Search Results for: war-of-the-worlds,-the

Award-winning author Michael Moorcock continuously astonishes readers and critics alike with each new literary offering. Revered for his eloquent, lyrical prose, his work is a testament to the emotional power of words. Fabulous Harbors is the second of a three-book set, and is a bridge between the novels Blood and The War Amongst the Angels. Comprised of 11 interlocking tales, Fabulous Harbors takes the reader by the hand and guides him into and through Moorcock’s spectacular expanding multiverse – a luminously realized, richly layered world of fantastic invention and lovingly drawn characters.

Here, in the comfort and peace of Sporting Club Square – an obscure and perhaps magical corner of London that seems oddly immune to the normal effects of time – Begg family patriarch Sir Sexton and various family members and friends gather to swap memories, anecdotes and dreams. Come, sit by the fire and listen to the continuing exploits of the brave Sam Oakenhurst, the mysterious and seductive Rose von Bek, old friend and adventure Jerry Cornelius and Elric, the brooding albino prince of ruins, among others.

Haunting and compelling, Fabulous Harbors is an extraordinary achievement from a true star in the literary firmament.

Servius had always been a faithful servant of the goddess Diana. As a gladiator he had given her thanks for his victories, as a Centurion he had prayed to her on the eve of every battle. When at last the tide of war turned against him he fled to her sanctuary on the shore of Lake Nemi. Here he killed the Priest in order to become the Priest and ever after he lived in fear of being killed himself by the next aspirant for the office. When the fatal battle was fought the dying Servius had a vision of Diana, who made him a strange promise. He would die, yet he would not die. He would live, yet he would not live. When he found himself he would be lost, and when he was lost he would be found.

Servius closed his eyes by the shorts of Lake Nemi and opened them in a strange, frightening world where chariots ran without horses and where men flew inside iron birds. His first problem was to survive. His second was to find his way home!

Art Blastside in her third daring adventure upon the high seas.

It’s been eighteen months since Art’s baby was born: a pretty child called Africa, with Felix’s dark hair and Art’s grey eyes. Now Art, who dreamed of being like her own loving, wonderful Ma, must face up to the fact that she has absolutely no warm feeling for her child. In fact – Art can’t stand her! What’s wrong with her?

Beyond the family lies an unsettled world too. The French are still waging war, and England has fallen out of love with pirates. Piratomania has been suppressed by the government and Art and Felix are evicted from their cliff-top mansion.

The return of Ebad and the new and improved Unwelcome Stranger prompts Art to regroup her ragtag crew and sail once again across the oceans, through wild weather, bizarre places and riotous sea battles, to return to the Treasured Isle and learn the ultimate true secret behind the treasure and the mystery of why Art can’t love her child.

Since time began, twenty Gods have ruled the universe. Though each god possessed different abilities, each was all-powerful within his realm. Now one of the Gods has upset the balance of power, leaving the others scrambling for control in the new order…

Here is the epic tale of the Great War of the Gods – and the proud people upon whom the fate of the world depends. When the God of the desert, Akhran the Wanderer, declares that two clans must band together despite their centuries-old rivalry, their first response is outrage. But they are a devout people and so reluctantly bow to his bidding.

Enemies from birth, the headstrong Prince Khardan and impetuous Princess Zohra must unite in marriage to stop Quar, the God of Reality, Greed, and Law, from enslaving their people.

But can Khardan and Zohra keep from betraying each other? Can their two peoples maintain their fragile alliance until the long-awaited flowering of the legendary Rose of the Prophet?

Against the powerful legions of the evil Amir, Khardan and Zohra fight to save the desert people – a fight unexpectedly joined by an exiled wizard named Matthew and the mysterious powers of his alien land.

Nicole Gunther-Perrin is a modern young professional, proud of her legal skills but weary of childcare, of senior law partners who put the moves on her, and of her deadbeat ex-husband. Following a ghastly day of dealing with all three, she falls into bed asleep – and awakens the next morning to find herself in a different life, that of a widowed tavernkeeper in the Roman frontier town of Carnuntum around 170 A.D.

