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Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Set in Sagramanda, a city of one hundred million, this is the story of Taneer, a scientist who has absconded with his multinational corporation’s secret project code and who is now on the run from both the company and his father. Depahli, the fabulously beautiful woman from the “untouchable” class, would die for him, just as surely as his father would like to kill him for shaming his very traditional family with such a relationship. Chalcedony “Chal” Schneemann doesn’t want to kill Taneer, if he doesn’t have to, but it wouldn’t upset him terribly much if it came to that, and he’ll stop at nothing to recover the stolen property from the company that pays him very, very well to solve big problems discreetly and quickly. Sanjay Ghosh, a poor farmer-turned-merchant in the big city of Sagramanda, would like to help Taneer unload his stolen items for the thirty million dollars his 3 percent fee is worth. Jena Chalmette – the crazy French woman pledged to Kali – simply wants to kill for the glory of her god, and she’s very good at it. Chief inspector Keshu Singh would like to put this sword wielding serial killer away as quickly as possible before the media gets ahold of the story.

Then there’s a man-eating tiger that’s come in from the nearby jungle reserve, just looking for his next meal.

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.

The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced ‘Golden People’ (‘God believes they are the most beautiful creatures he ever made,’ a theologian said, ‘and there will be hell to pay when he founds out that we don’t agree.’). And the third child was Inneal who often elicited the comment ‘she’s really something different, isn’t she!’ Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?

When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.

Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a ‘Serpent’s Egg‘ that had to be crushed in the shell for the good of the world?

The Three Days of Summerset, the End of Summer, would give the answer.

When Meg Frazer’s actress mother is killed in a Hollywood accident, nineteen-year-old Meg finds it hard to adapt to life in Britain with her cold, distant father . . . and at night she is haunted by a strange dream of a face which she is sure has something to do with her past.

Meg follows a clue from the past to a remote Cornish Village. There she becomes involved in a nightmare web of terror and suspense . . . She meets a young man called Toby, who is different from her staid fiancé, but how is he wrapped up in the secrets she is unravelling?

First written as a short suspense story in the 1960’s, this YA romantic thriller went on to win an Edgar Allan Poe Award from the Mystery Writers of America for Joan Aiken in 1972

“A cunning thriller romance, with the ever popular suspense and terror… good holiday reading for the not so bookish” Elaine Moss, Times

“Young, beautiful, talented, engaged to a handsome and successful stockbroker, she should have been content to stay in London. But irresistibly Meg was drawn back to Penlaggen…back into a forgotten past… And waiting for her was a man who exercised a strange and fearful power over her…and a secret that led her ever closer to danger” Fiction Database

“The suspense is wonderfully sustained and leads to a terrifying climax, and there is even a satisfying love story” Publisher’s Weekly

“A dream has haunted nineteen-year-old Meg for ten years, ever since her mother’s death. Now engaged and determined to exorcise the dream before her marriage, Meg drives to the remote Cornwall village of Penleggen where the author’s gift for direful scene and gripping incident takes control…the physical danger mounts as Meg’s psychological mystery is solved and a literate thriller gathers momentum” Kirkus review

The son of a Civil War veteran, Edgar Rice Burroughs was a prolific writer for the early pulp magazines. Famous the world over as the creator of Tarzan – and in SF circles for his Martian tales featuring John Carter – Burroughs is a household name. But John Carter wasn’t the only Earthman to champion another world. This omnibus collects PIRATES OF VENUS, LOST ON VENUS and CARSON OF VENUS – the first three of Burroughs’ classic pulp tales of Carson Napier on the waterworld of Amtor – better known to us as Venus.

PIRATES OF VENUS: The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess comes at a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.

LOST ON VENUS: Napier’s adventures continue in this pulse-pounding sequel to PIRATES OF VENUS. Here the intrepid and wry explorer takes on a savage world in order to rescue the princess from her sworn enemies. Napier’s epic quest for Duare takes him through the streets of the City of the Dead, into the terrifying Room of the Seven Doors, and face to face with fantastic and perilous creatures. LOST ON VENUS brims with the action, suspense and wit unique to the Master of Adventure.

CARSON OF VENUS: Carson Napier, first Earthman to reach Venus, had to keep alert every instant of his stay on that world of mist and mystery. For its lands were unmapped, its inhabitants many, varied and strange, and he had taken an obligation to restore a native princess to her lost homeland. On terrible oceans where dreaded sea-monsters dwelled, in deep forests where terror haunted every branch, and behind the walls of eerie cities where power-mad chieftains plotted uncanny schemes, CARSON OF VENUS is fast-paced science fiction adventure.