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New races of man had evolved, new species of beast; science had vanished and magic had arisen to dominate the twilight of our world as it dominated the earth’s morning. The Dying Earth is Jack Vance’s finest work – a stunning evocation of a world peopled by wizards, witches, demons, monsters, dashing princes and forlorn maidens. A bejewelled gallery of strange and wonderful beings in the eminent tradition of Tolkien and William Morris.

Jack Vance’s preferred title for this collection is Mazirian the Magician, but while we have elsewhere deferred to his wishes, in this case the book is so famous under a title of which he apparently strongly disapproves that we concluded it would be absurd to change it.

All Jack Vance titles in the SFGateway use the author’s preferred texts, as restored for the Vance Integral Edition (VIE), an extensive project masterminded by an international online community of Vance’s admirers. In general, we also use the VIE titles, and have adopted the arrangement of short story collections to eliminate overlaps.

More even than space travel, the Stileman Process had altered twenty-first century life. The most complex of medical miracles, it ensured that every ten years or so, the ailing aging body could be restored to youthful vigour and health.

There was a catch of course. The cost. Every ten years or so you have to come up with £1,000,000 minimum or die.

For Dallas Barr, one of the oldest men on earth, it was that time again. It was while he was casting around for that vital next million that he came across Maria, a woman from – literally – a previous life. And made two major discoveries.

Not all Stileman ‘immortals’ were born – or created – the same. And someone is trying to kill them. All of them.

Earth, 2000 years after the holocaust which drove man deep underground; a ghostly, deserted planet peopled only by the diligent robots who, century after century, silently harvest grain which no man will eat. Up into this eerie world comes Mel, a questioning young Roamer who has disobeyed the Law which says he must never venture into or beyond the Lost Levels. Together with three companions, and a companion not of this earth, Mel takes on the awesome task of freeing human beings from the tyranny imposed upon them by their remote ancestors; of justifying the agonized cry of Barney as he died in a Forbidden Level; ‘I am a man! Everything is for Man!’

Science fiction begins, wrote Algis J. Budrys, where unreality leaves off. In these unforgettable stories Budrys creates an alien but familiar world stripped of the lies of everyday life: a world where cannibalism is a medical, not an ethical problem; where “not-dying” is the alternative to both life and death; where the last man on Earth dances in hideous and exquisite joy.

Honor White Jackson was a human being. But his planet was not Earth, nor his time Now. His world was dominated by a giant Iron Thorn. Beyond the reach of this tower there was supposedly, nothing – except a frozen, airless desert where huge winged beasts called Amsirs roamed.

The duty of Jackson’s caste was to hunt and kill the Amsir. And it was not until Jackson had made his first kill that he discovered the secret of his world. As the creature lay dying at his feet, Honor White Jackson partook of the fruit of knowledge. Forevermore he was committed to another life – and the bitter discovery of genius, cruelty and the human paradox.

Fifteen billion years from now, Earth is a dying planet, its skies darkened by the ashes of burned-out galaxies, its molten core long cooled. The sunless planet is nearing the day of final gravitational collapse in the surrounding galaxy. Mutations and evolution have led to a great disparity of life-forms, while civilization has resorted to the primitive.
Young Deyv of the Turtle Tribe knew nothing of his world’s history or its fate. He lived only to track down the wretched Yawtl who had stolen his precious Soul Egg. Joined by other victims of the same thief – the feisty Vana and the plant-man Sloosh – the group sets off across a nightmare landscape of monster-haunted jungle and wetland. Their search leads them ultimately to the jeweled wasteland of the Shemibob, an ageless being from another star who knows Earth’s end is near and holds the only key to escape.

Earth lies crushed in the grip of totalitarianism. To save her planet, Kyra Davis is sent on a mission to liberate the last bastion of freedom and to rescue its legendary leader. Her bold adventure will sweep her from Earth’s rebel enclaves, to the decadent court of an exotic lunar colony, from the virtual realities of biotech and artificial intelligence to a brave new world menaced by a dying star.

There were two: Rosslyn, the pilot, and Comain, the dreamer. Rosslyn died in space, frozen, preserved for two centuries until found and resurrected by a miracle of future surgery. Comain . . . ?

Comain remained on Earth and crystallised his dreams, and when Rosslyn returned he found a civilisation beyond his wildest imaginings. Women ruled the planet, guided solely by the automatic and relentless predictions of a tremendous and frightening machine. A machine that foretold the future and determined the actions of an entire world with devastating accuracy. Into this assured and new civilisation Rosslyn came – and the impact of his presence brought near chaos.

He had to be assimilated – or eliminated.

Captain Baron, space pilot, is forced to abandon his ship, waiting for a rescue that does not come. Eventually he dies in space, his body frozen and perfectly preserved. Five years later, he is found, and two doctors, Le Maitre and Whitney, restore him to life using an experimental surgical technique.

Returning to Earth, Baron finds that he has been declared legally dead, his commission rescinded, and all his possessions reverted to the State. His only asset is the novelty and notoriety of being a Resurrected Man, and when this is ruthlessly exploited by others, he commits murder and becomes a fugitive from the police. Inspector McMillan enlists the help of Dr. Whitney to track him down, but their task is complicated by the fact that Baron is no longer quite human . . .