Delighted at first to be away from corrupt, sexist modern America, she quickly begins to realise that her new world is as complicated as her old one. Violence, dirt, and pain are everywhere – and yet many of the people she comes to know are as happy as those she knew in twentieth-century Los Angeles. Slavery is a commonplace, gladiators kill for sport, and drunkenness is taken for granted – but everyday people somehow manage to face life with humour and good will.

No quitter, Nicole manages to adapt to her new life despite endless worry about the fate of her children “back” in the twentieth century. Then plague sweeps through Carnuntum, followed by brutal war. Amid pain and loss on a level she had never imagined, Nicole finds reserves of strength she had never known.

Killed by the power of the god Zezeth, his true father, Lionwolf has been cast into a bleak and icy hell lit just by a cold blue sun. Here he and others of the living dead must wage endless combat and war, to appease the whim of a deathly King whose face is made of stone. But when Lionwolf encounters the King’s wife, she is none other than the beautiful, god-fashioned Chillel, his own former lover – and nemesis.

As Lionwolf struggles in the toils of Hell, elsewhere in the hell-cold ice-age of the mortal earth, men and women work out their own destinies. An empire has fallen. Ru Karismi, Capital of the Kings, has been abandoned to the poisons of the White Death. Reivers cross the lands of the Jafn and the Ruk, preying wherever they wish.

Against this unsettled backdrop, Jemhara the sorceress determines to save the Magician Thryfe from a dire self-inflicted punishment, and Saphay, now a goddess of the far north, seeks to lead her people to a new world.

Yet Seseth’s violent hadred shadows all – and from the depths of an ice-locked sea his other terrifying son, the mountainous whale-leviathan Brightshade, is once more rising for vengeance…

Wholly Smokes was the last book completed by one of the most original, brilliant and under-rated American writers of the 20th century. Like so many of John Sladek’s earlier books, this is almost impossible to categorize. It’s the non-fiction or non-fact history of General Snuff and Tobacco, a very American tobacco company which seems to have been present at, or had bizarre influence on, many great and not-so-great moments of history.

John Sladek provides his own indescribable clip-art illustrations. As he says in the Introduction:
“The story of GST is also the story of the Badcock family, who owned and operated the company throughout its magnificent history. This book follows that history, stopping to explore a few of its more dazzling events. You will meet the Badcock who kidnapped Pocahontas, the Badcock
who burned London, the Badcock who started the American Revolution, the Badcock who almost killed a president, the Badcock who delivered the real Gettysburg address, the Badcock who wanted to prolong World War One (because he was doing so well out of it), the Badcock who tried to bribe Roosevelt, the Badcock who tried to kill Fidel Castro, and many others . . .”

In the late 1930’s as the threat of war is building in Germany, twelve year old Julia arrives to spend the summer with her famous playwright father, only to find herself alone with Trudl, her Austrian stepmother. With Trudl preoccupied by the plight of her fellow countrymen in Europe, Julia retreats into the scary Gothic novels left behind by her older siblings, and becomes haunted by dreams of Joshua Harken, the notorious alchemist who built the 17th century house, and then disappeared, accused of murder. Even after she joins forces with local boy Tim Bellyap to investigate the stories of Joshua’s ghost, she is afraid to tell anybody about the terrifying voices coming unbidden from somewhere inside her chest…

In a compelling exploration of loneliness and adolescent insecurities, peopled by ghosts from the old house, this is the powerful story of Julia’s awakening from her nightmare world.

Also published as Voices, and set in Joan Aiken’s own supposedly haunted childhood home, Jeake’s House in Rye, Sussex, this Y.A. ghost story draws on some of her own childhood memories to create an unusual thriller.

