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They are saurians.
They are armed and dangerous.

On an Earth where the descendants of dinosaurs are still the dominant species, human beings have only their ingenuity to pit against the terrifying biological technology of the Yilanè. Kerrick grew up as their slave-pet: now he must rescue his embattled people with the help of the seafaring Paramutans. And in order to succeed he must place the future of the entire human species at risk…

Winter in Eden continues Harry Harrison’s acclaimed epic story of the titanic clash between two implacably opposed cultures – the saurian Yilanè and the resourceful mammals who have dared to challenge their absolute power.

The Stars and Stripes trilogy is the story of the war that never was, but might so easily have happened: the war of the 1860s between the United States of America and the British Empire.

It began with an ill-considered seizure of a British ship, escalated with an ill-considered letter to Abraham Lincoln, and continued with an ill-starred invasion of the territory of the USA by an incensed British government. The first modern war – with iron-clad ships, rapid-firing guns, trenches, mass armies and massive casualties, was taking place, not between the industrial northern states and the agricultural southern ones, but between the two great English-speaking nations. Who happened also to be the two most powerful nations on the planet.

In the stunning conclusion to this series, the Irish become involved and a most surprising ending is the culmination of the ill-fated war.

It was a changed world. No longer did the black monks of the Christian Church own half of England and extend their deadly domain over their flock. No longer did the murderous Ragnarssons and their Viking hordes ravage the shires unopposed. Now, in the year 867 AD, those who wished to be Christian were free to worship without the heavy yoke of the ever-hungry Church. Those who did not could follow the Asgarth Way, the Norse religion that paid homage to the gods of Asgard: Othin, Thor, Frey…and Rig. Rig, the patron – perhaps the father? – of Shef Sigvarthsson. Whose new weapons and battle strategy had defeated both the battle-hardened Vikings and the Frankish knights of Pope Nicholas’ failed Crusade.

While enemies plotted, Shef left England by ship, to avoid the wedding of his ally, Alfred of Wessex, to his childhood love, Godive. Shipwrecked on the Frisian Coast he begins a journey that will keep him away from England for months and years, and add more legends to his already myth-shrouded life.

In One King’s Way Harry Harrison Continues the story of Shef Sigvarthsson, god-chosen warrior and mystic. From the Vikings of the North Sea to the scheming priests of Germany, from the frozen northern lands to the snow-covered Finnish tundra, he fights his way towards overwhelming kingship. While his supernatural allies and enemies engage in a shadowy battle for his future. This is historical fantasy of the highest order, from a giant of the genre.

Shef, the One King, is a visionary and warrior. His accomplishments have changed the history of the Dark Ages as we know it – he has defeated the English, the Pope’s army and the Norse in turn. Now, he must face the reborn power of the Holy Roman Empire.

While the Gods of Asgard continue to use him as a plaything Shef must defeat Bruno, the German emperor, who wields the Holy Lance which pierced Christ’s side. The terrible invention of Greek Fire threatens Shef’s fearsome Viking navy, and he must turn to the East to seek new wisdom. Finally, his quest may lead him to the Holy Grail itself.

As Harry Harrison’s highly-acclaimed series reaches its climax, not even the gods can predict victor and vanquished.

Summer 1971. A marvellous spell of weather, idyllic in its warmth. But new sun-spots had appeared; and with their appearance came a significant increase in the suicide rate. The wonderful summer continued for a decade: simultaneously Radiant Suicide reached endemic proportions, the only people to escape its effects being the supposed transnormals, the obsessionals, the eccentrics and the psychopaths. These were to be the only remnants of the ancient ‘homo sapiens’ . . .

The Martians, long exiled from their home planet, have for millennia been observers of the world of men. Forbidden by their laws to interfere with human destiny, they wait for mankind to mature.

From the turmoil of mid twentieth-century America, word comes to the Observers that one of their renegades is hoping to encourage humanity in its headlong rush to self-destruction through corruption of a single rare intellect. The struggle between Observer and Abdicator for the continuance of the human species is one the classic conflicts in the annuals of science fiction.

It is hard to say how it started – all the unexplained little signs of a new baby about the house in ‘The Silent Cradle’ – but soon none of the O’Bannons could deny that there had been a highly irregular addition to the family. In ‘Max Haunting’ a middle-aged hippie, preserved almost intact from the Sixties, starts showing up on the doorsteps of his old friends and loves who, in acquiring jobs and furniture, have ‘sold out’ rather less than he thought. Hauntings of curious varieties continue in other stories: the sort manufactured out of glass by a man who thinks his godly wife deserves a miracle; the visitation of a mother’s cruelty into the mind of her daughter as she confronts the frustrations of coping with her own child; the specters of opportunities lost or spurned which nag to be laid, like ghosts.



