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Set in the imaginary French province of Poictesme during the first half of the 13th century, FIGURES OF EARTH follows the earthly career of Dom Manuel the the swineherd, who rises to power by playing on others’ expectations – his motto Mundus Vult Decipi, meaning “the world wishes to be deceived.”

He was Karn, the savage of the sky-high trees. He was protector and defender of the princess Niamh, whose very city was lost in the mapless jungles of the world under the Green Star. But he was also an Earthling, whose helpless body lay in suspended animation in a guarded mansion in New England. It was his alien mind that drove Karn through perils that no other wold dare…

In the Green Star’s Glow is a science fantasy novel in the tradition of Edgar Rice Burroughs. Written by American author Lin Carter, it is the final book in his Green Star series. It was first published in 1976.

Archmage Planir and the wizards of Hadrumal have demonstrated their devastating powers and the corsair threat is no more. The mainland rulers’ relief is overshadowed with fear of one day facing such a threat to their own dominion. Will Tormalin’s Emperor make an alliance with Solura’s wizards, who so openly covet Hadrumals secrets? Will he seek out that other mysterious magic, Artifice, to counter Planir’s magecraft? How will the aloof Aetheric adepts of the mountains answer such an appeal? With many of the Wizard Council disputing Planir’s chosen course, he must look beyond the island city for allies. To Suthyfer, the controversial haven for mageborn far away in the Eastern Ocean. To Caladhria, where Corrain, Baron Halferan and Lady Zurenne believe they have finally won respite from all their trials. But absence of strife is hardly peace. The lull before winter’s storms descend from the distant northern peaks will be a short one.

The country of Lescar was carved out of the collapse of the Old Tormalin Empire. Every generation has seen the land laid waste by rival dukes fighting for the High King’s empty crown. Tathrin’s parents sent him to the distant city of Vanam to escape the recurrent skirmishes. He meets Aremil, another Lescari, whose parents have their own reasons for sending him so far away. These two young men cannot forget their homeland. Can they persuade other exiles with Lescari blood to help relieve their kinfolk’s misery? If they can persuade Branca, the down-to-earth scholar, to share the ancient lore which she has studied, then this mismatched band of commoners, merchants and nobles can begin plotting a revolution.

This volume contains 7 short works by Murray Leinster, including: “Rogue Star,” “Dear Charles,” “Dead City,” “Sam, This Is You,” “The Other Now,” The Fourth-Dimensional Demonstrator,” and “The End.”

The RIM STAR seemed to be an ordinary enough spaceship bound for the planet Handel on a routine mission. Then young Braden, a merchant-space officer, discovered that there was something all wrong about the RIM STAR . . . The captain was wrong, the crew mutinous, and there was even something going on with the passengers. The ship was in deadly danger . . .

For centuries space travelers had dreaded a place they called the Other Side of Nowhere – a place in the universe where up was down, where right was wrong, and where all direction was lost . . .

To save the RIM STAR Braden had to bring the ship to that place of nightmare. . .

Newark . . . Manhattan . . . Baltimore – one by one they went out. A succession of thriving communities suddenly put out like a guttered flame. Men, women, children sprawled like grotesque manikins.

Steve Waldron knew it couldn’t be plague. There had to be some connection with the disappearance of the nation’s top scientists. And then he plunged to the center of a dead city and gaped at an unbelievable truth. What could he do against a force fearsome enough to engulf the entire nation?

At times literary, at other times surreal, this collection offers an eclectic group of stories that deal with real-life conflicts, human values, and coming-of-age experiences all placed within fantastical settings. One tale recounts the author’s search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story’s end and enable him to complete his greatest novel ever.

In New York’s Long Island, in the unpredictable decade of the 1960s, a young boy laments the approaching close of summer and the advent of sixth grade. Growing up in a household with an overworked father whom he rarely sees, an alcoholic mother who paints wonderful canvases that are never displayed, an older brother who serves as both tormentor and protector, and a younger sister who inhabits her own secret world, the boy takes his amusements where he can find them. Some of his free time is spent in the basement of the family’s modest home, where he and his brother, Jim, have created Botch Town, a detailed cardboard replica of their community, complete with clay figurines representing friends and neighbors. And so the time passes with a not-always-reassuring sameness-until the night a prowler is reported stalking the neighborhood.

