Search Results for: aliens-from-space

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Somewhere in a far galaxy a being inconceivably alien is surging tumultuously from an unimaginable womb.

In a solitary prison cell on the Underworld, the vast prison-satellite in perpetual Earth-orbit, Terra Viridian is tormented by a vision, an imperative which has already driven her to an insane bloodletting.

On an Earth embalmed in peace by a ubiquitous bureaucracy, the Magician weaves his musical spells and tried to close his mind to the thoughts of others.

– just three links in a chain stretching across space and time towards a testing as awesome as it is unpredictable.

Carl Kovak was an expendable political prisoner as far as the Eastern Totalitarian Government was concerned. He was being sent into orbit in a lead lined capsule to see if it offered adequate protection from cosmic rays. Carl was strapped in and waiting for blast-off when the first bombs fell. The lead saved his body but doubt was splitting his mind. He had believed in the honesty and integrity of the West. But what if the West had started the war?
Finally, after incredible hardships and dangers, Carl Kovak found the answer. Neither East nor West had launched the atomic missiles… they had come from Space! Now alien invaders and savage mutant stalked the earth. Could a handful of human heroes survive against such terrible odds?

Alex was a pioneer. Like all pioneers he had problems. He had more problems than most; when things start to go wrong in space they go wrong in a big way. One by one the perils of the void took their toll of his companions. Alex was alone, alone with a vision, the vision of a town, home.

Only thoughts of home kept him alive. He remembered trees, houses, shops, churches, peoples…above all people. At last he reached earth…or perhaps it wasn’t earth? Things had changed unbelievably. Perhaps he had changed. How long had he been away? How far had he drifted? There was a sinister possibility that this wasn’t home at all. If the things that looked like people weren’t people but aliens, what was he to do?

Alex was a realist. He knew what space could do to a man’s mind. He was disinclined to trust the evidence of his own senses. A mine that has had far more than it can take can produce from very peculiar perceptions…

At first it was just another hoax, another UFO story, but the sightings went on increasing.
It couldn’t be an alien, there had been so many false alarms, dramatic news-columnists had shouted ‘wolf’ so many times, that John Citizen shrugged his shoulders and said ‘nuts’ at the very mention of the word space-ship. Then one of them landed…
The things they did were not exactly friendly. In fact by the time they’d finished, they had made an old-time Viking raid seem like a social call from the vicar…
Many other attacks followed. Day after day and night after night the alien ships screamed in on their mission of death. The earth struck back. But no one could track the aliens to their lair.
They seemed to come from Nowhere. They weren’t Martians. They weren’t Venusians, and they weren’t from another system.
That left only one place where they could have originated… yet the truth was so fantastic that none of the earth governments would take it seriously until it was almost too late.
The enemy came from within! From the gigantic caverns at the earth’s core.

A space liner is a brilliantly designed machine. It is not the kind of thing that disappears without good reason. The Q 97 bound for Alpha Centauri vanished with disquieting suddenness. Stelgen and his crew of expert investigators went in pursuit…and also vanished!
On the other side of Infinity they found a nightmare galaxy where things of incalculable power plotted cosmic evil. Stelgen argued that somewhere, somehow, there had to be an answer to the apparent invincibility of these unbelievably deadly aliens. His problem was to find the answer and get it back to his own people. Trouble was, that someone from the Q 97 was working against him…
When an answer finally presented itself it was so beautifully simple that it needed a genius to see it, and whatever his other qualities Stelgen was not a genius.

Best known for his Hugo Award-winning classic A Case of Conscience, Blish was one of the first serious SF writers to involve themselves with tie-in novels, writing eleven Star Trek adaptations as well as the first original adult Star Trek novel, Spock Must Die. This omnibus contains three of his long out-of-print works: Black Easter, The Day After Judgement and The Seedling Stars.
BLACK EASTER: A gripping story about primal evil: a sinister intermingling of power, politics, modern theology, the dark forces of necromancy, and what proves, all too terribly, not to be superstition.

THE DAY AFTER JUDGEMENT: Develops and extends the characters from BLACK EASTER. It suggests that God may not be dead, or that demons may not be inherently self-destructive, as something appears to be restraining the actions of the demons upon Earth.

THE SEEDLING STARS: You didn’t make an Adapted Man with just a wave of the wand. It involved an elaborate constellation of techniques, known collectively as pantropy, that changed the human pattern in a man’s shape and chemistry before he was born. And the pantropists didn’t stop there. Education, thoughts, ancestors and the world itself were changed, because the Adapted Men were produced to live and thrive in the alien environments found only in space. They were crucial to a daring plan to colonize the universe.

THE CALL OF THE WELL


For uncounted eons, the Well World had regulated and given order to the universe, and throughout the eternity, Nathan Brazil had been the guardian of the Well of Souls, where the universe’s master control lay. Forever wandering and alone, returning to the Well in times of Danger, Brazil had destroyed and re-created the cosmos several times over. But even he wearied of his endless watch, and had enlisted the aid of space pilot and high-tech thief Mavra Chang the last time the universal order required resetting.


