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Following a civil war in 1971, England is a dystopia controlled by a ruthless dictator whose fiendish schemes include turning cadavers into robots with the help of Dr. Azimov of Vienna. But the dictator’s plans pale before those of Brenda Norcross, a brilliant and beautiful female industrialist – actually a bioengineered Martian super scientist in disguise – who plans to enslave the entire planet to provide breeding stock for the dying Martian race currently hiding out in the interior of Uranus.

Pennterra is a beautiful and fertile planet and humanity’s last hope for survival. But Pennterra is already inhabited. After warning other colony ships to stay away, the small advance colony of Quakers has adapted to life on Pennterra. Heeding the empathic warnings of the native hrossa, they have settled in a single valley, sharply limited their population, and continued to use no heavy machinery in their building and farming. But surviving under these conditions has left the Quakers little time to learn more about their native neighbors. Catastrophe or peace-Tanka Wakan, the omnipotent master spirit of Pennterra, will decide.

Judith Moffett returns to the future with this moving tale of the Hefn occupation of Earth and how it affects the planet’s native humans – two in particular: Pam Pruitt, a talented young woman from Kentucky, and Liam O’Hara, whose unique friendship with the Hefn Humphrey saved his life. The two teens journey to a special place in remote Kentucky, Hurt Hollow, where the painter Orrin Hubbell and his wife, Hannah, found a way to live in peace with the planet during the twentieth century. The prospects of living peacefully seem distant for Pam and Liam, both of whom must find peace with themselves as well as with the Hefn Directive. The marvelous events that befall them en route to Kentucky and in the Hollow itself beautifully depict the subtle ways in which the world shapes them, and the stunning ways in which they change the world.

Through realms of oriental splender and superhuman conflict, a beautiful woman warrior and a fierce man-god journey to challenge a being more awesome than the gods for a magical sword that holds the power of death … and the key to enlightenment.

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Earth’s last hope?

The Arc, a being of immense power, trapped within a continuum too small, fights for its freedom. Its monumental struggle will touch a few select individuals on Earth – and in doing so, change their lives forever. The Arc may also be the last hope for humanity’s survival.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Artemesia is the daughter of a pirate queen, and she’s sick of practising deportment at the Angels Academy for Young Maidens. Escaping from the school, she hunts up her mother’s crew and breezily commands them out to sea in a leaky boat. Unfortunately, Art’s memories of her early life may not be accurate-her seasick crew are actors, and Art’s infamous mother was the darling of the stage in a pirate drama. But fiery, pistol-proof Art soon shapes her men into the cleverest pirate crew afloat. And when they meet the dread ship Enemy and her beautiful, treacherous captain, Goldie Girl, Art is certain that her memories are real. The Seven Seas aren’t large enough for two pirate queens: Art will have the battle of her life to win her mother’s title – and the race for the most fabulous treasure in pirate lore.

Emenie lives alone. Her vocation is that of a serial killer. She can read the omens and always knows exactly who is her legitimate prey.
In a ruined and collapsing world, perhaps her method is the best one.

Rod, though, has a dreary life, working at an unrewarding job. Without friends, but encumbered by relations, there is something uneasy hanging over him.
Is it the wardrobe?

How unlike Klova, young, beautiful and living on benign handouts, in a sort of Science Fantasy existence of sprints and liquid-silver…
Until she meets the challenging Coal.

And then there is the other one… or are there two?
They also begin to assert their influence – but where do they fit?
Past Historical, Presents Parallel and Everyday – Future Imperfect.

Here, at the outskirts of this City they all call London, what the Hell is going on?

Nick Lewis certainly has no liking for his TV historian brother, Laurence. Aside from anything else Nick blames him for the death of their mother, the beautiful actress Claudia Martin. And so, is it possible the off-handedly childish trick played by Nick on Laurence really does cast some kind of curse? Bizarre and unpleasant things begin to happen, without a doubt. And Nick himself is hardly immune. As the pattern of his secure yet eccentric life starts to come undone, he finds himself without remedies. Where has Laurence vanished to? What is the creepy Mr Pond’s part in it all? And who is the apparently sinister Kitty Price? Can repressed hatred cause such disruption, danger, even death? Or has the object caused it, as Nick pretended it could: that little ivory counter from a stolen drawer… This is probably not a supernatural story. It might be less unsettling if it was.

Twenty years ago, the powerful mage Atrix Wolfe unleashed an uncontrollable force that killed his beloved king. Now, the Queen of the Wood has offered him one last chance for redemption. She asks him to find her daughter, who vanished into the human world during the massacre he caused. No one has seen the princess-but deep in the kitchens of the Castle of Pelucir, there is a scullery maid who appeared out of nowhere one night long ago. She cannot speak and her eyes are full of sadness. But there are those who call her beautiful.

