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His name was Jose Gasparilla, and he was the self-proclaimed King of Pirates. He terrorized the waters around Florida, demanding tribute from every merchant ship he encountered. Riches flowed into his tiny island kingdom . . . and yet he longed for a life he could never have, for he had left his beloved Isabel behind in Spain. One day he would return to claim her for his bride, he knew, and she had vowed to wait for him.

When he captures a ship and discovers Isabel and her elderly husband aboard, he strikes a deal with the man who stole his bride. For Jose Gasparilla, it means a chance to regain the lost years of his life . . . to live his childhood again and pick a new path, in the Land Without Shadows…

Life on the moon under anything less than optimal conditions had always been a nightmare, and as Joe Kenmore and his colleague, Moreau, drove back to the City On The Moon on that day the Earth shuttle was due to land, the nearby mountain supporting critical elements of the shuttle’s landing mechanisms crumbled causing an avalanche and resulting in chaos.

Optimal conditions were no where in sight that day and as Kenmore and Moreau’s investigations lead to their conclusion that explosions had been responsible for the avalanche. Now they realized that they were in a race against the clock to restore the landing beam before the shuttle had reached it’s point of no return prior to landing.

Kenmore had more than strictly humanitarian reasons for wanting to prevent a mishap aboard the shuttle that day, because on this particular mission, Arlene Gray was aboard. Kenmore had been anxiously awaiting her arrival, and now his love’s life might hang in the balance.

Widely acclaimed as one of the first successful female science fiction authors, Mildred Clingerman returns with the exciting follow up to her 1961 science fiction collection, A Cupful of Space. Her stories tend to wed a literate tone to subject matters whose ominousness is perhaps more submerged than the horrors under the skin made explicit in the work of Shirley Jackson, but equally as deadly.

Clingerman’s new anthology, The Clingerman Files, includes all of her originally published stories; The Day of the Green Velvet Cloak, Mr. Sakrison’s Halt, Wild Wood, The Little Witch of Elm Street and many other favourites. Also included are previously unpublished works; Top Hand, Tribal Customs, The Birthday Party, Fathers of Daughters and many more soon to be favourites. The key to her stories is that they appear simple and straightforward, but each takes a twist or turn that, even when you’re tempted to guess where they’re heading, they take you there in a way you would never have bargained on.

Other writers of the period tried to make big splashes. Clingerman, it seems, prided herself in concealing her effects within her masterfully constructed sentences. They barely make a ripple on the surface; all their power and drive lurk deep down below. So many of her stories are alive with the underpinning notion that the cosmological vistas we spy at the end ends of telescopes and various other means of measurement belong to the very same universe under our feet. We’re not apart from the universe, we’re a part of it. Nearly every story here is alive with that sensibility, in the truest sense of that word. In every sentence there is a note (a gentle one, but insistent) of silent rebellion, a surreptitious snarl, entreating you to see that not the everyday, but an undiscovered marvel.

May these eloquent rebellions be undiscovered no longer.

‘Vera Caspary and others were the forerunners of Gillian Flynn, Megan Abbott, Laura Lippmann and of course, Paula Hawkins’ Irish Times

Renowned painter Henry Leveret is found shot dead in his downtown studio, and his estranged son, Michael, returns to his family and his father’s circle of friends in order to try to find out who killed him.

There are plenty of suspects: his gallery manager, Chandler Sprague, who is in love with Henry’s widow; his wealthy heiress assistant Janet Altheim, who was in love with him; and her lover Bruno, who resented Henry are just a few on Michael’s list.

But Leveret was writing a biography of sorts, his own confession, when he was shot. Was he about to reveal something, a secret that cost him his life?

Out in the Rolls-Royce, Emmy Arkwright nearly collides with Nat Volck in Beverly Hills. Emmy and Nat are neighbours, yet belong to separate worlds: she is a wealthy, successful fashion designer; he is a doctor who trained during World War Two. But when Nat gets a call one night telling him Emmy has attempted suicide, they become inexorably linked.

Nat – bitter and uncomfortable in his California Cadillac practice – attends Emmy, and watches over her return to memory and to her old life, offering her the stability and security she badly needs.

But was it really attempted suicide – or is someone trying to kill Emmy?

The exciting original of the Hitchcock film classic.

Iris Carr was young, wealthy, attractive – and bored. Despairing of her society friends, tired of skiing with the crowd, she decides to return to England alone by train. But she hadn’t bargained for the extraordinary Miss Froy – a lively, gossipy spinster who is determined to befriend her, nor had she expected Miss Froy’s sudden disappearance.

Certain that she has not imagined so bizarre a character, and outraged by the blank faces of the passengers who deny her existence, Iris vows to find her companion, unaware of the terrifying trail ahead, so wildly different from her notion of a comfortable journey home.

Hector Berrenton returns home from hospital after a serious car accident to find a terse note: San Podino. This is yours. Fallon next.

