For eons, the Amplitur had searched space for intelligent species, each of which was joyously welcomed to take part in the fulfillment of the Amplitur Purpose. Whether it wanted to or not. When the Amplitur and their allies stumbled upon the races called the Weave, the Purpose seemed poised for a great leap forward. But the Weave’s surprising unity also gave it the ability to fight the Amplitur and their cause. And fight it did, for thousands of years.
Will Dulac was a New Orleans composer who thought the tiny reef off Belize would be the perfect spot to drop anchor and finish his latest symphony in solitude. What he found instead was a group of alien visitors – a scouting party for the Weave – looking for allies among what they believed to be a uniquely warlike race: Humans.
Will tried to convince the aliens that Man was fundamentally peaceful, for he understood that Human involvement would destroy the race. But all too soon, it didn’t matter. The Amplitur had discovered Earth…
They came to destroy! The treacherous Falcons, uniformed in the black leather tunics of the fanatic Secular Arm, descended on Corlay to burn and kill. Commanded by Lord Constant, ruler of the Seven Kingdoms, they were determined to crush the religious heresy of Kinship. But a new dream rose from the ashes. When four Kinsmen escaped the carnage of their beloved land, each helped to fulfill the miracle that had been foretold: the coming of the Child of the Bride of Time.
The year is 2032 A.D. The Gloria Mundi, a star ship built and manned by the new United States of Europe, touches down on the planet, Alatair Five.
Disaster strikes, leaving only one apparent survivor – an Englishman named Paul Marlow, whose adventures in the lair of the strange primeval race known as the Bayani leads him firstly to their God, the omnipotent and omniscient Oruri, and eventually to an unlimited power that is so great it must include an in-built death sentence. The forces that have remained static for centuries overcome both the forces of the future and the quest for unlimited knowledge.
Science has come to humanity’s rescue with two crucial discoveries – antigravity devices that enable whole cities to be lifted from the Earth to become giant spaceships, and longevity drugs that allow their inhabitants to live for thousands of years – lead to the establishment of a unique Galactic empire.
Now, the earth’s cities are able to abandon the worn-out homeworld for a new life, a new future. But what will they find as the hurtle off into the depths of space . . . ?
The Martians, long exiled from their home planet, have for millennia been observers of the world of men. Forbidden by their laws to interfere with human destiny, they wait for mankind to mature.
From the turmoil of mid twentieth-century America, word comes to the Observers that one of their renegades is hoping to encourage humanity in its headlong rush to self-destruction through corruption of a single rare intellect. The struggle between Observer and Abdicator for the continuance of the human species is one the classic conflicts in the annuals of science fiction.
Young Jim diGriz has but one ambition in life – to become a master criminal, perhaps the greatest that his backwater homeworld, Bit O’Heaven, has ever seen. So that he can learn the ropes, he has to mix with the right people – or rather the wrong people. And for this kind of on-the-job training the best place to meet the worst villains is in prison. But even for a customer as slippery as Jim, getting behind bars isn’t easy.
So Jim does a bank job, very badly, with the avowed intention of getting himself nicked . . .
The first coming was the Man:
The second was Fire to burn Him;
The third was water to drown the Fire;
The fourth is the Bird of Dawning.
Twenty years have passed since the martyrdom of the Boy-piper at York, twenty years in which his legacy, the movement of Kinship, has challenged the tyranny of the Church Militant in Britain’s seven island kingdoms.
Now his namesake, Tom, bearing the Boy’s own pipes and perhaps himself imbued with the spirit of the White Bird, is wandering Europe in company with the girl, Witchet. But disaster overtakes them and Tom, in a furry of vengeance, breaks his vow of Kinship.
A terrible path lies before him, one that transcends his own world. As he travels it, Tom must come to understand the true nature of the wild White Bird, of The Bride of Time and her Child, and of the Song the Star Born sang.
Three thousand years after Earth’s colonization of the planet Borthan, stories of self-serving hypocrisy that occurred among the first arrivals have bred a culture that forbids emotional sharing and denies the naturally human concept of ‘self.’ The result is a lasting peace, but at a terrible price. For it is a peace without love, without self, where even the mention of the word “I” is taboo.
Spurred on by the arrival of an Earthman with a self-baring drug, Kinnall Darival breaks the strict code of the Covenant to record the sordid details of his rebellious life from the days of his royal youth to self-appointed prophet of love. He begins his account with the greatest of heresies:
‘I am Kinnall Darival and I mean to tell you all about myself.’
