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There were problems with the Form Change process. One or two malfunctions at first: people emerging from the tanks in an incorrect form or completely unchanged.

For three years it had been getting worse. Now there had been deaths, and on the Space Farms panic was setting in. People were refusing to go into the tanks. Yet out in the Cloudlands, they needed continuous small form corrections just to stay effective. As the faults increased, their society was on an exponential curve to disaster.

Behrooz Wolf, down in the Inner System, was sent for. But far gone in despair, he was in no state to help. He himself was going mad. Like a hallucination, the Dancing Man would come capering across his field of vision. Dressed in skin-tight scarlet, he danced up to him, mouthing gibberish, then skipping backwards, tantalisingly, out of sight.

While, hidden in the Kernel Ring, Black Ransone bided his time, waiting for the disintegration of the empires, waiting to inherit the universe.

‘One of British crime writing’s hidden jewels’ Time Out

At 19 years old Denise Prior knew little about criminals and even less about the law. In hindsight only her innocence was to blame for her affair with Detective Inspector Colin Harpur. That same innocence led to a friendship with ballet student Helen Surtees – live-in lover of Harpur’s number one informer, Jack Lamb.

It wasn’t until later that the guns came out for the raid on the Link Street sub-post office. The tip-off had come from Jack Lamb and Harpur wanted to be there . . . but the Link Street shoot out changed everything, and Harpur’s actions made Denise the only possible victim for a cruel and terrible revenge.

It’s jang to be wild and sexy and reckless and teen-age.

It’s jang to do daredevil tricks and even get killed a few times…you could always come alive again.

It’s jang to change your body, to switch your sex, to do anything you want to keep up with the crowd.

But there comes a time when you begin to think about serious things, to want to do something valid. And that’s when you find out there are rules beyond the rules and that the world is something else than all they’d taught you.

The rift in the fabric of space was fast approaching the Well World, and time was running out. Troops all over the planet were gathering for the final battle.

Nathan Brazil and Mavra Chang somehow had to reach the Well of Souls in time to save the universe and before any of the hostile natives managed to kill them.

At best, a difficult mission. At worst, impossible – especially since there was a price on Brazil’s head and many would be claimants! For Brazil, the difficult was but the work of a moment – the impossible would take a little longer!

While attempting to repel an intergalactic invasion, mankind resorts to a weapon of such awesome destructive power that it undermines the Well World computer’s control of time and space – and threatens the very existence of the Universe.

It is up to Mavra Chang – victim and veteran of the Wars of the Well – and Obie, her sophisticated computer companion, to find the only being capable of travelling to the desolate Well World to repair the damage at source.

The infamous and near-mythical Nathan Brazil does not want to be found. But Mavra and Obie have never been ones to take no for an answer…

Sail away to a world of magic!

Steve is a hollow man, both in his job and his personal life, until one night, near the docks of his home city. A night that changes his life.

As a dockyard fight turns into something much more fantastic and deadly, Steve finds himself drawn into a world he neither understands nor believes – at first. His meeting with the mercurial Jyp leads to a raid on his office by beings not-quite-human, and the kidnapping of Clare, his secretary. Aware of strong feelings for the first time in years, Steve enlists the aid of Jyp and his roisterin friends to sail after Clare ad her captors…to Chase the Morning.

Steve and Helen Anderson move from their London flat into an isolated old house near the Lod River. Both are strangely drawn to the river, though stories circulate about its dangerously weak banks and powerful undertow. Helen is also drawn to neighbor Matthew Summers, the forbidding village squire and Casanova.

They have moved from urbanity and movement to a silent and brooding landscape dominated by the almost invisible river that runs through it. It is this change that provides the catalyst to an inherently unstable relationship, and a final catastrophe …

‘He has the ability to achieve a mounting kind of tension that rivets the reader’ New York Times Book Review

Operation Timestop: Post-holocaust Paris is a pretty seedy stand-in for the original, but what can you expect when the goverment’s main function is Orgasm Prevention & when the national hero is wandering around in Nowhen. But things are changing! Rumor has it that the Timetraveler is coming back in a few months. At which point, Time itself will come to an end.

This book contains four striking novellas, and the author’s own philosophy of fiction writing expressed in her speech as a guest of honour at the 38th World Science Fiction Convention.

“The Winter Beach” turns what might be a spy story into suspense of a far different order.

“Julian” begins when its youthful hero trains his telescope on nearby earth rather than the stars and sees a woman who rules the rest of his life.

“With Thimbles, with Forks and Hope” seems to be the dramatic story of a holiday fishing trip, but once on the ocean we are gripped by a different reality.

“Moongate”, set in the mountains of the Northwest, takes its two men and one woman through many dimensions in time and space.

“The Uncertain Edge of Reality” casts a new light on Kate Wilhelm’s many books and short stories. “This is my subject matter when I write,” she says. “I am asking, What actually do we mean by reality, and are we stuck with the one we have? This is what I mean by reality fiction, and usually it is also called science fiction…We are more than simple animals using sophisticated tools in our search for food, security and mates. We are something new on the earth…We can change reality.”

