Search Results for: stake,-the

AN ACCIDENT IN TIME…

Duncan Reid was snatched out of the twentieth century from a cruise liner in the mid-Pacific. Oleg Vladimirovitch came from Novgorod in medieval Russia. Udin was a Hun barbarian who lived by cunning and the axe. Erissa had been a sacred priestess in a lost continent. And a mistake in a time-experiment by a race from the far future had thrown these four unlikely comrades together, pulling them through a warp in the fabric of space and time to a world which was ancient history.

The strange alliance that Duncan and his comrades formed in that unfamiliar world was to take on a significance that none of them could have foreseen. For not only their own future, but they very future of the world they had found was at stake…

Neil MacFarlane, a gentleman gambler on the French Riviera, is caught in a run of bad luck. His only chance to recoup his losses lies in gaining admittance to a private game, far from the eagle-eyed supervision of the Cannes casino croupier. But by the time he has succeeded in extracting an invitation from the rich Whitakers to dinner and a friendly game at their house, he is completely cleaned out. His hotel room is locked against him, and the angry manager refuses to open it until his bill is paid.

Then an enigmatic Englishman makes him a curious offer, which he accepts – and is drawn into a game in which the stakes are much higher than he could ever have imagined . . .

Sinister religions, missing physicists, super strings and retarded entropy; it’s all in a day’s work for Slippery Jim DiGriz, the Stainless Steel Rat, the Universe’s greatest ever thief and con artist. But this time the stakes are rather higher than even Slippery Jim is used to. His wife Angelina has disappeared and he has nothing to go on except a pool of blood and a severed hand (formerly belonging to a physicist of stellar repute) – and the fact that she has expressed an interest in The Temple of Eternal Truth, a cult offering a sneak peek at heaven – for a price.



But there’s a job to do and the Stainless Steel Rat is the man to do it. After all, the devil makes work for idle hands…

The final contact made by the Daedalus Mission begins badly, even before the ship makes a hard landing in the middle of nowhere. The situation of the colony doesn’t seem to make any sense, and neither does the situation of the indigenous aliens–the Sets–that have helped the colony survive and thrive. Alex Alexander doesn’t take long to work out a hypothesis that might explain the mystery–a hypothesis that the people on the ground have already worked out for themselves–and he’s fortunate enough to fall in with a colonist who’s obsessively determined to prove the hypothesis. Unfortunately, the quest seems likely to become so dangerous that both of them might die trying–and there’s too much at stake not to take it to the very limit of possibility, no matter what the cost.

War hero, jet-setter, gourmet – Godwin Harpinshield was all of those and more; his life was a game played among the Beautiful People whose fame, wealth and power set them above the law, and beyond the laws of nature. Because of a simple bargain that all the Beautiful People made, Godwin’s every desire was his for the asking. Seduced by luxury, Godwin never doubted his fortune, never wondered about his mysterious patrons.


Then the game turned ugly.


Suddenly, the ante was raised and the game was real. The stakes were his future, his sanity and, possibly, his very soul. All Godwin Harpinshield had to discover was: What were the rules of the game? And who – or what – were the other players?

The planet had two unique elements. One was that it produced the galaxy’s most desirable hallucinatory drug. The other was that it was a stock broker’s paradise.

The world was split into rich men’s holdings – and every hour, every minute these were being traded on a continuous stock-market. Up and down went values as men conspired to seize others’ properties, to push prices down and costs up. Their money game controlled everything else – the common people, workers, farmers, homes, lives, poverty and luxury . . .

Earl Dumarest went there to find his next stake. Find the drug-gem or manipulate the market – two possibilities. But behind the scenes stood the advisors of the inhuman Cyclan, determined to fix the odds against Dumarest . . .





