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For hundreds of years the mutants walked among us, concealing their dazzling psychic abilities, living in fear. With the coming of the 1990s, the mutants took their rightful place in normal human society in a storm of political upheaval. Now, as summer ripens for the mutant clans, the long struggle for equality nears its end. But the mutants’ awesome talents – and their belief in the coming of a mutant messiah – still set them apart. The clans can join together in hope…but for how long?

Alanna, talented in her own right, but overshadowed by the brilliance of her mother, the world-renowned artist Narlydda.

Julian, he gifted graduate student, hoping to forge a link between medicine and mutant healing – and between himself and the beautiful researcher, Eva Seguy.

Rick, Julian’s mercurial twin brother, whose lack of mutant talents is his burden…and his freedom.

Strange currents are flowing, and the entire world is about to change. Unthinkable and unspeakable powers are about to be released, powers that not even the massed mutants can control.

Dirty Work? In a manner of speaking, perhaps, but certainly not along the lines of de Sade or Henry Miller.

“Dirty” maybe because within this remarkable volume of short stories (a follow-up to her award-winning collection Patterns) author Pat Cadigan unflinchingly explores the implications of technology on modern and near-future societies, humorously challenges our perceptions of reality, and chillingly strips away our civilized facades to confront the bestial nature of our souls.

With stories like “Home By the Sea,” “Dispatches from the Revolution,” “No Prisoners,” “50 Ways to Improve Your Orgasm,” and “Naming Names,” Pat Cadigan exhibits an enviable ability to tackle a variety of themes, moods, and perspectives. And makes it all seem easy.

Featuring 18 stunning fictions (including the previously unpublished “Lost Girls” written especially for this book)-as well as intriguing author introduction to each story-Dirty Work is a thought provoking, often funny, never compromising collection by one of America’s most gifted authors.

It doesn’t get any better than this.

The second volume of the Complete Short Stories of Theodore Sturgeon covers his prolific output during 1940 and 1941, after which he suffered five years of writer’s block. Showcasing Sturgeon’s early penchant for fantasy, the first six selections include whimsical ghost stories, such as “Cargo,” in which a World War II munitions freighter is commandeered by invisible, peace-loving fairies. With the publication of his enduring SF classic, “Microcosmic God,” Sturgeon finally found his voice, combining literate, sharp-edged prose with fascinating speculative science while recounting the power struggle between a brilliant scientist, who creates his own miniature race of gadget makers, and his greedy banker. Voice found or not, every one of the stories here is readable and entertaining today because of Sturgeon’s singular gifts for clever turns of phrase and compelling narrative. As Samuel R. Delaney emphasizes in an insightful introduction, Sturgeon was the single most influential SF writer from the 1940s through the 1960s.

A haunted seaside mansion – a series of suspicious deaths…

Perfect gothic crime fiction for fans of Shirley Jackson


‘Showcases her extraordinary gift for sustaining high levels of tension … reminiscent of Shirley Jackson … and she excels at the tantalising tease’ Publishers Weekly

William Porter has just inherited a seaside manor. As an academic, he doesn’t believe the rumours that it is haunted – nor is he suspicious of the circumstances behind the inheritance – after all, lots of people die suddenly from heart attacks, and his uncle Horace was just unlucky.

His wife, however, refuses to live in the main house and will only move into the lodge elsewhere on the grounds. And she may be right: soon after they arrive, Porter sees a shadowy figure illuminated by the red glow of Horace’s writing lamp, the very light that shone on the scene of his death.

Even Porter’s scepticism is tested to the limit when a rash of murders occurs across the countryside. And if Porter isn’t very careful, he risks implicating himself in the crimes he hopes to solve.

James Blish called him the “finest conscious artist science fiction ever produced.” Kurt Vonnegut based the famous character Kilgore Trout on him. And such luminaries as Harlan Ellison, Stephen King, and Octavia Butler have hailed him as a mentor. Theodore Sturgeon was both a popular favorite and a writer’s writer, carving out a singular place in the literary landscape based on his masterful wordplay, conceptual daring, and narrative drive. Sturgeon’s sardonic sensibility and his skill at interweaving important social issues such as sex-including gay themes-and war into his stories are evident in all of his work, regardless of genre.

Case and the Dreamer displays Sturgeon’s gifts at their peak. The book brings together his last stories, written between 1972 and 1983. They include “The Country of Afterward,” a sexually explicit story Sturgeon had been unable to write earlier in his career, and the title story, about an encounter with a transpatial being that is also a meditation on love. Several previously unpublished stories are included, as well as his final one, “Grizzly,” a poignant take on the lung disease that killed him two years later.

Malevolent aliens, the Mordri Three decide to become so evil that God himself will have to stop them. They can alter flesh with a simple touch, literally turning people inside out or seeding them with cancer. The Three have already destroyed an entire solar system and most of their own race. Their next targets: mankind and Earth!

On Earth, Scott St. John is mourning his wife when he is struck by a golden arrow of light – a fragment of the soul of Harry Keogh, the original Necroscope – and gains powers he does not understand. A mysterious, beautiful woman appears, desperately trying to warn Scott about something . . . then vanishes midword. Scott dreams of a very unusual Wolf, who begs him – in human speech – for rescue.