Kate Wilhelm’s writing always has meaning on many levels. Listen, Listen provides a feasts for fans and new readers alike.

The Translator tells of the relationship between an exiled Russian poet and his American translator during the Cuban missile crisis, a time when a writer’s words – especially forbidden ones – could be powerful enough to change the course of history.

Rhavas is a good, holy, and pious man, as befits a member of the clergy. He is also the cousin of the Avtokrator, ruler of the Empire. Hoping someday to become ecumenical patriarch of Videssos, he was reluctantly willing to bide his time in one of the smaller cities on the outskirts of the Empire.

Then civil war broke out, and the Avtokrator had to pull back the troops guarding the borders as he struggled for control of the Empire. Rhavas had to flee for his life as the fierce Khamorth nomads took advantage of the chaos and sacked the city he had come to love. He only survived because he accidentally discovered that he had an unsuspected power: Men often cursed each other – but Rhavas’s curse had the power to kill!

Rhavas had always followed Phos, the god of light and goodness, Videssos’ own god, just as he had always despised Phos’ evil rival Skotos. Those who fall off the Bridge of the Separator during judgment in the afterlife are doomed to dwell in Skotos’ ice and darkness forevermore. But Rhavas has reverenced logic as well as goodness, and knows the power to kill with a curse cannot be an attribute of Phos. As evil swallows up the world, Rhavas, ever the logician, decided that Skotos is actually the more powerful god, and becomes determind to change the official religion of Videssos. But in the end, it is he who will be changed, and neither the world nor he will ever be the same again…

Former Air Force officer and NSA agent Ron Moosic thought he had been assigned to be the Security Director for a nuclear power plant – but the power plant was only a cover for a top secret project sending observers back in time.

And terrorists had taken control of the project and sent two of their own back to change the past. Moosic was sent downtime in pursuit, with two considerable handicaps: like all time travelers, he would change upon arrival into a person who was alive at the time – he could find himself changed into a young boy or a woman – and if he stayed too long, his memories would vanish and he would be trapped in the past.

But Moosic quickly discovered that both he and the terrorists were only pawns in the time game, maneuvered by warring humans and… ex-humans in a future struggle that would either conquer the Earth or destroy all life on it…

Out of body, out of time…

Though basically a skeptic, William Reynolds had known out-of-body experiences in the past. But never before had he floated past the boundaries of Baltimore . . . and across the borders of time. And now, with the fires of Civil War looming on the horizon, the astonished graduate student was hobnobbing with none other than the dark poet Edgar Allan Poe. But their meeting of minds was to have chilling consequences. For a desperate Confederacy planned to use them both to remold the world – and to change history…for the worse.

The filth and the fury…

During the long, hot summer of 1976 sixteen year-old Rob Swann decides to kill himself. Then, on a tinny transistor radio, he hears the Sex Pistols for the first time and it changes everything.

Over a quarter of a century later, Rob is a man with a colourful past. Ex-punk, drug addict, gangster and jailbird, he has finally put his troubled life behind him and is enjoying a settled, law-abiding, carefree existence. Then one day he meets and befriends the enigmatic Suzi – at which point everything begins to unravel.

Who is Suzi? Simply a vindictive young woman or some vengeful phantom from his past. And who or what is not merely taking his life apart piece by piece, but undermining his memories, seemingly punishing him for past misdemeanours which he cannot even recall? As he is pulled ever deeper into a murky underworld he thought he had long ago managed to leave behind, Rob is haunted not only by the fact that nothing is what it seems, but also by the horrifying prospect that he himself is not, nor ever was, the person he believed himself to be.

When Tabitha stole the Starship Plenty, she had no idea what it would come to mean. Its alien nature began to burrow into her affections. Now the rules are changing and with them come war and treachery. Tabitha is facing a crisis and this time round, Plenty might not be the saviour.

A winner of the Arthur C. Clarke and British Science Fiction Awards, the series featuring intergalactic pilot Captain Tabitha Jute concludes with her daring flight into a dying star system to avert a plot against the human race.

The Roman Empire never fell. Riven by political ambition and internal dissent, thrown into turmoil by rebellion and civil war, it changed and adapted, and somehow it survived. The balance of power between Constantinopolis in the east and Roma in the west ebbed and flowed, but the Empire endured. And it continued to expand, encountering the New World while still dominating the old.

Robert Silverberg’s superbly accomplished and ambitious novel explores over fifteen hundred years of Roman history through the very human stories of some of those who lived it. The young soldier encountering the exoticism of the New World for the first time; the minor official exiled to Arabia, for some misdemeanour, whose meeting with a religious fanatic may have changed the course of history; the military hero seizing his destiny; the innocent British aristocrat witnessing at first hand the bloody destruction of the royal family, and the children who find the last emperor in a decaying house in an old wood are all vividly and memorably portrayed.