Winner of the Nebula Award for best novel, 1971
Thornton’s Planet is an anti-neutrino planet detected on its approach to Earth. It can be seen only through the newly developed magniluct lenses and its arrival causes a wave of panic.
When its course carries it past the earth, interest in Thornton’s Planet wanes.
Then comes news from the African state of Barandi. Miners wearing magniluct lenses have seen ghosts in the mine passages. The visit of Thornton’s Planet has had effects on Earth further-ranging than anyone could have imagined¿
Earth is destroyed in a collision with the rogue planet Bronson Alpha, with about a year of warning enabling a small group of survivors to build a spacecraft and escape to the rogue planet’s moon. Continuing the story of When Worlds Collide, the novel tells of the survivors’ progress on their new world, Bronson Beta, and their conflict with other groups of survivors.
Otto McGavin is peaceful and idealistic by nature, an Anglo-Buddhist, who seeks employment with the Confederación because he believes in it and its mission to protect the rights of humans and nonhumans. The only problem is that the Confederación needs him as a Prime Operator for its secret service, the TBII, and the TBII wants Otto as a spy, a thief and an assassin.
It’s not, of course, a problem for the Confederación, which simply uses immersion therapy and hypnosis for Otto’s training, and then sends him out in deep cover on a variety of dangerous missions on a number of bizarre worlds.
But for Otto, it’s a different matter: what he has to witness and what he is forced to do take a terrible toll on him . . .
You need to be rich to survive at all. But it’s easier to be dead than poor.
Twenty-first-century New York. It’s a nightmare. Reaganomics has gone mad. There’s murder and mutilation on the bombed-out streets and in the corporate conference rooms. Manhattan is a zoo. There’s guerrilla war on Long Island.
Seamus O’Malley is a bodyguard and assassin in the outrageously powerful Dryco organisation, and he’s in deep trouble. Taking the job sounded like a good idea at the time. Falling in love with his employer’s mistress, Avalon, probably wasn’t so bright. Getting caught up in the Dryden family’s crazy rivalries didn’t help. Agreeing to murder the Old Man was plain stupid. And getting involved with the Ambients could only complicate matters further.
Before long, O’Malley’s on the run, and there’s nowhere safe to hide.
The universe is dying; at the End of Time the last remnants of Humanity live amoral lives of decadence, constantly seeking new diversions and sensations. So when Mrs Amelia Underwood is mysteriously transported to the End of Time Jharek Carnelian decides to fall in love with her, but when Amelia returns to her own period of history, Jherek follows her and finds himself plunged into the strange world of Victorian London.
Jack Chatwin has visions, which leave tangible evidence – sounds and smells, which linger afterwards. What he sees are two primitive figures, with painted faces – Greyface and Greenface, a brother and sister. He calls them bullrunners.
John Garth is a city dowser, searching for the mythical pre-Roman city of Glanum. He hopes to find an entryway to the elusive city beneath Exburgh, Jack’s home town. And he thinks Jack’s bullrunners may be connected to Glanum . . .
Years later, Jack, now grown up, agrees to take part in experiments to investigate his bullrunners – until Greyface, the male, breaks free of Jack and takes corporeal form. The bullrunner kidnaps Jack’s young daughter so Jack will force Greenface to follow her brother-husband, even against her own wishes. Though Greyface returns the daughter, he keeps a shadow of her, which takes on a life of its own. If Jack refuses to co-operate, the shadow will drain his daughter’s vitality and personality – and her very future.
The story of Jack’s search for Greenface is interwoven with the connections between the bullrunners and the mystical city of Glanum in this resonant tale of ancient mythic wonder.
This gracefully written sequel to Golden Witchbreed powerfully depicts the impact of a high-technology civilization on a decaying planet. Ten years after having served as Earth’s first envoy to Orthe, which is struggling to survive after a planetwide holocaust millennia ago, Lynne de Lisle Christie returns there as an advisor to PanOceania, one of Earth’s giant multinational companies, which is seeking to discover the technological secrets of the Goldens, the ruling race that had destroyed itself while almost obliterating Orthe. Christie seeks to help the native people, some of whom have been her friends, some her enemies, but all closely bound in her memories and loyalties. Instigated by the last of the Golden, a madwoman seeking domination, war between the poor and starving hiyeks of the Desert Coast and the land-loving telestres of the north is aggravated by smuggled high-tech weapons. Christie, while holding a dreadful secret from the Orthe’s past, attempts to mediate. Gentle creates moving, different, yet recognizable societies and people that catch the reader’s emotions as they struggle to save themselves.