Search Results for: observers,-the

Earth’s last hope?

The Arc, a being of immense power, trapped within a continuum too small, fights for its freedom. Its monumental struggle will touch a few select individuals on Earth – and in doing so, change their lives forever. The Arc may also be the last hope for humanity’s survival.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Former Air Force officer and NSA agent Ron Moosic thought he had been assigned to be the Security Director for a nuclear power plant – but the power plant was only a cover for a top secret project sending observers back in time.

And terrorists had taken control of the project and sent two of their own back to change the past. Moosic was sent downtime in pursuit, with two considerable handicaps: like all time travelers, he would change upon arrival into a person who was alive at the time – he could find himself changed into a young boy or a woman – and if he stayed too long, his memories would vanish and he would be trapped in the past.

But Moosic quickly discovered that both he and the terrorists were only pawns in the time game, maneuvered by warring humans and… ex-humans in a future struggle that would either conquer the Earth or destroy all life on it…

The perfect Halloween novel!

‘Glaister has the uncomfortable knack of putting her finger on things we most fear, of exposing the darkness within’ Independent on Sunday

‘Before Gillian Flynn, there was Lesley Glaister’ Harper’s Bazaar

All Nell’s life, Olive Owen has lived next door but one. And all her life, Nell has hated her. Even at school Olive had sparkled indecently, turning heads. Nell has a son, her pleasure and her shame, though now she lives alone. Nell is sharp in all the places Olive is round.

When Wolfe moves into the house in between them, their quiet street is transformed. A lonely, spirited eight-year-old boy, he knocks on their doors at Halloween and invites them to his bonfire party. As the fireworks flare, he finds himself in the middle of an ancient conflict, grudges bared and burning with a fury he could never have imagined.

‘A perfect, black little tale’ Observer

Dr John West, Cambridge don and private investigator, was present at the trial of an odd duck, R. A. Adcock, who was being most uncooperative in answering questions about a bank robbery. At length, Adcock had made a dash for it from the courtroom – through a glass window, and what should have been a three storey drop to the street. But suddenly, Adcock wasn’t there, and at once a swarm of bees came into the courtroom.

Thus begins The Molecule Men, which takes many fascinating and terrifying turns to its chilling conclusion.

In the second story, the Monster of Loch Ness, Tom Cochrane, an independent scientist, determines to find out why the waters of Loch Ness are inexplicably warming up. What was it that caused the waters of the loch to pour up into the air like the worst rainstorm any of the observers had ever seen? What was at the bottom of the loch?
These two short novels by a celebrated father and son team will hold the interest of the science fiction fan from page one on.

‘Her worlds have a magic sheen … She is unique. She is legend’ THE TIMES

‘Le Guin is a writer of phenomenal power’ OBSERVER

Among the less-travelled mountains and plains of Central Europe, a little east of Austria perhaps and north of Slovenia, lies the old kingdom of Orsinia. A land of forests and quiet farmlands and towns, with its capital city Krasnoy on the broad Molsen River, Orsinia has always found itself, like all the countries of Europe, subject to forces beyond its borders.

Val Malafrena is an estate in the rural western provinces of Orsinia, far removed from the engines of European politics and content for it to remain so. When Itale Sorde, the idealistic young heir to Val Malafrena, leaves his family home to venture to the bustling capital city of Krasnoy, it is therefore very much against his father’s wishes. Sorde’s intention is to work as a journalist, but he will soon find himself moving from reporter on the great events of the day to active participant in the rising tide of revolution that seems destined to sweep the continent.

Starfarers is the story of an expedition into the far reaches of the galaxy, where answers to mankind’s greatest questions await.

The saga begins when evidence of an advanced civilization is discovered by SETI astronomers. “Trails” observed in the sky are thought to be from starships travelling at the speed of light, an enigma that spurs scientific minds until this breakthrough is achieved by mankind as well. An expedition is then mounted and an eclectic team of scientists chosen to journey into the sector where the intelligent life is allegedly located.

But because the destination of the starship, Envoy, and her crew is 60,000 light-years away, the time required to reach the point of origin of the signals and return is 120,000 years – longer than Homo sapiens has been on Earth. And though the crew is ready to face the ramifications of such a trek, no one is prepared for what awaits them at the outer edge of the cosmos – or back at the planet they once called home.

Starfarers is a story of patience and immediacy, but most of all of courage. It is a saga for anyone who has ever felt the emptiness of life on Earth and found the missing substance in the spaces between the stars.

In the era of “the big squeeze” – when an environmentally ravaged Earth groans beneath the weight of twelve billion people – two men control the destiny of humankind. One was recently senile…the other is going insane.

