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A sequel to “Werenight” and “Prince of the North”. Just when he thought he could settle down to enjoy peace, Gerin the Fox is called upon to face a new enemy, the Gradi, who bring with them their cold, fierce gods, bent on the destruction of all who do not worship them.

Arpazia is the aging queen who paces the halls of a warlord’s palace. Cold as winter, she has only one passion-for the mysterious hunter who courts the outlawed old gods of the woodland. Coira is the princess raised in the shadow of her mother’s hatred. Avoided by both her parents and half forgotten by her father’s court, she grows into womanhood alone . . . until the mirror speaks, and blood is spilled, and the forest claims her.

The tragic myth of the goddess Demeter and her daughter, Persephone, stolen by the king of the underworld, is woven together with the tale of Snow White to create a powerful story of mothers and daughters and the blood that binds them together, for good or ill. Black queen. White maid. Royal huntsman. Seven little folk who live in the forest. Come inside, sit by the fire, and listen to this fairy tale as you’ve never heard it told before.

Once upon a time there was a mirror, and a girl as white as snow. . .

Alex Winter and Deborah Tate arrive by hovercraft at the city of Babylon, lying on the river Euphrates in the Arizona desert. He is a sociology drop-out from the University of Oregon at Eugene who wants to become a Babylonian. She has a much stranger ambition. Their minds are babbling in the Greek that has been pumped into them via computer interface at the University of Heuristics. To them, English has yet to be invented and the young king Alexander lies dying in his palace. The city is dominated by the tower of Babel, its spiral roadway curling up towards the heavens and wide enough for several donkey carts. And women sit outside the Temple of Ishtar, waiting for some stranger to drop a coin in their laps. The prospect seems to fascinate Deborah. She wants to become one of the Whores of Babylon.

In another world, somewhere in space and time, two countries – Bellogard and Chorny – are locked in perpetual war, conducted by magic. Each of the main members of the two countries’ courts – king, queen, prince, bishop, knight and squire – has their own form of magic, and special ways of moving magically. A war may continue for centuries, until one side succeeds in killing the other side’s king, at which point the whole world vanishes, only to reappear and have the cycle begin again. . .

Pedino is a young Bellogardian who becomes the queen’s squire and, as part of his training, is sent into a seedier part of the city to uncover a Chornian spy. During his adventures he meets and falls in love with a whore, Sara, who turns out to be a Chornian bishop’s squire. Pedino succeeds in killing the other Chornian bishop – a remarkable achievement for a mere squire; but in the manoeuvres which follow Chorny proves to have outwitted its rival, and Pedino’s whole world is threatened with extinction.

There have been many stories modelled on chess games, but none so ingenious and enjoyable as Ian Watson’s latest novel. And, as one would expect from Watson, the story of Bellogard and Chorny is only the beginning. When Pedino and Sara manage to escape the destruction of their universe, they find themselves in a series of even more bizarre worlds operating under still stranger rules, as they seek to discover the purpose of their existence, and the meaning of their universe. Queenmagic, Kingmagic is Ian Watson in sparkling, exuberant form.

THE EPIC FANTASY OF THE PEOPLE OF THE WIND CONTINUES . . .

Kieto’s destiny, set in the heavens, is to conquer the Land-of-Mists, the mysterious island discovered by Kupe, one of the great Polynesian voyagers. But he knows it won’t be easy: the wild native tribes, particularly the Scots and Picts, have two formidable advantages – iron and horses.

But Kieto has heard of a magnificent warrior race, the Maori, who live in another world and from whom he hopes to learn the secret of success in war. The gateway to this world is on the island of giants, and Kieto and his friends, Boy-Girl, Seumas and Dorcha, themselves taken years before from the Land-of-Mists, leave the safety of Rarotonga and embark on an epic voyage of discovery aboard THE PRINCELY FLOWER.

Pursued by sea-fairies, vengeful gods, power-hungry priests and, in Seumas’s case, by a murderously angry son, confronting their worst fears and supernatural horrors, the friends finally face the awesome wrath of the mighty Maori.

THE PRINCELY FLOWERS is the second wonderful volume of THE NAVIGATOR KINGS, set in the richly imaginative world of Polynesian life and myth.

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

When Princess madouc discovers that she is actually a changeling left by fairies in place of a baby boy, she sets out, with her servant and companion Pymfyd, to find her true identity. Madouc locates her mother, the fairy Twisk, easily enough, but her paternity poses a problem: Twisk is not certain who fathered her child.

