Search Results for: far-out

The Star Folk were an anachronism. Living in their cluster of giant ships far out in space, cut off from contact with their fellow humans, they were shrouded in mystery. Through the allegory of an ancient song, Joneny, an anthropology student, set out to unravel that mystery – and found a truth stranger than any allegory . . .

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

It is hard to say how it started – all the unexplained little signs of a new baby about the house in ‘The Silent Cradle’ – but soon none of the O’Bannons could deny that there had been a highly irregular addition to the family. In ‘Max Haunting’ a middle-aged hippie, preserved almost intact from the Sixties, starts showing up on the doorsteps of his old friends and loves who, in acquiring jobs and furniture, have ‘sold out’ rather less than he thought. Hauntings of curious varieties continue in other stories: the sort manufactured out of glass by a man who thinks his godly wife deserves a miracle; the visitation of a mother’s cruelty into the mind of her daughter as she confronts the frustrations of coping with her own child; the specters of opportunities lost or spurned which nag to be laid, like ghosts.



Elsewhere Leigh Kennedy considers the impulse of cannibalism in a future world whose greed has induced ecological upheaval, and the phenomenon of speaking in tongues as investigated by a sociology professor. She views the world through the eyes of a victim of seizures and of a primatologist whose devotion to apes has gone a bit too far.

The planet was called Felicity. The name was a joke, except for those compelled to settle there. Inhabiting it were beings bred for thousands of years for a single purpose: to attack and kill.

Jason knew this. But he also knew the planet on which he lived was moving towards certain disaster. And Felicity was the only spot in the universe where he and his companions could survive. He thought he had worked out the perfect plan. But what awaited him on Felicity went far beyond his wildest imagining.

Vengeance of the oppressed…

Pawl Paxwax was now Master of the eleven human families who rule the galaxy, and free to marry his loved one, the remarkable Laurel Beltane.

But Pawl’s happiness was to be short-lived. The many oppressed alien species who paid dearly for humanity’s triumph were about to rise up in bloody retribution – with Pawl as their unwitting instrument.

The Fall Families is the epic sequel to Master of Paxwax, an extraordinary interstellar revenge tragedy played out against an immense and powerfully imagined canvas of the far future.

The river cuts right across the known world, from the impassable Far Precipices to the sea. The people on one bank are cut off from those on the other, for the black current has the power to stop them crossing.

Only women can travel repeatedly up and down the river, but when Yaleen joins the boating guild and becomes a riverwoman, she is singled out to follow an even more extraordinary path…

In every mouse’s long life, there comes a time when ancestral voices tell him to move on. Pedlar, a yellow-necked mouse, has reached that point. Told to leave the Hedgerow and go on a long journey, the adventurous mouse says his farewells and sets out for a far-distant country knows as The House. Reaching his destination, Pedlar enters a strange new world inhabited by many warring tribes: the Stinkhorns of the cellar, the great Savage Tribe in the kitchen, the library Bookeaters, the Invisibles, the Deathshead and the rebellious 13-K Gang.

During his stay, Pedlar witnesses a momentous truce, in which the tribes come together at an Allthing meeting and decide to rid themselves of the greatest pests in The House, the greedy, stupid nudniks – the humans. And so the Great Nudnik Drive is set in motion, a time of considerable anxiety for the nudniks, when clocks strike twenty and inanimate objects seem to have a life of their own. Ranged against the mouse tribes are the nudniks’ allies: the two cats, Eyeball the Burmese blue and Spitz the ginger tom; the Headhunter, a barbarian human child; and Little Prince, the Headhunter’s cannibalistic pet white mouse. The House becomes a hotbed of riot and discord, until Pedlar finally comes up with a solution. The outcome of this heroic struggle has gone down in the annals of mouse history, a history tens of thousands of days long, and the whole remarkable tale is recorded here, between these pages.

On Cloudrock the penalty for imperfection is death: death by the long fall into the void, through the poisonous mists and gases that rise from the deadlands far, far below.

