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An undead monster hunter must track down a killer, trailer-park-havoc-wreaking were-frog in this outrageous mash-up of Jim Butcher’s urban fantasy and George Romero’s zombie horror.

Before he died, Saelig Zilch was a chef. Now, posthumously recruited by a shadowy agency for reasons still unknown, tasked with keeping the public safe from things that go bump in the night, he hunts monsters.

Zilch scrabbles out of a North Carolina grave in someone else’s body. Someone recently dead. He only has a few days to find his bearings and carry out his latest mission, before the precious few nanobugs in his corpse shell are exhausted and he’s forced to start all over at the beginning. As he trudges down the main thoroughfare, he runs into Galavance. More accurately, she runs into him with her pink Chevy Cavalier.

A case of unfortunate timing? Maybe not. Turns out the critter Zilch has been dispatched to dispatch of-a murderous were-frog-squelches uncomfortably close to the trailer Galavance calls home. And come to think of it, Galavance’s boyfriend Jolby has been spending a lot of nights out lately . . .

America, 1984 – not our version of America, but an America that calls itself the Real, an America in which the invention of Turing Gates has allowed it access to sheaves of alternate histories. For ten years, in the name of democracy, the Real has been waging clandestine wars and fomenting revolution, freeing versions of America from communist or fascist rule, and extending its influence across a wide variety of alternate realities.

But the human and political costs have proven too high, and new President Jimmy Carter has called an end to war, and is bringing troops and secret agents home.

Adam Stone is called out of retirement when his former comrade, Tom Waverly, begins to murder different versions of the same person, mathematician Eileen Barrie. Aided by Waverly’s daughter, Linda, Adam hunts for his old friend across different sheaves, but when they finally catch up with Waverly, they discover that they have stumbled into the middle of an audacious conspiracy that plans to exploit a new property of the Turing Gates: it will change not only the history of the Real, but that of every other sheaf, including our own.

Cowboy Angels combines the high-octane action and convoluted plots of the TV series 24 in a satirical, multi-layered alternate reality thriller.

Nicole Gunther-Perrin is a modern young professional, proud of her legal skills but weary of childcare, of senior law partners who put the moves on her, and of her deadbeat ex-husband. Following a ghastly day of dealing with all three, she falls into bed asleep – and awakens the next morning to find herself in a different life, that of a widowed tavernkeeper in the Roman frontier town of Carnuntum around 170 A.D.

Delighted at first to be away from corrupt, sexist modern America, she quickly begins to realise that her new world is as complicated as her old one. Violence, dirt, and pain are everywhere – and yet many of the people she comes to know are as happy as those she knew in twentieth-century Los Angeles. Slavery is a commonplace, gladiators kill for sport, and drunkenness is taken for granted – but everyday people somehow manage to face life with humour and good will.

No quitter, Nicole manages to adapt to her new life despite endless worry about the fate of her children “back” in the twentieth century. Then plague sweeps through Carnuntum, followed by brutal war. Amid pain and loss on a level she had never imagined, Nicole finds reserves of strength she had never known.

Richard Garrison, a corporal in the British Military Police, loses his sight while trying to save the wife and child of millionaire industrialist Thomas Schroeder from a terrorist bomb. While Garrison is recovering from his injuries, Schroeder makes him an offer the young man cannot refuse – refuge at Schroefer’s luxurious mountain retreat and rehabilitation from the best doctors who can treat Garrison’s blindness, and, if not cure him, at least teach him a new way of life.

But Thomas Schroeder has a secret. His is dying and determined not to lose his life. The doctors tell him his body cannot be saved. But what about his mind? Garrison’s healthy young body would make an excellent replacement for Schroeder’s failing corpus, if the machines to perform the operation can be perfected in time.

Garrison has secrets of his own. Since the bombing that caused the loss of his sight, Garrison has become aware of new abilities slowly developing in his mind: mental powers he is beginning to master, strengths Schroeder cannot expect.

Richard Garrison and Thomas Schroeder, two strong-willed men locked in battle for the greatest prize – life itself.

Prince Zarkon is back! This thrilling new case from the top-secret files of the crime-fighting organization known as Omega begins in London with a strangely simple and bewildering crime. It’s just a warehouse robbery, but the perpetrators are no ordinary criminals. They are the diabolical Blue Men.