Suspecting Berrenton’s car has been tampered with, the North Sussex Police call in Scotland Yard. Chief Inspector John Poole, put in charge of the investigation, quickly discovers that three years earlier Berrenton and his partner, Jocelyn Fallon, had been on trial accused of fraud. The crime they were accused of was in connection with a Bolivian goldmine, San Podino, and though the two men were acquitted, a number of investors suffered considerable financial loss.

Soon Inspector Poole is dealing with attempted murder . . .

Sir Robert D’Arcy, High Sheriff of Brackenshire, harbours a painful memory of what he considers his shameful surrender to the Germans in 1916. Gradually he realises nothing is known of the incident and his confidence returns, and he gains in honour and responsibility in the county.

Then, out of the blue, a man appears who threatens to reveal the incident – or to keep it hidden, at a price. D’Arcy resists this new enemy, but is handicapped by his own view of his position, his past deed, his family pride. A tragedy occurs, and the Brackenshire police investigate, but are themselves hampered by reluctance to muddy distinguished waters.

How is the ageing Chief Constable to face the problem?

Returning to Paris, Inspector Gautier is devastated to learn that his Dutch mistress Ingrid has been brutally murdered. Before he can begin to investigate, the British Ambassador informs Gautier that his daughter has been abducted in England. With the help of Sylvie, a secretary at the French Embassy, the inspector follows the trail to Edinburgh to track down the ambassador’s daughter.

Back in Paris, influential people are being murdered, and the wife of the Minister for War is abducted. Out of these shocking events a political motive begins to emerge, and Gautier, with Sylvie’s help, starts to unravel the conspiracies under the looming threat of war.

A colourful banquet at the Château Perdrix is noisily interrupted by Bishop Arkwright, an American trying to spread the cause of temperance in Europe. Inspector Gautier intervenes and has the bishop expelled. Later that night Michael O’Flynn, the Grand Officier of the Chevaliers, is murdered in the hotel where both Gautier and the bishop are spending the night.

Returning to Paris, Gautier immediately finds himself in the company of Lady Jane Shelford and embroiled in another murder. Although seeming initially unrelated, the murders draw Gautier into the feuds of the temperance movement and the politics of the Burgundy wine business, where the stakes are higher than he imagined.

Archie Wayne, successful playwright, could not say what impulse had made him return to the small town of his boyhood. On impulse, he called on his boyhood friend, and the matter would have ended there had he not met and fallen for his friend’s daughter, the young and innocent Christine.

Their brief idyll is interrupted by a police enquiry: Archie’s wife Irma is missing, leaving behind a disquieting message, and he finds himself suspect number one in a possible murder case. But Archie is convinced that Irma is alive and trying to ruin him – and tragedy and violence will take their toll on both the guilty and innocent in the search for the truth.

Tiger Mann, sleuth and expert in counter-espionage, is lunching with a friend when he notices a girl enter the restaurant. To his friend, the girl is Edith Caine, a UN translator. But Tiger knows her as Rondine Lund, an Austrian who was a Nazi spy during the war. He had been in love with her – had even saved her life. In return, she had shot him and left him for dead.

So it was to be a personal vendetta . . .

Seven years of hitting the hard stuff have taken it out of PI Mike Hammer. That’s how long it’s been since he gave his beloved secretary the job from which she never returned.

Now he’s back with a vengeance. Velda is alive, if only he can reach her in time. But New York’s toughest investigator still has friends in the right places. And his long-neglected .45 is definitely one of those.

Piecing together the puzzling deaths of a senator, a newsagent and an FBI man, Hammer finds the missing link in a murderous network of international spies. One that turns out to be Spillane’s kind of beauty – and who knows a good deal more than she should.

Diplomatic corps man Piers Hunt watches the glittering lights of Broadway from his Hotel Astor room. The German girl’s mocking voice returns to his mind yet again: ‘More melodrama, Piers?’ Yes: this time it’s ‘more melodrama’, but with a vengeance.

In New York incognito, only Piers knows that his superior, Samuel Anstruther, has been murdered, possibly to get him out of the way of a plan to withdraw a police force that governs post-Second World War Germany. Rumours abound that the Germans might be allowed free reign once again.

Piers is a man of peace, but he may have to get his hands dirty if he doesn’t want to be murdered – before telling the world what Anstruther knew . . .

Every morning, Miss Loveapple blesses her good fortune. She has property, a devoted maid and is young and beautiful. An independent woman, she has a mind never to marry. But a darker mind – one Clarence Club’s – has a plan that will leave her accused of murder.

About to go on holiday to Switzerland, Miss Loveapple has her fortune told at the village fete, and her good luck is predicted to turn sour. At the station, she stops to buy some white heather, giving her mere seconds to board her train.

Though her holiday is not quite what she wished for, she meets all kinds of people, who come between her and many an opportunity for disaster. And when she narrowly misses being killed by jewel thieves, her delayed return helps her make a very important decision.

