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Nicole Gunther-Perrin is a modern young professional, proud of her legal skills but weary of childcare, of senior law partners who put the moves on her, and of her deadbeat ex-husband. Following a ghastly day of dealing with all three, she falls into bed asleep – and awakens the next morning to find herself in a different life, that of a widowed tavernkeeper in the Roman frontier town of Carnuntum around 170 A.D.

Delighted at first to be away from corrupt, sexist modern America, she quickly begins to realise that her new world is as complicated as her old one. Violence, dirt, and pain are everywhere – and yet many of the people she comes to know are as happy as those she knew in twentieth-century Los Angeles. Slavery is a commonplace, gladiators kill for sport, and drunkenness is taken for granted – but everyday people somehow manage to face life with humour and good will.

No quitter, Nicole manages to adapt to her new life despite endless worry about the fate of her children “back” in the twentieth century. Then plague sweeps through Carnuntum, followed by brutal war. Amid pain and loss on a level she had never imagined, Nicole finds reserves of strength she had never known.

In the near future, the line between entertainment and brutality has blurred. Mysterious billionaire Cameron Crayton is a household name from televised spectacles in which prison inmates fight to the death, but his old shows pale in comparison to his new event, The Crucible, a gladiatorial tournament anyone can enter. The winner is promised unimaginable wealth and glory…if they’re able to survive a series of globally broadcast fight-to-the-death matches with medieval weaponry against the world’s most fearsome fighters.

Former black-ops operative Mark Wei wants nothing more than to be left alone to drink after sacrificing everything – including his family – in America’s covert Cold War II against China, a war won largely because of him. But there are rumors that Crayton’s background and business dealings involve shady connections to foreign powers, and soon Mark is convinced to reluctantly dust off his training, strap on a sword and armor, and enter the tournament arena as an undercover agent.

It’s the most dangerous assignment he’s ever been given, and Mark quickly finds himself not just fighting for his life in the arena against trained killers, but racing to expose The Crucible’s founder’s secrets while navigating a viral phenomenon in which the stakes are literally life and death…

Sam Falkirk, Captain of the World Police and stationed at the World Council building in New York, has a special interest in investigating the sudden and inexplicable death of Angelo Augustine, the brother of his girl friend. A messenger employed by the Council, Augustine was also a spy in the pay of Senator Rayburn, a fanatical Nationalist who is fighting both to retain his power and to destroy the Orient before they, as he believes, turn against the Occident.

Augustine had died while delivering a parcel containing a statue of a Buddha for an employee of Senator Sucamari of the Japanese Legation, and who, in his own way, is as fanatical as Rayburn himself. Sucamari wants to gain living room for the teeming millions of the Orient, and his secret plan involves the releasing of a deadly bacterial plague across the Americas. The bacteria is contained in a special coating on the Buddha statue, but when the statue is stolen by a petty criminal, millions of people hover on the brink of agonizing death, unless Falkirk can find the criminal in time . . .

The finest tale ever written of fabled Atlantis, The Lost Continent is a sweeping, fiery saga of the last days of the doomed land. Atlantis, at the height of its power and glory, is without equal. It has established far-flung colonies in Egypt and Central America, and its mighty navies patrol the seas. The priests of Atlantis channel the elemental powers of the universe, and a powerful monarch rules from a staggeringly beautiful city of pyramids and shining temples clustered around a sacred mountain.

Mighty Atlantis is also decaying and corrupt. Its people are growing soft and decadent, and many live in squalor. Rebellion is in the air, and prophecies of doom ring forth. Into this epic drama of the end of time stride two memorable characters: the warrior-priest Deucalion, stern, just, and loyal, and the Empress Phorenice, brilliant, ambitious, and passionate. The old and new Atlantis collide in a titanic showdown between Deucalion and Phorenice, a struggle that soon affects the destiny of an entire civilization.

Without setting foot on another planet, people like Shep Blaine were reaching out to the stars with their minds, telepathically contacting strange beings on other worlds. But even Blaine was unprepared for what happened when he communed with the soul of an utterly alien being light years from Earth. After recovering from his experience, he becomes a dangerous man: not only has he gained startling new powers – but he now understands that humankind must share the stars.

Hunted through time and space by those who he used to trust, Blaine undergoes a unique odyssey that takes him through a nightmarish version of small-town America as he seeks to find others who share his vision of a humane future. Blaine has mastered death and time. Now he must master the fear and ignorance that threatened to destroy him!