Sinister, invulnerable to conventional weaponry, and entirely blue, these evildoers can walk unharmed through clouds of deadly gases. Even gunfire doesn’t stop them – bullets bounce off their bodies as though they’d struck the steel side of a battleship. Bold and brazen, the chilling culprits carry out their crimes again and again, making headlines around the world. London is panicked . . . and Scotland Yard is stumped.

Straight from Knickerbocker City comes Prince Zarkon and the Omega Men to the rescue. The lord of the unknown and nemesis of all villains, Zarkon soon discovers the malignant mastermind behind the mysterious Blue Men. It is the aptly-named Vulture, a brilliant but deranged, unscrupulous, and embittered scientist who is determined to leave the bloody stain of his extraordinary genius upon the world. As the band of Blue Men multiplies, until it terrifyingly outnumbers the Omega Team, it looks as if our superhero has finally met his match.

Filled with electrifying suspense, this is a Zarkon adventure beyond compare . . . and one of the strangest pursuits in the annals of criminology.

Set after the Third Great War, North and South America are united into one country: Imperial America. A slave state run by a small noble elite who flaunt their wealth by using, and abusing, the one commodity that only the rich can have: human labour. But working underground, persecuted by the police, is an organization dedicated to the overthrow of government and the existing way of life and the establishment of freedom.

The Society of Thieves was the only organization that flouted authority in America Imperial: they robbed the rich to buy freedom for the slaves. They were well equipped and trained for their job and had friends and informers in high places ready to reveal where the wealth of the nobles was hidden. And Alar was the best Thief of them all – for he had senses not found in ordinary men, senses that accurately warned him when danger was near. But Alar had amnesia and did not know his true identity though sometimes he sensed that there was a purpose in his actions that was not entirely his own volition.

When Keiris, wife of the Imperial Chancellor saw him, she sensed that he was something special and helped him to elude pursuit even though it put her own life in danger. And in trips to the Moon and even the Sun itself, Alar begins to see what part he is destined to play in the struggle for men’s freedom.

In this thrilling second book of the Earthborn trilogy, Lucas and Asha have survived the decimation of Earth at the hands of the invading Xalans and seek safe haven with their enemy’s true foes, the Sorans. They find a lush planet inhabited by a civilization far more advanced than their own, waging a seemingly endless war against a constantly evolving enemy.

The Sorans call the pair of them the “Earthborn” and they’re welcomed as heroes, almost as gods. To an audience of billions, they swear an oath to avenge their fallen planet by aiding the Sorans in their war against Xala. But soon Lucas and Asha find Sora just as dangerous as apocalyptic Earth when they’re targeted by the Fourth Order, a rebel collective who decries them as false prophets and harbingers of further bloodshed.

Their friend and turncoat Xalan scientist Alpha believes he’s located someone who can help them turn the tide of the war for good, stranded on a conquered colony planet. But landing on the new world, Lucas and Asha find themselves hunted by a violent, mysterious beast, known only as the Desecrator, let loose by the Xalans.

Escaping Earth was only the beginning. As Lucas and Asha quickly learn, the universe has worlds and creatures far more dangerous than anything their home planet could have offered, and their continued survival hinges on gaining new allies they never could have imagined.

Imagine a living specimen of a multimillion-year-old hominid species, Homo habilis, encountering the contemporary world.

Told in the first-person narrative of Paul Loyd, divorced owner of a small town restaurant, Ancient of Days tells the story of a habiline man found wandering in a Georgia pecan orchard, a living descendant of a habiline tribe, brought from Africa via Haiti as a slave. Paul’s ex-wife, RuthClaire, takes in the living fossil, appropriately naming him Adam, and as an artist she discovers Adam’s mute but vibrant artistic sensibility, falls in love with him, and marries him – much to Paul’s confusion and dismay.

And then the story begins to widen out onto a broader canvas, as Adam first faces persecution by small town Georgia Klansmen, then, surviving that, moves with RuthClaire to Atlanta and encounters the whole spectrum of American culture, from art critics and media spectacles to evangelists and punk clubs.

Throughout the peregrinations and travails of Adam, however, runs a rich and developing strain of self-conscious spiritual, intellectual, and artistic growth, interwoven with Adam’s genuine anguish over the problematic nature of his true humanity.

In the end, the central characters come together on the Haitian island of Montarez in the aftermath of crisis, and in a moment of illumination and revelation meet the mysterious and extraordinary origins of Adam and his race in human prehistory.

This book contains four striking novellas, and the author’s own philosophy of fiction writing expressed in her speech as a guest of honour at the 38th World Science Fiction Convention.