“When reduced to its essence, Julia’s story may not be so very different from that of Aiken’s Wolves Chronicles heroine Dido Twite: each girl must cope with a distant, unreliable father and learn to survive in a world peopled with self-absorbed adults. It is the exploration of these issues, even more than the fine storytelling, which makes this novel so compelling” Publisher’s Weekly
“Joan Aiken is the godsend to children who are at the age when they read as if there were no tomorrow” Washington Post

“An entertaining read, for readers who like to read suspenseful ghost stories with a hint of real menace. The ghostly elements of this story are nicely mirrored by the historical menace of the times, as Julia ruminates on the dangers of Hitler, whom she sees as a sort of spider, spreading his web out over Europe” Goodreads reviewer

Harry Keogh, the Necroscope, the man who can talk to the dead, the Earth’s greatest vampire hunter, has been searching for his wife and infant son, gone missing during Harry’s war against the vampires. This obsession has left him open to subtle influence by an ancient vampire, Radu. Entombed in amber, trapped in undeath, Radu plans for his resurrection and plots the destruction of other vampires who might challenge his supremacy.

Thus, Radu’s enemies are now Harry’s – and Harry cannot properly defend himself. His powers – his deadspeak and his ability to transport himself through the Mobius Continuum – are locked away in the recesses of his vampire-clouded mind.

But Harry is not without allies, living and dead. E-Branch, the psychic spy organisation, is worried about Harry. So is Harry’s long-dead Ma, and the ancient philosopher and prophet Nostradamus, whose centuries-old quatrains make eerie sense in the modern world.

Right now, Harry Keogh doesn’t even know he’s the Necroscope. But Earth’s teeming dead won’t let him forget them for long – and won’t let him forget that Radu and his vampire kind are humanity’s deadliest enemies.

Centuries after Connavar’s triumphant battles against the invading army of Stone gained the Rigante their freedom, the clan finds itself oppressed once again. Magic that once flourished has been all but snuffed out. The Varlish king and his barons have stolen Rigante lands and robbed the people of their culture and liberty. From the Rigante’s former seat of power the black-hearted Moidart rules; only in the north are the clansmen free. There, in the Druagh mountains, the magic still reigns, strengthened by bold, brilliant victories of the outlaw leader known as Ravenheart. In the south, civil war has drenched the land in blood, and the armies of destruction are slowly creeping north where Ravenheart waits, believing the armies of hated Moidart will come, led by the brutal ruler’s only son, Stormrider.

Ravenheart and Stormrider: enemies of uncommon courage, are unaware that the fate of their world lies in their hands. Both are destined to be heroes, but one of them is doomed. For a secret lost in the uncharted past has returned to haunt these two warriors as they face, not only the malice of powerful men, but the vengeance of an ancient evil, rising from the bloodshed to slake its thirst. As immense armies of darkness advance, it seems as if nothing will stop them. They crush their enemies with ease, until only a few thousand highlanders stand before them, with no help in sight.

But these are not ordinary men. They are clansmen, and more than that, they are Rigante.

Read by Adjoa Andoh
(p) 2017 Orion Publishing Group

Better to be a queen than a pawn…

Kate Mossland is an ordinary teenager in a strange and dangerous land. She has crossed the gordath, the portal between our world and Aeritan, and may never go home again. She has accepted her new life as foster daughter to Lord Terrick and is engaged to be married to his son Colar, a young noble whose life she saved and whom she loves.

But all is not easy in the House of Terrick. The servants distrust her, the men-at-arms disdain her, and learning how to be a great lady is harder than it looks. Every misstep brings her closer to ruin, and Kate must walk a fine line between independent teen and modest noblewoman.

When the youngest son of Lord Terrick is kidnapped by armed thugs, Kate and a mysterious young girl named Ossen make a daring rescue. But her unladylike courage only strengthens her enemies’ hatred.

Then in a single blow Kate learns that her life is truly not her own. As Aeritan teeters on the brink of war, and promises once made are so easily broken, Lord Terrick demands that Kate submit to a new role.

But Kate is not so easily managed. Together with Ossen and the girl’s rough and roguish brothers, she leaves the protection of the only House she has known in Aeritan to choose her own path and find her true home.

As a boy Phil Benson tried to summon up an enthusiasm for baseball. He could see that his real passion, classical music, was considered somehow subversive – not really American. That is why Mr Tackett’s became such a haven for him. Away from the uninspiring pitch and the disapproving ear of his father at home, Phil found at his piano teacher’s a sanctuary for his musical conspiracy with the universe to flourish.