A fledgling Necroscope, a telepathic Wolf, a beautiful woman from beyond the stars, the ghost of Harry Keogh, the best of E-Branch’s psychic fighting forces, and a dead girl who is not yet ready to seek her just reward must defeat three impossibly strong, psychically gifted monsters whose touch literally melts flesh from bone.

Wise, witty and just a little weird, FOOLS ERRANT wryly strolls the satirical path laid down by Douglas Adams, Terry Pratchett and Jack Vance, heralding the brilliant debut of a gifted new voice. Foppish young Filidor Vesh wants only to dally among his shallow pastimes. But a simple errand for his uncle, the vaguely all-powerful Archon of those parts of Old Earth still populated by human beings, becomes a frenetic odyssey across a planet speckled with eccentric nations pursuing odd aims with intense determination. Harried at every step by the irascible dwarf, Gaskarth, and frequently at the peril of wild beasts, enraged mobs and a particularly nasty thaumaturge, Filidor makes a relucant progress toward a final encounter with an ancient and possibly world-ending evil.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

THE MINDSTONES were the only reason anyone lived on – or more accurately, in – the planet Styx. An unthinkable ice world, Styx only survived as an underground mining colony because of the discovery of the beautiful jewel called Cyrilite, a crystalline stone with unique mind-altering properties.
But to Kayla John Reed, Styx was all the home she’d ever knownuntil her parents were killed in a tragic mining accident. Claiming her father’s Guild seat, the extraordinarily gifted young empathy was forced to flee the planet when she tangled with the Kellers, the wealthiest and most important psi family in the colony.
On the run in a galaxy wary of anyone with mind powers and all too willing to turn her in for the bounty on her head, Kayla found an unexpected haven aboard Falstaff, a “merchant” spaceship that stretched the limits of legal shipping beyond the breaking point. But there were those among the crew with a far more treacherous agenda than simple privateering, and Kayla was soon caught in a planets-spanning struggle between two deadly forces ready to sacrifice anyone who got in their way and determined to use any weapon – even the power of Kayla’s mind – to secure total victory…

Richard Garrison was once a corporal in the British Military Police, until a terrorist’s bomb destroyed his eyesight and his career. Repaying Garrison for saving his wife and child from the blast, millionaire industrialist Thomas Schroeder introduced him to the Psychomech, an amazing machine that could either gift its users with astonishing mental powers – or destroy them utterly.


Having successfully harnessed the Psychomech, Garrison discovered the Psychosphere, a strange plane of existence where mental abilities were all. Thought became intent, word became deed, and Garrison became unto a god.


Two decades later, Garrison is utilising his unique powers to explore the universe. On Earth, his son, Richard Stone, is happily in love, until his beloved falls victim to “The Gibbering”, a plague of madness that destroys men and women by destroying their minds. There is no obvious cause. There is no cure. There are no survivors.


When Richard Stone is himself infected by The Gibbering, the mental powers he inherited from his father enable him to defeat the madness, at least for a while. Then, to his horror, Stone discovers that the Psychomech has run amok and that The Gibbering is the result! Even though the insanity it creates batters his struggling mind, Stone realises he is the only man with the knowledge and power capable of destroying the berserker mind-machine.

Beloved Son told how the world was given atomic power and chose the atom bomb, was given the key to genetic miracles and chose biological warfare.

The world was lucky the first time; enough of it remained for salvaging in a few decades. It was simply unfortunate that in those difficult years a new menace arose-the offer of dreams-come-true in this world, here and now. There was a price of course. What World Council could not realize-and did not properly query-was the immensity of the price, but the offer was one nobody in his right mind could refuse. Or could he?

Psychiatrist James Lindley recognized the danger of dealing with the Devil but fanatical Police Controller Parker saw it as the Gift of God; Angus, whose name and face changed as often as his coat, saw it as a fine game to be played, while Commissioner Ferendija saw it as an exercise in pragmatism-and Security Tech Sanders lost everything he believed in as the welter of guilt and disillusionment swallowed him whole.

Under the pressure of decision the cracks showed in the highest echelons of the proud Ethical Culture. Is there a benefit so great that, if the price were the end of homo sapiens, we would pay it?

George Turner’s Beloved Son was the first volume in what is now recognized as on of the outstanding science fiction achievements of the past decade. Vaneglory is its successor; and, though completely self-contained, it develops with gripping imaginative brilliance the characters and situations already established in Beloved Son.

In 1993, a character took the fantasy world by storm. He was known by countless names and terrifying deeds-thief, magic wielder, swordsman, assassin, adventurer. But chief among those names and the most dangerous of his personae was Nightfall, a man-or perhaps the legendary demon himself-gifted with a power any sorcerer would kill to possess.

Now, Nightfall makes his triumphant return in a spellbinding new adventure that sweeps readers from the high courts to the darkest dungeons, from piracy and derring-do at sea to sorcerous encounters and cutthroat attacks in enemy territory.