In the year 2069, with the Earth’s population dangerously out of control, procreation and the medical treatment of terminal illness are the two most heinous crimes against society. But behind the doors of the top secret Biophysical Institute, an old man has been illegally cured of the ravages of Alzheimer’s disease and made artificially younger – to serve the unspecified purposes of Premier Jeremy Beltane, one of the world’s most powerful leaders.

A member of the underprivileged “Wardie” class, Detective Sergeant Harry Ostrov has been assigned to serve as a guardian to the mysteriously rejuvenated nonagenarian – and entrusted with a devastating secret that could topple the unstable “Minder” government. But once within the confines of the Beltane family enclave, the dedicated police officer is dragged deeper and deeper into a lethal mire of scandal, corruption, political outrage, and moral dilemma – sworn to silence even as he observes his nation’s ruler, a man ultimately responsible for the future of civilization, descend steadily into depression, uncertainty . . . and madness.

In his first story collection, Robert Charles Wilson, one of the most distinguished SF authors of his generation, weaves a tapestry of tales set in and around the city of Toronto – a haunted, numinous Toronto of past, present and future, buzzing with strangeness.


In “The Fields of Abraham”, one of three stories written especially for this collection, an impoverished immigrant boy is trained in strange disciplines by a bookseller who is more than he seems. In “The Perseids”, winner of Canada’s national SF award, love and amateur astronomy weave in and out of a terrifying tale of forced human evolution. In “The Observers”, an awkward young Canadian girl who sees extra-human presences has an extraordinary encounter in 1950s California with Edwin Hubble. In “Plato’s Mirror”, a professional New Age charlatan has a genuine and terrible encounter with the extraordinary. And in the Hugo-nominated “Divide by Infinity”, an aging Toronto book-lover finds himself becoming, literally, increasingly unlikely.


Throughout are showcased Wilson’s suppleness and storytelling strength: bravura ideas, scientific rigor and living, breathing human beings facing choices that matter in a universe stranger than we can imagine.

Science fiction writer Sanford Kvass has a problem. Three problems, actually. He suffering from terrible writer’s block and owes his agent a large sum of money. The last thing he needs is the approaching distraction of the World Science Fiction Convention, with it’s obsessive fans, sex-mad SF groupies and professional writers and editors getting drunk and behaving badly.

But we said ‘three problems’, didn’t we? The best that can be said about Sanford Kvass’ third problem is that it renders his first two irrelevant. Kvass is approached by an alien ( a genuine alien, not a cosplay one) who informs him that the human race is to be tested: an alien will appear at the World Science Fiction Convention, disguised as a human being, and unless Kvass can unmask it, the Earth will be destroyed.

Under normal circumstances, this wouldn’t present much of a challenge. All he’s have to do, is to observe as many people as he could and identify the one who clearly had no experience of normal social interaction. Voila! One unmasked alien.

There’s just one problem: this is Worldcon . . .

The Nightingale was the most advanced craft in the entire fleet of Mercy ships belonging to the Gentle Order of St Francis Dionysos. On its maiden voyage, its life bays packed with refugees, the Nightingale disappeared. Despite strenuous efforts no trace of it could be found.

Then, a year later, a distress signal was heard and the Nightingale reappeared. It was damaged in ways that meant its survival in space was a miracle. But of its previous cargo of life-forms there was no sign. Only one creature remained alive within the ship, and that was its captain, Jon Wilberfoss.

Wulfsyarn is the story of the Nightingale, and of Jon Wilberfoss. It is told by Wulf, an autoscribe who has the task of observing Wilberfoss in the aftermath of his return. For the captain of the Nightingale is a condemned man: condemned by the Gentle Order, and self-condemned by a burden of guilt so intense his mind refuses to acknowledge it. Over the long period of Wilberfoss’ tortured convalescence in a peaceful monastery garden on the planet Tallin, Wulf watches and waits, recording the mosaic of Wilberfoss’ life: his childhood and adolescence, his entry into the Gentle Order, his marriage (to a native Tallin woman), and the great moment when he was chosen as captain of the Nightingale.

But can Wulf bring Wilberfoss to finally face the truth of what happened on the Nightingale’s fatal first and last journey?

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

From the Hugo-winning author of Spin, an exuberant adventure in a post-climate-change America

In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the Plague of Infertility, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York City. In Colorado Springs, the Dominion sees to the nation’s spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again.

Then out of Labrador come tales of a new Ajax-Captain Commongold, the Youthful Hero of the Saguenay. The ordinary people follow his adventures in the popular press. The Army adores him. The President is…troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the falsely accused and executed Bryce.

Treachery and intrigue dog Julian’s footsteps. Hairsbreadth escapes and daring rescues fill his days. Stern resolve and tender sentiment dice for Julian’s soul, while his admiration for the works of the Secular Ancients, and his adherence to the evolutionary doctrines of the heretical Darwin, set him at fatal odds with the hierarchy of the Dominion. Plague and fire swirl around the Presidential palace when at last he arrives with the acclamation of the mob.

