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That a planetoid of solid gold might exist in the Solar System is not beyond scientific possibility, insofar that our own Earth is basic nickel-iron, so might another world – of smaller size perhaps – be of basic god. Such a world is ZK/70, a planetoid in the region of the Asteroidal Belt.

Why, when he discovered the golden planetoid, did not Professor Brailsford bring back with him enough of the precious metal or gold dust to make himself financial dictator of the Earth? Why? That is the question. Instead, he dies without explaining and leaves his space machine and the course to ZK/70 to his daughter, step-daughter and their respective partners.

Out to ZK/70 travel the intrepid quartet, each one quite sure what will be one with unlimited gold once they have their hands on it…

Planet Earth was finished, its surface seared by nuclear heat, its great cities obliterated, its billions of inhabitants dying or dead. Only a few pockets of survivors remained. For all but a few it was only a matter of time. Then into the poisoned atmosphere of Earth there flashed a mysterious craft from somewhere deep in space. It landed, a small number of Earth people were taken aboard, then the craft disappeared into the great void. During the dark millennium which followed a strange experiment was conducted. When it was complete, another space craft took off for Earth…

The logical outcome of the space race, and the preliminary step towards the Moo, was the manned satellite, the Big Wheel moving in a stable orbit about the Earth, integrating the data necessary for a landing on the Moon, and eventually acting as a fuelling station for the Lunar rockets.

After several failures, the station is ready, but even there, danger exists, unseen, unheard, invisible and terrible. Forced to exist in the belt of cosmic radiation surrounding the planet, men die within weeks from aplastic anemia. Seeking a solution to the problem, Doctor Paul Russell is sent up to the satellite and here learns of the two men fro the previous crew who vanished without a trace after spotting an unidentified spaceship in orbit further out from Earth than themselves.

Scientific progress has taken human beings to remote planes in far galaxies and enabled them to build comfortable homes there. But when that science proved a deadly enemy and had to be abandoned, the pioneers were isolated in alien surroundings. There was no way home. Earth, which had once been home, had ceased to exist. And when the men of the planet Demeter died out in space, the destiny of the human race was left to a group of women.

Clare Monkton worked to establish a feminist world. She used the resources of science to assure the continuance of the race … but the resulting children were to be brought up according to her ideas.

There was bound to be a challenge. When there were once more young men growing up on the planet, it was inevitable that they should oppose the authority of the women. And when one of those young men proved to come from such a dangerous ancestry, Clare knew she had a battle on her hands…

How are thing on Rockamorra? Bad, very. Earth Ambassador Pinchbottle has contracted to fight a dinosaur, and it’s up to troubleshooter Jame Retief to keep him from being stomped, mangled, or eaten.

Things are tough on other planets, too, with a civil war on Skweem, a dying race om Sulinore, and mudstorms on Schweinhund’s World.

These seven stories show the Galaxy’s hippest diplomat at his unexpected and jaunty best.

Must Professor George Challenger and friends, barricaded in a room, see Earth die? As our globe passes through a belt of poisonous ether, terror sweeps mankind; cities riot; communications cease.

Telling the story of a dying Earth, The Night Land begins with a man from the 17th century who, mourning the death of his true love, is given a vision through the eyes his future incarnation. In that distant time Earth is only dimly lit by the remaining glow of the dead Sun. The last millions of the human race cluster together inside the Last Redoubt, a huge metal pyramid, and are set upon by mysterious forces from the dark outside. Leaving the protection of their refuge means certain death, but our narrator makes mind contact with a survivor in a forgotten Lesser Redoubt. He must journey alone through the evil darkness to find her, knowing that she is the reincarnation of his past precious love.

In the far future Earth is dying. Society has reverted to a more primitive life, much like the Middle Ages. Two men, Matthew and his brother John, who calls himself “Firefly,” set out to find the time traveller, the one person who can give purpose to their existence, the one individual who can still access past technology. The Firefly, he who lights his own way, seeks the age of Man’s greatness, the time when the human race once owned the stars, when great cities stood in places that have now become rust-bowls.

When Zaan, the ruler of the dying world of Ginya, set his sights on Earth as a place where his race could prosper and be safe from extinction, conquest was assured. The people of Earth were decadent and sunk in idle complacency and peace and technological advancement came to the world when the Ginyan race became Earth’s overlords. Only a small group of human beings saw far enough ahead to exile themselves on dark Zoaster with a view to freeing the world from alien rule in the future, hoping to build up an army of synthetic supermen who would one day sweep the Ginyan race from the face of the Earth. They did not count on the weird elementals that dwelt on Zoaster, spirits of evil and darkness . . .

Two men, one of them a policeman, are investigating a death involving a large international genetic engineering corporation. They become bothersome to the corporate owners and are taken out of action – not by being killed, but by being put to sleep for hundreds of years. But this may be a fate worse than death.

They awaken to a distant future in which contemporary industrial civilization has been “cleansed” from the earth and what humanity survives is learning to live a very low-technology lifestyle, being bred eugenically to this life. This cleaning was done on purpose, an international plot by the rich and powerful who in fact rule the world – and who, in this distant future, are dying off.