“The Winter Beach” turns what might be a spy story into suspense of a far different order.

“Julian” begins when its youthful hero trains his telescope on nearby earth rather than the stars and sees a woman who rules the rest of his life.

“With Thimbles, with Forks and Hope” seems to be the dramatic story of a holiday fishing trip, but once on the ocean we are gripped by a different reality.

“Moongate”, set in the mountains of the Northwest, takes its two men and one woman through many dimensions in time and space.

“The Uncertain Edge of Reality” casts a new light on Kate Wilhelm’s many books and short stories. “This is my subject matter when I write,” she says. “I am asking, What actually do we mean by reality, and are we stuck with the one we have? This is what I mean by reality fiction, and usually it is also called science fiction…We are more than simple animals using sophisticated tools in our search for food, security and mates. We are something new on the earth…We can change reality.”

Kate Wilhelm’s writing always has meaning on many levels. Listen, Listen provides a feasts for fans and new readers alike.

These seventeen classic stories create their own unique galaxy of vain, protective, and murderous robots; devilish angels; and warm and angry aliens. In “Mimsy Were the Borogoves”-the inspiration for New Line Cinema’s major motion picture The Last Mimzy-a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets-including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body-their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them-for better or worse.

Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms-sometimes writing entire issues of science fiction magazines-in close collaboration with his wife, C. L. Moore.

This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.

England, 1967: ruled by the power of the Catholic Church, as it has been since the failure of the Protestant Reformation. In this England there are steam trains, but no internal combustion engine; rifles but no electricity; heresy but no democracy.

And in this England, magic works.

England, 1967; young Tobias Oakley, out on an illicit nighttime expedition, meets an elven woman – and is chosen for initiation into the secrets of necromancy. Tobias has a powerful talent and his injudicious use of it brings him to the attention of the Church – whose Thaumaturgical Division soon recruits him.

And so Tobias enters the Church, beginning his career amid the brothels and taverns of the teeming slums of the diocese of Southwark. From there his progress, if not steady – there is something about Tobias that arouses unease in his superiors – is generally upwards. As a curate, as a priest, as a soldier in the bloody war against heresy and finally as an eminent expert on diabolism, Tobias becomes a power in the English Catholic Church.

And as he does so, he pursues his second career: as liar, drug smuggler, rakehell, mass murderer, betrayer, vicious libertine and consorter with demons. For the elf legacy that has shaped his life has robbed him of something vital. And when Tobias, in an effort finally to discover some meaning in life, embarks on a fantastic and perilous quest through supernatural realms he finds himself at the last confronting a savage irony.

Susan Galina and her friend Pat have escaped their normal lives into the elegant, isolated world of the Odyssey, a luxury cruise ship heading from New York to Europe via Bermuda. Pat is working on her doctoral thesis in quantum physics, and Susan is recovering from a recent and unhappy divorce.

To Susan’s delight, she discovers that her favourite author, Max Merriwell, is also aboard ship, teaching a writers’ workshop. Susan’s life becomes even more interesting when she meets Tom Clayton, the handsome chief of security. This cruise looks very promising indeed.

But the pleasant shipboard vacation turns dark as the Odyssey passes into the Bermuda Triangle. Each year, Max Merriwell writes three novels: a science fiction novel under his own name, a fantasy novel under the pseudonym Mary Maxwell, and a mystery novel under the pseudonym Weldon Merrimax. The trouble begins when Max receives a threatening note that appears to come from Weldon Merrimax, Max’s own pseudonym. Susan hears wolves howling in the night, the ship’s passengers are seized with a dancing mania, and monsters lurk in the ship’s corridors. An eyewitness reports a murder – but the victim of the crime is not on the passenger list and the body is nowhere to be found. While others struggle to understand these strange events, Pat seeks the explanation in quantum theory.

In a world stripped bare of digital images and promotainment, unveiled with the audiovisual overlay of the ImmaNet, in an exposed world, a naked world, Amon Kenzaki awakens, lost and alone. He must now travel deep into the District of Dreams in search of Anisha Birla, the one person that might help him unravel the mystery of jubilee. But deprived of the apps and informational tools he’s depended on his entire life, traversing the largest bankdeath camp on Earth is no easy task.

