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During the day a blazing and merciless sun beat down on “the boy” and at night a friendless and cold darkness enveloped him. It was a bleak and lonely countryside over which he had been wandering for ten years. A rare tree, bird or wild animal was the only life he encountered during his desolate trek through his young years of roaming. Infrequently, he was fortunate enough to find shelter and food in the shops of deserted villages; otherwise he foraged what he could from the nearly barren land. Contact with other humans was his innermost and greatest fear.

But the day came when his curiosity overcame his sensibilities of self-preservation and he was drawn to the sound of a great wailing not far from a place where he had come to rest.

Form that moment on his whole existence took on a radical change. His wanderings became a kaleidoscope of adventures, emotions, and responsibilities – never static, forever mobile, and potentially dangerous. There were moments when it would have been easier to turn his back, return to old ways, but somehow he knew this was an impossibility. He accepted his new fate, but still feared the greatest of all commitments until it was too late for him.

This fantasy adventure will not fail to excite and stir in every reader memories and emotions of seemingly forgotten times and moments.

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the work of the award-winning Bob Shaw. Best known for his extraordinary novel of ‘slow glass’, Other Days, Other Eyes, Bob Shaw was a fan favourite at conventions for his hysterical ‘serious scientific talks’. This omnibus contains three of his finest works: Orbitsville, A Wreath of Stars and The Ragged Astronauts.

Orbitsville:
Racing from the certain vengeance of Earth’s tyrant ruler, space captain Vance Garamond flees the Solar System. And discovers the almost unimaginably vast spherical structure soon to become famous as ‘Orbitsville’ – a new home for Earth’s huddled masses.

A Wreath of Stars:
Thornton’s Planet is an anti-neutrino planet detected on its approach to Earth. It can be seen only through the newly developed magniluct lenses and its arrival causes a wave of panic. When its course carries it past the earth, interest in Thornton’s Planet wanes. But the visit of Thornton’s Planet has had effects on Earth further-ranging than anyone could have imagined.

The Ragged Astronauts:
Land and Overland – twin worlds a few thousand miles apart. On Land, humanity faces a threat to its very survival – an airborne species, the ptertha, has declared war on humankind, and is actively hunting for victims. The only hope lies in migration. Through space to Overland. By balloon.

A marvelous medley of Tiptree’s best, including:

“YOUR HAPLOID HEART” – When Ian Suitlov and Pax Patton landed on Esthaa to check for humans, the job wasn’t as easy as it appeared. Though the natives seemed human enough, only cross breeding would be conclusive proof. But how were they to prove anything, when sex was punishable by death?

“THE PSYCHOLOGIST WHO WOULDN’T DO AWFUL THINGS TO RATS” – Dr Tilly Lipsitz hated his name, loved his rats… and would be out of a job if he didn’t come up with a real zinger of an experiment soon. He didn’t have much in mind until he took a midnight trip to his lab and learned more than he would have thought possible.

“SHE WAITS FOR ALL MEN BORN” – She had eyes that could not see, but without sight she had powers that went far beyond those of all who came upon her.

Contents:
Your Haploid Heart (1969)
And So On, and So On (1971)
Her Smoke Rose Up Forever (1974)
A Momentary Taste of Being (1975)
Houston, Houston, Do You Read? (1976)
The Psychologist Who Wouldn’t Do Awful Things to Rats (1976)
She Waits for All Men Born (1976)

A collection of worlds of wit and wonder, including:

“AND I AWOKE AND FOUND ME HERE ON THE COLD HILL’S SIDE” – Man seeks to get into bed with anything new and different, or die trying. But when the new and different was not human…would he die trying?

“THE MAN WHO WALKED HOME” – The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past…

“I’M TOO BIG BUT I LOVE TO PLAY” – If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human – and what is merely identical?

Contents:
And I Awoke and Found Me Here on the Cold Hill’s Side (1972)
The Snows Are Melted, the Snows Are Gone (1969)
The Peacefulness of Vivyan (1971)
Mamma Come Home (1968)
Help (1968)
Painwise (1972)
Faithful to Thee, Terra, in Our Fashion (1969)
The Man Doors Said Hello To (1970)
The Man Who Walked Home (1972)
Forever to a Hudson Bay Blanket (1972)
I’ll Be Waiting for You When the Swimming Pool Is Empty (1971)
I’m Too Big but I Love to Play (1970)
Birth of a Salesman (1968)
Mother in the Sky with Diamonds (1971)
Beam Us Home (1969)

Susan Galina and her friend Pat have escaped their normal lives into the elegant, isolated world of the Odyssey, a luxury cruise ship heading from New York to Europe via Bermuda. Pat is working on her doctoral thesis in quantum physics, and Susan is recovering from a recent and unhappy divorce.