Bound by sorcery and oath to guard and guide Prince Edward on his quest, Nightfall is forced to reveal his true name, Sudian, and to use every trick at his command to keep himself and his idealistic young charge alive. And when Edward suddenly becomes a king, he makes Sudian his advisor. But advisor or not, Sudian cannot dissuade King Edward from a journey to repay a debt of honor to Duke Varsah, an expedition that ends in disaster when all of Edward’s guards are slain and the king himself vanishes without a trace.

Now Sudian must turn to Duke Varsah for aid. But is he putting himself into the clutches of the very man responsible for Edward’s disappearance, a man whose greatest desire is vengeance against Sudian himself?

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)

When Davey and his family moved to the city from the island of Muckle Burra off the coast of Scotland, they left his grandmother behind. But now his parents are dead-after a car accident that left Davey confined to a wheelchair-and Gran has moved in to take care of him and his sister, Lu-Lyn. But Lu-Lyn believes that both she and Gran are “Ridders” who have strange, dark powers and must return to the island… or has a dangerous force already followed them here?

Davey must embark on a terrifying journey that will reveal the true secret of his grandmother’s rare gift-and the limitless power of his own potential.

Joan Aiken mixes myth and magic in this mysterious short novel inspired by the Munch painting, The Scream.

“An eerie story from this bestselling children’s author: ‘Superbly chilling…this is one of her best” Independent on Sunday

“A tense, exciting and disturbing new story from Joan Aiken, whose magical, fantastic and supernatural books for children are among the best ever written” World of Books

“A prolific and much-beloved children’s author, Joan Aiken is perhaps best known for her classic “Gothic” adventures, chief among them The Wolves of Willoughby Chase and Midnight is a Place. The Scream, which features Edvard Munch’s famous painting of the same name, was written later in the author’s career, and makes for an agreeable “shivery” read” LibraryThing

“Joan Aiken, one of the most brilliant children’s writers of her generation, delivers a dark and potent reading experience in this short, disturbing story. After their parents’ fatal accident, David and his sister live with their grandmother, a fearsome woman who possesses the power of the Evil Eye. Gran’s mysterious links to the old legends and magic of a remote Scottish island seem destined to lead to another tragedy” Amazon Review

“Joan Aiken is just ridiculously talented in terms of the scope of her writing and this is truly demonstrated by her ability to create a chilling and compelling narrative in such a short book” Goodreads Review

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, “Cass,” which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.
My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.

Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. “Thos,” which most of my Oxford friends adopted. “Thos,” of course, is an abbreviation for Thomas, and refers to the “doubting Thomas” of the New Testament.

Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.

The head of the following bulky letter bears the address of a well-known mental home.

“THOS.”

From the vaults of the SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to one of the unique voices of British science fiction, John Middleton Murry, Jr, who wrote his best work under the pen name Richard Cowper.

The son of the famous critic John Middleton Murry, Cowper announced himself to the science fiction world in 1967 with BREAKTHROUGH, which found favour for a subtlety and richness of characterisation not seen in most contemporary SF. The idea of a transformed future England became his signature leitmotif and it is this theme that informs the Corlay tales contained in this omnibus. This is the complete Corlay sequence, featuring introductory novella ‘PIPER AT THE GATES OF DAWN’ and novels THE ROAD TO CORLAY, A DREAM OF KINSHIP and A TAPESTRY OF TIME.

THE ROAD TO CORLAY:
On the Eve of the Fourth Millennium a slowly-building civilization, struggling out of the rubble of the Drowning, was crushed beneath the sceptre of a powerful and repressive Church. But on the Eve of the Fourth Millennium the sound of a magical pipe was heard, and the air was filled with songs of freedom and enlightenment. And on the Eve of the Fourth Millennium the Boy appeared, bringing the gift of sacrilege, a harbinger of the future, heralding the arrival of the White Bird of Dawning. It is the coming of a New Age. A glorious future bearing the presents of the past!

A DREAM OF KINSHIP:
They came to destroy! The treacherous Falcons, uniformed in the black leather tunics of the fanatic Secular Arm, descended on Corlay to burn and kill. Commanded by Lord Constant, ruler of the Seven Kingdoms, they were determined to crush the religious heresy of Kinship. But a new dream rose from the ashes… When four Kinsmen escaped the carnage of their beloved land, each helped to fulfill the miracle that had been foretold: the coming of the Child of the Bride of Time.

A TAPESTRY OF TIME:
Twenty years have passed since the martyrdom of the Boy-piper at York, twenty years in which his legacy, the movement of Kinship, has challenged the tyranny of the Church Militant in Britain’s seven island kingdoms. Now his namesake, Tom, bearing the Boy’s own pipes and perhaps himself imbued with the spirit of the White Bird, is wandering Europe in company with the girl, Witchet. But disaster overtakes them and Tom, in a furry of vengeance, breaks his vow of Kinship. A terrible path lies before him, one that transcends his own world. As he travels it, Tom must come to understand the true nature of the wild White Bird, of The Bride of Time and her Child, and of the Song the Star Born sang.