As told by Julian’s best friend and faithful companion, a rustic yet observant lad from the west, this tale of the 22nd Century asks- and answers-the age-old question: “Do you want to tell the truth, or do you want to tell a story?”

Robert Charles Wilson, says The New York Times, “writes superior science fiction thrillers.” His Darwinia won Canada’s Aurora Award; his most recent novel, The Chronoliths, won the prestigious John W. Campbell Memorial Award. Now he tells a gripping tale of alien contact and human love in a mysterious but hopeful universe.

At Blind Lake, a large federal research installation in northern Minnesota, scientists are using a technology they barely understand to watch everyday life in a city of lobster like aliens upon a distant planet. They can’t contact the aliens in any way or understand their language. All they can do is watch.

Then, without warning, a military cordon is imposed on the Blind Lake site. All communication with the outside world is cut off. Food and other vital supplies are delivered by remote control. No one knows why.

The scientists, nevertheless, go on with their research. Among them are Nerissa Iverson and the man she recently divorced, Raymond Scutter. They continue to work together despite the difficult conditions and the bitterness between them. Ray believes their efforts are doomed; that culture is arbitrary, and the aliens will forever be an enigma.

Nerissa believes there is a commonality of sentient thought, and that our failure to understand is our own ignorance, not a fact of nature. The behavior of the alien she has been tracking seems to be developing an elusive narrative logic–and she comes to feel that the alien is somehow, impossibly, aware of the project’s observers.

But her time is running out. Ray is turning hostile, stalking her. The military cordon is tightening. Understanding had better come soon….

Blind Lake is a 2004 Hugo Award Nominee for Best Novel.

As author and illustrator, Keith Roberts did more than most to define the look of UK science fiction magazines in the 1960s. In addition to his BFSA Award wins, he was nominated for the Hugo, Nebula and Arthur C. Clarke Awards. He is perhaps best known for his seminal alternate history novel, Pavane, but his work covered a broad range of SF’s tropes and settings, as can be seen from the titles collected in this omnibus: The Chalk Giants, Kiteworld and The Grain Kings.

THE CHALK GIANTS: After the apocalypse the hazardous evolution of mankind continues. And in primeval response to the disaster, humanity’s solutions to catastrophe carve the harsh new world in violent patterns of magic and myth, rite and religion. Brave images scar the ancient hills, the clash of swords and the ageless power of sexuality sign-post another, bloodsoaked path to civilisation.

KITEWORLD: Powerful churches have long kept their grip on the people with a theology of fear that makes formidable demons out of the poor, weak mutants of the surrounding badlands. To ward off these specters, an elaborate, tradition-encrusted system of kites with hex signs or armed observers fly over the realm. The men of this Kite Corps, performing hazardous duty to sustain a myth, are driven to find a separate peace, to transform, if they can, disillusionment into enlightenment, to move forward from an assumption of guilt to an assumption of responsibility.

THE GRAIN KINGS: They call them The Grain Kings. Gigantic mechanical monarchs of the wheat-bearing plains that were once the frozen Alaskan wastes. Whole eco-systems in themselves, they can supply the food so desperately needed by the teeming millions of our overpopulated planet. But even now, as the whole world waits in hungry suspense, the great powers battle for control of the prairies and two competing combine harvesters find they are heading on a course of collision.

Millennia ago Starquin visited the Solar System. Because he is huge – some say bigger than the Solar System itself – he could not set foot on Earth personally. yet events here were beginning to interest him, and he wanted to observe more closely.


So he sent down extensions of himself, creatures fashioned after Earth’s dominant life-form. In one of Earth’s languages they became known as Dedos, or Fingers of Starquin. Disguised, they mingled with Mankind.


We know this now, here at the end of Earth’s time. The information is all held in Earth’s great computer, the Rainbow. The Rainbow will endure as long as Earth exists, watching, listening, recording and thinking. I am an extension of the Rainbow, just as the Dedos are extensions of Starquin. My name is Alan-Blue-Cloud.


It is possible you cannot see me but are aware of me only as a voice speaking to you from a desolate hillside, telling you tales from the Song of Earth. I can see you, the motley remains of the human race, however. You sit there with our clubs and you chew your roots, entranced and half-disbelieving as I sing the Song – and in our faces are signs of the work of your great geneticist, Mordecai N. Whirst. Catlike eyes here, broad muzzles there, all the genes of Earth’s life, expertly blended, each having its purpose. Strong people, adapted people, people who survived.


The story I will tell is about people who were not so strong. It is perhaps the most famous in the whole Song of Earth, and it tells of three simple human beings involved in a quest who unwittingly became involved in much greater events concerning the almighty Starquin himself. It is a story of heroism and love, and it ends in triumph – and it will remind the humans among you of the greatness that was once yours.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”