To Susan’s delight, she discovers that her favourite author, Max Merriwell, is also aboard ship, teaching a writers’ workshop. Susan’s life becomes even more interesting when she meets Tom Clayton, the handsome chief of security. This cruise looks very promising indeed.

But the pleasant shipboard vacation turns dark as the Odyssey passes into the Bermuda Triangle. Each year, Max Merriwell writes three novels: a science fiction novel under his own name, a fantasy novel under the pseudonym Mary Maxwell, and a mystery novel under the pseudonym Weldon Merrimax. The trouble begins when Max receives a threatening note that appears to come from Weldon Merrimax, Max’s own pseudonym. Susan hears wolves howling in the night, the ship’s passengers are seized with a dancing mania, and monsters lurk in the ship’s corridors. An eyewitness reports a murder – but the victim of the crime is not on the passenger list and the body is nowhere to be found. While others struggle to understand these strange events, Pat seeks the explanation in quantum theory.

In a distant future, on an Earth populated by a scant few hundred thousand humans, the Atkins’s Thomas performs without question the duties for which he was genetically bred. Called “Soldier” by one and all, he is a man of honor and ability, responsible for keeping the peace, for maintaining the status quo . . . and, most important, for guarding the great Book House on the hill – a vast repository of Last Culture knowledge presided over by Libary, Soldier’s mentor, the most senior of the mystic Celibate scholars.

Such is Thomas’s life in the serene, semi-primitive world without nations and cities and governments – until the night the starship comes home. Having fled a dangerously overcrowded Earth years before the Collapse and the Twilight that followed, for seven centuries the men and women of the space-going vessel Search have been combing the galaxy for inhabitable planets – their aging processes dramatically slowed by the relative magic of light speed travel and cryogenic sleep. And now, lonely and frustrated, the weary voyagers have returned to a homeworld unrecognizably altered by the relentless tides of time – a world that does not want them back.

A bitter welcome awaits the Searchers, as old Libary gathers Earth’s Ordinands and Elders together to tap the terrifying power of the collective unconscious – in preparation of the Carnival night when they will sweep the helpless intruders back to their lonely sky in the name of Holy Science. And it is Soldier who stands in the middle, silent and alone – bound by duty to evict the homesick star-travelers . . . yet cursed by a preordained genetic destiny that has decreed their eviction will mean Soldier’s death.

From The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to one of the giants of 20th century science fiction: Frank Herbert. Although best known for his award-winning Dune, Herbert’s other work is equally ambitious and accomplished. This omnibus contains three novels spanning some 20 years of Herbert’s career: The Dragon in the Sea, The Santaroga Barrier and The Dosadi Experiment.


THE DRAGON IN THE SEA
In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves. Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug where, hunted relentlessly by the enemy, the crew find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

THE SANTAROGA BARRIER
Santaroga seemed to be nothing more than a prosperous farm community. But there was something . . . different . . . about Santaroga. Maybe Santaroga was the last outpost of American individualism. Maybe they were just a bunch of religious kooks . . . Or maybe there was something extraordinary at work in Santaroga. Something far more disturbing than anyone could imagine.

THE DOSADI EXPERIMENT
Generations of a tormented human-alien people, caged on a toxic planet, conditioned by constant hunger and war – this is the Dosadi Experiment, and it has succeeded too well. For the Dosadi have bred for Vengeance as well as cunning, and they have learned how to pass through the shimmering God Wall to exact their dreadful revenge on the Universe that created them . . .

A cyber-dystopian thriller unlike any other.

In a near future Tokyo, every action-from blinking to sexual intercourse-is intellectual property owned by corporations that charge licensing fees. A BodyBank computer system implanted in each citizen records their movements from moment to moment, and connects them to the audio-visual overlay of the ImmaNet, so that every inch of this cyber-dystopian metropolis crawls with information and shifting cinematic promotainment.

Amon Kenzaki works as a Liquidator for the Global Action Transaction Authority. His job is to capture bankrupt citizens, remove their BodyBank, and banish them to BankDeath Camps where they are forever cut off from the action-transaction economy. Amon always plays by the rules and is steadily climbing the Liquidation Ministry ladder.

