Search Results for: beauty

Nick Lewis certainly has no liking for his TV historian brother, Laurence. Aside from anything else Nick blames him for the death of their mother, the beautiful actress Claudia Martin. And so, is it possible the off-handedly childish trick played by Nick on Laurence really does cast some kind of curse? Bizarre and unpleasant things begin to happen, without a doubt. And Nick himself is hardly immune. As the pattern of his secure yet eccentric life starts to come undone, he finds himself without remedies. Where has Laurence vanished to? What is the creepy Mr Pond’s part in it all? And who is the apparently sinister Kitty Price? Can repressed hatred cause such disruption, danger, even death? Or has the object caused it, as Nick pretended it could: that little ivory counter from a stolen drawer… This is probably not a supernatural story. It might be less unsettling if it was.

Emenie lives alone. Her vocation is that of a serial killer. She can read the omens and always knows exactly who is her legitimate prey.
In a ruined and collapsing world, perhaps her method is the best one.

Rod, though, has a dreary life, working at an unrewarding job. Without friends, but encumbered by relations, there is something uneasy hanging over him.
Is it the wardrobe?

How unlike Klova, young, beautiful and living on benign handouts, in a sort of Science Fantasy existence of sprints and liquid-silver…
Until she meets the challenging Coal.

And then there is the other one… or are there two?
They also begin to assert their influence – but where do they fit?
Past Historical, Presents Parallel and Everyday – Future Imperfect.

Here, at the outskirts of this City they all call London, what the Hell is going on?

Artemesia is the daughter of a pirate queen, and she’s sick of practising deportment at the Angels Academy for Young Maidens. Escaping from the school, she hunts up her mother’s crew and breezily commands them out to sea in a leaky boat. Unfortunately, Art’s memories of her early life may not be accurate-her seasick crew are actors, and Art’s infamous mother was the darling of the stage in a pirate drama. But fiery, pistol-proof Art soon shapes her men into the cleverest pirate crew afloat. And when they meet the dread ship Enemy and her beautiful, treacherous captain, Goldie Girl, Art is certain that her memories are real. The Seven Seas aren’t large enough for two pirate queens: Art will have the battle of her life to win her mother’s title – and the race for the most fabulous treasure in pirate lore.

In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malicious being with reality-shaping powers. In this strange and beautiful world – eerily alien, yet hauntingly familiar – Kagan will change from an adolescent outcast to a warrior with god-like abilities and, in the process, take us on an epic and transcendent journey.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch – and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time’s last world, the strangest of all – the Werld.

At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live – and love – at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture – until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth – 130 billion years earlier – where he is shocked to discover that the Earth he’s come back to is not the one he left.

Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth?

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Earth’s last hope?

The Arc, a being of immense power, trapped within a continuum too small, fights for its freedom. Its monumental struggle will touch a few select individuals on Earth – and in doing so, change their lives forever. The Arc may also be the last hope for humanity’s survival.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Through realms of oriental splender and superhuman conflict, a beautiful woman warrior and a fierce man-god journey to challenge a being more awesome than the gods for a magical sword that holds the power of death … and the key to enlightenment.

Judith Moffett returns to the future with this moving tale of the Hefn occupation of Earth and how it affects the planet’s native humans – two in particular: Pam Pruitt, a talented young woman from Kentucky, and Liam O’Hara, whose unique friendship with the Hefn Humphrey saved his life. The two teens journey to a special place in remote Kentucky, Hurt Hollow, where the painter Orrin Hubbell and his wife, Hannah, found a way to live in peace with the planet during the twentieth century. The prospects of living peacefully seem distant for Pam and Liam, both of whom must find peace with themselves as well as with the Hefn Directive. The marvelous events that befall them en route to Kentucky and in the Hollow itself beautifully depict the subtle ways in which the world shapes them, and the stunning ways in which they change the world.

Pennterra is a beautiful and fertile planet and humanity’s last hope for survival. But Pennterra is already inhabited. After warning other colony ships to stay away, the small advance colony of Quakers has adapted to life on Pennterra. Heeding the empathic warnings of the native hrossa, they have settled in a single valley, sharply limited their population, and continued to use no heavy machinery in their building and farming. But surviving under these conditions has left the Quakers little time to learn more about their native neighbors. Catastrophe or peace-Tanka Wakan, the omnipotent master spirit of Pennterra, will decide.

