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Gifted novelist Fowler (Sarah Canary and The Sweetheart Season) delights in the arcane, and, as a result, these 15 clever tales are occasionally puzzling but never dull.

In the long title story, temperance activist Carry Nation is resurrected in the 1990s (“We’re talking about a very troubled, very big woman,” says one shaken barman to reporters) and becomes such a nuisance that the DEA is forced to dispatch her with voodoo. Other plots are only slightly less outrageous in conceit. In “Lieserl,” a lovesick madwoman dupes Albert Einstein into believing he has a daughter; in “The Faithful Companion at Forty,” Tonto admits to second thoughts about his biggest life choice (“But for every day, for your ordinary life, a mask is only going to make you more obvious. There’s an element of exhibitionism in it”). “The Travails” offers a peek at the one-sided correspondence of Mary Gulliver, who wants Lemuel to come home already and help out around the house. The homage to Swift makes sense, for, when Fowler doesn’t settle for amusing her readers, she makes a lively satirist. The extraterrestrials who appear in her stories (whether the inscrutably sadistic monsters in “Duplicity” or the members of a seminar studying late-1960s college behavior in “The View from Venus: A Case Study”) seem stand-ins for the author herself, who, in elegant and witty prose, cultivates the eye of a curious alien and, along the way, unfolds eccentric plots that keep the pages turning.

Contents:
Black Glass (1991), Contention (1986), Shimabara (1995), The Elizabeth Complex (1996), Go Back (1998), The Travails (1998), Lieserl (1990), Letters from Home (1987), Duplicity (1989), The Faithful Companion at Forty (1987), The Brew (1995), Lily Red (1988), The Black Fairy’s Curse (1997), The View from Venus (1986), Game Night at the Fox and Goose (1989)

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

A childhood haven becomes a house of death.

‘Rinehart’s literary distinction lies in the combination of love, humour and murder that she wove into her tales … She helped the mystery story grow up’ New York Times


Sunset House has been Marcia’s summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds.

They love the old house, but Marcia’s sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband, filing for divorce – and demanding alimony that could only be paid by the sale of Sunset House. A few days later Juliette disappears. And a week after that, her body is discovered.

Marcia must work quickly to keep her beloved childhood home from being forever spoiled. Whilst somewhere in Sunset House a murderer plans the next move…

The most unlikely person is plunged into danger – but the police don’t believe her. After all, she’s not the kind of woman these things happen to… not murder, surely…
Classic crime from one of the greats of the Detection

‘No author is more skilled at making a good story seem brilliant’ Sunday Express

Laura Verity is an elderly lady with not much money and no past – not someone things happen to. But suddenly her life is plunged into danger, and without lawyer-sleuth Arthur Crook’s timely interference, she might have lost it altogether.

One thing she will never lose, though, is her head: the police don’t believe her – she proves them wrong. The wine might be poisoned – she’ll keep it for Crook to test. Does that car belong to the murderer? She’ll just get in and see where he takes her. Together, brave Miss Verity and Arthur Crook uncover the truth about a murder.

‘Nobody but Dorothy Hughes can cast suspense into such an uncanny spell, and she’s never done it better’ San Francisco Chronicle

‘An excellent novel . . . A sympathetic study of the development of a criminal’ New York Times

It’s carnival time in Santa Fe, and three out-of-town visitors are drawn together in the heat, the smells and the colour of the festival . .

Sailor, a hood from Chicago, is there to confront his boss, Sen, a crooked politician, to try to get money for what he knows about the murder of Sen’s wife, killed supposedly during a robbery gone wrong.

Following them both is Mac, a man from the same side of the tracks as Sailor, but who has made very different choices. He’s a cop now, and wants Sailor to testify against Sen and put him away.

The three strangers collide, retreat and advance through the streets of New Mexico, moving ever closer to a charged and unexpected outcome . . .

“Variety is the soul of pleasure,” And variety is what this comprehensive new collection of Connie Willis is all about. The stories cover the entire spectrum, from sad to sparkling to terrifying, from classics to hard-to-find treasures with everything in between – orangutans, Egypt, earthworms, roast goose, college professors, mothers-in-law, aliens, secret codes, Secret Santas, tube stations, choir practice, the post office, the green light on Daisy’s dock, weddings, divorces, death, and assorted plagues, from scarlet fever to “It’s a Wonderful Life.” And a dog.

