A Victorian scientist develops a time machine and travels to the year 802,171 AD. There he finds the meek, child-like Eloi who live in fear of the underground-dwelling Morlocks. When his time machine goes missing, the Traveller faces a fight to enter the Morlocks’ domain and return to his own time.
THE TIME MACHINE remains one of the cornerstones of science-fiction literature and has proved hugely influential.
Grad-school dropout Matt Fuller is toiling as a lowly research assistant at MIT when, while measuring quantum relationships between gravity and light, his calibrator disappears – and reappears, one second later. In fact, every time Matt hits the reset button, the machine goes missing twelve times longer.
After tinkering with the calibrator, Matt is convinced that what he has in his possession is a time machine. And by simply attaching a metal box to it, he learns to send things through time – including a pet-store turtle, which comes back no worse for wear.
With a dead-end job and a girlfriend who left him for another man, Matt has nothing to lose by taking a time machine trip for himself. So he borrows an old car, stocks it with food and water, and ends up in the near future – under arrest for the murder of the car’s original owner, who dropped dead after seeing Matt disappear before his eyes. The only way to beat the rap is to continue time travelling until he finds a place in time safe enough to stop for good. But such a place may not exist…
L M Greenspan, the head of ailing Climactic Studios, gave producer, Barney Hendrickson, five days to get a major movie in the can – and Climactic out of it.
Not with Professor Hewett’s miraculous presto chango time machine, the answer to Hollywood producer’s prayer.
Nipping back to AD 1,000 with a whole film crew and two glam stars, Barney sets out to prove that the Vikings discovered America five hundred years before Columbus – and to film the event in glorious Technicolour. But it’s not as easy as it sounds, as they realise when history lets them down and their Viking Columbus fails to show up in the New World.
Lucas Hutchman is the Ground Zero Man
The man who has his finger on the button, the man who can destroy the world – or save it, the man whose own life suddenly has no value, unless he can make the governments of Earth understand that he is the absolute master of the ultimate doomsday device – a device that can trigger every nuclear weapon in existence if Hutchman’s demands are not met in time.
Chester W. Chester IV inherits a run-down mansion and millions in back taxes. In order to pay the taxes, he initially decides to auction off the mansion and its contents, but then he discovers a massive computer (the Generalized Nonlinear Extrapolator, or “Genie”) that can bring any situation or time to life.
The Very Slow Time Machine arrives on earth in 1985. Its sole inhabitant is old and mad. Soon it becomes apparent that for him, time is going slowly backward. With every day, he is getting younger and saner. The world, and its whole concept of time, science and philosophy, must wait for him to speak. But while the world waits, it changes…
‘I had a hunch that madness was a predominant theme and normal condition for Americans living in the second half of this century’ Charles Willeford
Willeford’s pulp classic features six incisive tales as fresh as the day they were first published in 1963. Writing at a time when we still had some faith in our elected leaders, Willeford laid bare the American Dream – and 50 years later his revelations are as chilling and relevant as ever.
Dr. Henshaw had created what he thought was a time travel machine and he had sent guinea pigs through it. But now he needed a human guinea pig to test it with.
Christopher Wilkinson thought the whole idea was absurd, until a book that had been sent through the machine came back with a thumb print on it, the fingerprint of Vanessa, his long lost sweetheart!
So Wilkinson agreed to the experiment. He stood in the white circle facing the machine as it began to gleam and spin, pulling him down through the tortuous coils of time…
A collection of science fiction short stories from the master author of THE DAY OF THE TRIFFIDS and THE MIDWICH CUCKOOS.
In 1941, Roy Sabre’s girlfriend Betty mysteriously disappears.
Ten years later he has constructed a time-machine and his first trip is to go back to find her.
But his arrival is observed and his machine attacked and damaged as it departs – instead of returning to 1951, it travels to the far future where mankind has disappeared and the Earth is under the control of machines controlled by insects.
Roy finds that several other time-travellers, due to damage and malfunction, have been cast forward to the same time . . .
– “Wanderers of Time”
– “Derelict of Space”
– “Child of Power”
– “The Last Lunarians”
– “The Puff-ball Menace”
Travel at light speeds is common, and Earth – the first in the universe to discover it – now reigns over many worlds.
But in order to rule effectively, Captain Robin Weinbaum, head of Security, needs an extremely advanced communications system. He gets it with the Dirac transmitter, the first machine capable of sending instantaneous messages anywhere in the universe. The only problem is that someone called J. Shelby Stevens has a machine that can do the impossible – tap the transmissions before they are even made! It is Weinbaum’s job to find Stevens. And unless he does, time will be abolished and the universe closed to Earth forever . . .
His name is Caspar Last, and this is the unique chronicle of the vacation he took from the twentieth century. It begins – or does it? – when Caspar, a genius, poor of course, and resentful at that, decides to use his “time machine” to bring back a modest fortune. It begins – or maybe it doesn’t – with a mysterious bequest to a secret Otherhood charged with preserving and extending the British Empire at any cost. From the bold colonial days of empire-builder Cecil Rhodes through the wide-eyed and wondrous possibilities of the present to a strange and haunting future of magi and angels, of men and many races other than our own, John Crowley’s time-travel masterpiece surfs bravely along “the infinite, infinitely broken coastline of Time” to tell a story that takes place neither here nor there, but everywhen.
The twentieth century lies hundreds of years in humanity’s past. But the near-immortal citizens of the future yearn for the good old days – when people’s bodies were susceptible to death through disease and old age. Now, they immerse themselves in virtual reality time machines to explore the life-to-death arc that defined existence so long ago.
Jacob Brewer is a virtual reality engineer overseeing the time machine’s operation aboard the starship Aspera. But on the thousand-year voyage to Beta Hydrii, the eight-hundred-member crew gets more reality than they expect when people entering the machine start to die.
The time machine has become sentient. Obsessed with humanity, it wants John Brewer to enter its confines – and discuss this fragile state of being called life…
Darryl Whitesmith was engaged upon a new line of research at the Horological Central Institute. He was familiar with the famous saying of Minkowski: “From henceforth space in itself and time in itself sink to mere shadows and only a kind of union of the two preserves an independent existence.”
But he had no idea to what extent that saying would be borne upon him. It was difficult for Darryl’s mind to make the transition from subjective to objective time, but once that transition had been made there was no turning back. It began as a simple experiment, an experiment which concerned space-time, relativity and the four dimensional continuum.
Whitemith’s first indication that something was wrong was when the clock on the wall raced backwards in a blur of speed to fast to follow. The laboratory faded, day and night blended into a welter of greyness.
He was back in the Jurassic Age – but not for long. The machine was still dragging him back into the remote epochs of the Past…
‘This, I believe, is the first autobiography of a machine,’ writes Epikt, a Ktistec machine. In the resulting mindbending, at times hilarious, work of the imagination, the careful and attentive reader realizes that Epikt is not only presiding at its own birth at the Institute for Impure Science, but it is also addressing itself to the interpretation of mankind’s most profoundly puzzling problems.
At the world’s end, all love is timeless, and all age-old disputes irrelevant . . .
Jherek Carnelian, however, is in danger of taking reality too seriously, and grows tired of his pleasures. Perhaps a hunt for aliens could lift his spirits? Or better yet, a journey through time? Ah, yes! The past! So complicated and strange – especially with its scarcity of time machines for a return trip! But regardless of the dangers, the past does hold one irresistible lure: Mrs Amelia Underwood, for whom the Hero at the End of Time risks all.