A hundred thousand years ago, there had been a planet called Earth. It had been a proud world ruling a thousand vassal stars, but its stellar empire had turned upon and annihilated their conquerors, and wiped the name of Earth from the maps of space.

But Earthmen still survived . . . a strange race of worldless men and women, by tradition advisers to rulers, but never themselves ruling. Wanderers through myriad planets, their origin was a half-forgotten legend.

That was the situation when a strange quirk of fate sent Earthman Hallam Navarre on an interstellar wild goose chase. He had to bring back a strictly mythical treasure to his alien ruler, or die.

It will be the greatest voyage of exploration in human history. Fifty men and women are chosen to crew the Wotan. Their mission: to travel deep into the unknown galaxy in search of habitable worlds, to rekindle the dying human spirit. Their only contact with Earth is the telepathic link between one of the crew members and her sister back home. But when the mind-link with Earth is abruptly broken the Wotan is lost in the pearl-gray twilight of nospace. Then just as all seems lost, the Wotan encounters a massive alien presence. Suddenly the crew is forced to realise that their every assumption about life and death, humanity and the universe, may be dead wrong.

Hour by hour, the computers produce the names of those to die. Simple. Neat. Ruthless.

In a world where human feelings seem frozen, one spirit flares with defiance and hope . . . while two powerful brothers fight their old blood feud to a brutal climax.

And hurtling through space . . . a lost explorer desperately tries to reach earth with word of a new paradise for man beyond the stars . . .




(First published 1957)

Omega: an apocalyptic rumour from the Eastern Front. Omega: something that will alter all the strategic calculations of the Earth’s great military blocs. Omega: the code name for a weapon that may well bring doomsday with it. But if Omega is indeed the agent that will destroy the world, that world is not our own. For this is a timeline in which World War Two never truly ended: a timeline in which Hitler died in a plane crash, Britain joined Germany in its battle against Communist Russia, and the present is an age of intermittent, but deadly, armed conflict between the USSR, the European Alliance, and the USA.

The frontier regions are radioactive wastelands, nuclear winter threatens catastrophe, global confrontation could erupt again any time – and that’s before Omega is taken into account…This is the reality experienced by Owen Meredith when an accident forces his consciousness from the England we know into the mind of his cognate self in that other darker, Europe.

Switching back and forth between being plain Owen Meredith and troubled Major Owain Maredudd, Owen is faced not only with a Cold War going Hot, but with a deep crisis of identity. Who is he? Whose twisted destiny is he treading? Did the ordinary domestic life he remembers ever even take place? Perhaps the universe of Owain and Omega is merely a symptom of mental illness – but if so, why is it so urgently tangible?

It was carnival time on Earth. Prosperity was at its peak; science had triumphed over environment; all human needs were taken care of by computers, robots and androids. There was nothing left for humans to do but enjoy, themselves . . . to seek pleasure where they found it, without inhibitions and without thinking of the price.

Then an android died – in a senseless, brutal murder. And young Derry Horn was shocked out of his boredom and alienation. His life of flabby ease had not prepared him for a fantastically dangerous mission to outlying, primitive stars – but now, at last, he had a reason for living. And even when he found himself a prisoner of ruthless slavers, even when he learned the shocking truth about what the androids really were and where they came from . . . even when he saw all the laws of the orderly, civilised universe he knew turned upside-down and inside-out . . . he fought on.

For that universe had to be shattered and reborn – even if Derry Horn and the Earth he had irrevocably left behind died in the process!



(First published 1968)

MUST THE UNIVERSE DIE WITH THEM?

The Starfolk, arrogant masters of vast stretches of the cosmos beyond the Earth’s sphere of influence, were determined to complete the extermination of the mind-reading mutants of Regnier’s planet.

But to the mutants themselves, the terror of the Starfolk was nothing compared to the greater dread that gripped their spirits – the obsession that the universe itself was doomed. This obsession ripped into their minds, overwhelmed them, and plunged them into horrifying hysteria.

The message of room reached the ears of the Starfolk themselves, forcing the to a fateful decision. They would allow an Earthman, archeologist Philip Gascon, to visit Regnier in an attempt to unravel its secrets. What he found would either contain the key to the ultimate destiny of the universe – or the date of the doomsday.

Sheri Tepper, one of the foremost science fiction writers in the world, gives us an exciting, evocative and thought-provoking tale where science and magic meet head-on. A group of colonists, waking every few hundred years to see what’s been happening on the planet they fled to from a dying Earth, watch as the systems and rules they set in place so long ago become debased and decayed.

The corrupt leaders govern by oppression, but technological resources run low and the knowledge of how to replace them is lost in the mists of time. Instead, the power-hungry leaders turn to sorcery of the blackest kind, kindled by pain and despair.

And when they launch a religious crusade to wipe out all those who won’t conform to the government’s ever-more-stringent dictates, not even the original colonists – the new gods – are safe from the ravaging sorcery-fuelled armies of the righteous . . .