In the long twilight if a galactic empire, the old king is dying. He has little choice but to name his callow young son as heir and his wanton daughter as regent. It seems the long decline is destined to continue.

But everything is changed by the appearance of a rival claimant: a long-lost princess, accompanied only by a loyal champion and a mysterious advisor. Will her arrival herald a bright new dawn for the empire? Or drive a once-proud civilisation to the brink of war . . . ?

More than any other series, THE AVENGERS typified the Swinging Sixties – beginning in 1961 with Patrick Macnee starring with Ian Hendry in a grainy, realistic spy thriller, and ending in 1969 with Macnee and the glamorous Linda Thorson blasting off into space in a surreal episode appropriately entitled ‘Bizarre’. Meanwhile we had seen the memorable Honor Blackman and Diana Rigg in roles unusually progressive for British television.

THE NEW AVENGERS in the mid-seventies reflected changing times but retained the essence of the show – as Macnee returned to play alongside another strong, independent heroine in the form of Joanna Lumley’s Purdey. And then there was the film…

THE AVENGERS DOSSIER is a uniquely comprehensive yet humorous survey of all the show’s incarnations. As well as a remarkably detailed episode guide to both series – even covering the kinkiness factor and champagne count in both – this volume gives behind the scenes insights and revelations about every aspect of the programme. The film and its production are examined, and critical essays look at the history behind the cult.

The Giants…

They came in the summer – the longest, hottest summer the village had ever known.

They wouldn’t drink beer – it was ‘grossing’. They fought duels – and although people got killed, nobody got hurt. They dressed in shirts and shorts – but the clothes never got dirty or worn.

And when the inferno began, the holocaust that swept the village from end to end, the giants were right in the middle of it…

Helen Powell was a punch card operator in the test office of Elcomp, the largest and most dynamically progressive computer manufacturing company in the West. A saboteur, acting for a totalitarian regime, eluded the security network and attempted to destroy the new top secret Mark IX, the greatest computer Elcomp had ever constructed. Unfortunately for the saboteur, the Mark IX had inbuilt defence mechanisms and the secret agent died in a holocaust of high voltage sparks.

From that time onwards Helen began to notice strange changes in the great electronic thinking machine. It seemed to her that the Mark IX was developing something which might almost have been described as a personality. She tried to dismiss the thoughts as imagination . . . then the face appeared . . . if it was a face!

Helen saw an image on the computer’s main screen. It was a face, yet not a human face in the accepted sense. The most horrible thing about it was the resemblance it bore to the dead agent.

Drug barons Ralph Ember and Mansel Shale have co-existed peaceably for years, tolerated by Assistant Chief Constable Desmond Iles as a way of keeping violence off the streets. But times are changing.

In a downward spiral of paranoia and panic, Ember fears Shale has a plan to kill him and take over his firm – after all, one of his people has already been gunned down and nobody’s taken the rap for it. Shale is about to remarry and has asked Ember to be best man. Iles and Detective Chief Constable Colin Harpur, alert to their potentially deadly double game, know that they have to act fast to avoid out-and-out carnage.

‘Dazzles . . . a modern morality play of epic scope’ Publishers Weekly

If a man from the mid-1920s had picked up today’s paper he would have mistaken it for a science fiction magazine. In the same way, if a man from the mid-1960s could be confronted with a national daily from thirty years hence he would shake his head and regard the whole thing as preposterous. Stop. Think. Wonder. Tomorrow’s commonplace was today’s miracle. Today’s commonplace was yesterday’s miracle. Most things change. Some change faster than others. Human nature changes most slowly of all. The sword has given way to the gun, but the hand that holds the gun is neither braver nor more cowardly than the hand that held the sword. The gun gives place to the heat ray and the energy blaster, but the hand still belongs to a hero or a coward. The greatest drama of the world is human drama. People are still fundamentally people. Spacemen are people. They will still have our human problems a hundred years hence. This is a story of people in the future facing our basic problems in a more complex environment.

For almost two centuries the huge spaceship had speared its way through the stars, bound for another two hundred years of travel before it would put down on a new planet, a new home for the Earth people.

On board the metal-enclosed worldlet were four hundred people: the last survivors of Earth. It was up to them to start life anew, to correct the mistakes their ancestors made.

But as the tenth generation neared maturity, the idle passengers found themselves face to face with these same problems – and this time there was no place to run and hide or to postpone their answers. For their miniature society was changing faster and faster. An the spaceship suddenly seemed destined to end as a star-bound coffin.

These seventeen classic stories create their own unique galaxy of vain, protective, and murderous robots; devilish angels; and warm and angry aliens. In “Mimsy Were the Borogoves”-the inspiration for New Line Cinema’s major motion picture The Last Mimzy-a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets-including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body-their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them-for better or worse.

Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms-sometimes writing entire issues of science fiction magazines-in close collaboration with his wife, C. L. Moore.

This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.