A fantasist without equal, Patricia A. McKillip has created worlds of intricate beauty and unforgettably nuanced characters. For many years, she’s drawn readers into her spell, spinning modern-day fables with a grace rarely seen.

Now she presents a book of short stories, full of beautiful dragons, rueful princesses, and handsome bards, and written in the gorgeous – and often surprisingly funny – prose she’s known for. This is her world, wrapped up in the finery of fairy tales

Inexplicable electro-magnetic disturbances threw the Avon’s passengers and crew into confusion as their ship was dragged off course. Collision with a huge asteroid seemed inevitable and the Avon was abandoned.
Ferdin escaped in a life capsule and landed – more dead than alive – on the unexpected planetoid. To his surprise, a powerful pseudo-grav generator and a vast atmosphere and humidity plant simulated terrestrial conditions with uncanny accuracy.
The asteroid was inhabited and strangely in-habited at that! There was Rosper – a remote, aloof, scientific genius, whose past held strange secrets. There was his beautiful unbelievably innocent daughter, Darmina, who knew no other home but the strange asteroid; and above all there was a creature called Canbail – apparently some strange life-form indigenous to the asteroid! A particular gestalt involving Ferdin and many others took place under the calculating supervision of the Leira Mark 2, the most frighteningly potent of Rosper’s inventions.

Uma, a beautiful but frightened dancing girl, sells a strange bronze statuette of Nataraja, the dancing Siva, to Dr Chris Anderson, while he was visiting a bazaar in Pollachi, Southern India. He travels back to Kerala and puts the statuette on the bedside cabinet in his hotel room. His sleep is tortured by fantastic nightmares in which he seems hosts of ancient Indian gods and demons, in all their splendour and horror.

He wakes in terror to hear a faint voice whispering in the darkness. The bronze statuette is glowing with unearthly light and there is a smell if incense.

Can a human soul be imprisoned in bronze by the power of weird, unearthly dark magic?

Can Dr Chris Anderson release the psychic prisoner? Who is Uma, the mysterious dancing girl?

Catherine Wilder was a strange girl, lovely but lonely. Sir Henry Wilder, her father, was the kind of eccentric, medical researcher who preferred to work in complete isolation. Catherine withdrew deeper into herself as the oppressing loneliness of her father’s remote mansion weighed upon her mind.
When she first heard the voice she wondered whether the mansion was haunted, then she feared for her sanity. But it was neither madness nor the supernatural which threatened her.
Mezak appeared to her suddenly in the twilight of the mansion’s gloomy corridors. He was more romantic than her wildest dreams. Although some of his language was beyond her understanding at first, it gradually became possible for them to communicate. Mezak was from the future, the remote future, but Catherine slowly realised that she was in love with him! Her father’s strange research into super-freezing and suspended animation gave her only a remote chance of reaching him, but she was prepared to take that chance. As Catherine placed herself in the freezing chamber, numbness and darkness crept over her…. Would she ever open those beautiful eyes again?

Is there a Destiny? Does Fate impose a limit? What Barrier stands between man and the creation of life?

Since the legendary failure of the ill-fated Frankenstein, man has tried time and time again to pass those limits. He has created androids, clumsy robots of flesh and blood. He has made men of metal and servants of plastic, with wheels for limbs and magnetic tapes for voices. Man has made things by cross breeding the animal kingdom and destroying Nature’s intentions…but man has never yet made man. Or has he?

Forbisher thought that he had the answer. It wasn’t a clumsy Synthetic. It wasn’t an Android, or a Robot, it was a real flesh and blood human being.

The beautiful woman in his arms was the product of a laboratory experiment, not the result of a natural biological process. But how could he prove it?

A space liner is a brilliantly designed machine. It is not the kind of thing that disappears without good reason. The Q 97 bound for Alpha Centauri vanished with disquieting suddenness. Stelgen and his crew of expert investigators went in pursuit…and also vanished!
On the other side of Infinity they found a nightmare galaxy where things of incalculable power plotted cosmic evil. Stelgen argued that somewhere, somehow, there had to be an answer to the apparent invincibility of these unbelievably deadly aliens. His problem was to find the answer and get it back to his own people. Trouble was, that someone from the Q 97 was working against him…
When an answer finally presented itself it was so beautifully simple that it needed a genius to see it, and whatever his other qualities Stelgen was not a genius.

Jonga and Krull had a routine job in the solar system defence organisation. Week after week and year after year they checked the asteroids. 23rd century astronomy had accurately charted 2,812 of those miniature worlds, compared with the 1,539 that are known to-day.
Suddenly a new asteroid appears, and a survey expedition under Squadron-leader Gregg Masterson, is sent out to investigate. They expedition fails to return, and when the watching asteroid observation corps make another anxious check, they find that the mysterious planetoid has disappeared as mysteriously as it came. A second expedition is launched under General Rotherson himself. An expedition that finds the wreckage of the survey ships, and the bodies of every man except Gregg Masterson.
Where is the missing Squadron leader?
Who is the terrible ageless asteroid man? So strong that he can control the destinies of a planet. What is the beautiful Princess Astra of Altain doing in the labyrinth below the surface of the asteroid?