With his savings accumulating and another promotion coming, everything seems to be going well, until he is asked to cash crash a charismatic politician and model citizen, and soon after is charged for an incredibly expensive action called “jubilee” that he is sure he never performed. To restore balance to his account, Amon must unravel the secret of jubilee, but quickly finds himself asking dangerous questions about the system to which he’s devoted his life, and the costly investigation only drags him closer and closer to the pit of bankruptcy.

In book one of the Jubilee Cycle, Cash Crash Jubilee, debut novelist Eli K. P. William wields the incisive power of speculative fiction to show how, in a world of corporate finance run amok, one man will do everything for the sake of truth and justice.

The Soviet Union won the Cold War. The Russians were a little smarter than they were in our own world, and the United States was a little dumber and a lot less resolute. Now, more than a century later, the world’s gone Communist, and capitalism is a bad word.

For Gianfranco and his friend Annarita, a couple of teenagers growing up in Milan, life in a heavily regimented, surveillance-rich command economy is just plain dreary. The eventual withering-away of the state doesn’t look like it’s going to happen anytime soon.

Annarita’s a hard-working student and a member of the Young Socialists’ League. Gianfranco is a lot less motivated–but on the other hand, his father’s a Party apparatchik. The biggest excitement in their lives is a wargame shop called The Gladiator, which runs tournaments, and stocks marvelous complex games you can’t find anywhere else.

Then, abruptly, the shop is shut down. Someone’s figured out that The Gladiator’s games are teaching counterrevolutionary capitalist principles. The Security Police are searching high and low for the shop’s proprietors, who’ve not only vanished into thin air, but have left behind sets of fingerprints that aren’t in the records of any government on earth.

Only one staffer is left: Gianfranco and Annarita’s friend Eduardo. He’s on the run, and he comes to them in secret with an astonishing story: he’s a time trader from our own timeline, accidentally left behind when the store was evacuated. The only way Eduardo can get home to his own timeline is if Gianfranco and Annarita can help him reach one of the other time trader sites in this world – and the Security Police will be on their tails all the way there…

From the Hugo-winning author of Spin, an exuberant adventure in a post-climate-change America

In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the Plague of Infertility, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York City. In Colorado Springs, the Dominion sees to the nation’s spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again.

Then out of Labrador come tales of a new Ajax-Captain Commongold, the Youthful Hero of the Saguenay. The ordinary people follow his adventures in the popular press. The Army adores him. The President is…troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the falsely accused and executed Bryce.

Treachery and intrigue dog Julian’s footsteps. Hairsbreadth escapes and daring rescues fill his days. Stern resolve and tender sentiment dice for Julian’s soul, while his admiration for the works of the Secular Ancients, and his adherence to the evolutionary doctrines of the heretical Darwin, set him at fatal odds with the hierarchy of the Dominion. Plague and fire swirl around the Presidential palace when at last he arrives with the acclamation of the mob.

As told by Julian’s best friend and faithful companion, a rustic yet observant lad from the west, this tale of the 22nd Century asks- and answers-the age-old question: “Do you want to tell the truth, or do you want to tell a story?”

From the vaults of the SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the varied work of author, editor and critic, L. Sprague de Camp.

Although arguably best known for his continuation of Robert E. Howard’s Conan stories, de Camp was an important figure in the formative period of modern SF, alongside the likes of Isaac Asimov and Robert A. Heinlein. In a career spanning seven decades, he won the HUGO, WORLD FANTASY LIFE ACHIEVEMENT and SFWA GRAND MASTER AWARDs. This omnibus collects three previously out-of-print classics: LEST DARKNESS FALL, ROGUE QUEEN and THE TRITONIAN RING.

Lest Darkness Fall:
The Roman Empire had spread order, knowledge and civilisation throughout the ancient world. When Rome fell, the light of reason flickered out across the Empire. The Dark Ages had begun; they would last a thousand years. Could a man from the 20th century prevent the fall of Rome?

Rogue Queen:
Decades before a certain five-year voyage, L. Sprague de Camp sent a spirited crew to a strange and distant world, where their meeting with its inhabitants created chaos in local politics, upset the balance of power and generally created the most entertaining havoc.

The Tritonian Ring:
The gods of Poseidonis – or Atlantis – were powerful and real. Now they were determined to destroy the kingdom ruled by the father of Prince Vakar, the one man whose mind they could not read. The only way to save the kingdom was to discover that thing which the gods feared most.

Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, “Cass,” which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.
My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.

Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. “Thos,” which most of my Oxford friends adopted. “Thos,” of course, is an abbreviation for Thomas, and refers to the “doubting Thomas” of the New Testament.

Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.

The head of the following bulky letter bears the address of a well-known mental home.

“THOS.”