Meanwhile, her uncle, King Casmir, attempts to conquer the whole island of Hybras, on which Lyonesse is located, and thwart the prophesy of Persilian the Magic Mirror that his sister’s son would one day rule. He is foiled at every turn by King Aillas of Troicinet and his son Dhrun, who is actually the child of the prophesy, but is older than expected because of a youth spent in the fairy shee (home), where time runs differently. A sly mixture of satire and epic, Vance’s medieval tale is a delightful conclusion to an epic fantasy trilogy.

Winner of the World Fantasy Award for best novel, 1990

The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .

King Aillas of Troicinet defends the peace of the Elder Isles against both the Ska marauders who once enslaved him and the wicked King Casmir. While organizing the unruly barons in the frontiers of his land, Aillas goes out of his way to capture the lovely Ska noblewoman who once stung him with her disregard. When he gets separated from his men, his dream of forcing the lady’s recognition becomes the toil of dragging a defiant captive across lands governed by Casmir’s henchmen.

Meanwhile, the world of magic has gone on the move. The concentrated malice of the witch Desmëi has manifested as a green pearl, breeding lust and envy and death; and a sorcerer in Casmir’s employ abducts the princess Glyneth, in a bid to draw Aillas and friends on a hopeless rescue mission across a bizarre and deadly alternate world . . .



(First published in 1985)

From “one of the greatest writers of science fiction and fantasy who ever lived” (Stephen King) here is a masterpiece of fiction – a haunting, meaningful and at times erotic novel that describes a wonderous transformation that takes place in an American town when a charismatic, Christ-like figure mysteriously appears in its midst.
Godbody – sweetly innocent, as naked of guile as he is of worldly trappings – has returned to remind mankind of what it has lost. He will touch only a few lives before his preordained end, but they will be forever transformed. As one by one the members of a small rural town fall under Godbody’s spell, the burdens that had weighed down on them disappear, and a new vision of life as it can – and should – be suddenly reveals itself to them.

The Magnificent Showboats follows the farcical adventures of Apollon Zamp, owner of the showboat Miraldra’s Enchantment, and his troupe of acrobats, magicians and actors. Zamp is invited by the King of Soyvanesse to travel up the river Vissel to the distant city of Mornune, there to participate in a contest. A rich prize awaits the showboat captain who stages the most spectacular performance and succeeds in entertaining the king.

Shef, the One King, is a visionary and warrior. His accomplishments have changed the history of the Dark Ages as we know it – he has defeated the English, the Pope’s army and the Norse in turn. Now, he must face the reborn power of the Holy Roman Empire.

While the Gods of Asgard continue to use him as a plaything Shef must defeat Bruno, the German emperor, who wields the Holy Lance which pierced Christ’s side. The terrible invention of Greek Fire threatens Shef’s fearsome Viking navy, and he must turn to the East to seek new wisdom. Finally, his quest may lead him to the Holy Grail itself.

As Harry Harrison’s highly-acclaimed series reaches its climax, not even the gods can predict victor and vanquished.

It was a changed world. No longer did the black monks of the Christian Church own half of England and extend their deadly domain over their flock. No longer did the murderous Ragnarssons and their Viking hordes ravage the shires unopposed. Now, in the year 867 AD, those who wished to be Christian were free to worship without the heavy yoke of the ever-hungry Church. Those who did not could follow the Asgarth Way, the Norse religion that paid homage to the gods of Asgard: Othin, Thor, Frey…and Rig. Rig, the patron – perhaps the father? – of Shef Sigvarthsson. Whose new weapons and battle strategy had defeated both the battle-hardened Vikings and the Frankish knights of Pope Nicholas’ failed Crusade.

While enemies plotted, Shef left England by ship, to avoid the wedding of his ally, Alfred of Wessex, to his childhood love, Godive. Shipwrecked on the Frisian Coast he begins a journey that will keep him away from England for months and years, and add more legends to his already myth-shrouded life.

In One King’s Way Harry Harrison Continues the story of Shef Sigvarthsson, god-chosen warrior and mystic. From the Vikings of the North Sea to the scheming priests of Germany, from the frozen northern lands to the snow-covered Finnish tundra, he fights his way towards overwhelming kingship. While his supernatural allies and enemies engage in a shadowy battle for his future. This is historical fantasy of the highest order, from a giant of the genre.