(First published 1981)

It’s a good thing Flinx is no stranger to rouble, because he’s swimming in it. After surviving an attack by a new gang of assailants, Flinx is spirited away and enlisted in a battle against an extra-galactic threat. Hidden behind the Great Emptiness, in a place where it seems matter and energy have never been, there is only evil. Pure evil that is approaching him, accelerating.

This terrifying, high-stakes adventure through perilous new realms will rocket Flinx into the very heart of danger – and into the arms of the only woman he’s ever loved. As he and Pip bravely travel to a place where no man or mini-drag has gone before, Flinx discovers he has a few more friends than he thought – and far more enemies than he ever imagined.

The Price of Eternal Life

In the 22nd Century, no one had to die of old age: an immortality drug was available to all. Its only drawback was the side-effect that ended a man’s sex drive, so most men waited till their youth was fading before they took the final step and became “cools.”

But Will Carewe became the first man to test a new variety of the drug, one without any side effects at all. The limitless future, a million tomorrows, stretched before him with golden hope – until a series of “accidents” made him realise that someone was trying to murder him.

As an immortal Carewe had an infinitely greater stake in remaining alive. So he began the battle to find out who was after him, and why…

Long ago, the wizards had vanished from the world, and all knowledge was left hidden in riddles. Morgon, prince of the simple farmers of Hed, proved himself a master of such riddles when he staked his life to win a crown from the dead Lord of Aum. But now ancient, evil forces were threatening him. Shape-changers began replacing friends until no man could be trusted.

Morgon was forced to flee to hostile kingdoms, seeking the High One who ruled from mysterious Erlenstar Mountain. Beside him went Deth, the High One’s Harper. Ahead lay strange encounters and terrifying adventures. And with him always was the greatest of unsolved riddles; the nature of the three stars on his forehead that seemed to drive him toward his ultimate destiny.

Earth’s last hope?

The Arc, a being of immense power, trapped within a continuum too small, fights for its freedom. Its monumental struggle will touch a few select individuals on Earth – and in doing so, change their lives forever. The Arc may also be the last hope for humanity’s survival.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

I’m Horowitz. Private eye. I work of G.O.D., Inc. – the company that rules the Labyrinth between infinite alternate Earths. Only now I’ve got new clients – vengeful rebels out to wreck the Labyrinth. But their Big Plan’s on hold: one of the inner circle’s dead, leaving eight conspirator/ prime suspends on eight private worlds.

And finding the killer’s the least of my problems. The rebels play for high stakes – and I know too much to live. If I succeed, they’ll kill me. If I stall, they’ll blow up a planet – ours. If I escape, the Company will kill me. If I stop the rebel scheme, my wife and child will be turned into mindless drug-sex slaves.

But if I don’t stop them, they’ll unleash a force that might well cremate Earths. All Earths. In all universes. Throughout all creation…

A terrible civil war was tearing apart the kingdom of Detina, a land which could no longer be half serf and half free. When the new ruler, King Avram, decided to liberate the blond serfs upon which the northern provinces depended, the north rebelled, taking Grand Duke Geoffrey as their King.


Neither side expected an easy victory. The south was larger and wealthier, but the north had better soldiers and more powerful wizards. Led by officers riding unicorns, supplied by flying carpets, both sides had clashed for three bloody years, as the tide slowly turned against the north.


But the war was far from over: The north had found a far more competent general, and he was determined to hold Peachtree Province. When the southrons attacked, they faced formidable obstacles both natural and manmade, as well as the deadly repeating crossbows of the northern rebels and the sorcerous storm and lightning wielded by the northern wizards.


Still, the very survival of Detina as one united realm was at stake, and King Avram’s forces had no choice but to attack, no matter what the odds, no matter how desperate the situation…

For ten years, Colin sweated, slaved, and eventually built-up a nice business on a dusty world called Mars. Ten more years and he’d have been able to retire a rich man. Five more years and he’d have put all worry behind him. He didn’t get those five years.