Anna, a young Englishwoman, is drawn to visit Russia partly out of interest, to see for herself the ‘proletarian experiment’, and partly by Otto, a glamorous but faithless newspaper editor.

With nothing left now to keep her in Russia, she prepares to leave and return to England. But she has not reckoned with the environment of that closed nation, which has already begun to work on her nerves. She wonders if she will ever get out, and when delay follows delay, it seems as if she is losing her grip, hysteria threatening.

Anna is trapped, dazed by the terrifying atmosphere of suspicion and maddening delaying tactics of the Soviet Union …

Dark family secrets can be murder . . .
‘Joan Aiken’s triumph with this genre is that she does it so much better than others’ New York Times Book Review

Married to an ambitious but feckless architect and living in the pretentious show home they can ill afford, Jane is forced to return to work, leaving her children in the care of a less than reassuring childminder. As the weeks pass, her disintegrating marriage and the discovery of her husband’s secrets lead Jane into a battle to save both herself and her children from an explosive summer of hatred, jealousy – and murder.

This claustrophobic thriller, based on events from the author’s own life and her struggles as a young widow, marries the desperate ring of truth with all the added horror of Joan Aiken’s gothic imagination.

‘Waiting for her, he was on edge with expectation. He had never planned a murder before … Only sheer necessity was making him do it now …’

Coincidence couldn’t explain the three accidental deaths. It had to be something more – something sinister? One old lady had fallen and broken her neck; the others had died in hit-and-run accidents. And now beautiful young Caroline Conroy, who has returned to her poisonous family after a mysterious tragedy abroad, must face the enemy: a smiling stranger who is calmly and ruthlessly planning her destruction.

‘Terrifyingly enclosed spine-chiller’ Sunday Telegraph

‘A star in our galaxy of crime writers’ FINANCIAL TIMES

Superb crime fiction from the CWA Diamond Dagger Award Winner

‘Yorke practised deception artfully and with style’ GUARDIAN

‘Mistress of the skilfully spun suspense novel’ SUNDAY TELEGRAPH

Nesta Falconer, an attractive widow, lives with her fifteen-year-old daughter Philippa, managing brother-in-law Charles Falconer’s household after the breakdown of his marriage. Nesta’s comfortable position is threatened when her sister Claire, returning from America, comes to stay at her cottage.

Charles realises that Nesta is a menace to Philippa’s happiness, and that she has been responsible for much distress. His mother, a formidable old lady, plays a part in revealing Nesta not only to her family but to herself as a negative person who contributes little to the happiness of others.

‘No one writes a better crime novel than Charles Willeford’ Elmore Leonard

By day, Richard Hudson, woman-chaser and used-car salesman, works his crooked car lot with much success. By night, he returns home to a family of misfits. One day, seized by a feeling of terror and revulsion, he realises he’s wasting his life in the meaningless pursuit of money. His only hope, he decides, is to pursue his dream of making a movie.

Richard completes his cherished project, but forces beyond his control swiftly reject and destroy it. As a result, enraged and humiliated, he goes on a bender of epic proportions, drinking his way through the underbelly of Los Angeles and exacting a monstrous revenge on all who have crossed him.

‘A Luis Mendoza story means superlative suspense’ Los Angeles Times

Things begin to heat up in the Los Angeles Police Department when Lieutenant Luis Mendoza’s stolid and good-natured colleague Sergeant Higgins is kidnapped by three dangerous escaped prisoners.

A manhunt is launched but no one expects Higgins to be seen alive again. Can Mendoza’s team ever recover, or is the officer’s return just around the corner?

Sergeant Andrew Clock of Homicide is an honest policeman, but now there’s a very grave charge against him: concealing evidence in a murder investigation in return for a bribe. The evidence seems damning, but Clock’s friends, including Jesse Falkenstein, cannot believe it of him.

Falkenstein sets out to prove Clock’s innocence, and is quickly entrenched in a battle between Clock’s allies and his superior officers. The only other explanation is a set-up, but who has enough of a grudge against the sergeant to destroy him?

‘My favourite American crime-writer’ New York Herald Tribune

The neighbours all said ten-year-old Paul Brandon would grow up to be a detective: he was remarkably observant and inquisitive. But Paul doesn’t grow up to be a detective; after failing to return one night, his body is found buried under a road excavation site. A tragic, unnecessary accident it seems.

But after the foreman insists that no child could move that amount of earth, Vic Varallo begins to suspect foul play and follows the leads to Paul’s reticent playmate Gordon, who may have witnessed something terrible that night.

‘My favourite American crime-writer’ New York Herald Tribune

‘My favourite American crime-writer’ New York Herald Tribune

Famous LAPD husband and wife sleuths Sergeant Ivor and Detective Sue Maddox return again, this time juggling half a dozen investigations at once. Balancing solving the cases of an enterprising team of daytime burglars, a scandalous sex ring and suspicious-seeming fatal accidents, they are stretched to the limit when a grandmother and her two-year-old granddaughter are discovered murdered . . .