Following a civil war in 1971, England is a dystopia controlled by a ruthless dictator whose fiendish schemes include turning cadavers into robots with the help of Dr. Azimov of Vienna. But the dictator’s plans pale before those of Brenda Norcross, a brilliant and beautiful female industrialist – actually a bioengineered Martian super scientist in disguise – who plans to enslave the entire planet to provide breeding stock for the dying Martian race currently hiding out in the interior of Uranus.

Meet John Grimes at the very beginning of a career that will lead him to fame and glory out at the edge of the galaxy, out where the laws of men are nonexistent, and those of nature itself are sometimes tenuous.

Someday Grimes will be a Commodore in the secessionist Rim Worlds Navy, but for now he is merely a very junior lieutenant in another space navy entirely: that of the Federation. If he keeps his nose clean, one day he can be an admiral in that Service; all he has to do is follow regulations regardless of the consequences, and obey orders regardless of whether they are right or wrong – and he is determined to do just that.

But being John Grimes, he will find it a more difficult task than he expects – especially when he must turn a blind eye to the piratical acts of the Waldegrenese Navy, or ignore the plight of a beautiful damsel in distress. That’s why, although he doesn’t know it yet, he is already on . . . the Road To The Rim.

A selection of John Grimes short stories including:

With Good Intentions
The Subtracter
The Tin Messiah
The Sleeping Beauty
The Wandering Buoy
The Mountain Movers
What You Know

The Far Traveler was hardly the sort of starship to use in the study of lost space colonies. Lost colonies were likely to be desperate, eccentric and otherwise unappreciative. And The Far Traveler was a rich woman’s toy, constructed of gold and directed by an omniscient, dictatorial and feminine computer known as Big Sister.

John Grimes had become that golden vessel’s captain. A captain in name only because nobody could talk back to Big Sister or the haughty beauty who owned everything aboard. But Grimes was a man of many resources and lost space colonies were placed that did not observe the civilized rules. You could be sure, therefore, that the man known as the Commodore Hornblower of Outer Space would be likely to come through okay, even if the ladies – mechanical and physical – never expected him to!

Harry Keogh is moving on. Though the search for his missing wife and child continues, his heart now lies in Edinburgh with Bonnie Jean-a beautiful Scottish werewolf whose friendly pack and flourishing pub have given him a place he can almost call home.

But from the rocky heights of Sicily, the diabolical Francezci brothers plot the wolf-pack’s destruction; and down in the terrible Pit beneath Le Manse Madonie, an ancient evil schemes.

The vampires conspire. They reach a decision. They choose a vector. Mafia thug Mike Milazzo is no good to anyone, anytime, anywhere . . . which makes him perfect. Disposable.

The brothers infect him with a deadly poison-an engineered plague that even a werewolf could never survive-and they offer him a terrible bargain: successfully contaminate the wolf-pack, and receive the antidote. Fail, and die!

Mike has everything to lose. So does Harry Keogh. But the Necroscope lost everything once before, and he isn’t about to do it again…

When J.R.R. Tolkiens The Lord of the Rings was published, reviewers saw that there was only one book with which it could legitimately be compared: E.R. Eddison’s classic fantasy adventure The Worm Ouroboros.

Set on a distant planet of spectacular beauty and peopled by Lords and Kings, mighty warriors and raven-haired temptresses, Eddison’s extravagant story, of a great war for total domination, is an unforgettable work of splendour.

Egil’s Saga is the tale of the long and brutal life of Egil Skallagrimsson, the tenth-century warrior-poet: a morally ambiguous character who was both the composer of intricately beautiful poetry and a physical grotesque capable of staggering brutality. It recounts Egil’s progression from youthful savagery to mature wisdom as he struggles to avenge his father’s exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland.

Translated from Icelandic by the great fantasist, E R Eddison, and accounted by many to be the greatest of the Icelandic sagas, Egil’s Saga is a fascinating depiction of a deeply human character.

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.

The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced ‘Golden People’ (‘God believes they are the most beautiful creatures he ever made,’ a theologian said, ‘and there will be hell to pay when he founds out that we don’t agree.’). And the third child was Inneal who often elicited the comment ‘she’s really something different, isn’t she!’ Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?