The two tribes who survive on the Rock, the tribes of Day and Night, keep their families tight, their bloodlines pure and true, by incest, by cannibalism and by murder. Parcelling out their tiny world in measures of light and time, they wrap themselves in ritual and taboo, each family denying the presence of the other. Then came the Shadow.

Born to the matriarch Catrunner, the Shadow is deformed – a neuter dwarf – a natural candidate for instant death. But for this mutant, fate intervenes. The Shadow may live – on the condition that none acknowledge its presence: one word, one glance, and the Shadow will join its luckless kin in the long death-flight.

Surviving on the outskirts of the family, the Shadow’s very existence creates an unspoken question that challenges the ties that bind. This is the Shadow’s tale…

What would you do if little men in purple uniforms filled your living room with impossible machinery?

A machine made it possible to bury your crimes in the future?

You were abandoned on an asteroid alone with a murderous living snake of metal?

Kainui is one of a pair of double planets circling a pair of binary stars. Mike Hoani has come there to study the languarge of the colonists. But Kainui is an ocean planet, covered in water 1700 miles deep, with no solid ground anywhere. The population is scattered in cities on floating artificial islands with no fixed locations. The atmosphere isn’t breathable, and lightning, water-spouts, and tsunamis are constant. Out on the great planetary ocean, self-sufficiency is crucial, and far from any floating city, on a small working-family ship, anything can happen. Mike’s academic research turns into an exotic nautical adventure unlike anything he could have imagined.

AN ACCIDENT IN TIME…

Duncan Reid was snatched out of the twentieth century from a cruise liner in the mid-Pacific. Oleg Vladimirovitch came from Novgorod in medieval Russia. Udin was a Hun barbarian who lived by cunning and the axe. Erissa had been a sacred priestess in a lost continent. And a mistake in a time-experiment by a race from the far future had thrown these four unlikely comrades together, pulling them through a warp in the fabric of space and time to a world which was ancient history.

The strange alliance that Duncan and his comrades formed in that unfamiliar world was to take on a significance that none of them could have foreseen. For not only their own future, but they very future of the world they had found was at stake…

FREE ACTING TERRAN ENVOY
F.A.T.E.

Captain Kennedy, Earth’s trouble shooter carries the Banner of Terran against the unknown sciences and alien psychologies of a thousand worlds.

The crack in the cosmos that has to be sealed!

FATE is the space hero series that has become a must wherever Science Fiction is read. A solid space adventure more exciting than “Startrek” and far more real than “Perry Rhodan”. Look out for further titles in this exciting series.

Far from Earth, on a ship carrying the 13th and 14th generations of descendants from the original crew, life is short. You are born, learn the tasks needed to keep the ship running, help breed and train the next crew – and your death is ordered by the computer in charge.

Gregson, chief of the psych-police, makes sure the computer’s death-sentences are carried out quickly and painlessly. His duty is a sacred trust. He knows the intricacies of the system, how it works . . . and how it can be subverted.

He is growing old. Rebellious.

He also knows his name will soon come up in the computer for elimination.

And he has no intention of carrying out his own death-sentence!

‘Earth is real,’ Dumarest insisted. ‘A world old and scarred by ancient wars. The stars are few and there is a great single moon which hangs like a pale sun in the night sky.’

In the quest for his legendary birthplace, Earl Dumarest has traversed galaxies. Now, at least, he reaches Ourelle, a planet close to Earth – out along a far arm of the Milky Way. There he finds Jondelle, a boy who may hold the key to Earl’s search.

But then Jondelle is kidnapped. And Dumarest’s pursuit of the imperilled boy leads him to a city of paranoiac killers – madmen whose terrible violence is always on a hair-trigger!



(First published 1973)

Old Earth has reached its Third Cycle, a tired planet basking in the faded glories of a lost civilisation. Long ago it had been great – but the pride and greed of its rulers had brought about a terrible downfall.

And now Earth was threatened. Far out in space an alien race waited. Once they had been the victims of a crime perpetrated by the human race – now they were ready to return as conquerors. As a Watcher, Tomis had spent his life searching the skies for signs of the impending invasion. And when it finally came, it was to disrupt not only his world but his whole life in a way he had never dreamed was possible.