This is a complex and morally tortuous vision, and Turner’s characters find it nearly impossible to adapt without killing someone, perhaps even themselves.

THE TALES OF HENGHIS HAPTHORN

Henghis Hapthorn is the foremost penetrator of mysteries and uncoverer of secrets in a decadent, far-future Old Earth, one age before Jack Vance’s Dying Earth. A superb rationalist, he has long disdained the notion that the universe has an alternative organizing principle: magic. But now a new age is dawning, overturning the very foundations of Hapthorn’s existence, and he must struggle to survive in a world where all the rules are changing.

In MAJESTRUM, Hapthorn is on the trail of an unknown killer who collects body parts from his victims. The search leads him off-planet, into the Ten Thousand Worlds of The Spray, then turns in an unexpected direction as the freelance discriminator learns that an ancient and evil power is plotting to reassert its dominion over Old Earth.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

It was bad enough when Henghis Hapthorn, Old Earth’s foremost discriminator and die-hard empiricist, had to accept that the cosmos was shortly to rewrite its basic operating system, replacing rational cause-and-effect with detestable magic. Now he finds himself cast forward several centuries, stranded in a primitive world of contending wizards and hungry dragons, and without his magic-savvy alter ego. Worse, some entity with a will powerful enough to bend space and time is searching for him through the Nine Planes, bellowing “Bring me Apthorn!” in a voice loud enough to frighten demons.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

THE TALES OF HENGHIS HAPTHORN

Henghis Hapthorn is the foremost penetrator of mysteries and uncoverer of secrets in a decadent, far-future Old Earth, one age before Jack Vance’s Dying Earth. A superb rationalist, he has long disdained the notion that the universe has an alternative organizing principle: magic. But now a new age is dawning, overturning the very foundations of Hapthorn’s existence, and he must struggle to survive in a world where all the rules are changing.

HESPIRA

Hapthorn decides to leave Old Earth, seeking to solve the mystery of Hespira, an ungainly off-world woman who has lost her memory. The investigation takes him down The Spray to the rank-obsessed world of Ikkibal and the rustic Shannery, where he unravels Hespira’s role in a deadly feud between aristocrats. But behind the scenes an unseen antagonist is plotting the discriminator’s destruction.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

From the award-winning author of Majestrum, Template, and The Other, this collection of short stories ranges from the thoughtful to the whimsical. Most of them appeared first in The Magazine of Fantasy & Science Fiction and Asimov’s. Others were written for the bespoke anthologies: Songs of the Dying Earth, Old Mars, and Welcome to the Greenhouse; one is published here for the first time.

Praise for Matthew Hughes:

“Matthew Hughes does Jack Vance better than anyone except Jack himself” – George R.R. Martin
“Heir apparent to Jack Vance” – Booklist
“Hughes’s boldness is admirable”- New York Review of Science Fiction
“Hughes effortlessly renders fantastic worlds and beings believable”- Publishers Weekly
“A towering talent”- Robert J. Sawyer
“A treasure” – David Gerrold

Aleph is a machine mentality overseeing a future Earth largely bereft of humans, most of whom have sublimed into a virtuality.Remaining are the smug but cautious adherents of science. Amanda, still a teen at age 30, is a skilled violinist and mathematician but craves the applause of the Mall for some daring exploit.

In a nearby enclave live the rustic, non-scientific people who worship the god of their choice. In the center of their poly-religious valley a wicked tower has emerged, surely a tool of evil temptation. Far below, a supersonic railroad is being constructed. Amanda conceives a dangerous feat: to enter the valley and descend to the rushing train, hitching a mad ride to the next city.

Using a cyber “Liar bee,” she buzzes the ear of young Matthewmark, who chafes under the restrictions of his own narrow society. He agrees to aid Amanda and her friend Vikram Singh, but the scheme goes horribly wrong. Vik dies; Matthewmark’s brain is seriously damaged, although he recovers with advanced neurological prostheses. This treatment, condemned by his own people, allows him contact with the AI Aleph.

In a series of startling moves, Amanda graduates to adulthood (and her modish clipped speech patterns give way to this new sophistication), while Matthewmark explores uncanny and sometimes very funny opportunities in the Alephverse, climaxing in the dismantling of the solar system and its embrace by the hyperuniverse beyond ours. This is the Singularity, at last, the Transcension, and everyone lives happily ever after, for rather mindboggling values of “lives” and “happily.”

After two hundred years colonising earth, the Aleutians prepare to return to space, leaving behind humanity and an earth that have been shaped by their presence, their care, and their cruelty.

In the dying days of Aleutian rule, Catherine has altered her body to appear more alien, and soaks herself in the decadence of their culture. Misha idolises the Aleutians, and begins a love affair with Catherine, both desperate to forget their humanity and embrace the alien.

What will be left for the humans when the Aleutians leave? What will the Aleutians take with them from their time on earth? Could humanity have changed them as much as they changed it?

Dark, violent, political and emotional, PHOENIX CAFÉ is the third book in Gwyneth Jones’ critically acclaimed Aleutians Trilogy.