By the winner of the Hugo, the Nebula, and the World Fantasy Life Achievement Awards, this latest volume finds Theodore Sturgeon in fine form as he gains recognition for the first time as a literary short story writer. Written between 1957 and 1960, when Sturgeon and his family lived in both America and Grenada, finally settling in Woodstock, New York, these stories reflect his increasing preference for psychology over ray guns. Stories such as “The Man Who Told Lies,” “A Touch of Strange,” and “It Opens the Sky” show influences as diverse as William Faulkner and John Dos Passos. Always in touch with the zeitgeist, Sturgeon takes on the Russian Sputnik launches of 1957 with “The Man Who Lost the Sea,” switching the scene to Mars and injecting his trademark mordancy and vivid wordplay into the proceedings. These mature stories also don’t stint on the scares, as “The Graveyard Reader”-one of Boris Karloff’s favorite stories-shows. Acclaimed novelist Jonathan Lethem’s foreword neatly summarizes Sturgeon’s considerable achievement here.

Yellowstone National Park sits on a hot spot: a plume of molten rock coming up from deep inside the earth capable of volcanic eruptions far greater than any that have occurred in times past. It has been silent for many years, providing false security for a nation unprepared for the full force and fury of nature unleashed.

Then explosions send lava and mud flowing far beyond Yellowstone toward populated areas. Clouds of ash drift across the country, nearly blanketing the land from coast to coast. The fall-out destroys crops and livestock, clogs machinery, and makes cities uninhabitable. Those who survive find themselves facing the dawn of a new ice age as temperatures plummet worldwide.

Colin Ferguson is a police lieutenant in a suburb of Los Angeles, where snow is falling for the first time in decades. He fears for his family, who are spread across America, refugees caught in an apocalyptic catastrophe in which humanity has no choice but to rise from the ashes and re-create the world…

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.

For Al Larson it all began with his death in a fire-fight in Vietnam. He woke from this certain death to find himself alive – in a body and a world that was not his own! Transformed into an elven warrior, he became an unsuspecting pawn of the Norse gods, claimed as a weapon by both the forces of Chaos and of Law. Faced with challenges that would take him to Hel and back, Al made a place for himself in a land of swordsmen and spell-casters, and, after slaying one god, he found himself leagued with sorceresses and a master thief in the endless battle against Chaos.

But when Al and Shadow the thief slew the Chaos dragon, they unleashed a magical force beyond anyone’s power to contain. And Al and his companions would be forced to work a desperate magic to flee back to a twentieth century America which was not quite the one from which Al had originally come. But Chaos would not let Al, Shadow, and the Dragonrank mages Silme and Astryd escape so easily, and, a mortal man once again, Al would find himself caught in a desperate fight to save everyone he held dear, as Chaos pursued him into the heart of New York City.

“If it pleased Ruethen of the Long Hand to give a feast and ball at the Crystal Moon for his enemies. He knew they must come. Pride of race had slipped from Terra, while the need to appear well-bred and sophisticated had waxed correspondingly. The fact that spaceships prowled and fought, fifty light-years beyond Antares, made it all the more impossible a gaucherie to refuse an invitation from the Mersian representative. Besides, one could feel delightfully wicked and ever so delicately in danger.”

It is the common fate of empires to grow old and jaded: Rome, Byzantium, Britain, America, and so on to the Empire of Terra itself, each has near the end succumbed to the same weary “sophistication” that allows a warlord of Merseia to make a mock of a race whose star-conquering ancestors found the Merseians a race of pre-technic barbarians huddled in stone piles – and saved them from extinction. Flandry himself has come to understand that there is no more point to all his victories than that a few trillion of his fellow creatures may live out their lives before the coming of the Long Night of galactic barbarism. That he will not have shortened that coming Dark Age one bit – only postponed it. That the barbarians always win in the end, and are always followed by a new round of civilisation.

Edgar Pangborn studied music at Harvard when just 15 years old, eventually turned his back on music to focus on his writing. He flourished in the early ’50s, producing a string of highly-regarded stories for the likes of Galaxy, The Magazine of Fantasy and Science Fiction and Ellery Queen’s Mystery magazine. His work helped establish a new ‘humanist’ school of science fiction, and has been cited as an influence by Ursula Le Guin. This omnibus contains the Hugo-shortlisted Davy, International Fantasy Award-winner A Mirror for Observers and story collection Good Neighbours and Other Strangers.

DAVY: A HUGO and NEBULA AWARD nominee, this post-apocalyptic science fiction novel is Pangborn’s most acclaimed. It is set in the Northeastern United States some centuries after an atomic war ended high-technology civilization. Davy comes of age in a pseudo-medieval society dominated by a Church that actively suppresses technology.

A MIRROR FOR OBSERVERS: The Martians, long exiled from their home planet, have for millennia been observers of the world of men. Forbidden by their laws to interfere with human destiny, they wait for mankind to mature. From the turmoil of mid 20th-century America, word comes to the Observers that one their renegades is hoping to encourage humanity in its headlong rush to self-destruction through the corruption of a single rare intellect. The struggle between Observer and Abdicator for the continuance of the human species is one of the classic conflicts in the annals of science fiction.

GOOD NEIGHBORS AND OTHER STRANGERS: A collection of short stories reflecting Pangborn’s fresh writing style and mastery of the short form.