a helpless world, the second message came. . .

And Earth’s days were numbered.

Vinny and Toby can make things happen just by using their minds. As Vinny stares at a box of ants, she feels as though she is plugging into a giant power socket. It is then that she hears a voice, letting her know that the ants plan to take over the Earth. Can Vinny stop it before it’s too late?

An expedition to Mars is decided on and Chris, Serge, Morrey and Tony are chosen to man it. Unlike their expedition to Venus, this is not a desperate last-minute venture; it is a sober, carefully planned affair. Chris and his friends have no reason to expect anything beyond the normal risks of space travel – except for the experiences of the Dutchman Van der Veen. He is the only man who has ever penetrated beyond the Le Prince layer, which blots out radio communication with the earth – and he returned in a state of mental collapse. When he hears of the new expedition he has another breakdown, and when at last he is able to describe his experiences he speaks of strange and terrifying voices that assailed him in outer space.

Will Chris and his friends also here these voices, and what will they find on Mars?