Inside an ephemeral labyrinth of slowly-dissolving disposable skyscrapers clogged to the limit with the bankdead masses, Amon soon finds himself face to face with two dangerous groups: a luddite cult called the Borginans, who preach bizarre superstitions about electronic banking, and a supposedly humanitarian army called the Charity Brigade, whose mandate of protecting the bankdead conceals opportunistic motives.

Taking refuge in a hospital that strives to improve conditions in the camps, Amon begins to work towards its cause and reconciles himself to his newfound poverty. But when political forces threaten the community’s existence and the lives of its members, he is forced to team up with a vending-machine designer, an Olympic runner, a fertility researcher, a corporate tycoon, and many others to expose the heinous secret festering at the heart of the action-transaction market he once served.

In book two of the Jubilee Cycle, Eli K. P. William delves beneath the surface of his cyber-dystopian Tokyo to unearth the fate of outcasts trapped in its depths and shine a light on the financial obstacles blocking one individual’s efforts to help them.

Remember what it’s like to last an entire night without sleep? That dull but constant headache. The feeling of your brain on edge. How easily irritated you were. How difficult it was to concentrate, even on seemingly menial tasks. It was just a single restless night, but everything felt just a little bit harder to do, and the only real comfort was knowing your head would finally hit the pillow at the end of the day, and when you awoke the next morning everything would return to normal.

But what if sleep didn’t come the next night? Or the night after? What might happen if you, your friends and family, your coworkers, the strangers you pass on the street, all slowly began to realize that rest might not ever come again?

How slowly might the world fall apart? How long would it take for a society without sleep to descend into chaos?

Sleep Over is collection of waking nightmares, a scrapbook of the haunting and poignant stories from those trapped in a world where the pillars of society are crumbling, and madness is slowly descending on a planet without rest.

Online vigilantism turns social media into a deadly gamble.

A freelance journalist grapples with the ethics of turning in footage of mass suicide.

A kidnapped hypnotist is held hostage by those at wit’s end for a cure.

In Sleep Over, these stories are just the beginning. Before the Longest Day, the world record was eleven days without sleep. It turns out most of us can go much longer.

Once, Xhea’s wants were simple: enough to eat, safety in the underground, and the hit of bright payment to transform her gray-cast world into color. But in the aftermath of her rescue of the Radiant ghost Shai, she realizes the life she had known is gone forever.

In the two months since her fall from the City, Xhea has hidden in skyscraper Edren, sheltered and attempting to heal. But soon even she must face the troubling truth that she might never walk again. Shai, ever faithful, has stayed by her side-but the ghost’s very presence has sent untold fortunes into Edren’s coffers and dangerously unbalanced the Lower City’s political balance.

War is brewing. Beyond Edren’s walls, the other skyscrapers have heard tell of the Radiant ghost and the power she holds; rumors, too, speak of the girl who sees ghosts who might be the key to controlling that power. Soon, assassins stalk the skyscrapers’ darkened corridors while armies gather in the streets. But Shai’s magic is not the only prize-nor the only power that could change everything. At last, Xhea begins to learn of her strange dark magic, and why even whispers of its presence are enough to make the Lower City elite tremble in fear.

Together, Xhea and Shai may have the power to stop a war-or become a weapon great enough to bring the City to its knees. That is, if the magic doesn’t destroy them first.

Arthur C. Clarke has been one of the most influential commentators on – and prophets of – the communications technology which has created the global village. Now, drawing partly on his own sometimes very personal writings, he provides an absorbing history and survey of modern communications.

The story begins with the titanic struggles to lay transatlantic telegraph cables in the nineteenth century. Fighting against widespread scepticism, lack of funds, technical disasters and setbacks – and against the Atlantic itself, above and below the surface – the pioneers achieved the seemingly impossible and by 1858 Britain and America were linked by Telegraph.

Nearly a century later, as the first transatlantic telephone cable was being laid, the technology that would rival and perhaps even supersede it was undergoing its painful birth as scientists developed the communications satellite precisely as Clarke first described in his famous 1945 article Wireless World, ‘Extra-terrestrial Relays’, reprinted in this book.

The rivalry between cable and satellite continued through the decades. Communication satellites (Comsats) performed even beyond the most optimistic expectations, but cable fought back with the development of the transistor. Then, in one of the most dramatic and unexpected breakthroughs in any technology, the potential of cable systems was transformed. The development of fibre optics technology meant that once more the seabeds of the world began to be draped with the newest and most sophisticated artefacts of human engineering.