But now the universe faced a threat more grave than mere destruction. An unnamed and utterly alien entity had somehow been released from its ancient prison and was bent on the corruption of the Well World itself. If successful, it would cause chaos beyond mortal understanding.


The Well World needed Brazil and Chang. But when it found them, would they once again answer the call? And though Brazil was immortal, could he even fight the force threatening the Well? For the force was not of this universe – and it had plans for Nathan Brazil…

From mighty Canopus, capital of the Federated Stars, to the outer fringes of our great galaxy, the Interstellar Patrol was on the watch. Rogue suns, marauding alien intelligences, man-made comets driven by their makers for the conquest of unsuspecting worlds, diabolical conspiracies hatched in the depths of unmapped nebulae – it was the business of the Patrol’s mighty spaceships to guard against such cosmic dangers.

Crashing Suns is the epic account of this future space legion, where volunteers from a thousand worlds man the mighty starcraft of a hundred thousand years to come.

For three decades science fiction legend Alan Dean Foster has captivated readers around the world, from his debut classic The Tar-Aiym Krang and his inspired scenario for the first Star Trek movie to a host of New York Times bestsellers, including Splinter of the Mind’s Eye and Flinx in Flux.
In this collection of twenty brilliant odysseys of the imagination, Foster once again soars beyond the limits of reality – where the real thrills begin…
NASA Sending Addicts to Mars!: It was the most insane idea in the annals of space travel – and the only one that would work.
Diesel Dream: Sometimes on dark, lonely highways dreams do come true, and this trucker’s hope was the best one of all.
Sideshow: Flinx hadn’t a clue about the alien dancer, but Pip knew trouble when she saw it.
Empowered: A magnificent male discovers the not-so-super part about being a superhero.
The Question: A bold adventurer determines to solve one of life’s profound mysteries.
…and fourteen other amazing stories!

It was a quiet night in Albuquerque, New Mexico.


But then they mostly are.


Seeth, token punk for the territory, was bored, bored, bored. Which was why he went ten pin bowling. Not for the bowling, you understand – it was Ladies’ League Night – but to spread a little outrage among the upright, mostly overweight citizenry.

And so it was he came upon the alien, playing lane 36, saved him from arrest by the pseudo-cops from outer space, found himself in a stolen van, along with Kerwin the nerd and Miranda the born-to-shop, Miss Teen America lookalike, driven by a green-skinned, tentacled shape changer and about to be space chased clean out of the galaxy…

Not so long ago Marcus Walker was just another young commodities trader in Chicago, working hard and playing harder. But that’s all in the past, part of a life half forgotten – a reality that vanished when he was attacked while camping and tossed aboard a starship bound for deep space.

Desperately, Walker searches for explanations, only to realise he’s trapped in a horrifying nightmare that is all too real. Instead of being a rich hotshot at the top of the food chain, Walker discovers he’s just another amusing novelty, part of a cargo of “cute” aliens from primitive planets – destined to be sold as pets to highly advanced populations in “civilized” regions of the galaxy.

Even if he weren’t constantly watched by his captors, Walker has few options. After all, there is no escape from a speeding starship. Another man might resign himself to the inevitable and hope to be sold to a kindly owner, but not Walker. This former college football star has plenty of American ingenuity and no intention of admitting defeat, now or ever. In fact, he’s only just begun to fight.

In the domed city of Atlanta, after the breakup of the United States, a young writer named Julian Cawthorn is in trouble. Because he insulted the daughter of a public official, Cawthorn is out of work, and virtually unemployable. He begs a temporary job on the city newspaper and finds himself assigned to cover the first public appearance of the aliens Cygnusians, travelers from outer space who have been living in seclusion in Atlanta while visiting Earth.

A Christian revivalist dictatorship rules Atlanta; church services are as much social as they are religious events. When one of the aliens chooses to appear at a church service, Julian watches as the first alien from space stands up and is “saved”. The alien’s voluntary salvation is taken as a sign that the state religion is indeed the one true religion, and minority groups, previously tolerated, are attacked by gangs, leaving Atlanta in turmoil.

The service is a turning point in Julian’s life. He is hired by Fiona Bitler, hostess to and protector of the aliens; at her invitation he goes to work in the secret alien enclave. In this environment Julian comes to know the fascinating aliens. He is mystified by the aliens’ interest in his personal life and cannot understand how they have acquired so many oddly human characteristics in their brief period on Earth.

The free humans lived underground, secretive, like rats. Above, the world was a fearsome place for them – the open sky a terror, the night so black, and the striding machines from space so laser-flame deadly.

Esther dared the open; she saw the sky; she saw the Enemy. And she was taken – captive – to the vast alien empty city. Surrounded by marvels of a science not born on earth, Esther did not know what they wanted of her. There was mystery in the city, dread in the heavens, and magic in the handsome alien man who came to her.

Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the new writing lay in its fascination with ‘entropy’ – the universal and irreversible decline of energy into disorder. Entropy provides the key both to the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its intimate connection with other cultural experiments of the 1960s. The fiction of the New Worlds writers, who included Brian Aldiss, J. G. Ballard and Moorcock himself, was not concerned with the far future and outer space, but with the ambiguous and unstable conditions of the modern world. As Ballard put it: ‘The only truly alien planet is Earth.’

The Entropy Exhibition is the first critical assessment of the literary movement known as ‘New Wave’ science fiction. It examines the history of the magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses development in stylistic theory and practice. Detailed attention is given to each of the three principal contributors to New Worlds – Aldiss, Ballard and Moorcock. Moorcock himself is most commonly judged by his commercial fantasy novels instead of by the magazine he supported with them, but here the balance is at last redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.

This book is about Magdalen, a woman who is on her own planet, out to lunch and on her own trip. She moves through time and space, from a private mental hospital to an alien spaceship where she is interrogated about human behaviour and the function of sex. Is Magdalen mad, or have the aliens really landed? She weaves her way through the fantasies of those around her – husband Clive, psychiatrist Dr. Murgatroyd, lovers, friends and friends’ lovers – until, finally, she can reclaim her own existence.

One minute I was in New York . . . walking down Sixth Avenue, a private eye on a two-bit job . . .
Next minute I was in New York . . . a crazy town I almost recognised – but Goebbels was speaking in Union square, Hitler invited me to a cocktail party, and aliens from outer space were running the whole show. Fun City it wasn’t . . .

Plucked from his own “time”, a pawn in a Galactic power play, Ron Archer fights his way through a deadly maze of intrigue and conspiracy to an incredible destiny at the end of the star lanes!

The dying alien from the ship that crashed onto Rhys gave Comet Jo a jewel, and begged him to take it to the heart of the Galactic Empire. And, seeing no reason to miss an adventure, Comet Jo started out for the fabled Empire Star. But his journey was to have far-reaching consequences – consequences that could disrupt all the known laws of Time and Space . . .

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk – a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside – more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun – and report back on what they find.

Life on Earth is about to get much, much stranger.

In the corner gas station, the local saloon, on the down-east farm, in the settings of EVERYDAY – there appear UNEXPECTEDLY THE ALIEN, THE WEIRD, THE MYSTERIOUS
The title story tells of one tearful stray from a herd of alien livestock which crushes most of Manhattan and causes apologetic herders to make amends. There is a shivery novelette about the abduction of a country wife by a hairy beast, and the story of a pickup truck full of mythical characters asking directions to Olympus. Then there are the ten-legged blue bugs from inner – or outer – space that can give you a dream – or a nightmare; the shadow-monkeys who have the absurd habit of following along and changing by what you think; the tiny angel that hatches from an egg; and the ‘wrens’ that hatch from Grandpa’s beard the summer he was 106.

Blue Genes…

Ape-like and with one arm replaced by a claw, the not-quite-human Angelo and his beautiful female partner Ariadne are genetically bred rescuers programmed to travel vast distances through space in suspended animation to bring back Pioneers – explorers sent out from Earth generations ago to settle other planets. The latest mission is to rescue Pioneer Murray from the planet La Plage and to return to Earth where – as usual – decades have passed while they have been travelling between the stars.

But Earth itself has gone through a catastrophic collapse from which its burnt-out civilization is trying to recover. And amongst the remnants of a sterile and despairing humanity, there is less room than ever before for such strange creatures as Angelo.

Combining rich and weird alien environments with exciting deep-space adventure, Pioneers is a brilliant novel of love and alienation in a strange and poignant future.

Lila Makindi grows up in East Africa in a peaceful and harmonious 22nd century world, which has succeeded our own age of extravagance, environmental damage, and warfare.

Its citizens know that the Space Communications Administration, better known as Bardo, is guiding the planet benevolently, thanks to contact with wise aliens by means, not of grandiose spaceships, but of psychic travel powered by the sexual techniques of tantric yoga.

Wonderfully, Lila is chosen for psychic starflight. But she discovers that in reality mental starflight is spinning a web of protection around the world to safeguard the human race from a malign alien energy force, the Starbeast.

Yet is this the true reality? Only when Lila travels to Tibet does she discover the actual, unexpected purpose behind Bardo.

After roving through space for centuries, a starship unburdens its cargo of human embryos on a harsh new world. They quickly grow to maturity in the ship’s artificial womb. A lifetime of Earth memories is programmed into their dreams.
But before their indoctrination is complete, an alien intruder infiltrates and destroys the system, and the reason for the odyssey is never learned.
Now, on a verdant island surrounded by quicksand, Othman, wanderer, dreamer, and self-proclaimed leader of the Earthling band, builds a mighty bridge to span the ocean of molten mud that keeps them from the world beyond.
He has yet to face the deadly toll his quest will take on the delicate ecology of the planet – or the revolt of his beautiful, strong-willed wife, Silandi. And he has yet to discover the hidden knowledge locked deep within their hearts.