During a sandstorm, he blundered accidentally into the forbidden zone, where the temple of Dra Vheera waited and rested, an area guarded zealously to the death by a fanatical faith. The Martians complained, and he lost all, stripped of everything he owned, fined, and sent back to Earth on a one-way ticket. And who was to blame? The Dra Vheera, the priesthood of Mars, the temple, the religion. One name for all three, but all three really one.

A man named Barhart offered vengeance, sweet, pure vengeance. With his help and money, Colin put together a force of eager men determined to strike back at the Martians, but he found more than they bargained for. The safety of Earth was now at stake, and Colin had to race against time and Death to save mankind.

In the near future, the line between entertainment and brutality has blurred. Mysterious billionaire Cameron Crayton is a household name from televised spectacles in which prison inmates fight to the death, but his old shows pale in comparison to his new event, The Crucible, a gladiatorial tournament anyone can enter. The winner is promised unimaginable wealth and glory…if they’re able to survive a series of globally broadcast fight-to-the-death matches with medieval weaponry against the world’s most fearsome fighters.

Former black-ops operative Mark Wei wants nothing more than to be left alone to drink after sacrificing everything – including his family – in America’s covert Cold War II against China, a war won largely because of him. But there are rumors that Crayton’s background and business dealings involve shady connections to foreign powers, and soon Mark is convinced to reluctantly dust off his training, strap on a sword and armor, and enter the tournament arena as an undercover agent.

It’s the most dangerous assignment he’s ever been given, and Mark quickly finds himself not just fighting for his life in the arena against trained killers, but racing to expose The Crucible’s founder’s secrets while navigating a viral phenomenon in which the stakes are literally life and death…

In the second book of the Blue Gemini trilogy, Air Force Majors Scott Ourecky and Drew Carson continue to fly highly classified missions to intercept and destroy suspect Soviet satellites.

But after experiencing numerous close calls in orbit, the astronauts soon discover that not all perils reside in the sky. With his marriage already at risk because he cannot explain his frequent absences and strange activities to his wife, Ourecky learns that his unborn child may be in grave danger as a radiation consequence of his flights into space.
Even as the Ourecky and Carson accumulate successful mission after successful mission in space, other crucial events occur much closer to home. Interservice rivalries reach new heights as a caustic but highly influential Navy admiral schemes to steal control of the Project from the Air Force. Realizing that a Soviet GRU agent is operating in their midst, a shadowy team of counter-intelligence operatives scramble to shield the Project’s secrets from discovery, leading to a confrontation that bears fatal consequences.

As they train to accomplish more difficult missions against complicated targets, Ourecky and Carson are asked to volunteer to risk their lives one more time in an extremely hazardous rescue mission. The stakes are high; even as they leave the launch pad, there is no certainty that either man will return.

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Frank Rhind was lucky. He saw the Ice Dancer and lived. The town of Hays died. And still they didn’t believe Dr. William Stovin’s warnings. For very many years climatologists had been predicting a change in the world’s climate but they always believed that the process would take centuries. Now there was a reason to believe differently. Stovin had staked his career and credibility on trying to persuade the U.S. National Science Council to act, but 15,000 years of warmth had lulled mankind into thinking that climatic history was over. Already it was too late. The new Ice Age had begun.


One by one the great northern cities – Chicago, Oslo, Montreal, Moscow, Leningrad – came under siege. Some fell and were evacuated, sending their young, old and sick to crowded areas further south. Crops and animals were destroyed. Governments drew lines of catastrophe across their national maps. Doomsday prophets were in full cry. Technological man was overwhelmed. The world had changed.


Some time in the year future the next Ice Age will be triggered off. It could happen in a thousand years’ time, or in a century from now.


Or it could, quite literally, happen next winter. This book is fiction only because the events described have not yet happened. But it is not science fiction because all the science in the book is fact. When the year arrives that we see the sixth winter resembling 1792 within the space of a decade or so, then the Ice Age will be with us in a matter of weeks – and it will develop very much as described here.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”