Appointing themselves ad hoc investigators, the brothers set out to aid the police-while their little sister, Mary, smokes cigarettes, speaks in other voices, inhabits alternate personas . . . and, unbeknownst to her older siblings, moves around the inanimate residents of Botch Town. But ensuing events add a shadowy cast to the boys’ night games: disappearances, deaths, and spectral sightings capped off by the arrival of a sinister man in a long white car trawling the neighborhood after dark. Strangest of all is the inescapable fact that every one of these troubling occurrences seems to correspond directly to the changes little Mary has made to the miniature town in the basement.

A mysterious and richly evocative novel, The Portrait of Mrs. Charbuque tells the story of portraitist Piero Piambo, who is offered a commission unlike any other. The client is Mrs. Charbuque, a wealthy and elusive woman who asks Piambo to paint her portrait, though with one bizarre twist: he may question her at length on any topic, but he may not, under any circumstances, see her. So begins an astonishing journey into Mrs. Charbuque’s world and the world of 1893 New York society in this hypnotically compelling literary thriller.

Cyborg imaginings mix with romance and transformation in this complex first novel where even the reader has a role to play. The narrator works as a compositor, a new kind of storyteller, but she is designing a different future for herself. Once a wife and mother, now she longs to escape from the world of human emotion into the calm and pain-free life of a cyborg. As her surgeries move towards closure, her story characters Shirley and Rosa have other agendas, leading to an unexpected outcome.

Widely acclaimed as one of the first successful female science fiction authors, Mildred Clingerman returns with the exciting follow up to her 1961 science fiction collection, A Cupful of Space. Her stories tend to wed a literate tone to subject matters whose ominousness is perhaps more submerged than the horrors under the skin made explicit in the work of Shirley Jackson, but equally as deadly.

Clingerman’s new anthology, The Clingerman Files, includes all of her originally published stories; The Day of the Green Velvet Cloak, Mr. Sakrison’s Halt, Wild Wood, The Little Witch of Elm Street and many other favourites. Also included are previously unpublished works; Top Hand, Tribal Customs, The Birthday Party, Fathers of Daughters and many more soon to be favourites. The key to her stories is that they appear simple and straightforward, but each takes a twist or turn that, even when you’re tempted to guess where they’re heading, they take you there in a way you would never have bargained on.

Other writers of the period tried to make big splashes. Clingerman, it seems, prided herself in concealing her effects within her masterfully constructed sentences. They barely make a ripple on the surface; all their power and drive lurk deep down below. So many of her stories are alive with the underpinning notion that the cosmological vistas we spy at the end ends of telescopes and various other means of measurement belong to the very same universe under our feet. We’re not apart from the universe, we’re a part of it. Nearly every story here is alive with that sensibility, in the truest sense of that word. In every sentence there is a note (a gentle one, but insistent) of silent rebellion, a surreptitious snarl, entreating you to see that not the everyday, but an undiscovered marvel.

May these eloquent rebellions be undiscovered no longer.

The One-Eyed Jack and the Suicide King: personifications of the city of Las Vegas-its history, mystery, mystical power, and heart . . .

When the Suicide King vanishes-possibly killed-in the middle of a magic-rights turf war started by the avatars of Los Angeles, a notorious fictional assassin, and the mutilated ghost of Benjamin “Bugsy” Siegel, the King’s partner, the One-Eyed Jack, must seek the aid of a bizarre band of legendary and undead allies: the ghosts of Doc Holliday and John Henry the steel-driving man; the echoes of several imaginary super spies, decades displaced in time; and a vampire named Tribute, who bears a striking resemblance to a certain long-lost icon of popular music.

All stories are true, but some stories are truer than others.

Contains four novellas: Stranger in the House; Sugar and Spice; The Murder in the Stork Club; Ruth.

In these deftly woven noir novellas, Vera Caspary draws on her own rich, independent life as a woman at a time of great social change, including her own experience of Manhattan’s Stork Club, which, from 1929 to 1965, was one of the most prestigious nightclubs in the world.

The title novella The Murder in the Stork Club features working-class detective Joe Collins, who is married to Sara Haworth, a writer of radio mysteries who belongs in Stork Club café society. Joe has to try to clear Sara’s name when an ex-lover is murdered shortly after she has dinner with him.

‘Vera Caspary and others were the forerunners of Gillian Flynn, Megan Abbott, Laura Lippmann and of course, Paula Hawkins’ Irish Times

Renowned painter Henry Leveret is found shot dead in his downtown studio, and his estranged son, Michael, returns to his family and his father’s circle of friends in order to try to find out who killed him.

There are plenty of suspects: his gallery manager, Chandler Sprague, who is in love with Henry’s widow; his wealthy heiress assistant Janet Altheim, who was in love with him; and her lover Bruno, who resented Henry are just a few on Michael’s list.