Elsewhere Leigh Kennedy considers the impulse of cannibalism in a future world whose greed has induced ecological upheaval, and the phenomenon of speaking in tongues as investigated by a sociology professor. She views the world through the eyes of a victim of seizures and of a primatologist whose devotion to apes has gone a bit too far.

Spinrad examines one of his most compelling obsessions – the possible “futures” of America.
Street Meat: In New York City, streeties, zonies and subway cannibals are locked in a nighmarish scrabble for rat meat, sex – and survival.
The Lost Continent: group of African tourists visit the ruins of Space Age America – a surreal landscape of abandoned skyscrapers, empty streets and dead, rusted machinery.
World War Last: The hashish-smoking Sheik of Koram has a plan to trick America and Russia into war.
La Vie Continue: In Paris exiled science-fiction author Norman Spinrad ignores a lucrative – but dangerous – bidding war between the KGB and the CIA for the film rights to his story “Riding the Torch”.

Robert Charles Wilson, says The New York Times, “writes superior science fiction thrillers.” His Darwinia won Canada’s Aurora Award; his most recent novel, The Chronoliths, won the prestigious John W. Campbell Memorial Award. Now he tells a gripping tale of alien contact and human love in a mysterious but hopeful universe.

At Blind Lake, a large federal research installation in northern Minnesota, scientists are using a technology they barely understand to watch everyday life in a city of lobster like aliens upon a distant planet. They can’t contact the aliens in any way or understand their language. All they can do is watch.

Then, without warning, a military cordon is imposed on the Blind Lake site. All communication with the outside world is cut off. Food and other vital supplies are delivered by remote control. No one knows why.

The scientists, nevertheless, go on with their research. Among them are Nerissa Iverson and the man she recently divorced, Raymond Scutter. They continue to work together despite the difficult conditions and the bitterness between them. Ray believes their efforts are doomed; that culture is arbitrary, and the aliens will forever be an enigma.

Nerissa believes there is a commonality of sentient thought, and that our failure to understand is our own ignorance, not a fact of nature. The behavior of the alien she has been tracking seems to be developing an elusive narrative logic–and she comes to feel that the alien is somehow, impossibly, aware of the project’s observers.

But her time is running out. Ray is turning hostile, stalking her. The military cordon is tightening. Understanding had better come soon….

Blind Lake is a 2004 Hugo Award Nominee for Best Novel.

Continuing the story begun in Great Sky River, Benford creates a stunning novel of the last band of humans fleeing extinction in the Galactic Center. This last remnant of humanity is led by Killeen, a man elevated to command in desperate times by his luck and daring. He manages to reach a new planet where he encounters vast wonders. But with one enemy behind them, the humans are dismayed to discover an alien race more awesome than any they have encountered.

The final chapter of humanity’s future has begun and one man, Nigel Walmsley, has been alive through it all. An ancient scientist from the distant past, Walmsley had been marooned inside an anomaly of time and space. From here he recalls Earth’s desperate struggle against the mechs, a violent artificial intelligence dedicated to total annihilation.


In a strange space-time continuum called the Esty, the last few survivors from humanity’s ravaged planets have taken refuge, readying themselves for a final stand against their ruthless executioners.


Three generations of men stand between the mechs and total oblivion for the human race: Toby Bishop, a young warrior-in-training; Killeen Bishop, Toby’s father and leader of the last remnants of humanity; and Killeen’s own father, long believed dead, but now mysteriously returned to his family.


As the mechs continue to carve their swathe of destruction through the galaxy, these three men hold the sole hope for the survival of the human race.

The first manned mission to Mars has been a resounding success, and excitement grows as more new discoveries are made. However, one phenomenon continues to defy rational explanation – the ‘marsmat’ – a complex anaerobic life-form found in the planet’s honeycomb of tunnels.

This raises questions about the nature and meaning of life itself which will lead the curious and the driven to Pluto and beyond, to the cold void at the fringes of the solar system.

Simon Bradley, a highly imaginative child, brain-damaged after a bizarre attack, vanishes one day from his home. Months later a body is found on the edge of Ryhope Wood. The wood shields a heart of primeval forest wherein live phantoms and strange creatures – mythagos – those shades generated over time by our dreams and nightmares.

Alex has in fact been absorbed by the wood, drawn into its green heart – through a ‘hollowing’. There his dreams will continue to populate the wood with its mythagos. But like Alex, they too are damaged: the great heroes he conjures are warped, incomplete and dangerous. Savage and lost, they are compelled to seek their creator. The havoc they wreak threatens those who search for Alex, including his father, Richard.

In the end, it will threaten the very existence of the wood itself and of its natural mythagos. Richard must quest repeatedly through Ryhope’s hollowings in an attempt to bring his son to safety and quiet the monsters Alex has created.