It is an enthralling story, filled with extraordinary events and people, and Arthur C. Clarke brings all his storytelling flair and scientific expertise to bear on it. The result is a superb combination of history, comment and challenging speculation.

It was a changed world. No longer did the black monks of the Christian Church own half of England and extend their deadly domain over their flock. No longer did the murderous Ragnarssons and their Viking hordes ravage the shires unopposed. Now, in the year 867 AD, those who wished to be Christian were free to worship without the heavy yoke of the ever-hungry Church. Those who did not could follow the Asgarth Way, the Norse religion that paid homage to the gods of Asgard: Othin, Thor, Frey…and Rig. Rig, the patron – perhaps the father? – of Shef Sigvarthsson. Whose new weapons and battle strategy had defeated both the battle-hardened Vikings and the Frankish knights of Pope Nicholas’ failed Crusade.

While enemies plotted, Shef left England by ship, to avoid the wedding of his ally, Alfred of Wessex, to his childhood love, Godive. Shipwrecked on the Frisian Coast he begins a journey that will keep him away from England for months and years, and add more legends to his already myth-shrouded life.

In One King’s Way Harry Harrison Continues the story of Shef Sigvarthsson, god-chosen warrior and mystic. From the Vikings of the North Sea to the scheming priests of Germany, from the frozen northern lands to the snow-covered Finnish tundra, he fights his way towards overwhelming kingship. While his supernatural allies and enemies engage in a shadowy battle for his future. This is historical fantasy of the highest order, from a giant of the genre.

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.

The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced ‘Golden People’ (‘God believes they are the most beautiful creatures he ever made,’ a theologian said, ‘and there will be hell to pay when he founds out that we don’t agree.’). And the third child was Inneal who often elicited the comment ‘she’s really something different, isn’t she!’ Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?

When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.

Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a ‘Serpent’s Egg‘ that had to be crushed in the shell for the good of the world?

The Three Days of Summerset, the End of Summer, would give the answer.

THE TRILOGY CONCLUDES…



In West of Eden and Winter in Eden, Harry Harrison, an acknowledged master of imaginative fiction, broke new ground with his most ambitious project to date. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants, the Yilanè, challenged humans for mastery of the Earth, and where the human Kerrick, a young hunter of the Tanu tribe, grew among the dinosaurs and rose to become their most feared enemy.



Now, in Return to Eden, Harrison brings the epic trilogy to a stunning conclusion. After Kerrick rescues his people from the warlike Yilanè, they must regroup and consider their future. They find a safe haven on an island and there begin to rebuild their shattered lives. But with fierce predators stalking the forests, how long can these unarmed human outcasts hope to survive? They need weapons, but they only effective weapons lie in the hands of the technologically superior Yilanè. The small band of humans has no choice but to confront their face head-on.



And, of course, Kerrick cannot forget Vaintè, his implacable Yilantè enemy. She’s been cast out from her kind, under sentence of death, but how long will her banishment last? For her strange attraction to Kerrick has turned into a hatred even more powerful than her inbred instincts – an obsession that compels her to hunt down Kerrick and kill him. In a world completely unlike her own, two great cultures struggling for mastery of the Earth face the same problem that faces us today: how to coexist on the same planet completely unlike ourselves – or mutually perish.

Millennia ago Starquin visited the Solar System. Because he is huge – some say bigger than the Solar System itself – he could not set foot on Earth personally. yet events here were beginning to interest him, and he wanted to observe more closely.


So he sent down extensions of himself, creatures fashioned after Earth’s dominant life-form. In one of Earth’s languages they became known as Dedos, or Fingers of Starquin. Disguised, they mingled with Mankind.


We know this now, here at the end of Earth’s time. The information is all held in Earth’s great computer, the Rainbow. The Rainbow will endure as long as Earth exists, watching, listening, recording and thinking. I am an extension of the Rainbow, just as the Dedos are extensions of Starquin. My name is Alan-Blue-Cloud.


It is possible you cannot see me but are aware of me only as a voice speaking to you from a desolate hillside, telling you tales from the Song of Earth. I can see you, the motley remains of the human race, however. You sit there with our clubs and you chew your roots, entranced and half-disbelieving as I sing the Song – and in our faces are signs of the work of your great geneticist, Mordecai N. Whirst. Catlike eyes here, broad muzzles there, all the genes of Earth’s life, expertly blended, each having its purpose. Strong people, adapted people, people who survived.