865 A.D. Warring kings rule over the British Isles, but the Church rules over the kings. Powerful bishops and black-robed priests fill their cathedrals with gold, while threatening all who oppose them with damnation. But there are those who do not fear the priests, and they are the dreaded Vikings of Scandinavia. Among these Northern invaders, those who follow the Way of the Gods of Asgard carry the Hammer of Thor as their emblem, and they are sworn to increase mankind’s knowledge and strength by conquest and by craft. And as Viking warlords cast hungry eyes upon a weak and divided Britain, the Way collides with the Church, launching an all-out war between The Hammer and the Cross.
At the center of this bloody conflict is Shef, bastard son of a Norse raider and a captive English lady. A smith and a warrior, he is driven by strange visions that seem to come from Odin himself. Torn by divided loyalties, Shef alone dares to imagine new weapons and tactics with which to carve out a kingdom – and threaten the holy power of Rome itself!

In THE LAD AND THE LION, Edgar Rice Burroughs has returned to a theme that catapulted his name to fame when he wrote “Tarzan of the Apes”. For here is the story of a youth – actually a deposed king – whose life is preserved by a miracle and who grows up on a derelict ship in companion with a lion.
Eventually the winds and currents deposit the strange pair on the coast of Africa, and the youth learns the lessons of the wild, helped by his closest friend and protector, the giant, black-maned lion.
The book is filled with the loyalty and staunch friendship of beasts – and with the treachery of man. It has all the trills and adventure and suspense that have made fans of millions of Edgar Rice Burroughs readers.

A great safari had come to Africa to make a movie. It had struggled across the veldt and through the jungle in great ten-ton trucks, equipped with all the advantages of civilization. But now it was halted, almost destroyed by the poisoned arrows of the savage Bansuto tribe. There was no way to return. And ahead lay the strange valley of diamonds, where hairy gorillas lived in their town of London on the Thames, ruled by King Henry the Eighth. Behind them came Tarzan of the Apes with the Golden Lion, seeking the man who might have been his twin brother in looks – though hardly in courage!

In the waning years of the Middle Ages, before Christendom had completely scoured the world of magic, both Faery and Man lived on Europe’s shores. This is the story of those last days: of the halfling children of the Liri king, who were of both realms but chose the one we call the other; of how they schemed and fought for survival, hounded from the Baltic to the ice caves of Greenland to the Mediterranean coast; of how they loved and how they died. It is the epic master piece, the adventure at once erotic, violent and magnificently sad, that Poul Anderson has always wanted to write.

Set in the misty time between the fall of the Roman Empire and the rise of our own age, The King of Ys chronicles the coming of Gratillonius, the Roman prefect who became a king.

Gallicenae continues that story to tell of Gratillonius’ nine queens and penetrate to the very heart of the legend of the King of Ys . . .

As a child of just seven summers, Gunnhild finds herself fascinated with the powers of a witch-woman who is a concubine of her father’s, a powerful Norse chieftain. She also finds another fascination in handsome and lordly Eirik, son of their king. When her mother dies, Gunnhild promises, “I will never yield”, and that, “through me, our blood shall flow greatly”.
Gunnhild has learned from her chieftain father the way the powerful use the weak. But there are other lessons and other power she seeks. Sent away to learn the magic of a pair of shamans, Gunnhild becomes a Spaewife – a knower of the Gods, a master in the ways of witchcraft and sorcery. Aided by her new abilities, Gunnhild marries Eirik. She is destined to become queen, and her magic is a fearsome complement to Eirik’s strength. But Eirik’s enemies are cunning, and Gunnhild is soon without his might.
If Gunnhild can keep the promise she made as a child to never yield, her family’s blood will flow greatly, and the sons she bore Eirik will each become a king.
Her own struggles, though, are far from over…

Marcus King, ruthless entrepreneur and commercial giant, was a man obsessed. His obsession-staying alive! He used his millions to buy life from the bodies of others. Then someone devised a highly scientific plan to kill him-only for King to survive the attack, and plan his revenge. But who was the mastermind behind the assassination attempt?

Dale Markham, chief of local police, is quickly on the crime scene. But the case is so bizarre, with far-reaching international implications, that Security is also called in and special agent Steve Delmonte is assigned to work with the police.

Delmonte’s investigations uncover a tangled web of sadistic intrigue and he has to follows a trail of further murders all the way to the moon before the incredible truth behind the attack is revealed.

