Search Results for: cursed,-the

For Mary Stevenson Crye, a beautiful young housewife, life had been wonderful. Loving husband, two delightful children, meaningful existence in a small Southern community. Then it all fell apart: with the sudden, unexpected death of her husband, Stevie must struggle to earn a living as a free-lance writer.

When her typewriter – the sole economic support for her surviving family – breaks down, Stevie begins to receive demonic messages through the machine, the prelude to a living nightmare of satanic emissaries, ghouls from beyond the grave, and the revelation of an unrequited curse over the Crye household.

For Mary Stevenson Crye, the nightmare is about to begin . . .

Rhavas is a good, holy, and pious man, as befits a member of the clergy. He is also the cousin of the Avtokrator, ruler of the Empire. Hoping someday to become ecumenical patriarch of Videssos, he was reluctantly willing to bide his time in one of the smaller cities on the outskirts of the Empire.

Then civil war broke out, and the Avtokrator had to pull back the troops guarding the borders as he struggled for control of the Empire. Rhavas had to flee for his life as the fierce Khamorth nomads took advantage of the chaos and sacked the city he had come to love. He only survived because he accidentally discovered that he had an unsuspected power: Men often cursed each other – but Rhavas’s curse had the power to kill!

Rhavas had always followed Phos, the god of light and goodness, Videssos’ own god, just as he had always despised Phos’ evil rival Skotos. Those who fall off the Bridge of the Separator during judgment in the afterlife are doomed to dwell in Skotos’ ice and darkness forevermore. But Rhavas has reverenced logic as well as goodness, and knows the power to kill with a curse cannot be an attribute of Phos. As evil swallows up the world, Rhavas, ever the logician, decided that Skotos is actually the more powerful god, and becomes determind to change the official religion of Videssos. But in the end, it is he who will be changed, and neither the world nor he will ever be the same again…

Against all expectations, Krispos has won the crown of Videssos. But how long could he hope to keep head and crown together?
For trouble was brewing in every quarter. Civil war erupted under Petronas, the late Emperor’s uncle. A brilliant general and a canny politician, Petronas had a very personal score to settle against the upstart Krispos.
And even as rebel troops took the field against the untried Emperor, outland raiders swept down from the northlands in a tide of carnage. The power stemmed from foulest sorcery, and Videssos’ wizards could not counter its evil curse.
Krispos’ reign showed every sign of being brief – and very bloody…

Tanith Lee today is one of the most versatile and respected writers of fantasy, horror, and science fiction, and DREAMS OF DARK AND LIGHT represents a massive mid-career retrospective of her achievements over the previous decade.

Here are unforgettable tales of werewolves that prowl chateaux, an Earthwoman in exile on a distant planet, demons that inhabit bodies of the living dead, a race of vampiric creatures who prey upon a cursed castle, and many other works of exotic vision, mythic science fiction, and contemporary horror. Also included are two stories that have received the World Fantasy Award, “Elle est Trois, (La Mort)” and “The Gorgon,” making DREAMS OF DARK AND LIGHT a distinguished one volume library of myth-weaving at its most eloquent and evocative.

College student Nicholas Dal shares the family talent, or curse – he is an empath, a man who experiences the emotions of other people. Too-powerful emotion can induce seizures, so to stay sane he must live alone and dull his senses with vodka.

This, in itself, would be enough for anyone to bear, but Nicholas ias also haunted by a secret from his family’s past in Russia. Now someone is looking for him and he fears the worst. To further complicate things, a relationship is forming with a young woman, Jack, and his feelings for her threaten to break through his isolation.

Will Nicholas risk his love, his sanity – his life – to be with Jack?

This fourth volume of Theodore Sturgeon’s Complete Stories publishes the work of 1946-1948, wen Sturgeon’s early popularity among science fiction readers crystallized into a lasting reputation among a wider group of readers. “Maturity” and “Thunder and Roses” are the best-known of the stories in this period. “It Wasn’t Syzygy” display’s Sturgeon’s interest in psychological themes. “The Professor’s Teddy Bear” is an early prototype of the modern “horror story” as practiced by Clive Baker, Stephen King and many others.