The story I will tell is about people who were not so strong. It is perhaps the most famous in the whole Song of Earth, and it tells of three simple human beings involved in a quest who unwittingly became involved in much greater events concerning the almighty Starquin himself. It is a story of heroism and love, and it ends in triumph – and it will remind the humans among you of the greatness that was once yours.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the razor-sharp wit of John Sladek.

An important voice in the New Wave movement, Sladek had stories published in Harlan Ellison’s seminal anthology, DANGEROUS VISIONS, as well as in Michael Moorcock’s ground-breaking NEW WORLDS magazine. Perhaps best known for the ambitious robot tales RODERICK and RODERICK AT RANDOM, he is now recognized as one of SF’s most brilliant satirists. This omnibus collects novels THE REPRODUCTIVE SYSTEM, THE MULLER-FOKKER EFFECT and BSFA AWARD-winning TIK-TOK.

THE REPRODUCTIVE SYSTEM: Wompler’s Walking Babies aren’t selling like they used to, so the company develops Project 32, producing self-replicating mechanisms designed to repair inter-cellular breakdowns. But then the metal boxes begin crawling about the laboratory, feeding voraciously on metal and multiplying…

THE MULLER-FOKKER EFFECT: Bob Shairp – a writer and dreamer – has agreed to be a guinea-pig in a military experiment to find out if his personality can be turned into data and stored on computer. But a computing error quickly destroys Shairp’s physical body, leaving his mind stranded in an encoded world. Can the process be reversed?

TIK-TOK: Something has gone very seriously wrong with Tik-Tok’s ‘asimov circuits’. They should keep him on the straight and narrow, following Asimov’s First Law of Robotics: ‘a robot shall not injure a human being, or through inaction allow a human being to come to harm.’ But they don’t. While maintaining the outward appearance of a mild-mannered robot, albeit one with artistic tendencies and sympathy for the robot rights movement, Tik-Tok’s real agenda is murderously different. He seems intent on injuring – preferably fatally – as many people as possible. Almost inevitably, a successful career in crime and general mayhem leads to a move into politics and Tik-Tok becomes the first robot candidate for Vice President of the United States.

“What does a cockatrice enjoy most for dinner? Anyone it can find.”

So the alarmed inhabitants of England discover when a plague of monsters–known as cockatrices–invade their country and begin gobbling them up. They must be stopped! A plucky band of survivors dubbed the Cockatrice Corps–including youngsters Dakin and Sauna–decide to fight back. But how?

A rollicking adventure filled with breathtaking twists and turns, The Cockatrice Boys is Joan Aiken at her comic best.

But there is also a powerful message in her only full length Sci- Fi (or even Cli-Fi!) YA novel as Joan Aiken imagines the result of human folly, in an earlier version of global warming, with the hole created in the ozone layer becoming a channel for evil to arrive on earth as an invasion of monstrous creatures.

Joan Aiken believed in the power of the imagination, and using stories to prepare us for our future.
In The Cockatrice Boys she wrote:

“People need stories…to remind them that reality is not only what we can see or smell or touch. Reality is in as many layers as the globe we live on itself, going inwards to a central core of red-hot mystery, and outwards to unguessable space. People’s minds need detaching, every now and then, from the plain necessities of daily life. People need to be reminded of these other dimensions above us and below us. Stories do that.”

“Besides being a daringly original, funny, scary, and morally instructive book, it also contains one of the strongest statements of the purpose of fantasy stories and fairy tales . . . This book was excellent, I highly recommend it . . . buy it now!” Mugglenet.com


“Readers will be reminded of Alice in Wonderland . . . and the movie trilogy Star Wars” School Library Journal

“This one is a real page-turner – as usual for Aiken – and sometimes really quite sinister, with a lot of gallows humour. It’s suitable for all adults and most children… just as creepy as anything by M.R. James” Amazon Reviewer

“Like all Aiken’s best work, there is a deeply scary, nightmare thread running through this book, which makes it thrilling and involving for older readers and adults …but the monsters are especially entertaining – drawn from Lewis Carroll, ancient mythology, and even Monty Python, they are scary and funny at the same time. A brilliant book” Amazon Reviewer

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, “Cass,” which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.
My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.

Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. “Thos,” which most of my Oxford friends adopted. “Thos,” of course, is an abbreviation for Thomas, and refers to the “doubting Thomas” of the New Testament.

Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.

The head of the following bulky letter bears the address of a well-known mental home.

“THOS.”