When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.

Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a ‘Serpent’s Egg‘ that had to be crushed in the shell for the good of the world?

The Three Days of Summerset, the End of Summer, would give the answer.

Young Ishta found it in the forest, buried beneath dead leaves: a rounded, flattened stone as black as onyx. One side held a golden oval that glowed with a unnatural light. Of course, it had to be magic.

But what did farmers know of magic? It could be dangerous, or it could be some harmless toy. They had to find out.

Since Ishta was too young to bring her discovery to the Baron of Varag’s stronghold, her older brother, Garander, went instead. Once there, Azlia, a beautiful wizard, recognized the stone immediately as Northern sorcery. She had to call Sammel, the local sorcerer, to find out its nature . . . a relic of the last great war.

When the Baron takes the stone for himself, that should have ended things. But it was just the beginning for Garander. Because that magical stone wasn’t the only relic left in the woods…

Don Haig had been content to lie around and drink in the synthetic beauty of the pleasure planetoid Fyon, until a woman came into his life. A woman more beautiful and more perfect than any other female in the galaxy. A woman who brought about a curious change in Don.

For she was a pocket-sized foll – a very strange and miraculous puppet who shed constant tears and held powers that Don never even dreamed of.

But what Don did know was that dangerous alien forces were swiftly focusing on him and his living puppet – and that he had to discover the doll’s super-scientific secret before his own life was smashed into atoms.

BLINDING LIGHT, NOISE BEYOND SOUND – A JOURNEY INTO NOTHINGNESS…

Imperial Intelligence Agent Brion Bayard was catapulted into nothingness by an unknown force and woke to find himself in a universe not his own. Surrounded by hulking, cannibalistic ape men who called themselves Hagroon, Bayard was soon entrapped in a web of time lines. He found himself running from the Hagroon into the arms of Dzok, the educated monkey man of Xonijeel; transported by Dzok to a universe where Napoleon the Fifth was in power and left there to the tender powers of the beautiful witch Olivia; struggling with the bonds of a fictitious past, always striving to regain his lost universe of Zero-zero Stockholm so he could bring the warning which might save his world from sudden, violent death…

Draftsmen can’t fight dragons.

Then again, that’s usually no problem – they generally don’t have to. But Lafayette O’Leary does. When an accidental overdose of self-hypnosis wrenches him out of the dull (but safe) Mrs. MacGlint’s Clean Rooms and Board and deposits him in the feudal, bedragoned world of Artesia, it takes him a little while to catch on, even with the attentions of the beautiful Princess Adoranne. Then he decides that he likes this new life of his – except for the part where he’s supposed to get killed…

‘The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck – It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.’

When Jonathan Harker visits Transylvania to help Count Dracula purchase a London house he is disturbed by the horrifying discoveries he makes in his client’s castle. But worse, Harker’s actions introduce Dracula to London. Soon afterwards, the Count embarks on a reign of seduction and terror. And all, it seems, who encounter the charismatic Eastern European aristocrat – a succession of madmen, physicians and beautiful women – are never seen in daylight again…

Bram Stoker’s DRACULA has inspired countless movies, books, and plays since it’s first publication in 1897. Few, if any, have been fully faithful to Stoker’s original, best-selling novel of mystery and horror, love and death, sin and redemption. But in DRACULA, Stoker created a new word for terror, a new myth to feed our nightmares, and a character who will outlive us all.

What did our ancestors dream of when they gazed up at the stars and looked beyond the present?

A Journey in Other Worlds races far ahead of the nineteenth century to imagine what life would be like in the year 2000. At the beginning of the twenty-first century, Earth is effectively a corporate technocracy, with big businesses using incredible advances in science to improve life on the planet as a whole. Seeking other planets habitable for the growing human population, the spaceship Callisto, powered by an antigravitational force known as apergy, embarks on a momentous tour of the solar system. Jupiter proves to be a wilderness paradise, full of threatening beasts and landscapes of inspired beauty, where the explorers must fight for their lives. Dangers less tangible but equally deadly await the Callisto crew on Saturn, which yields profound secrets about their fate and the ultimate destiny of mankind.