There his dreams continue to populate the wood with “mythagos”, warped, dangerous hero figures, threatening all those who come in search of the boy.

In Philip Jose Farmers incredible sequel to The Image of the Beast, Herald Childe continues what started as a murder case – a very gruesome one – but which has now become a struggle against the strange and deadly beings who have taken his wife, who threaten his manhood and threaten mankind itself.

His seems a hopeless quest. He is fighting not people but inhuman, unhuman monster from another universe. They take grotesque physical forms, they indulge cruel whims, and they are sex-mad.

There is Vivienne, amazingly beautiful, who used to be Joan of Arc. But she has false teeth and she comes literally to pieces. Her lover is a snake-like horror whose needle teeth drip aphrodisiac venom. There is Count Igescu, a real live vampire. And these three are surrounded by a grisly crowd of bizarre aliens, characters in a science fiction nightmare. But for Childe there is to be no waking up: though no one else will believe him, he knows this is for real…

Planetary surveyors Fin and Carson battle hostile terrain, bureaucratic red tape, and renegade “planet crashers” in this latest novella by the talented author of Doomsday Book.

Connie Willis continues to demonstrate her endless versatility in this archly written satire, which is both a love story and a shameless expose of the dark side of political correctness.

Where the moon washed the deck, something sat, its huge head raised, more like the visage of a bear than a wolf, yet long-snouted, the jaws open. Cold eyes that had no soul in them mirrored the moon…
After the killing of his brutal father, golden and handsome Daniel Vehmund has sought refuge in an exotic faraway land. But his contentment is shattered when a fabulous diamond is pressed on him by a sinister graverobber. From that first fatal contact, Daniel is doomed each night of the fill moon to become something else…something dark and powerful and savage. And nothing that originates on this earth can destroy him.
Laura, a beautiful redhaired farm-girl, lives with her two awful sisters and her selfish grasping parents in the remote English countryside. Apparently condemned to a life of drudgery, all is transformed when she is wooed and wed by a wealthy local squire. But this gilded existence is threatened when a travelling magician persuades her besotted husband to buy from her a very unusual diamond. For this gem is “The Wolf”, the diamond that had transformed Daniel Vehmund’s destiny. And when he himself returns at last to England, his fate and Laura’s are devastatingly intertwined…
Meanwhile some dark, malignant presence continues to prowl the woodlands and hedgerows…and seemingly nothing can curb its unquenchable bloodlust.

The grand conflict for control of the continent of Derlavai rages on, in a battle with all the drama and terror of the Second World War-only the bullets are beams of magical fire, the tanks and submarines are great lumbering beasts, and the fighters and bombers are dragons raining fire upon their targets.

Yet hope may be dawning at last. The terrible onslaught of the conquering forces of Algarve-who power their battle magics with the life energy of their murdered victims-begins to founder as it runs into Habbakuk: a sorcerous ship of ice used by embattled nations of Lagoas and Kuusamo to ferry their deadly dragons across the seas to strike at the very heart of Algarvian power.

But though the tide has begun to turn, the conflict is far from over. The widely disdained Kaunians still struggle desperately to escape as the Algarvians kill them by the thousands-for life energy, but also simply for the crime of being Kaunian. And as the deaths of innocent civilians on both sides continue to feed the flames of war, those who have struggled to survive and preserve their freedom have only their passions to see them through. . . .

Arthur C. Clarke has been one of the most influential commentators on – and prophets of – the communications technology which has created the global village. Now, drawing partly on his own sometimes very personal writings, he provides an absorbing history and survey of modern communications.

The story begins with the titanic struggles to lay transatlantic telegraph cables in the nineteenth century. Fighting against widespread scepticism, lack of funds, technical disasters and setbacks – and against the Atlantic itself, above and below the surface – the pioneers achieved the seemingly impossible and by 1858 Britain and America were linked by Telegraph.

Nearly a century later, as the first transatlantic telephone cable was being laid, the technology that would rival and perhaps even supersede it was undergoing its painful birth as scientists developed the communications satellite precisely as Clarke first described in his famous 1945 article Wireless World, ‘Extra-terrestrial Relays’, reprinted in this book.

The rivalry between cable and satellite continued through the decades. Communication satellites (Comsats) performed even beyond the most optimistic expectations, but cable fought back with the development of the transistor. Then, in one of the most dramatic and unexpected breakthroughs in any technology, the potential of cable systems was transformed. The development of fibre optics technology meant that once more the seabeds of the world began to be draped with the newest and most sophisticated artefacts of human engineering.

It is an enthralling story, filled with extraordinary events and people, and Arthur C. Clarke brings all his storytelling flair and scientific expertise to bear on it. The result is a superb combination of history, comment and challenging speculation.