(First published 1969)

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga.

Santaroga had no juvenile delinquency, or any crime at all. Outsiders found no house for sale or rent in this valley, and no one ever moved out. No one bought cigarettes in Santaroga. No cheese, wine, beer or produce from outside the valley could be sold there. The list went on and on and grew stranger and stranger.

Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks. . . .

Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

A stunning work from the acclaimed author of Dune, the series which inspired the 2021 Denis Villeneuve epic film adaptation, Dune, starring Oscar Isaac, Timothée Chalamet, Zendaya and Josh Brolin.

From the author of Dune, the greatest SF novel of all time, comes a stunning evocation of alien cultures

In the far future, humans and aliens have joined together in a galaxy-wide federation of intelligent species: The Consentiency. But its existence is now threatened by the discovery of a secret, illegal and deadly experiment on the planet Dosadi.

There, the froglike Gowachin have created a brutal society: 850 million beings, human and Gowachin, are confined in an area of 40 square kilometres. But the experiment in overcrowding is getting out of control: the beings that have bred on Dosadi are so tough and resourceful that they are capable of breaking out of their monstrous prison and overrunning the galaxy.

The Whims of Destiny

Jorian, the one-time unbeheaded king, was now safely retired from a long career of getting into trouble. But his younger brother Kerin lacked such wisdom. The outraged father of Adeliza had caught him in compromising circumstances with the maiden. So Kerin had to be sent at once on a mission by sea to the Far East.

But Kerin’s talent for trouble was not to be denied. First came Belinka, a sprite sent by Adeliza to bring him back safe for her. The ship captain believed Kerin was seducing his mistress. Though innocent this time, Kerin left hastily in a rowboat. That got him to a hermit-wizard’s island – and a voyage on a pirate ship, where the kidnapped princess Nogiri was held captive. Kerin was unable to save her – until he gained the help of the hermit-wizard, who then betrayed him by seizing the girl and fleeing with her to be used as a human sacrifice.

From then on, events became hectic as Kerin managed to save Nogiri again, helped by a wizard who was the enemy of the first one. Belinka was much distressed by what happened then between Kerin and Nogiri – with cause – as they set out again, this time to the Emperor of the Farthest East.

There Kerin discovered more magic, and the Emperor learned that no man should be absentminded when using a powerful spell. But it was later that Kerin discovered the limitations of roller skates.

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS.

THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die.

THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul?

THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder…

For over a century, the human colonists on the planet Gaia have prospered under the guidance of the M’threnni. But when David arrives in the capital Helixport and makes contact with the aliens, he begins to learn the terrifying truth about them. From that moment on he is in mortal danger, for the M’threnni far from being silent benefactors, may turn out to be the deadliest of cruel dictators.

The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire’s thousand-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future.

Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he had been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there was only one option left to him.

To be allowed to die.

The interstellar Bridge System was the greatest invention in the long history of cosmic humanity. Spread through dozens of planets, men and their societies had drifted apart in isolation until the Bridge came to link together humanity’s multifold worlds . . . and had affirmed once more that all men were brothers and sisters under the skin.

But the far away world of Azreal was the exception, the one dissident world that refused the Bridge. It became the task of two agents, a man and a woman, to bring Azreal back into manshape unity, to ferret out the hidden reasons for the stubborn refusal.

The problem, with its perils and high risks, was to involve more than just secrets, for Manshape is John Brunner novel that deals with the very fabric of civilization . . .

The far-flung fingers of Earth’s civilisation touched many corners of the galaxy, and among them was the beautiful planet Yan. Here the colonists lived a peaceful, almost idyllic life, amid ancient and secret relics, co-existing with their strange and compatible neighbours.

The arrival of Gregory Chart, the greatest dramatist ever, whose productions were played out in the skies, and whose actors were also the audience, could only disrupt and destroy once the Yanfolk were aroused from their dreaming indifference . . .



(First published 1972)