Katie Doheney was the victim of another sort of conspiracy – or so she was convinced from the first brush of her childhood logic with the real-life spectacle of death in a road accident and the image of the Hiroshima mushroom on television. The threat of nuclear holocaust stalked Katie’s every moment. Meanwhile Katie stalked Phil Benson.

By the time Phil was ready to go East and make everyone proud of him, no ordinary bond had grown up between Katie and himself. They understood each other’s obsessions. Phil’s keyboard was Katie’s bomb shelter and from Cuban missile crisis to the raid on Tripoli the curious duet played on.

Leigh Kennedy’s disarming and irresistible novel follows Katie into unlikely matrimony and Phil into the arms of a gun-toting St Louis actress. But that’s the least you would expect from two people who alone, as far as we know, have already been through World War Three.

In every mouse’s long life, there comes a time when ancestral voices tell him to move on. Pedlar, a yellow-necked mouse, has reached that point. Told to leave the Hedgerow and go on a long journey, the adventurous mouse says his farewells and sets out for a far-distant country knows as The House. Reaching his destination, Pedlar enters a strange new world inhabited by many warring tribes: the Stinkhorns of the cellar, the great Savage Tribe in the kitchen, the library Bookeaters, the Invisibles, the Deathshead and the rebellious 13-K Gang.

During his stay, Pedlar witnesses a momentous truce, in which the tribes come together at an Allthing meeting and decide to rid themselves of the greatest pests in The House, the greedy, stupid nudniks – the humans. And so the Great Nudnik Drive is set in motion, a time of considerable anxiety for the nudniks, when clocks strike twenty and inanimate objects seem to have a life of their own. Ranged against the mouse tribes are the nudniks’ allies: the two cats, Eyeball the Burmese blue and Spitz the ginger tom; the Headhunter, a barbarian human child; and Little Prince, the Headhunter’s cannibalistic pet white mouse. The House becomes a hotbed of riot and discord, until Pedlar finally comes up with a solution. The outcome of this heroic struggle has gone down in the annals of mouse history, a history tens of thousands of days long, and the whole remarkable tale is recorded here, between these pages.

From the vaults of The SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal introduction to the work of the award-winning Bob Shaw. Best known for his extraordinary novel of ‘slow glass’, Other Days, Other Eyes, Bob Shaw was a fan favourite at conventions for his hysterical ‘serious scientific talks’. This omnibus contains three of his finest works: Orbitsville, A Wreath of Stars and The Ragged Astronauts.

Orbitsville:
Racing from the certain vengeance of Earth’s tyrant ruler, space captain Vance Garamond flees the Solar System. And discovers the almost unimaginably vast spherical structure soon to become famous as ‘Orbitsville’ – a new home for Earth’s huddled masses.

A Wreath of Stars:
Thornton’s Planet is an anti-neutrino planet detected on its approach to Earth. It can be seen only through the newly developed magniluct lenses and its arrival causes a wave of panic. When its course carries it past the earth, interest in Thornton’s Planet wanes. But the visit of Thornton’s Planet has had effects on Earth further-ranging than anyone could have imagined.

The Ragged Astronauts:
Land and Overland – twin worlds a few thousand miles apart. On Land, humanity faces a threat to its very survival – an airborne species, the ptertha, has declared war on humankind, and is actively hunting for victims. The only hope lies in migration. Through space to Overland. By balloon.

The Gods and Goddesses of Ancient Greece and Rome had returned to Earth – with all their awesome powers intact. Overnight, Earth was transformed. War on any scale was outlawed, along with boom-and-bust economic cycles, and prudery. No change was more startling than the face of New York, where the Empire State Building became the Tower of Zeus.

In this totally altered world, William Forrester is an acolyte of Athena, Goddess of Wisdom, and a teacher of history. Only Maya Wilson, one of his students and a worshipper of Venus, Goddess of Love, had a different sort of grading in mind. Maya is the first of the many Trials of Forrester, every bit as mighty and perilous as the Labors of Hercules. In love with Gerda Symes (like him, a devotee of Athena and a frequenter of the great Temple of Pallas Athena – formerly known as the 42nd Street Library) and dedicated to the pleasures of the mind – Forrester falls under the soft, compelling pressure of soft, compelling devotees of Venus and Bacchus. He’s going to be in need of all the strength that he and his Goddess, the beautiful and intellectual Athena, can muster!