‘You will be a King, and Great King, and then you will Die, and you may not avoid that destiny, try as you may¿’

Two-thirds god, one-third human, Gilgamesh is a giant among men and a formidable warrior, even as a boy. When his father the king of Rurk dies, Gilgamesh is forced into exile by the newly crowned Dumuzi, jealous of his prowess and fearful of his intentions.

In neighbouring Kis his fighting skills are honed to perfection, and when in time Dumuzi dies, Gilgamesh returns to be proclaimed king by the wily priestess Inanna, goddess of beauty. Together they rule Uruk, and prosperity descends upon the land.

However, the kingship is not enough to satisfy Gilgamesh’s gargantuan appetite for adventure, and his boredom is only relieved by the coming of Enkidu, a strange wild man who proves the king’s equal in combat. The two become closer than brothers, but when Gilgamesh incurs the wrath of Inanna, the gods conspire to tear them apart, and for Gilgamesh all that remains is his search for immortality.

In retelling the legend of the great Sumerian monarch, Robert Silverberg brings all his superb storytelling powers to a mesmerising tale of ambition, power and obsession, against the background of an ancient and fearsome world.

What if there were an Afterworld? Not Heaven or Hell in the conventional sense, but a place where everyone who has ever lived reawakens when they die, to live again and die again and live again, seemingly forever. This is the premise of Robert Silverberg’s brilliantly inventive new fantasy novel. The central character is the legendary warrior-king Gilgamesh, who has been in the Afterworld longer than almost anyone else save the Hairy Men from before the Flood, and who in recent centuries (insofar as you can count time) has seen it change beyond recognition, as the newly dead from industrial times import their machinery, their weaponry and their attitudes. Gilgamesh’s adventures in the course of the novel take him to the Afterworld realms of other quasi-mythical figures like Prester John and Simon Magus, bring him into contact with such figures from more recent history as Walter Ralegh and Pablo Ruiz (known to some as Picasso), and eventually send him in search of a gateway which is rumoured to exist somewhere in the land of the dead – a gateway which leads back to the land of the living.

It is a thousand years from now.

The tenuous galactic empire humanity has cast across the skies depends for its very existence on hyperspace and the pilots who can ride its bizarre force-fields. And these pilots are gypsies. The Romany have come into their own. But there is a price: the legendary Romany Star. All the leverage the gypsies can bring to bear is used in the search for their ancestral home. Intergalactic blackmail? Of course. But also a statement of intent, romantic but implacable.

Who better to orchestrate a scam so colossal than Yakoub, once and future King of Gypsies? Sulking in luxurious exile, he has been planning his return to power and reminiscing over his extraordinary life. But when the moment of truth arrives, nothing seems to go according to (Yakoub’s) plan. All his ingenuity, every sacrifice (even his pride) may not be enough . . .

“Who was your father?” the mutant asked Dale Kesley. And try as he might, Kesley could not remember; his past was an utter blank. But he knew one thing – the answer to his life’s riddle lay in Antarctica, the once-frozen continent, now an earthly paradise surrounded by an impenetrable barrier.

But how to get there? The only means of transportation were the spindly six-legged mutant horses. And it was suicide for Kesley to travel on the American continents. Two immortal dictators had set king-size rewards for his capture – dead or alive! But somewhere in the two continents there was someone who would help him, someone he had to find. The future of the world depended on his success.



(First published 1956)

King Jorian was rather attached to his head. Hence, he felt his promise to seal the Kist of Avlen, a treasure trove of ancient manuscripts on magic, was little enough a price to pay for a chance to escape his own beheading.

But when the quest pitted him against one peril after another – a murderous wizard and his giant squirrel, a castle full of executioners, a marauding troop of ape men, and a voluptuous 500-year-old princess who was also a serpent – Jorian wondered if he’d made a good bargain!

Merlin is almost young, and immortal, one of those born to walk the paths of the world, a man with charm carved into his bones, and enchantment running through his body thicker than blood . . .

And this is a time of heroes, centuries before King Arthur is born, men and women who, though not gods themselves, are something more than mere mortals. For decades, Jason has been immured in his ship Argo in a lake in the far north, alive, but not, still traumatised by the murder of his sons by his enchantress wife Medea . . . until Merlin sees through the veil of enchantment and realises the boys were never killed; it was all a trick.

Through the mists-shrouded isle of Alba to Greek Land, Merlin leads Jason and his Argonauts, some old, some new, on a quest to find the boys, journey filled with heroism and heartbreak, truth and treachery.