Search Results for: out-of-the-night

When 14 year old Matt lands a job with his hero – world-famous monster maker, Chancey Balogh – he can’t believe his luck! Chancey has made lifesize mechanical monsters for Hollywood blockbusters and his reputation for scaring the living daylights out of audiences is legendary. But as soon as he starts work, Matt is plagued by bad luck. First some local boys get wind of his new job and his new money and decide to launch a full-on bullying campaign and then one night they break into the studios, determined to sabotage years of skilled craftsmanship. In a terrifying ordeal, where Matt suffers severe hallucinations, he sees the monsters come to life. But when he recovers from his concussion he cannot tell whether this actually happened or not. And neither can we . . .

On Cloudrock the penalty for imperfection is death: death by the long fall into the void, through the poisonous mists and gases that rise from the deadlands far, far below.

The two tribes who survive on the Rock, the tribes of Day and Night, keep their families tight, their bloodlines pure and true, by incest, by cannibalism and by murder. Parcelling out their tiny world in measures of light and time, they wrap themselves in ritual and taboo, each family denying the presence of the other. Then came the Shadow.

Born to the matriarch Catrunner, the Shadow is deformed – a neuter dwarf – a natural candidate for instant death. But for this mutant, fate intervenes. The Shadow may live – on the condition that none acknowledge its presence: one word, one glance, and the Shadow will join its luckless kin in the long death-flight.

Surviving on the outskirts of the family, the Shadow’s very existence creates an unspoken question that challenges the ties that bind. This is the Shadow’s tale…

For more than a thousand years, Homeworld has been unchanged: the Great Houses rule and peace between them is enforced by unbreakable webs of kinship. The Folk accept what the system offers them – stability, prosperity and peace – and the Indigenes are placid.

Then, on one night of rebellion everything changes, as the Folk overthrow the Great Houses. Joseph, the young son of one Great House is visiting another and survives the violence, but his home is ten thousand miles away and communications and transport have been destroyed. For all he knows his family may have been wiped out but his only hope lies in making that ten thousand mile trek across a world turned strange and hostile.

To succeed, he must set aside all his old beliefs and assumptions and learn the truth about the world he lives in.

Parallel Worlds! Earth, cerated out of universal chaos, and the Dreamlands, spawned of the dreams of men. But where dreams turn to nightmares, Death is the only crossing-point…
Ex-waking worlders David Hero and Eldin the Wanderer are now sellswords in that ephemeral dimension called Deramland. Once a talented artist of the fantastic, now Hero’s art is the wizardry of his swordplay. Once a lecturing professor, now Eldin professes a knowledge of the dark, mysterious Dream Realms second to none. A formidable pair! But face to face with Yibb-Tstll and the Gaunts of Night, the Eidolon Lathi and her brood, and the mad, alien First One who plots to set free dreaming Cthulu from eon-old imprisonment…what can mere men do?
Take up arms with the Heroes of Dreams and laugh in the face of the world’s worst nightmare!

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

A magician turned detective is caught up in the most baffling locked-room murder mystery…

‘One of the all-time greatest impossible murder mysteries’ Publishers Weekly starred review

‘Dazzling’ Saturday Review

‘A cornerstone of detective fiction’ New York Times


Master magician The Great Merlini has hung up his top hat and white gloves, and now spends his days running a magic shop in New York and his nights moonlighting as a consultant for the NYPD. When the crimes seem impossible, it is his magician’s mind they need.

So when two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under similar circumstances, Merlini is immediately called in. The list of suspects includes an escape artist, a professional medium, and a ventriloquist – and it is only too clear that this is a world Merlini knows rather too well…

In New York’s Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family’s modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness-until the night a prowler is reported stalking the neighborhood.

Appointing themselves ad hoc investigators, the brothers set out to aid the police-while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys’ night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.

The daughter of rich but neglectful parents, Terisa Morgan lives alone in a New York City apartment, a young woman who has grown to doubt her own existence. Surrounded by the flat reassurance of mirrors, she leads an unfulfilled life-until the night a strange man named Geraden comes crashing through one of her mirrors, on a quest to find a champion to save his kingdom of Mordant from a pervasive evil that threatens the land. Terisa is no champion. She wields neither magic nor power. And yet, much to her own surprise, when Geraden begs her to come back with him, she agrees.Now, in a culture where women are little more than the playthings of powerful men, in a castle honeycombed with secret passages and clever traps, in a kingdom threatened from without and within by enemies able to appear and vanish out of thin air, Terisa must become more than the pale reflection of a person. For the way back to Earth is closed to her. And the enemies of Mordant will stop at nothing to see her dead.

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

“If it pleased Ruethen of the Long Hand to give a feast and ball at the Crystal Moon for his enemies. He knew they must come. Pride of race had slipped from Terra, while the need to appear well-bred and sophisticated had waxed correspondingly. The fact that spaceships prowled and fought, fifty light-years beyond Antares, made it all the more impossible a gaucherie to refuse an invitation from the Mersian representative. Besides, one could feel delightfully wicked and ever so delicately in danger.”

It is the common fate of empires to grow old and jaded: Rome, Byzantium, Britain, America, and so on to the Empire of Terra itself, each has near the end succumbed to the same weary “sophistication” that allows a warlord of Merseia to make a mock of a race whose star-conquering ancestors found the Merseians a race of pre-technic barbarians huddled in stone piles – and saved them from extinction. Flandry himself has come to understand that there is no more point to all his victories than that a few trillion of his fellow creatures may live out their lives before the coming of the Long Night of galactic barbarism. That he will not have shortened that coming Dark Age one bit – only postponed it. That the barbarians always win in the end, and are always followed by a new round of civilisation.

Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)

Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison’s 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards – not surprising with a contributors list that reads like a who’s who of 20th-century SF:

Evensong by Lester del Rey | Flies by Robert Silverberg | The Day After the Day the Martians Came by Frederik Pohl | Riders of the Purple Wage by Philip José Farmer | The Malley System by Miriam Allen deFord | A Toy for Juliette by Robert Bloch | The Prowler in the City at the Edge of the World by Harlan Ellison | The Night That All Time Broke Out by Brian W. Aldiss | The Man Who Went to the Moon – Twice by Howard Rodman | Faith of Our Fathers by Philip K. Dick | The Jigsaw Man by Larry Niven | Gonna Roll the Bones by Fritz Leiber | Lord Randy, My Son by Joe L. Hensley | Eutopia by Poul Anderson | Incident in Moderan and The Escaping by David R. Bunch | The Doll-House by James Cross | Sex and/or Mr. Morrison by Carol Emshwiller | Shall the Dust Praise Thee? by Damon Knight | If All Men Were Brothers, Would You Let One Marry Your Sister? by Theodore Sturgeon | What Happened to Auguste Clarot? by Larry Eisenberg | Ersatz by Henry Slesar | Go, Go, Go, Said the Bird by Sonya Dorman | The Happy Breed by John Sladek | Encounter with a Hick by Jonathan Brand | From the Government Printing Office by Kris Neville | Land of the Great Horses by R. A. Lafferty | The Recognition by J. G. Ballard | Judas by John Brunner | Test to Destruction by Keith Laumer | Carcinoma Angels by Norman Spinrad | Auto-da-Fé by Roger Zelazny | Aye, and Gomorrah by Samuel R. Delany

Unavailable for 15 years, this huge anthology now returns to print, as relevant now as when it was first published.