Into this sensuous strife stride the Temple Myrmidons – religious cops sworn to obey orders without question or hesitation – with a pickup order for William Forrester. Where he is taken, what happens to him, and the truly fantastic discoveries he makes about himself and the Gods and Goddesses … here are the ingredients that make up this science fiction novel of suspense, intrigue, mystery and danger!

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind’s reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms.

The reborn children of Earth are told: “You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way.” Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous.

Author’s Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction’s sub-genre: “space opera,” which the editors David G. Hartwell and Kathryn Cramer define as “colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes.”

Edgar Pangborn studied music at Harvard when just 15 years old, eventually turned his back on music to focus on his writing. He flourished in the early ’50s, producing a string of highly-regarded stories for the likes of Galaxy, The Magazine of Fantasy and Science Fiction and Ellery Queen’s Mystery magazine. His work helped establish a new ‘humanist’ school of science fiction, and has been cited as an influence by Ursula Le Guin. This omnibus contains the Hugo-shortlisted Davy, International Fantasy Award-winner A Mirror for Observers and story collection Good Neighbours and Other Strangers.

DAVY: A HUGO and NEBULA AWARD nominee, this post-apocalyptic science fiction novel is Pangborn’s most acclaimed. It is set in the Northeastern United States some centuries after an atomic war ended high-technology civilization. Davy comes of age in a pseudo-medieval society dominated by a Church that actively suppresses technology.

A MIRROR FOR OBSERVERS: The Martians, long exiled from their home planet, have for millennia been observers of the world of men. Forbidden by their laws to interfere with human destiny, they wait for mankind to mature. From the turmoil of mid 20th-century America, word comes to the Observers that one their renegades is hoping to encourage humanity in its headlong rush to self-destruction through the corruption of a single rare intellect. The struggle between Observer and Abdicator for the continuance of the human species is one of the classic conflicts in the annals of science fiction.

GOOD NEIGHBORS AND OTHER STRANGERS: A collection of short stories reflecting Pangborn’s fresh writing style and mastery of the short form.

These stories which have never been brought together before are taken from Joan Aiken’s earliest writing years in the 1950s and 1960s when she was working for the English short story magazine, Argosy where they were first published. They demonstrate her wide ranging stylistic ability, with subjects as diverse as a rented apartment that comes with a resident swan, a man who buys a girl in a crystal ball, an invisible man-eating tiger, or a psychiatric patient who can always, sometimes unfortunately, conjure up a 93 London bus.


All these ideas seem to pour out of an endless imagination, making bold use of eccentric and unexpected settings and characters, and at the same time demonstrating an evident delight in parodying a variety of literary styles from gothic to comedy, fantasy to folk tales selected from her incredible reading background. But Joan Aiken always repudiated the suggestion that she was “a born storyteller” she would always argue furiously that it was a craft, like oil painting or cabinet making that she had learned, practiced and developed over the years. She described this period of her life as a single-minded engagement with the writer’s craft; and her grasp of the short story form as the foundation of her literary career.

What is far from apparent from these wildly inventive and freewheeling tales, is that this was in fact a bitterly difficult period of Joan Aiken’s life, when not long after the end of the Second World War she was left widowed and homeless with two young children. Having made the brave decision to try and support herself and her family by writing, she applied for a job on this popular short story magazine. In many ways, as she often said subsequently, this period spent working at Argosy could not have been bettered, both as a wonderful distraction and consolation during a bad time, and as an unbeatable apprenticeship in the craft of writing.

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, “Cass,” which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.
My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.

Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. “Thos,” which most of my Oxford friends adopted. “Thos,” of course, is an abbreviation for Thomas, and refers to the “doubting Thomas” of the New Testament.

Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.

The head of the following bulky letter bears the address of a well-known mental home.

“THOS.”