By Space Possessed brings together Clarke’s essays on travel to the planets and beyond in a form where they can be read individually or as a continuing narrative. It describes the history of an enthusiasm that took a Somerset farm boy to international fame, starting with the delightful, self-deprecating humour of the early days of British Interplanetary Society and proceeding to deeper concerns when at last the early daydreams, mocked by so many, began to come radiantly true. Along the way there are delights of Clarke’s prediction of the Moon landing, the lecture which prompted Bernard Shaw to join the British Interplanetary Society and the birthpangs of 2001: A Space Odyssey.

Humanity’s future lies in space. These ever-topical essays, covering crucial years of interplanetary speculation and exploration show that one man, Arthur C. Clarke, has always been capable of foreseeing possibilities and probabilities, and opening up magnificent vistas to those willing to look with unblinkered eyes and minds. This is a testament to his vision.

This is the story of how a world could be resurrected¿

Mars is a barren planet, almost without atmosphere and with a temperature ranging from near zero to 120 degrees below. No water flows and there is no evidence that life has ever existed there.

Yet Mars is Earth’s near neighbour and has always exerted a powerful hold on our imagination. The astronomer Lowell thought he’d discovered canals on the planet’s surface; H.G. wells (and his near namesake Orson) speculated on the red planet’s inhabitants invading Earth; sf writers have always used Mars as a setting and continue to do so.

In the Snows of Olympus Arthur C. Clarke uses a revolutionary computer program to show, in words and pictures, how the surface of the planet would change as, gradually, scientists created an atmosphere and raised the temperature. Taking as his starting point Olympus Mons, the highest mountain in the Solar System, a 27km extinct volcano, Clarke creates detailed ‘photographs’ of the Martian surface and then shows how the landscape would change as vegetation began to thrive and water to flow. He speculates about how this might happen, about the journey to Mars and about what living on the planet would be like. The result is one of the most fascinating, challenging and imaginatively stimulating books of the year.

Arthur C. Clarke has long been hailed as the most visionary and accurate of science fiction and non-fiction writers, having predicted communications satellites years before their development. In this extraordinary booked he chart the next chapter of humanity’s future in space.

WANTED: ONE ENGINEER
FOR MANAGERIAL POSITION IN IRUNIUM.
WAGES HIGH. DEATH BENEFITS SUDDEN.

“I am the Contessa Perdita di Montevarchi. Here in Irunium the only law is my will.

“I shall seek out another engineer. But this time he will be a real engineer from a dimension that understands these things, from Slikitter, probably from Earth. He will be treated with respect because his function is valuable to me. Almost inevitably he will terminate as this offal terminated, but that is to be expected of imperfect tools.

“He will not at first see the slaves in the mines and I do not with him treated as a slave. My mines must continue to produce gems for my trace across the Dimensions. An engineer is needed so I shall find one….”

Classic space opera adventure, Book #7 in the “Family D’Alembert” series. For centuries, the planet Gastonia has been a planet of exile, an escape-proof prison world for the worst sorts of traitors. But now, it seems, prisoners are indeed escaping, and all evidence points to the sinister, all-knowing conspiracy that continues to shadow the Throne. The d’Alemberts must infiltrate this world of traitors – and they must do it without a safety net, because if they fail they themselves will be trapped on this inhospitable world.

If you have ever wondered what a civilized man of the twentieth century would do if catapulted into an Old Stone Age where huge cave bears, saber-toothed tigers, monstrous carnivorous dinosaurs, mammoths, and mastodons roamed the savage terrain, you need look no further thanLand of Terror, the sixth installment of Edgar Rice Burroughs’s Pellucidar series. Years ago David Innes and Abner Perry bored straight down through five hundred miles of the earth’s crust and landed in Pellucidar, the savage, primeval world that lies at the center of the earth. This is the story of their continuing adventures in the timeless land of perpetual noon and their encounters with the hideous creatures and savage men who pursue them. Although they encounter enemies at every turn, David and Abner find a few loyal friends as they embark on exhilarating adventures.

Flinx and his amazing minidrag Pip are always finding themselves in the middle of danger and galactic intrigue. So Flinx is not too surprised when they happen upon a young woman unconscious upon a river bank, deep in the jungles of Alaspin. Nor is he particularly shocked to discover that she is a brilliant scientist, abducted from a remote outpost on inhospitable Longtunnel by a group of fanatic assassins.

Flinx can see no harm in returning Clarity – for that is her name – to her base before continuing on his way, although he is getting tired of having to sort out other people’s problems. He does have his own life to get on with.

However he is quite unprepared for the disturbing effect the beautiful Clarity has on him. And as he worries about this quite novel problem, the assassins are still at work. Stopping research at Longtunnel is their number one aim and they aim to kill anyone who gets in the way.