In these years Sturgeon was recovering from the failure of his first marriage and a severe case of “writer’s block”. In March 1947 his luck turned around: a story he had failed to sell earlier won a short story contest sponsored by the prominent British magazine, Argosy, with the then-enormous prize of $1000. Later Sturgeon credited this event for restoring his faith in himself as a writer. The same year “Maturity” and “Thunder and Roses” were received with tremendous enthusiasm by his peers. Ray Bradbury, a few years short of his own success, wrote to Sturgeon in February 1947:


“Ted, I hate you!…MATURITY…is a damned nice story. Your sense of humour, sir, is incredible. I don’t believe you’ve written a bad story yet; I don’t think you ever will. This is not log-rolling, by God; I only speak the truth. I predict you’ll be selling at least six stories a year to Collier’s and The Post before long. You have the touch.” A month later, the day he learned he’d won the contest, Sturgeon wrote to his ex-wife, “It’s more than a thousand dollars. The curse is off with me. My faith in [the story’s] quality and my own is restored, and I don’t think that I shall ever again experience that mystic diffidence and childish astonishment when one of my stories sells or is anthologized. I know now why they do, and I’m proud of it, and I know how to use it.”


This fourth volume also features a major “undiscovered” story, “Wham Bop!”, from an obscure youth magazine in 1947. It may be one of the finest fictional portraits of a 1940s jazz band in American letters.


Additional delicacies awaiting the Sturgeon fan in Thunder and Roses are his first Western Story, “Well Spiced”, and a UFO saga, “The Sky Was Full of Ships”, written in 1947 and set in the Southwest. It could well be the true story of the Roswell incident.

Most people think witches are old and ugly – but ANITA isn’t.

ANITA doesn’t cackle and hiss as she works dark curses, either. Oh, she casts witch’s spells and incantations, but not the usual kind.

ANITA’s main interest is boys, just like any other girl her age. And she doesn’t really need things like love potions – not with her face and figure.

But ANITA is a witch, and she’s young and a little reckless. Which means she sometimes makes mistakes (usually with boys), and when she does… all Hell might break loose….

In the Celtic tribal lands of Connacht, he came of age among the Druids and headhunters and the ghosts of the great Bronze Age people of Danann.

He fought his savage, bloodthirsty way to the west, as a naked warrior who had rejected the tribal laws. And there Arthur, Warlord of the Britons, came to find him, to exploit his skill and invulnerability in the war against the Saxons.

Yet Swiftaxe, the Berserker, wanted one thing only; to break the curse that condemned him to his life of frenzied violence and bloodlust.

But until the might of the Saxons was destroyed, he would never be free . . .

When Odin’s curse fell upon him, Harald Swiftaxe, the young Norse warrior, lusty in love and battle, was fully human no longer. He was incensed with the animal rage of the god’s devotees, the Berserkers. The snarling ferocious savagery of the bear possessed him. Immune to fire and steel, frenzied by the smell of blood and the sight of torn human flesh, he was driven to the worst of human deeds . . . The stench of fear was meat and drink to him, and cowering women learned of his cruel, insatiable lust.

The bear screeched its ecstasy – yet at times the man dimly understood the horror. Could the demon god be killed, the spell lifted…? If there was a way, the price of failure would be high, greater than death itself . . .

From the vaults of the SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes this republication of a trilogy of early, pseudonymous adventure tales by Robert Holdstock, WORLD FANTASY AWARD-winning author of MYTHAGO WOOD.

The Berserker books are raw, primeval stories of a young Norse warrior, cursed by the gods to a life of savage warfare. Possessed by an animal, ferocious rage – implacable, invincible – Harald Swiftaxe fights his way across the Celtic world in search of release from his curse and, finally, peace. The Berserker omnibus contains SHADOW OF THE WOLF, THE BULL CHIEF and THE HORNED WARRIOR.

Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)