In the shadowed swamps far from Prince Phaedran’s fabulous city of Quamarr, a sorcerer tests the fabric of the universe. At his command something stirs in the emptiness beyond the stars. It is incalculably evil, immeasurably old. It is summoned by the promise of fresh human souls…

Meanwhile in a 20th Century film studio, Red Cordell takes another cheap part in another cheap swords and sorcery movie. A beautiful neglected sword he finds in Props is his only satisfaction.

But in Quamarr, the enchantress Aurilia is in mortal danger. When she calls on the sword of Corodel, Red finds himself at her side, fighting for her life in a land of waking dreams…

The son of a Civil War veteran, Edgar Rice Burroughs was a prolific writer for the early pulp magazines. Famous the world over as the creator of Tarzan – and in SF circles for his Martian tales featuring John Carter – Burroughs is a household name. But John Carter wasn’t the only Earthman to champion another world. This omnibus collects PIRATES OF VENUS, LOST ON VENUS and CARSON OF VENUS – the first three of Burroughs’ classic pulp tales of Carson Napier on the waterworld of Amtor – better known to us as Venus.

PIRATES OF VENUS: The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess comes at a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.

LOST ON VENUS: Napier’s adventures continue in this pulse-pounding sequel to PIRATES OF VENUS. Here the intrepid and wry explorer takes on a savage world in order to rescue the princess from her sworn enemies. Napier’s epic quest for Duare takes him through the streets of the City of the Dead, into the terrifying Room of the Seven Doors, and face to face with fantastic and perilous creatures. LOST ON VENUS brims with the action, suspense and wit unique to the Master of Adventure.

CARSON OF VENUS: Carson Napier, first Earthman to reach Venus, had to keep alert every instant of his stay on that world of mist and mystery. For its lands were unmapped, its inhabitants many, varied and strange, and he had taken an obligation to restore a native princess to her lost homeland. On terrible oceans where dreaded sea-monsters dwelled, in deep forests where terror haunted every branch, and behind the walls of eerie cities where power-mad chieftains plotted uncanny schemes, CARSON OF VENUS is fast-paced science fiction adventure.

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to Sheri S. Tepper, the author of several resoundingly acclaimed novels, including Beauty, which was voted Best Fantasy Novel of the Year by readers of Locus. She is one of the few writers to have titles in both the SF and Fantasy Masterworks lists. This omnibus contains three of her acclaimed SF novels: After Long Silence, Shadow’s End and Six Moon Dance.

The Gods and Goddesses of Ancient Greece and Rome had returned to Earth – with all their awesome powers intact. Overnight, Earth was transformed. War on any scale was outlawed, along with boom-and-bust economic cycles, and prudery. No change was more startling than the face of New York, where the Empire State Building became the Tower of Zeus.

In this totally altered world, William Forrester is an acolyte of Athena, Goddess of Wisdom, and a teacher of history. Only Maya Wilson, one of his students and a worshipper of Venus, Goddess of Love, had a different sort of grading in mind. Maya is the first of the many Trials of Forrester, every bit as mighty and perilous as the Labors of Hercules. In love with Gerda Symes (like him, a devotee of Athena and a frequenter of the great Temple of Pallas Athena – formerly known as the 42nd Street Library) and dedicated to the pleasures of the mind – Forrester falls under the soft, compelling pressure of soft, compelling devotees of Venus and Bacchus. He’s going to be in need of all the strength that he and his Goddess, the beautiful and intellectual Athena, can muster!

Into this sensuous strife stride the Temple Myrmidons – religious cops sworn to obey orders without question or hesitation – with a pickup order for William Forrester. Where he is taken, what happens to him, and the truly fantastic discoveries he makes about himself and the Gods and Goddesses … here are the ingredients that make up this science fiction novel of suspense, intrigue, mystery and danger!

For Ricardo Carillo, taking over the life of the swordsman Markasset on the desert world of Gandalara had its compensations: a strong young body, a beautiful fiancee, and a mighty telepathic warcat named Keeshah, who obeyed his every command. It also had its problems. Markasset had many enemies, and one was out for blood. So Ricardo and Keeshah left Raithskar to join the Sharith – the warrior brotherhood of sha’um cat-riders. But trouble followed, and he soon found himself in the company of a jealous lieutenant and a lovely but treacherous illusionist, on the track of the murderer who had stolen Gandalara’s most precious jewel.