Search Results for: far-from-this-earth

Killed by the power of the god Zezeth, his true father, Lionwolf has been cast into a bleak and icy hell lit just by a cold blue sun. Here he and others of the living dead must wage endless combat and war, to appease the whim of a deathly King whose face is made of stone. But when Lionwolf encounters the King’s wife, she is none other than the beautiful, god-fashioned Chillel, his own former lover – and nemesis.

As Lionwolf struggles in the toils of Hell, elsewhere in the hell-cold ice-age of the mortal earth, men and women work out their own destinies. An empire has fallen. Ru Karismi, Capital of the Kings, has been abandoned to the poisons of the White Death. Reivers cross the lands of the Jafn and the Ruk, preying wherever they wish.

Against this unsettled backdrop, Jemhara the sorceress determines to save the Magician Thryfe from a dire self-inflicted punishment, and Saphay, now a goddess of the far north, seeks to lead her people to a new world.

Yet Seseth’s violent hadred shadows all – and from the depths of an ice-locked sea his other terrifying son, the mountainous whale-leviathan Brightshade, is once more rising for vengeance…

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

When Commander Herries of the Space Line began to sell the water of Mars as a ‘potion’ for lengthening life he had no idea that he was going to create the world’s greatest thirst and produce havoc among the two social grades of Earth – the Inelligentsia and the Normals. But produce it he did.

Among the confusion thus produced one man thinks clearly for his own ends – Vance Unthra, the leading scientist of the world – and he sees in the crisis which has hit Earth a way to be rid of all those who do not measure up to what he thinks as an intellectual standard. By his orders two synthetic worlds are created – Alpha and Omega – and to these are ruthlessly evacuated all the victims of the Martian water, there to rebuild there shattered fortunes and never cross the ‘Dark Boundaries’ which exist between those worlds and Earth.

Despite his careful planning, however, Unthra makes one mistake. In destroying the power of the Martian water over the evacuated thousands he miscalculates the strength of cosmic radiation on Omega with the result that the leader – the Controllix – of this world, Sylvia Grantham, becomes a far greater power in the grand scheme of things than her former lover, Dexter Carfax. Through the machinations of the wily Unthra open hostility breaks out between Dexter Carfax and the girl, and eventually their worlds are destroyed through the influence of a deadly chain reaction ‘disease’ from the Great Red Spot of Jupoter.

Both of them, however, through the various experiences they undergo, hold to one objective – to be avenged on Vance Unthra for his viciousness.

Scientific progress has taken human beings to remote planes in far galaxies and enabled them to build comfortable homes there. But when that science proved a deadly enemy and had to be abandoned, the pioneers were isolated in alien surroundings. There was no way home. Earth, which had once been home, had ceased to exist. And when the men of the planet Demeter died out in space, the destiny of the human race was left to a group of women.

Clare Monkton worked to establish a feminist world. She used the resources of science to assure the continuance of the race … but the resulting children were to be brought up according to her ideas.

There was bound to be a challenge. When there were once more young men growing up on the planet, it was inevitable that they should oppose the authority of the women. And when one of those young men proved to come from such a dangerous ancestry, Clare knew she had a battle on her hands…

What if you could change your gender with barely a thought?
Cory Lanus is a teen out of place. He doesn’t fit in. He doesn’t act right. There’s something off about him. Or so his friend Jaz Andrews believes.
Jaz is a typical teenage girl with too much schoolwork, grief at home, and a huge crush on the new guy. She spends as much time with him as she can, to the chagrin of her friends, yet she can’t get close enough to him. Surely he likes her as much as she likes him.
Cory is out of place. Far out of place. On the run from his family’s enemy, Corilanus has literally landed on earth, his home world’s only hope for survival. He finds comfort on this seemingly backward planet that puts so much emphasis on what everyone expects you to be. Cory finds being a boy comfortable enough, but sometimes being a girl works too.
But when someone from his home comes looking for him, Cory’s new found peace is set for destruction because those he left behind have come to finish what they started and nothing, especially not his new friends, are going to stand in their way.

Jake Cutter is reluctantly learning how to be a Necroscope – how to use the Möbius continuum to travel instantaneously from place to place, how to talk to the dead – but the dead don’t like him much. It seems Jake’s got a hitchhiker in his mind, a dead vampire named Korath. But since Korath holds the key to the Möbius equations, Jake can’t just kick him out…

In Australia, Jake helped E-Branch destroy the aerie of the mind-master, Nephran Malinari, one of the trio of Great Vampires who came to Earth from the vampire world. Malinari escaped and went to ground with the hideously beautiful Lady Vavara. Vavara has taken over a holy monastery on a beautiful Greek island and turned the nuns into most unholy creatures of fearsome appetites for all things carnal.

But Jake wants revenge against the Italian mobsters who killed the woman he loved. As far as he’s concerned, E-Branch can search for Malinari, Vavara, and the metamorphic Lord Szwart without him until he’s satisfied his own bloodlust. But it seems vampire-hunting is truly Jake’s job now – the men he’s trying to kill aren’t men at all but vampires hidden for two generations in human guise!

To defeat them, Jake will need every weapon in Necroscope’s arsenal, including the power to call the unsleeping dead out of their mouldering graves…

Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the new writing lay in its fascination with ‘entropy’ – the universal and irreversible decline of energy into disorder. Entropy provides the key both to the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its intimate connection with other cultural experiments of the 1960s. The fiction of the New Worlds writers, who included Brian Aldiss, J. G. Ballard and Moorcock himself, was not concerned with the far future and outer space, but with the ambiguous and unstable conditions of the modern world. As Ballard put it: ‘The only truly alien planet is Earth.’

The Entropy Exhibition is the first critical assessment of the literary movement known as ‘New Wave’ science fiction. It examines the history of the magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses development in stylistic theory and practice. Detailed attention is given to each of the three principal contributors to New Worlds – Aldiss, Ballard and Moorcock. Moorcock himself is most commonly judged by his commercial fantasy novels instead of by the magazine he supported with them, but here the balance is at last redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.