Famous for her “sure-hand plotting, unforgettable characters, and top-notch writing,” Willis has been called, “the most relentlessly delightful science fiction writer alive,” and there are numerous examples here. Among them, Willis’s most famous stories – the Hugo- and Nebula-Award-winning “Fire Watch” and “Even the Queen” and “The Last of the Winnebagos” – along with undiscovered gems like Willis’s heartfelt homage to Jack Williamson, “Nonstop to Portales.” Her magical Christmas stories are here, too, from “Newsletter” to “Just Like the Ones We Used to Know…” which last year was made into the TV movie, Snow Wonder, starring Mary Tyler Moore.

We’ve collected stories from throughout Willis’s career, from early ones like “Cash Crop” and “Daisy, in the Sun,” right up to her newest stories, including the wonderful “The Winds of Marble Arch.” There’s literally something for everyone here. If you’re a diehard Willis fan, you’ll be delighted with hard-to-find treasures like the until-now uncollected, “The Soul Selects Her Own Society…” If you’ve never read Connie Willis, this is your chance to discover “A Letter from the Clearys” and, well, “Chance.” To say nothing of, “At the Rialto,” the funniest story ever written about quantum physicists. And Willis’s chilling, “All My Darling Daughters.”

And…oh, there are too many great stories here to list and pleasures galore. So enjoy!

The perfect Halloween novel!

‘Glaister has the uncomfortable knack of putting her finger on things we most fear, of exposing the darkness within’ Independent on Sunday

‘Before Gillian Flynn, there was Lesley Glaister’ Harper’s Bazaar

All Nell’s life, Olive Owen has lived next door but one. And all her life, Nell has hated her. Even at school Olive had sparkled indecently, turning heads. Nell has a son, her pleasure and her shame, though now she lives alone. Nell is sharp in all the places Olive is round.

When Wolfe moves into the house in between them, their quiet street is transformed. A lonely, spirited eight-year-old boy, he knocks on their doors at Halloween and invites them to his bonfire party. As the fireworks flare, he finds himself in the middle of an ancient conflict, grudges bared and burning with a fury he could never have imagined.

‘A perfect, black little tale’ Observer

A young artist is searching for the truth about her past – but does she really want to know…?

With an introduction by A J Finn, bestselling author of THE WOMAN IN THE WINDOW

Superb classic crime from ‘the mistress of day-lit terror!’ NEW YORK TIMES

‘Psychologically rich, intricately plotted and full of dark surprises’ Megan Abbott

When Amanda Garth was born, a nearly-disastrous mix-up caused the hospital to briefly hand her over to the prestigious Garrison family instead of to her birth parents. The error was quickly fixed, Amanda was never told, and the secret was forgotten for twenty-three years … until her aunt thoughtlessly revealed it in casual conversation.

But what if the real accident was Amanda being returned to the wrong parents? After all, she seems much more like the painter Tobias Garrison. Amanda is determined to discover the truth within her aunt’s bizarre anecdote, but soon is trapped in a web of lies, suspicions and deadly secrets …

One woman drugged, another murdered – and a cat is the only witness. If you like Miss Marple, you’ll love this!

Terrific classic crime – with a new introduction by Joyce Carol Oates.

‘You will never regret having made the acquaintance of Miss Rachel Murdock’ NEW YORK TIMES

When Rachel Murdock and her sister Jennifer receive a call for help from their favourite niece, Lilly, they quickly hop on a train to see her – but not before collecting their prized cat Samantha in a picnic basket and bringing her along for the ride. Samantha, it turns out, is an heiress, the inheritor of a fortune left by a wealthy relative, and so the attempt on the cat’s life, made right after they arrive, comes as a shock. The cat survives, but Lilly, murdered soon thereafter, is not so lucky.

By the time the police arrive, the clues are already falling into place, with gambling debts just being the tip of a brutal killing spree iceberg. With the authorities distracted by lurid details, it’s up to Rachel and her furry friend to uncover the truth.

A Christmas novella for fans of the hit drama series LONGMIRE now on Netflix and the New York Times-bestselling series.

On December 24, Sheriff Walt Longmire is reading A Christmas Carol when he’s interrupted by a young woman with a fine scar across her forehead and questions about Walt’s predecessor, Lucian Connally. Walt doesn’t recognize the mystery woman, but she knows him, and claims to have something she must return to Connally. Walt, at loose ends, agrees to help.

Lucian Connally swears he’s never seen the woman before. Disappointed, she begins a story that takes them back to Christmas Eve 1988, a terrible, fatal crash and a young girl who had the slimmest chance of survival.
Back to a whiskey-soaked World War II vet ready to fly a decommissioned plane and risk it all to save a life . . .

‘The characters talk straight from the hip and the Wyoming landscape is its own kind of eloquence’ New York Times