But Leveret was writing a biography of sorts, his own confession, when he was shot. Was he about to reveal something, a secret that cost him his life?

It’s 1920s Chicago, and Louise and Evvie, who have known each other since school, share an apartment. Worldly Evvie, a painter and dancer – supposedly married at seventeen and then divorced – is living on her alimony. Louise is a successful advertising copywriter and in love with her boss. Flouting the Prohibition, they party and enjoy a drink, and like the company of men. They’re independent, making their own way in the world, beyond the confines of marriage and motherhood.

But Louise’s life is rudely interrupted by the brutal murder of Evvie – a crime that involves family, friends and Chicago itself.

When a woman’s body is found by the Thames river police, floating opposite the Houses of Parliament in London, it doesn’t take DCI Brock long to work out that she has been murdered.

Further investigation reveals the woman was one of a stable of prostitutes run by a shadowy figure wanted in his native Australia. But the investigation presses other names upon Brock and Poole, and they must suffer several missed turns and pay the price for their assumptions before they get their man.

When the milkman alerts police to two bodies at the fashionable Hampstead home of Andrew and Kim Light, it seems obvious who the deceased are . . . until Mr Light walks through the door.

Just who is the other man? Is Andrew Light as innocent as he’d like to appear, or does his smooth lawyer’s manner hide a cruel and callous character? As the investigation develops, it becomes clear that there are far more sinister forces at work, and a frightening character has infiltrated the fashionable world of Hampstead.

The strangled body of actress Victoria Hart is found in Windsor Great Park in the early hours of Christmas Day. Hardcastle and Marriott are sent from Scotland Yard to investigate – much to the irritation of their respective wives.

The trail leads to the Beaux Belles revue at the Windsor Empire, where a scantily clad Victoria Hart persuaded young men to enlist with the promise of a kiss. It seems the alluring actress had many admirers – some not quite as gentlemanly as others – and when the recruiting sergeant is also found dead, a link to the army can no longer be ignored . . .

Eustace Hendel, head of the younger branch of a rich and titled family, suddenly realises that, as the result of a holiday accident, the question of the succession to the entailed estates holds more than just academic interest for him.

Eustace is in financial difficulties, and in love; all his problems would be solved were he himself heir presumptive to old Lord Barradys. Other members of the elder branch are still living – but accidents do happen.

Yet Eustace is not the only family member with an interest in the inheritance . . .

As Miss Maggs made her way nervously home, a clock stuck one, the town’s lights were switched off and footsteps sounded behind her. She broke into a desperate run. Later the doctor pronounced that she had literally died of fright.

In a provincial town, who was there to suspect but the rowdy gang led by Nick Salter? But Nick’s young wife swore to an alibi for him and so Sergeant Brent – a trifle embarrassed as a beneficiary under the will of the deceased – must look deeper into a case in which teenagers might too easily be made the whipping boys for the crimes of others.

Deep was back in town after a twenty-five-year exile – to inherit an empire and avenge a death. He and Bennett had made the inheritance pact when they were kids; they had known that even New York was too small for them to share and so they had tossed a coin to determine who would stay and who would build his organisation in another town. Deep had lost and gone.

But now Bennett has been murdered in his own home and Deep is ready to prove he’s strong enough to take over. Deep wants Bennett’s killer, the others want Bennett’s job. And all too many of them – including the beautiful Irish – want Deep dead . . .

PI Mike Hammer is moving through the dark streets of New York City when he hears a child’s terrible scream. When he finds the child, he also discovers the naked body of a beautiful woman who has been beaten to death with a whip.

So begins a complicated and baffling case, involving the deaths of other women and a newspaper reporter, who was tracking aspects of the case as well as following the lives of the city’s prostitutes. Mike uncovers a sadistic ring of international figures, where women risk their lives for a fortune in an attempt to pull themselves out of despair.

Can Mike, with the help of his beloved Velda, break the ring that is crushing the lives of vulnerable women?

This is some household. The kid is a genius, the father a scientist of international repute. Money is a problem. Not a shortage of money, but the opposite: too much. The sort of money that brings the envious and the scheming clustering like flies around offal: nieces, nephews, cousins … a family of mean minds and gross appetites.

The staff has its peculiarities, too: the chauffeur is an ex-con; the governess formerly a featured act in strip clubs from New York to Miami; and the secretary has a well-developed taste in other women.

Yes, it’s some household – and not all that welcoming of PI Mike Hammer, not when the kid has been kidnapped and everyone’s a suspect.